Is there a way to select fields/columns to display in the project tab? For example, I would like to add Shot for one of the columns in the project tab so I can sort files. For some reason, the creation Date column is empty for all my files ingested.
Thanks in advance
No, I'm afraid that the columns are not customizable. It would be a feature wondeful we heard a request in the past, but it would be very useful for you to submit your vote for this feature through http://adobe.com/go/wish
I have a problem, my client does not see the blue marked fields in my form. It uses version Acrobat X 1, 11.0.10. I see it with my Acrobat Pro and Acrobat Reader version. Now, I wanted to highlight the fields with a color or a color of the frame, but I can't select it. I won't mark the fields in Indesign and then put form fields in Acrobat top. But I do not know otherwise. I work on a Mac, my customer uses Windows.
Can you please help me?
Thank you very much
Anna
They can activate it by going to Edition - Preferences - forms and clicking the box "Show hover border for the fields.
I would like to know what is the function of the field of visibility of the project in the summary on a project tab.
Thank you and best regards.
Stefano
You can use the visibility to categorize your projects, thinking it's tags or classifications. It can be used when searching for projects. It can also be used as a filter in the portfolios of projects.
For example, if you have any projects around a particular type of product as frozen Snacks, you can use this as a visibility. This visibility will allow you to find all projects concerning Frozen Snacks etc.
It's a field of multiple selection on the project so it allows a lot of flexibility. You might have visibilities around initiatives and product types. For example, to find all the projects of "Frozen Snack' related to 'GMOS Reduction' initiative.
Why iMovie09 does not recognize photos in projects?
I made a new projects and adds several still images. Photos are displayed in the project field, but right the screen remains black.
I checked one of my old projects with still frames that will work perfectly, but it has the same problem - the photos do not appear on the screen more.
Is there something that can be done? I also noticed that I can't get iPhoto to iMovie to add photos, not more, and Photo Booth is available.
An iMovie11 upgrade would solve the problem? I do not have doen that, due to the large amount of results negative comments on iMovie 11 receipt.
This is a bug widely reported with iMovie versions 8 or 9 ('09 or 11) under El Capitan. Only iMovie 10.1.1 works 100% on El Capitan.
I'm waiting on some HD delivery shot with a Nikon D90.
I have never created a CS3 HD project. It doesn't appaear to be other than HDV presets for HD not. Can someone advise on how I would go about setting up an HD project?
Thank you!
If you have the latest updates for CS3 (which would be v3.2.0), you'll have the presets MXF P2 and XDCAM HD / EX presets. Check what version you are using, and if you're only on 3.0 or similar, run the update (help > updates).
You can create a custom project setting by selecting the general tab in the new project dialog box. There, under Edit Mode, you will find an option called "Desktop" which allows you to customize all the settings, including the size of the image, frame rate, NOMINAL, field order and so on. Build one that matches your footage and save it as a "Preset" so you can come back later. There are a few discussions here on the forums about the D90 images editing; many of them are on the change using CS4, but some are on CS3.
I have a pretty specific question related to the subject area "project - cost" in OLIVIER.
To aid the output of the installation of the box, any customizations... when I go into the answers-> cost of the project (field) and select the following fields: Fiscal period Project number
Physics generated sql includes a measure: sum (case 'Local currency' when 'Local currency', then T166575.) LOC_BURDENED_COST when "Project Currency" then T166575. PROJ_BURDENED_COST when 'Global Currency 1' then T166575. GLOBAL1_EXCHANGE_RATE * T166575. DOC_BURDENED_COST when 'Global Currency 2' then T166575. GLOBAL2_EXCHANGE_RATE * T166575. DOC_BURDENED_COST when 'Global Currency 3' then T166575. GLOBAL3_EXCHANGE_RATE * T166575. DOC_BURDENED_COST another NULL end)
I think that it is the measure of 'Cost', but my question is... Why does it force the display of this measure and make a sum/group when I have only two dimension attributes selected. I expect to reach via the fact table, but only make a select distinct, not throw in an aggregate.
As I said, quite specific but curious to know if anyone knows what is the engine of the integration of the measure when none is selected.
