Problem with Gaussian blur filter

Similar Questions

• PHOTOSHOP CC - problem with the LIQUIFY filter

  After the last update of Photoshop CC, liquefy filter stop works well

  Is one of my favorite filters, how can I solve this problem?

  It is possible to regress to an earlier version of photoshop CC?

  Hi alexstaffa,

  The problem with the Liquify Filter has been fixed in the last update.

  You can download CC2015.1.1 from this link and install it: keeping up to date of Photoshop

• I have a problem with the Liquify Filter

  I have a problem with the Liquify Filter.

  After you make the corrections in PS 2015.1 release seems to me the area I made the corrections made as if she was overexposed

  I apologize for my English

  Known issue. Adobe work on a fix. No ETA when the fix will happen.

  In the meantime, you have several options, in successive order, based on the convenience of quality of life:

  • Hold down the ALT (Opt on Mac), click and hold the filter in the menu bar > drag on toward the bottom to liquefy > release. This temporarily disables the GPU acceleration. Note that it will take more time for your images to deal with but they will treat as before.
  • Use the 8-bit instead of 16-bit images images.
  • Click Edit > Preferences > Performance and disable your GPU in the upper right, under "Settings of the graphics processor." Note that this will disable the GPU acceleration in all areas in Photoshop; you need to return to reactivate it to other filters.
  • Use a previous version of Photoshop.

• Problem with the radial filter, I can´t see the elliptical marquee

  Hello! I have a problem with the radial filter, I can´t see the edge, the elliptical marquee when I select, the effect so I can´t change the Center or the size. How can I see it again? Thank you

  Press the "H".

• problem with tabs and filter the lines of memory cache

  Dear all I have a problem with the oaf page has two tabs under two of them consists of a table and add the button to the row. Second tab, it's a detail of the first tab, which means that each line in the first tab may refer to one or more lines in the second tab, my problem is when I add the line in the first tab and go to the second tab to add lines to this line of the display of the page added all lines not only the matching lines.

  my code:

  1 - controller

  When press Tab of Lot lines (partial action)
  If (goLotsTab".equals (pageContext.getParameter (OAWebBeanConstants.EVENT_PARAM))) {" "}

  String trxLineId = "38";//row.getAttribute("TrxLineId").toString(); "
  AddLotParam serializable [] = {trxLineId};
  am.invokeMethod ("getTrxLot", addLotParam);
  }
  What press Add button lines of lots (partial action)
  If (addLot".equals (pageContext.getParameter (OAWebBeanConstants.EVENT_PARAM))) {" "}
  String trxLineId = "38"; row.getAttribute("TrxLineId").toString ();
  AddLotParam serializable [] = {trxLineId};
  am.invokeMethod ("addTrxLot", addLotParam);
  }

  When press Add a tab line (partial action)
  If (addLine".equals (pageContext.getParameter (OAWebBeanConstants.EVENT_PARAM))) {" "}
  am.invokeMethod ("addLine", params);
  }

  Methods 2 - am

  public void getTrxLot (String pTrxLineId)
  {
  OAViewObject vo = (OAViewObject) getXXSiteLotsVO1 ();
  LinVo OAViewObject = (OAViewObject) getXXSiteLineVO2 ();

  Line linRow = linVo.getFirstFilteredRow ("SelectLineFlag", "Y");
  pTrxLineId = linRow.getAttribute("TrxLineId").toString ();

  If (!) VO.isPreparedForExecution ())
  //{
  try {}
  String existringWhereClause = vo.getWhereClause ();
  vo.setWhereClauseParams (null);
  vo.setWhereClause("trx_line_id=:1");
  vo.setWhereClauseParam (0, (pTrxLineId) Number);
  vo.executeQuery ();
  vo.setWhereClauseParams (null);
  vo.setWhereClause (existringWhereClause);
  }
  catch (Exception exceptionl)
  {
  throw OAException.wrapperException (exceptionl);
  }

  // }
  following line is commented, but I think that it will contribute to the memory of the filter
  cached data to be mapped.

