How to get this dull color overlay effect?

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  I reinstalled adobe CS6. my other macs, I had a printer named 'Adobe PDF', that I could choose that as my printer and a dialogue box came up, I named the file and the location.  I can't figure out how to get this done on my new mac.  Help

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• How to get the RGB color values on the color picker component?

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  Returns something like:

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  trace (key2cp.hexValue);

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• How to get this effect?

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• How to get this type of photo colour balance?

  Hey guys, I am trying to find a way to get this type of photo, I guess I would call it the color balance, don't know how are at - it front of post-processing or how much is added in in post processing. Here is the site I've seen this "color balance" Designskolen Kolding , if you scroll down to the banner to enlarge photos with titles "Mode", "Industrielt Design", "Hacker Lab", "Tryk" is those that I will speak and I saw this kind of post processing all over the web, the only way I can describe it as is the colors white and rich; like the white balance is very neutral, maybe it's just a bit in the blue spectrum and there are many whites present but not completely blown, and the real colors are still very rich, but not saturated. This is an unaltered jpeg from my picture, I am trying to make it look like.

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  It will vary according to the pictures

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• How to get the background color of a layer with AE SDK

  Hello

  I try to get the background color for my current layer, but I can't seem to find how do.

  I don't want background color, background color of the application, but the color that shows through, if I set the alpha of my pixels to 0.

  For example, assume that the background of the composition is black, I put a solid top, green then put a picture on top of the solid and apply my pug-in the image.

  If I set the alpha to zero in my plug-in, green solid will be displayed.

  So I want to be able to know that my background is green.

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  Sorry for the question long.

  Thanks for your suggestions.

  Hello nicolas.

  If I understand it, that you try to get the buffer of image layers composited under the layer with your effect.

  If that is correct, then I fear that it is almost impossible to do.

  When AE makes a composition he doesn't it down. He's trying to do the opposite in fact.

  Why? because if at some point, the buffer is completely opaque, then he has no need to make what's below.

  further more, checked the diaper changing the rendering order, and many other things affect the rendering of the layers order.

  In addition, there is no API to access buffers intermediaries comp. just the end result.

  the closest you can get than without turning of the world, is to use AEGP_GetCompBGColor().

  that would be useless to you that the image is not composite on that color, unless it is the model being saved to the file.

  so why I said 'almost impossible '?

  You can transform the world.

  You can write a type ECAP 'craftsman '. (look at the example of 'arti')

  These plug-ins make comps (instead of the "advanced3D" converter)

  a craftsman has results intermediaries comp, because he is the one doing the rendering.

  so now you can have your craftsman save the buffer, you need and deliver it to your effect.

  I must warn you that this is very very very difficult.

  Another possible solution is to create a copy of the model resides in your effect,

  erase all the layers that has the image you need and make that reproduces model using AEGP_GetReceiptWorld().

  If you use this method, you must supervise the original model and apply changes to the copy.

  Yes, it's too difficult to do.

  you could make a change in the strategy and apply your effect to an adjustment layer instead.

  the entry for the adjustment layer is the buffer underlying layers.

  Then, you could get the original sources you want to treat using checked layer params.

  the last solution I can think uses the expression of sampleImage() on a hidden parameter.

  This will give you any layer's pixel data in the model, but not the composite of the underlying layers.

  Maybe if you tried sampling adjustment layers post effects... I don't know. you need to try.

  This method is very slow and is also limited to expire, so you can't get a large number of pixels.

  the expression simply fails.

  I hope that this was not all bad news for you.

  Maybe you said more about the plug-in you develop I could come up with a better plan.

  :-)

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  Hi all

  I'm developing an extension for CS5 and higher (including the CC version). I want to get the outline color and size of a rectangle. I was able to do in CS5. But I noticed that in the version of the CC, there are two ways in which the user can apply to a stroke. One is by applying the effect in the layer Style, and the other through the properties panel. I am able to get the values of time in my script, if it is applied through layer Style, but I can't do it in the other scenario.