Thank you
k
A widening of a domain is based on a column, rather than an entire table. This column makes implicit therefore in all queries are. In your example, you have the column implied "Basic." "" "Blow - project cost. Cost"(including the case statements and aggregation by summation).
When I try to create a new project in RoboHelp HTML 7, the Type of projects field is empty on the new tab in the new project dialog box. I just bought this product after using the trial version for 30 days. I can open the projects I created before, but cannot create new projects. Help! I need it now!
OK, this problem is solved, the problem was of RoboSource Control 3.1. I realized that I had installed RoboSource Control 3.1 during my trial installation (the installation option it is checked by default). By running again the trial download (thank God I taped it), I was able to uninstall RoboSource Control 3.1. (I could not uninstall by using the Tech Comm Suite installer or the Add/Remove feature in the control panel)
Then I ran the installation Tech Comm Suite and reinstalled RoboHelp 7 (without installation of RoboSource Control 3.1).
RoboHelp 7 HTML now works again. Note that only the HTML version has been screwed upward - Word version ran OK, I just don't need.
Finally, I just want to say, Support technique Adobe * SUCKS *. After spending half an hour on my first call on September 26, "Ken" directed me to the web page of Adobe's Support and told me to enter my problem myself - thanks for nothing, Ken. He promised a tour of 24 hours around, which didn't happen.
When I called back on 29 September, I lost another hour with Natasha and Sam, that had run me CSClean, which wiped out my registry for Acrobat and Photoshop entries, forcing a reinstallation of these products. Of course, who did not help me at all.
Adobe, please stop outsource your Support to the India - these guys don't know anything!
The answers to this question on the "Customer Portal" has been slow, indifferent and unhelpful. Shame on them!
I write this fix this problem on this Forum, so the next poor slob may be able to solve their problem by themselves like I did, because the Technical Support will not help you!
Dear all, Can someone confirm the default functionality of BSE for the following scenario:
We are IN. project related to an inventory item We are entering a vendor in AP invoice We validate the invoice to the po project However, the details of the projects is not get on the header line/fatcure/Dist level by default. It's supposed to be the default functionality or data should have been populated in project and task after synchronizing with PO?
Concerning ADI
Hello
The fields level invoice for project & task header are used only as default for distribution lines when you create a stand alone Bill, which does not match the PO.
When you match a bill of PO, which is destined for the spending project and task fields is filled on the invoice distribution line. When you match a bill from a purchase order, which is destined for the inventory, the project fields and task is not met
Hi all I have created a formula field and then set the "Maximum records per page" property to the value of 12 for the pull-out frame containing this field and all other fields.
Now, I want to make an exception for this formula field I want to be appeared for once not 12 times! How to do this please?
Hello
I guess that your column of formulas is at a level higher than your pull-out frame (in other cases we don't know what value you want to display). Put the rating representing the formula behind the expandable frame column, then it is displayed only once.
I am trying to get educated about the size of output and modify a little smarter. I'm working on an old project that was shot a while ago on a Sony HDR-CX550V with AVCHD 1080i (60 fps). I know that it is in fact no frames but the field per second. I've always considered this product goes directly to DVD for distribution, but with interest that many would like it shown at festivals and as faith, the basis, some may want to see in major religious centers.
We weren't a big production budget - not a lot of fantasy or a Spitfire, etc.. Many scenes were filmed from several angles and this camera has great low light ability, so with a few plugins in AE, many jump cuts make the scenes flow pretty good.
Here's the question. I'm editing in 1080i and I have thought since he goes directly to DVD, why not edit in an NTSC image size and Explorer made a lot of moves (simulations of pan, not dolly) with images, then given that there may be a few festivals, instead, I could export the final in 720 p. This seems reasonable?
Also, can I set up my settings of sequence and interpret images preferences to allow me to use the clips in their nativeframe for this type of installation size. When I change my settings in sequence to 720 instead of 1080, the images change to fit the new settings, even though I turned off in the preferences settings, the box "defaults to the setting". The pictures always seem to fill the display area of the monitor of the same program any size I discovered.