  Rank [] lotRows = vo.getFilteredRows ("TrxLineId1", pTrxLineId);
  }

  /////////////////////////////////////////////////////////////////
  public void addTrxLot (String pTrxLineId)
  {
  OAViewObject vo = (OAViewObject) getXXSiteLotsVO1 ();
  LinVo OAViewObject = (OAViewObject) getXXSiteLineVO2 ();

  Line linRow = linVo.getFirstFilteredRow ("SelectLineFlag", "Y");
  pTrxLineId = linRow.getAttribute("TrxLineId").toString ();

  If (vo.getFetchedRowCount () == 0) {}
  vo.setMaxFetchSize (0);
  // }

  VO. Last();
  VO. Next();
  Line = vo.createRow ();
  row.setAttribute ("TrxLineId", pTrxLineId);
  vo.insertRow (row);
  row.setNewRowState (Row.STATUS_INITIALIZED);
  }

  

  OK, I'll share my latest code using other

  public void createTransaction() {}

  OAViewObjectImpl vo = getXXSiteHeaderVO1();

  If (! vo.isPreparedForExecution ()) {}

  vo.executeQuery ();

  }

  If (vo.getFetchedRowCount () == 0)

  {

  vo.setMaxFetchSize (0);

  }

  String status = "incomplete."

  OADBTransaction txn = (OADBTransaction) getOADBTransaction ();

  • oracle.jbo.domain.Date currentDate = txn.getCurrentUserDate ();

  Line = vo.createRow ();

  row.setAttribute ("TrxStatus", status);

  1. row.setAttribute ("TrxDate", currentDate);

  vo.insertRow (row);

  row.setNewRowState (Row.STATUS_INITIALIZED);

  }

  {} public void addLine (String pTrxHeeaderId)

  OAViewObject vo = (OAViewObject) this.getXXSiteTrxVL1 () .getDestination ();

  VO. Last();

  VO. Next();

  Line = vo.createRow ();

  int linNum = vo.getFetchedRowCount () + 1;

  row.setAttribute ("TrxHeaderId", pTrxHeeaderId);

  row.setAttribute ("LineNum", String.valueOf (linNum));

  row.setAttribute ("SelectLineFlag", "Y");

  vo.insertRow (row);

  row.setNewRowState (Row.STATUS_INITIALIZED);

  }

  Public Sub getTrxLot()

  {

  LinVo OAViewObject = (OAViewObject) this.getXXSiteTrxVL1 () .getDestination ();

  Line linRow = linVo.getFirstFilteredRow ("SelectLineFlag", "Y");

  String pTrxLineId = linRow.getAttribute("TrxLineId").toString ();

  linVo.setCurrentRow (linRow);

  OAViewObject vo = (OAViewObject) this.getXXSiteLineLotsVL1 () .getDestination ();

  }

  Public Sub addTrxLot()

  {

  LinVo OAViewObject = (OAViewObject) this.getXXSiteTrxVL1 () .getDestination ();

  Line linRow = linVo.getFirstFilteredRow ("SelectLineFlag", "Y");

  String pTrxLineId = linRow.getAttribute("TrxLineId").toString ();

  linVo.setCurrentRow (linRow);

  OAViewObject vo = (OAViewObject) this.getXXSiteLineLotsVL1 () .getDestination ();

  VO. Last();

  VO. Next();

  Line = vo.createRow ();

  row.setAttribute ("TrxLineId", pTrxLineId);

  row.setAttribute ("RowKey", new oracle.jbo.domain.Number (1));

  vo.insertRow (row);

  row.setNewRowState (Row.STATUS_INITIALIZED);

  }

• Bug of GPU rendering with Gaussian blur effect

  Hello!

  I've got first Pro CC 10.3.0 and eveytime I try to export a sequence that have a Gaussian blur effect, make a lot of bug.

  See the video below:

  When I choose to return with "Mercury playback engine", the bug is no longer here.

  Please help me!