  How are these two different traits and how do I get the outline color and size if it is applied via the properties panel using script?

  Thank you!

  Here's what I have so far. It takes more work, but I don't think that's never very accurate.

  function toggleOtherLayersVisibility() {
      var desc = new ActionDescriptor();
          var list = new ActionList();
              var ref = new ActionReference();
              ref.putEnumerated( charIDToTypeID('Lyr '), charIDToTypeID('Ordn'), charIDToTypeID('Trgt') );
          list.putReference( ref );
      desc.putList( charIDToTypeID('null'), list );
      desc.putBoolean( charIDToTypeID('TglO'), true );
      executeAction( charIDToTypeID('Shw '), desc, DialogModes.NO );
  };
  function liveShapeFillEnabled( enable ) {// boolean
      var desc = new ActionDescriptor();
          var ref = new ActionReference();
          ref.putEnumerated( stringIDToTypeID('contentLayer'), charIDToTypeID('Ordn'), charIDToTypeID('Trgt') );
      desc.putReference( charIDToTypeID('null'), ref );
          var shapeDesc = new ActionDescriptor();
              var styleDesc = new ActionDescriptor();
              styleDesc.putInteger( stringIDToTypeID('strokeStyleVersion'), 2 );
              styleDesc.putBoolean( stringIDToTypeID('fillEnabled'), enable );
          shapeDesc.putObject( stringIDToTypeID('strokeStyle'), stringIDToTypeID('strokeStyle'), styleDesc );
      desc.putObject( charIDToTypeID('T   '), stringIDToTypeID('shapeStyle'), shapeDesc );
      executeAction( charIDToTypeID('setd'), desc, DialogModes.NO );
  };
  function dupeVisibleMerged() {
      var desc = new ActionDescriptor();
      desc.putBoolean( charIDToTypeID('Dplc'), true );
      executeAction( charIDToTypeID('MrgV'), desc, DialogModes.NO );
  };
  function loadTransparency(){
      var desc = new ActionDescriptor();
          var ref = new ActionReference();
          ref.putProperty( charIDToTypeID( "Chnl" ), charIDToTypeID( "fsel" ) );
      desc.putReference( charIDToTypeID( "null" ), ref );
          var ref1 = new ActionReference();
          ref1.putEnumerated( charIDToTypeID( "Chnl" ), charIDToTypeID( "Chnl" ), charIDToTypeID( "Trsp" ) );
      desc.putReference( charIDToTypeID( "T   " ), ref1 );
      executeAction( charIDToTypeID( "setd" ), desc, DialogModes.NO );
  };
  function getLiveShapeStrokeInfo(){
      var doc = app.activeDocument;
      var lyr = doc.activeLayer;
      liveShapeFillEnabled( false );
      toggleOtherLayersVisibility();
      doc.artLayers.add();
      dupeVisibleMerged();
      var bounds = doc.activeLayer.bounds;
      var horzCenter = (bounds[2]-bounds[0])/2;
      var vertCenter = (bounds[3]-bounds[1])/2;
      lyr.visible = false;
      var sampler = doc.colorSamplers.add([bounds[0]+UnitValue(.5,'px'),bounds[1]+vertCenter]);
      sizeObject.color = sampler.color;
      loadTransparency();
      doc.selection.select([
                              [bounds[0],bounds[1]+vertCenter],
                              [bounds[0]+horzCenter,bounds[1]+vertCenter],
                               [bounds[0]+horzCenter,bounds[1]+vertCenter+UnitValue(1,'px')],
                               [bounds[0]+UnitValue(1,'px'),bounds[1]+vertCenter+UnitValue(1,'px')]],SelectionType.INTERSECT);
  
      sizeObject.size = doc.selection.bounds[2]-doc.selection.bounds[0];
  };
  var sizeObject = {};
  app.activeDocument.suspendHistory('Get Live stroke info','getLiveShapeStrokeInfo()');
  executeAction( charIDToTypeID('undo'), undefined, DialogModes.NO );
  sizeObject.size;
  