Sorry if this is not clear. Also, I use a graphics NVIDIA GeForce GTX 550 Ti, 64-bit Vista Home premium, CS5.5
trying to export a short slideshow in HD but the quality of securities, and to a lesser extent the transitions are a problem.
Details of the project
1920 * 1080
H.264
25 fps
place BY
Content is still only images that have been resized in PS to match the project and output parameters in format JPEG hq and a couple of separate securities created in the module title agency.
Titles that are only in the test phase are just a few lines set to roll to the top of the screen during the duration of any 10seconds
No Audio joint still
To test I selected 10 images and used to automate it to the mount option using the settings default to overlap, duration and transitions.
The problem is that especially text does not easily move to the top of the screen, its pretty jerky or chopped if desired.
Ive tried many different options in the media encode rates min max, CBR, VBR, 29.97, 25 fps, h254, h264 BR etc etc, but the quality with remnants of reading problem.
I tested on different PC and operating system, and the result is similar on all of them.
The sequence is intended to open a conference of professional imaging so it needs to look right, it will be ironed on a projector of 1920 * 1080. I did volunteer help as Ive already done similar projects SD without problem, but it's my first foray in a full HD output and all its complexity
So Im at a bit of a loss and would like to receive suggestions
Thank you
Maurice
your 2 GB ram is 4 GB or more, does not watch the cpu specs (didn't google it)... .but it will keep perhaps mind to look at later.
Will make some suggestions, you can do a 'test' with a few images, titles... .and see how it works...
(1) resizing of images...
If you go to the TOP in the scale your images will suffer a significant quality degradation if you go well beyond 15-20%. May not matter that much (according to the specifications of the product)... but try to don't NOT high-end much if you can help it. If you do not top of the range using a program which interpolates the upscaling in STEPS...
As a plug-in for photoshop, SO called "pro". Photoshop doesn't do a good job of upscaling, but it is better than using the 'ladder' of the way Publisher... You can really see it.
(2) you can use custom / Office for your project settings... not a "Preset".
Try a project that is not custom / desktop - 1920 x 1080 progressive, square pixel, 29.97 FPS (or 30 frames per second), fields (sound... Choose something like stereo 48 kHz). Choose something decent like your "renderer"... as lagarith (lossless) or yuv422 (uly2) (UT) or something like that.
Put a few sample images (jpeg 8 bit rgb) in the Assembly and a few titles... use photoshop to make the titles!
test export workbar region... use ms avi (movie export) and try this:... Note I exported 23.97 you would use 29.97... (as a project)... also I used 1280 x 720, you will use your 1920 x 1080...
good luck with test
PS... I didn't have time to crop the pictures above... If you can't read well on screen, save it to the desktop and open it in psd
PPS... I used the same rendering engine as my project setting... in this case the UT a...
While creating a script in After Effects CS3, I noticed that there are some cases where the function overall timeToCurrentFormat returns the same value for seconds different values. It makes sense, of course, for seconds values that differ only slightly to return the value even if the difference in seconds values is not greater than the length of a frame in a few seconds. However, the time values that I used in the first parameter of the timeToCurrentFormat function found by getting the value of time of brand with a layer via the object model of AE.
There were some seemingly arbitrary cases where, even if the values of time of two markers were extracted markers that have a frame part, the same value was returned by the function timeToCurrentFormat for each of the markers. What is more confused, even if the time for the start of the project is set to 0, the function timeToCurrentFormat returns different values when the isDuration parameter is set to true.
The test:
To test this odd behavior, I set up a test by finding the length of a frame (1 divided by the frameRate of the composition: 1 / 29.9700012207031 = 0.03336669867431) and using a loop to go through 30 seconds value of executives to find the corresponding frame the value returned by the timeToCurrentFormat function. I quickly realized that this test would be unreliable since the rate of 29.97 uses a framework of drop. So, I instead used the loop to create markers on a layer for each image for 30 seconds, looping through all the layer markers, obtained their time value and used in the timeToCurrentFormat function. Below a link to a spreadsheet that I created that represents the values of time (in seconds) is from markers that 30 seconds were spaced 1 frame out (901 markers in all). I've also linked to the After Effects CS3 file I was working with that.