  I use a MacBook Pro (retina, mid-2014)

  2.5 GHz Intel Core i7

  NVIDIA GeForce GT 750M 2048 MB

  Thank you

  Hi BrunoFlorin,

  Please check the version of the CUDA driver available to you?

  Thank you

  Ilyes Singh

• How to call using JavaScript Gaussian blur filter dialog window? applyGaussianBlur() method does not call it.

  I used Copy the following code , but it does not cause the dialog box filter Gaussian Blur:

  var source_layer = doc.artLayers[0]
  source_layer.applyGaussianBlur (30)
  

  Explain to me, please!
  

  You must activate the dialog boxes, then turn off right afterwards

  app.displayDialogs = DialogModes.ALL;
  doc.activeLayer.applyGaussianBlur(30);
  app.displayDialogs = DialogModes.NO;
  

• 3 color separation - viewable problem with high-pass filter help

  Hello and thanks in advance for your time and help!

  I fix a color image created with color separation negatives, 3 images black and whites (captured on photographs) combined in the RGB layers to create a color image. The original negatives have been very badly damaged, so the alignment and the correction was quite complicated.

  I'm finally get closer, but there is still a lot of blotches that I have a problem fixed, where each of the channels have been under/over exposed, creating stained yellow or green, etc.

  I tried to use the high-pass filter and discovered, he shows me exactly my problems - of the high-pass filter usually makes all grayscale, however I see blue exactly where I need to make a correction - see screenshot.

  How can I selectively change this field! Other ideas for filters or way of singling out this broken capillaries to make adjustments? Editing is really not help color balance, I tried also to hue/saturation, but I am not able to isolate problem areas.

  

  < < second Image deleted by Mod, in accordance with the guidelines of forums > > >

  If a channel in the filtered image is useful and then load it and use it as a layer mask (and change with the curves and the additional filters needed).

• Problems with the blur effect on text in 3D

  I don't know if is ' t a bug or I have something running, but when I do a text layer, blur works fine, but when I turn on the 3D and even 3D per character, the blur stops working.

  

  Here it is with the 2D and 3D text:...

  

  Still, I don't know if this is a bug, so I'm just something wrong, but I make it work once, but after 8 hours of work on a project, had everything perfect, ready for rendering, Ae crashed, and when I opened the project, while blurring had been removed, with no way to restore the it. If anyone else has this problem and find a way around it, I'd love to know how, but any help is greatly appreciated at all.
  And staff, if it is a bug, it's a very frustrating. > XO

  Try to set your composition to a final rendering of quality Panel.  Your model is sent to the quick project. If that does not resolve the problem, let us know. It would also be useful to know the version of your OS.

• Problem with the graduated filter

  When I create a graduated filter I can't drag the filter PIN to change the center point, when I ride my pointer over the PIN that turns into a hand tool that drags the whole filter instead, if I approach one of the lines which is transformed in a rotation tool. Also the graduated filter tool is extremely slow and boring, it's slow it's hard to position accurately.

  Thank you

  ARI

  You are right. The central axis move move the entire filter. In my view, that it is supposed to do.

  When you approach a line, you should get a + cursor which makes rotation. But when your cursor is on a line, it should change to a hand cursor that comes of moves in a straight line and not running. It seems that you do not get the hand cursor? With the hand cursor, it should be more accurate.

• problem with creative cloud filter and version

  Hi I have a problem... in my creativity cloud no is not the functions 'filters and versions' could you help me solve this problem, thank you to all

  You can not install older versions when you have a trial.

  If you have a subscription the old versions are available.

• What does "unable to load the filter AE, LBDC Gaussian blur" means?

  I opened an old video composed of a number of nested 1-7 years on CS5 videos. Everytime I open it I get a warning that it cannot load a filter ' AE, LBDC Gaussian blur. A few seeds of clips having Gaussian blur in them (even if it's hard to say because the blur is very low in these clips), other older do not have. I added the 'new' Gaussian blur to the clip that seemed to miss it, but the remains of warning when opening the file. What does that mean? Also, is there a quick way to repair old files with Gaussian blur?

