How to develop Mono with a component of the image highlighted in color?

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• How to display prices with which we won the most?

  Hello guys!

  I try to learn a few new skills in oracle sql if I was looking for examples on the web. I found this one, with 6 questions. I did all the tables and all the connections. I knew solve 5 questions but that, finally one seems too difficult for me.

  I don't know how to display tables with which we won the most. We do need to check what Denis is rendered which course and anyone who paid that invoice, what kind of prices was also on this Bill (normal od student).

  I would be really happy if you guys could help me.

  Thank you very much!

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  http://pastebin.com/c1CqF3K8

  If you don't understand anything, despite my bad English or anythning else, feel free to ask. I would be really happy if we could solve this problem!

  As far as I know, bill and section have no impact on this problem.  As Frank said, this looks like a Top - N type problem.  You is a way to get answer:

  dev1 > select gains, num_students, lesson_name, course_name

  2 from (select course_name, lesson_name, num_students, gains,

  3 dense_rank() ON rn (salary desc order)

  4 of (select c.name course_name, l.lesson_name,)

  5 count (vr.id) num_students,

  6 sum recipes (p.price)

  7 of course c

  8 Join Conference l

  9 l.fk_course = c.id

  Join the 10 visit vg

  11 on l.id = vg.fk_lecture

  join 12 visitor RV

  13 on vg.fk_visitor = vr.id

  price of 14 p join

  15 p.fk_course = c.id

  Group 16 by c.name, l.lesson_name))

  where the 17 rn = 1;

  LESSON_NAME NUM_STUDENTS PROFIT COURSE_NAME

  ------------------ --------------------- ------------ ----------

  C++, programming 3 750 programming

  Java programming programming 3 750

  If you really don't want that one line returned with a tie, then you replace dense_rank, row_number or do something like:

  Select course_name, lesson_name, num_students, recipes

  from (select c.name course_name, l.lesson_name,)

  Count (VR.ID) num_students,

  Sum revenue (p.Price)

  of course c

  join the l Conference

  on l.fk_course = c.id

  Join visit vg

  on vg.fk_lecture = l.id

  Join the vr visitor

  On vg.fk_visitor = vr.id

  Join the price p

  on p.fk_course = c.id

  C.name group, l.lesson_name

  order by 4 desc)

  where rownum = 1;

  This structure returns a single line in the case of links, but there is no way to predict which of the related rows will be returned.

  John

• How to open photoshop with tools window around the screen?

  How to open photoshop with tools window around the screen?

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  OK, here's my situation...

  I have a directory with 300 + JPG images in it; I'm hoping to use some (if not all) of these images for a project.

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• Need help with workflow to criticize the images of the student

  We used Lightroom CC to criticize images students workshop by import of each card and then work in the develop Module to try different culture, exhibition, etc. Process import/copy files got the largest, became too long for each card. We want to use the Add option, but of course, it is not available when importing from a card SD/CF.

  I need in the catalog previews pretty long to select a half dozen with them to review/edit. The changes are mainly to show how they can adjust their framing and exposure in the future, don't not to teach fitting, so they published versions have no special value.

  I'd rather leave the files on student cards, create standard previews when importing and only create previews of 1:1 on the fly for the images that we edit in fact, usually 5-6 of each session. While criticizing us, then eject and pop in the next map, I leave the card in the reader (USB 3.0).

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  I suggest that you try Adobe Bridge and then use ACR directly from bridge to make your editing. All functions in ACR are the same as in the module development of LR and you won't have to copy the images to the hard drive first, push as far as I know. I just tested that and it seems to work fine, except that no sidecard the XMP files are created on the memory card. If the changes could only be stored in the cache ACR system and all changes are lost once the card is ejected.

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  in the qml, I have a ListView with a DataModel.  The DataModel contains a label and ImageView.

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  Hello

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• How can I add my info to all the images that I edit?

  I'd like add my details to the description section of the metadata on all the hundreds of images I retouch, can anyone suggest a Mac application that can easily and quickly batch this task to the image files that choose?

  Reason: Sometimes, I work in a team and I'm not 100% sure that the editing was made by me, I'd like to add my info to the metadata.

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  Model metadata in Adobe Bridge.  Lightroom may also be able to do it too.  I do not use LR so I do not know what to do but is seems logical that LR must be able to change metadata.

• problem with adujstments applied to the image after I click it to preview in Bridge

  I used the bridge to view my RAW images and open them in ACR for years... yesterday I downloaded a map full of images in a new folder on my computer and open as usual, bridge view.  For some reason any now when I'm in Filmstrip mode and I am interested in the large preview image, and then click on the preview of the image with the magnifying glass tool to display a small area, it seems to apply some sort of adjustment to the image.  My pictures you more light in the Center and more dark on the edges, almost like a spotlight/edge Center burn setting... and these changes are carriers through more cab when I open the image there.

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  It's so strange, because he has recently started to happen and I didn't modify parameters of any where... camera, bridge, ACR, or CS6.

  If something happens out of the blue a reset of the prefs would be an option (bridge of restart now pressed the CTRL key and choose Reset prefs in the menu).

  But here are a few observations of your screenshots:

  First, you set the option for thumbnails for 'embedded use' (you can see the Council left checker icon used for this parameter is selected). This means that the thumb of your al files show the preview jpeg generated from your DSLR camera, it is also confirmed by the black border showing around thumbs, which means that it only shows embedded. The moment that you select to display in the preview window, he begins to build a preview HQ and applies the default settings of RTAs, hence the difference between the embedded and the HQ preview.

  You can use the icon of Council right checker and select always HQ, this begins to build previews HQ for all files, takes some time, but after just as cached, you can easily scroll through all files without problem.

  Integrated thumbs (the originals of the camera) also show a beginning of vignetting. Not knowing not the quality of your goal, it seems to be a good but you use the measurement spot and full aperture at F2.8 lens and maximum zoom which could cause a bit of vignetting himself, when the ACR settings are applied a lot of contrast seems to be applied where more facts highlights vignetting and brighter.

  You should be aware that Adobe has chosen to use the default settings for each type of camera, but this does not mean that agree you with that

  There is always a way to settle in ACR by using different options such as exposure and contrast, etc by image or a series of on the same images.

  But you can also watch other tabs of the ACR settings window to create a personal preset of cab. The other with the curves icon has a few options to look at. To the point, you have a few options with different contrast settings, personally I use them, because I find a lot to fort, I put it to linear which gives it a much more neutral appearance (as said personal and I do most of my work in PS itself using adjustment layers and channel masks). If you check under the camera icon (calibration of the camera), you will find versions of various processes (2012 and especially 2010 are advised, 2012 is by default and has its advantages and disadvantages. More big difference is the way in which they handle highlights and shadows in the exposure tab).

  A second option to check is the profile of the camera itself with its different options. Here, I also checked the option neutral Adobe who seems a result of dull, but in the end he gives you the closest result of the original raw and a very good start for your personal result, just check all the other profiles one by one and select your choice. If you're happy save it as a new Camera Raw default with a proper name so you can always return to it in the presets window.

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