First of all, here is my current work environment:
After effects Version: After Effects CS3 8.0.2.2.7 dva: 2.0.0.127845 OS: Mac OSX 10.5.08 QT: 7.6.6
Here are a series of descriptions for each of the header lines in the data help you to decipher and understand what is happening:
Key ID: -this column contains the index of the current marker whose time value is referenced.
Creation time of marker: - This column contains the value of seconds having served to create the current marker on the layer of 'Test '. It is provided to demonstrate that the time listed under "Marker Time Value" is not calculated based on the time value used to create marker.
Time marker value: -this column contains the value for seconds that is returned by the method keyTime (keyIndex) of the property of "Marker" of the layer of 'Test '. As noted above, this value does not seem to be calculated based on the value of time that the marker was created with.
timeToCurrentFormat W / True: -this column contains the frame number returned by the timeToCurrentFormat function when it is isDuration parameter is set to true.
Matches previously calculated Frame: -this column contains a ' * ' if value "timeToCurrentFormat W / True" marker current corresponds to the same value in the previous iteration of the loop. These fields have been highlighted in red in the data.
default timeToCurrentFormat: -this column contains the frame number returned by the timeToCurrentFormat function when it comes isDuration parameter is not defined (which then by default, false).
Matches previously calculated Frame: -this column contains a ' * ' if value "default timeToCurrentFormat" marker current corresponds to the same value in the previous iteration of the loop. These fields have been highlighted in red in the data.
currentFormatToTime W / True: -this column contains the value returned by the currentFormatToTime function when it is isDuration parameter is set to true. The value of the image that is used in the first parameter of the function is taken from the value "timeToCurrentFormat W / True" of the current iteration.
Initial value of seconds matches: -it is used to determine if the time value ("marker Time Value") that is sent through the function timeToCurrentFormat (with isDuration set to true) is reproduced correctly when the value returned by the function timeToCurrentFormat is executed through the function currentFormatToTime (with isDuration set to true).
default currentFormatToTime: -this column contains the value returned by the currentFormatToTime function when the parameter is not defined (default is false). The value of the image that is used in the first parameter of the function is taken from 'timeToCurrentFormat' default value of the current iteration.
Matches Initial Seconds value: -it is used to determine if the time value ("marker Time Value") that is sent through the function timeToCurrentFormat (with isDuration undefined) is reproduced correctly when the value returned by the function timeToCurrentFormat is executed through the function currentFormatToTime (with isDuration undefined).
From the data, I have come to believe the calculations within the timeToCurrentFormat function are not accurate. Even if I tried to exclude any error on my part, using only the values returned by the properties and methods of the AE object model, it is quite possible that I made a mistake somewhere along the line; where the reason why I want to share my discoveries and allow everyone to comment. At the end of the day, I need the timeToCurrentFormat function works correctly in order to finish the script I'm working on. Therefore, if you notice any errors in my code, don't be shy, I'm not offended.
Scripts:
The script that I used to create markers on the layer of 'Test'
{
//Before running this script, create a composition and then add
//a null layer named "Test"
var comp = app.project.activeItem,
info = "",
layer = comp.layer("Test"),
frameRate = comp.frameRate,
i;
for (i = 0; i <= comp.duration; i += (1/frameRate))
{
layer.property("Marker").setValueAtTime(i, new MarkerValue(i));
}
}
The script used to create the data (copy and paste the results into a spreadsheet):
{
//Using the composition and "Test" layer created by the previous script
var comp = app.project.activeItem,
info = "",
layer = comp.layer("Test"),
markerRef, markerTime, markerFrame,
maxSeconds = 30,
frameRate = comp.frameRate,
numKeys,
i,
timeToCurrentFormatTrue,
timeToCurrentFormatDefault,
currentFormatToTimeTrue,
currentFormatToTimeDefault,
keyId,
keyTime,
prevTimeToCurrentFormatTrue = null,
prevTimeToCurrentFormatDefault = null,
usersTimecodeType;
//Get the user's timecode display type so we can change it back when
//we're done.