  This is one of the reasons why it is generally suggested to complete your projects in the version that you started with and ongoing projects not upgrade to a new version. Now, you need to find the manually each instance of the blur effect and replace it with a new blur effect. It's your choice.

• problem with graduated in LR CC filter

  Hello, is that everyone has experienced a problem with the graduated filter tool?

  I just installed the new version of LR CC (on Windows 7 - 64 bit), and when I tried this filter, the left side of tool window is truncated. I do not see the number of values of each.

  Is this a known issue with Adobe?

  Thanks for your help

  This bug has been recognized by Adobe.  See about this in the Adobe official feedback forum: CC with Lightroom: gradient tool setting Panel is too wide in French: can't read the numbers on the right.  There are a couple of workarounds.  In addition, please add your vote and opinion to make it more likely that Adobe will give priority to a solution.

• Problem with animation line flicker/aliasing

  Hi I was wondering if anyone had any suggestions on trying to get this smoother animation and a little crisper.

  I know that the quality will be slightly less good in a gif format.

  https://S3.amazonaws.com/uploads.hipchat.com/115279/3089179/b6GFClDGSBHAucu/lines.gif

  Thank you

  Let me give you a few basics. These are things that are not considered by almost everyone that starts working in the video, especially those who come from a print or web design background. Photographers are also victims of a flaw in their knowledge which is understandable because they have never had to deal with things like this before. Here are the facts.

  First Point:
  Video (and everything that comes from digital displays) are always arranged on a grid of pixels. No exception. You can never put a line width of single pixel on this grid of pixels and do appear as a single pixel line, unless it lines up perfectly. Nothing that is not precisely aligned to the pixel grid is interpreted. It is called Anti-aliasing. This means that if your 1-pixel thick line is to halfway between grid display will be the average of the values in this row and you end up with a broad line of two pixels on the screen with each line taking half the value of the color of the original line. In other words if you are not precisely aligned on the grid of your 1-pixel wide black line becomes a 2px wide gray line.

  Second Point:
  Video is composed of images that reading at a particular rate. Your screen also has a refresh rate. Display rate standard in countries that have 60 Hz electricity usually have a refresh rate standard 60 Hz or multiples of a whole number of this rate divider. In countries where electricity is 50 Hz (Europe), the refresh rate is usually 50 Hz. The video frame rate for video in NTSC countries (most of the world) are normalized to 29.97 FPS (there's a reason associated with the problem of broadcasting TV signals in color, but I won't go into that right now). The Standard in PAL countries video frame rate is 25 fps. When you choose a frame rate for your video project which is not the frequency of standard images for your area, you may rate for your video come into conflict with the cadence of your screen. This can cause perfectly smooth motion judder and there is nothing you can do about it, except change the refresh rate of your screen or lift it up with a new high refresh rate capable display or change the frame rate of your video.

  Third Point:

  The average human eye and brain have a property called retinal retention. These effects how we perceive motion. No matter what you do, most people perceive incorrectly flexible movement across their field of vision. Most of the time the brain tries to iron out things and your eyes automatically try and follow this movement. This effect is well understood by the great directors when they block shots and the great directors of photography when they put cameras if your eye is directed to the part of the frame where they want that to get you to understand the history.

  Fourth Point:
  There is a strobe effect that applies to all the movements. For example, if you watch an old movie on TV western, you will sometimes see the wheels of the car rotate backwards. Smart of an airplane propeller video phone can show you that strange Sword-shaped blades turn slowly or even backwards. It's the interaction between pace and movement. The only way to create videos that shows the movement correctly and in the right direction is to match the query of the cadence.

  Fifth Point:
  Work around the fine lines, turning it into a thicker lines is to disable interpolation. You can do in After Effects by selecting quality draft. With quality lit project, you will always have a thick black line of single pixel. This solves a problem, but worse the other. The problem of the stroboscopic effect. To make your single pixel with black line SOUPLESE you must match the query of the line to the frame rate. You move 1 pixel by image or 2 pixels per image or 3 pixels per image or 4. You cannot move to 1.4 or 2.8 pixels per image. It won't wok, it would never work.

  Sixth Point:
  Even if you perfectly fit the pixel grid movement, you can still run on the retinal retention problem and frame rates. Every Director of professional photography with a value of his day rate knows that there are critical speeds of Pan - speeds during which you can not move the camera in a scene and offer a scene that doesn't pan and look terrible. Jerking can be so bad that it gives people headaches and worse. The frequency of images the more cautious, be with the camera. When the video cameras of 24 frames per second were introduced a whole bunch of people came back with horrible images. Shots that run at 29.97 work at 24. Cadence, retention of the retina, strobe effect and your brain combined with no fixed focal point for your eyes to focus on and track combine to fault up to the shooting and of the query.

  The solution:
  When you want to animate a thin line, you're better off at 29.97 frames per second that anything slower. 30 is OK if you go never broadcast or DVD to watch on a TV. You can use an expression to control the movement, so that your line moves exactly an even number of pixels per image. If your design requires that go you faster you must hide the problem with motion blur. If you want to lighten in and clear it of movement then you must hide the problem of aliasing with motion blur. Smooth long moves must be exactly to an even number of pixels per image. You have more options of speed at a higher speed. Even at a higher speed, you will encounter the problem of the sixth Point.

  The evidence:
  Any problem of smoothing by giving you the discount gray lines load the rendering of your lines animated in AE and step as part of an animation at the same time. Baring any cache image and to make the issues I bet that your animation will run without difficulty from one image to the other. It is only when the video plays back at speed that your eyes and your brain will tell you that the movement is uneven.

  Certain standards:
  Go to a cinema and watch the end titles. It takes about 7 or 8 seconds (depending on the height of the frame) for securities to roll from the bottom of the screen upwards. The second seven rule is pretty standard. With 29.97 FPS 1 video per image pixel, 2 pixels per image and 4 pixels per image work well enough for most applications. When you find a speed frame rate works for your video, it's the frame size and it is write it down. Use it again and again.

  This is an expression that works at the speed of the animation and allows blur to apply to your image. You can do the movement meet the markers if you want to start and stop. I have a bunch of preset animations that I use all the time for that style of animation.

  Bottom-up:

  t = time;

  en = t/thisComp.frameDuration;

  x = value [0];

  s = 4; Speed in pixels per image must be an integer

  y = value [1] - (fr * s);

  [x, y]

  Left to right:

  t = time;

  en = t/thisComp.frameDuration;

  y = value [1];

  s = 4; Speed in pixels per image must be an integer

  x = value [1] - (fr * s);

  [x, y]

  If you wish to reverse the direction, you can add a sign less in the final table or apply the term of anchor instead of position. These expressions take the initial starting position of the layer as a starting point. Both are moving to 4 pixels per image. To start and stop the movement, the simplest method is to split the layer, add the expression, let the layer move, then divide the layer again and delete the expression. If you are handy with expressions, you can bind the movement to layer markers, and then just move the markers for start and stop, or even reverse the direction of a single layer.

  If you don't want to mess with all those unbreakable rules then jack up motion blur and uses a higher cadence with thicker lines and hidden defects. There are no other solutions.

• Problem with the tool of graduation

  I am new to ambient light and found a problem with the graduated filter tool.

  When I select the filter tool of graduation lines come on the screen, but as soon as I release the left button on my mouse, keyboard, the screen becomes a pinkish red color graduated in brands, adjustments do not seem to work when cursors are used the screen rest the pinkish red color. at the time when I press the done button, tick marks disappear and adjustments were carried out. Because of the dominant on the screen during the process of adjusting the color, I can't tell what changes have been made until I come on the mode of treatment. Could you tell me please as I hurt. Thank you.

  You see the overlay to show you which parts of the picture are affected by your graduated filter. You can switch on and outside, by pressing the letter O.