usersTimecodeType = app.project.timecodeDisplayType;
//Set the current timecode display type to frames
app.project.timecodeDisplayType = TimecodeDisplayType.FRAMES;
alertInfo = function (m)
{
myWindow = new Window("dialog",
"Info",
undefined,
{resizeable: false}
);
myWindow.grp = myWindow.add(
"group { orientation: 'column', margins:0," +
"alignment: ['fill','fill'], size: [350, 450]," +
"msg: EditText {properties: {multiline:true}," +
"alignment: ['fill', 'fill']," +
"size: [350,430]}," +
"b: Button {text: 'Ok'}" +
"}");
myWindow.grp.b.onClick = function () {
myWindow.close();
};
myWindow.center();
myWindow.grp.msg.text = m;
myWindow.show();
};
info += "Composition Name:\t" + comp.name + "\n" +
"Layer Name:\t" + layer.name + "\n\n" +
"Frame Rate:\t" + frameRate + "\n" +
"Frame Length (s):\t" + (1/frameRate) + "\n\N" +
//Header Rows
"Key ID\t" +
"Marker Creation Time\t" +
"Marker Time Value\t" +
"timeToCurrentFormat W/ True\t" +
"Matches Previously Calculated Frame\t" +
"timeToCurrentFormat Default\t" +
"Matches Previously Calculated Frame\t" +
"currentFormatToTime W/ True\t" +
"Matches Initial Seconds Value\t" +
"currentFormatToTime Default\t" +
"Matches Initial Seconds Value\n";
numKeys = layer.property("Marker").numKeys;
for (i = 1; i < numKeys; i += 1)
{
//Set values
keyId = i;
keyCreationTime = layer.property("Marker").keyValue(i).comment;
keyTime = layer.property("Marker").keyTime(i);
timeToCurrentFormatTrue = timeToCurrentFormat(keyTime, frameRate, true);
timeToCurrentFormatDefault = timeToCurrentFormat(keyTime, frameRate);
currentFormatToTimeTrue = currentFormatToTime(timeToCurrentFormatTrue, frameRate, true);
currentFormatToTimeDefault = currentFormatToTime(timeToCurrentFormatDefault, frameRate);
//Output row
info += keyId + "\t" +
keyCreationTime + "\t" +
keyTime + "\t" +
timeToCurrentFormatTrue + "\t";
if (timeToCurrentFormatTrue === prevTimeToCurrentFormatTrue) {
info += "*\t";
} else {
info += " \t";
}
info += timeToCurrentFormatDefault + "\t";
if (timeToCurrentFormatDefault === prevTimeToCurrentFormatDefault) {
info += "*\t";
} else {
info += " \t";
}
info += currentFormatToTimeTrue + "\t";
if (currentFormatToTimeTrue === keyTime) {
info += "*\t";
} else {
info += " \t";
}
info += currentFormatToTimeDefault + "\t";
if (currentFormatToTimeDefault === keyTime) {
info += "*\n";
} else {
info += "\n";
}
prevTimeToCurrentFormatTrue = timeToCurrentFormatTrue;
prevTimeToCurrentFormatDefault = timeToCurrentFormatDefault;
}
alertInfo(info);
//Reset the timecode display type to the user's preference
app.project.timecodeDisplayType = usersTimecodeType;
}
Any help would be greatly appreciated! Thanks in advance.
I'm glad it's working for you now. So what happens is that when you do the math of 1/frameRate in JavaScript, you have finite resolution number IEEE floating point. As you can see, this isn't 0.03336670333667... Repeat forever, which is the mathematically correct value of 29.97. Then AE that converts a fractional value, which ideally would be 1000/2997 (or a multiple of it), but it cannot be - we drop exactly on the bases, because of things like temporal keyframes. You have no control over the question of whether if it has rounded upwards or downwards, unfortunately. Then when you retrieve this time of return, it is converted to once more to comma floating and then converted back to a fixed fraction when you pass it to timeToCurrentFrame. So basically you just don't have the control you need over the rounded. The only way I think we could do this more reliable work would expose our rational fraction time directly to the JavaScript, but I think it would be generally a fairly high load on the film script author. (I can feel the eyes of most people, and more of you, me and a handful of geeks hardcore glazing above long ago).
So I think that we have developed with you to workaround is the best thing for now - you don't need to add 1/1000 everywhere, just at the moment you create new keys that deeply concerns you line up exactly on a framework. For normal use, when you are not trying to recover by a time of the entire image, you would not need to bother this is why I believe that no one has reported this problem so far (it has probably been there for AE 5.0 in Y2K).
I want to create a sticky top bar. What I meant with a sticky top bar is the place where there are vertical frames that have fields extend more than the height of the screen, the top does not scroll, it sticks. A good reference of maybe it's like twitter app for blackberry. Twitter app, I guess there are 2 HorizontalFieldManager (at least I thought they are HFM), one is a title bar, and the other is the button bar. The Manager of both stays even if scroll us.
I have a configuration manager custom as a topbarmanager and a Middle Manager, which is an example of VerticalFieldManager, as follows
TopBarManager topMgr = new TopBarManager(logoImg);
add(topMgr);
if (_menuList != null) {
// if array is empty, just show a message
if (_menuList.length > 0) {
VerticalFieldManager middleMgr = new VerticalFieldManager();
for (int i = 0; i < _menuList.length; i++) {
MenuSelectableField menu = new MenuSelectableField(menuList[i]);
// set listener to the menu, (when the menu is clicked).
menu.setChangeListener(new FieldChangeListener() {
public void fieldChanged(Field f, int context) {
showNext(f);
}
});
middleMgr.add(menu);
middleMgr.add(new SeparatorField());
}
add(middleMgr);
} else {
LabelField label = new LabelField(
"No menu, please check back later");
add(label);
}
} else {
LabelField label = new LabelField(
"No menu, please check back later");
add(label);
}
// main screen background
setBackground (BackgroundFactory.createSolidBackground(Color.BLUE));
With the above code, the topMgr scrolls to the top when I scroll the screen. I want to stay.
Someone knows how to do this?
Do not call title together.
1. place the main screen on no vertical scrolling
2. Add a field Manager to display main said (this is your title)
3. the field manager manually to perform page layout however much space you want to take
4. Add another manager who is vertically scrollable under the title manager
5 define managers scrollables measure the total height less the height of manager title
"The ID of the Source field is a 32-bit value that is used to guarantee the character for all flows exported from a particular device. (The ID of the Source field is equivalent to the type of engine and engine identification fields found in the headers NetFlow Version 5 and Version 8). The format of this field is vendor specific. In the implementation of Cisco, the first two bytes are reserved for future expansion and will always be zero. Byte 3 provides the singularity concerning the routing on the exporting aircraft engine. Byte 4 offers a uniqueness in regard to the specific line card or versatile Interface processor on the exporting device. »
I use "Source ID" (associated with model id) to identify options models exported by the different routers. Our new lab configuration, where we have several routers configured to export Netflow, I observed that all routers were exporting "Source ID" value as "0" (zero). "." He doesn't have my hypothesis that I had formed based on the definition by top of the doc of Cisco.
I assumed-
SourceID model Id Unique key
------------ --------------- --------------
Source1 source1 256-256
Source1 source1 257-257
Source2 source2 256-256
source3 source3 258-258
But, I have observed
SourceID model Id Unique key
------------ --------------- --------------
0 256 0-256
0 257 0-257
0 256 0-256
0 258 0-258
Thus, the same model id (256) different routers (source1, source3) eventually form even unique key and my code breaks.
I would like to know if my interpretation that Source ID can be used to identify patterns in this way is correct or not?
Is "Source ID" user configurable attribute? How is it in line with the above definition the doc of Cisco?
Thank you
Deepak
Deepak,
Consider these quotes from the same RFC 3954:
Section 2: terminology:
Observation Point An Observation Point is a location in the network where IP packets can be observed; for example, one or a set of interfaces on a network device like a router. Every Observation Point is associated with an Observation Domain. Observation Domain The set of Observation Points that is the largest aggregatable set of flow information at the network device with NetFlow services enabled is termed an Observation Domain. For example, a router line card composed of several interfaces with each interface being an Observation Point.
Article 7: Management of the models:
A NetFlow Collector that receives Export Packets from several Observation Domains from the same Exporter MUST be aware that the uniqueness of the Template ID is not guaranteed across Observation Domains.
Article 9: The collector side:
At any given time the Collector SHOULD maintain the following for all the current Template Records and Options Template Records: Exporter, Observation Domain, Template ID, Template Definition, Last Received. Note that the Observation Domain is identified by the Source ID field from the Export Packet.
So in other words, the Source ID is an identifier of the field of Observation (and in fact, the IPFIX RFCS calls this header directly as Observation domain ID field). Model IDS are unique by the exporter and field of Observation, and if only one exporter uses several models in its different areas of Observation, the IDS of these models may overlap even in only one exporter. Observation domain ID (i.e. Source IDs) identify only the internal structure of a single exporter, and no provision is made to preserve their specificity through several exporters - for this, the IP source should be used.
With respect to whether there can be multiple instances of NetFlow on a single router, I get a feeling that with the decentralized platforms and distributed, multiple linecards in only one router can run their own NetFlow analysis for data passing through them, that each provide a selective collection of NetFlow. Thus, map of each line or each sheet features its own NetFlow analysis should be assigned its own unique Observation domain ID.
If this is not configurable by the system user should automatically make the value based on the motor and line card router. But what I observed, with several routers, is that this value is always 0 (zero).
I think that it is dependent on the construction of material of the router. As an example remotely related, old routers 2600 series had two WIC slots. If you have inserted two modules of WIC - 2T in these slots, you would expect that they would be numbered Serial0/0 and Serial0/1, Serial1/0, Serial1/1. Very surprisingly, however, these routers reviewed the two slots to be connected internally to one bus, and interfaces have been appointed Serial0/0 and Serial0/1, Serial0/2 Serial0/3 - as if they were installed in a single '0' location. Something similar can happen to the areas of Observation and their identity papers. You would think that every single line card was a separate field of Observation. However, the reality can be different, and the entire router can act as a single domain of Observation to the outside world. It's just the way it is built - and programmed.
It is unclear why Cisco doc says to use the "Source ID" and '"Source IP address' to correctly distinguish the flow.
I think it's a bad wording in the RFC. I think what they mean is that if you use the duplet distinguish between flows, then you are fine for multiple streams by a same exporter, as well as for multiple streams of different exporters.
On the other hand, is not "Source"IP address"good enough to distinguish between flows from different sources?
If an exporter could really be partitioned into several fields observation the IP source address is not sufficient. I'm just making up examples with no backup of the real life here, but think to, say, a router multi-chassi with each frame being a field of Observation, or virtualized map of each line of a distributed autonomous area of Observation switch, or a router to several different contexts and virtual routers, each of whom is a unique field of Observation reports on flows using the same source IP address... I think you get the point.
I'd put it this way... The existence of Source ID of NetFlow v9 (and the IPFIX Observation domain ID) allows these protocols to do faced with situations in which a single physical device can be partitioned into several fields observation well and make reports using an IP address unique independent source. However, the fact that these protocols have this capacity does not mean that each device, even a router/switch Cisco, must necessarily use.
I have a sqlloader script that loads data into a table with apparently a large number of columns... my upload script looks like this.
options (skip=2)
load data
badfile 'C:\CAP_SPS\Batchscripts\psafixbad.txt'
discardfile 'C:\CAP_SPS\Batchscripts\psafixdiscard.txt'
append
into table sps_psafix
when record_layer='Project'
fields terminated by ','
trailing nullcols
(
record_layer position(1),
file_name,
attr1,
attr2 filler,
attr3 filler,
attr4 filler,
attr5 filler,
attr6 filler,
attr7 filler,
attr8 filler,
...
...
read_flag constant '0',
select current_date from dual
)
the last column is a column of timestamp of charge and I want to capture him since the time of execution instead of manually update. But the sqlloader's mistake to say-
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