• How to get oil using Illustrator painting effect

  I'm looking to do something similar to this in Illustrator. nd-expulsion-from-paradise-the-original-sin-79148.html http://www.oilpaintings-Sales.com/Oil-Paintings/Michelangelo-Buonarroti-Genesis-The-Fall-a

  How is - what mix you colors in the body for the shadows and muscles, etc...  I created a preview of the image and I could start using a gradient mesh, but using a gradient mesh means it becomes too complex, and we must create the mesh in the shape of the body which complicates the coloring and is probably not the right way to do it. If I wanted to create a similar image can someone tell me how to do the coloring to it.  I know how to rethink the role of color palettes and shadows but, the main problem that I face is mixture in different shadows created on the body with the skin tone. I don't mind spending hours using a color gradient mesh, but I still think I'll face the problem I just mentioned.

  If anyone can help me out it is appreciated, please try to elaborate on the details in order to get a better understanding.

  Thank you.

  Well, basically you set a base g-mesh (A). You get the tones and hues nearby with general lighting in mind. Then you put an extra layer of color or the additional mesh-g for more of showign and highlights. (B) when they are combined, you get more dramatic tones (C) which are more easily twisted and adjusted. In addition, by using the appearance Panel, you can also add fills to apply textures (D)

  

  Basically for me, I find establishing base colour mid range is the best. Then I can add basic change more light and dark objects. Trying to get the lighting perfect in one pass is expectionally difficult in any medium - traditional or digital (except 3d software).

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  Captivate 5
  Win XPSP3

  
  Problem: how to have an overview of the effects (such as drop shadow) applied to the objects (jpg) on a question slide.

  Situation: Quiz to tell 5 random questions drawn from a pool of 50 questions multiple choice.

  
  Questions pool Panel:
  I'm building the Quizzing question slides workspace.
  I can view the slide and add questions and answers + jpg images that may be necessary.

  If I want to add a shadow to an image, I select the object (img) and place you in the effect controls panel.
  I add a drop shadow and can make adjustments, BUT the effect is not visible on the slide.

  
  The Live Preview button is grayed out and unavailable.

  
  Overview of the toolbar options are...
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  Am I on the Filmstip Panel:
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  F10 then 5 slides... same problem as F8

  Unacceptable workaround solution:
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  Copy slides edited to "test the pool and the preview with F8 or F10.
  A lot of extra work...

  Then the effect works and would weigh on the finished quiz... BUT... I can't (without a lot of P'ing on) Preview and adjust effects applied to a question slide.

  Someone at - it ideas?

  Concerning

  Frank

  If you want to test the effects on a particular slide of your pool of the Question, and you don't want to publish all slides to see it, just click with the right button on the slide in the question pool and select move Question to > the project main.

  Then, you will be able to preview the effects as with any other slide.  When you know that the slide is over, just get him back in the Question pool.

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  Hi all

  I have a problem when I want to export the settings of the effect.

  (I checked the sample project "ProjDumper").

  Yellow: layer

  Red: one of the effect (text)

  Green: the parameters of the effect (I want to export these values).

  

  Here is my code:

          // 1. use a loop to find the "Text" effect
       // 2. get all the params from this effect
       A_long iL = 0;
       A_long jL = 0;
       A_long num_effectsL;
       A_long num_paramsL;
       A_char effect_nameC[30] = {'\0'};
       AEGP_StreamRefH streamH = NULL;
       AEGP_EffectRefH effectH = NULL;
       PF_ParamType            param_type;
       PF_ParamDefUnion        param_union;
       // Get number of effects on this layer
       ERR(Suites.EffectSuite2()->AEGP_GetLayerNumEffects(pLayerHandle, &num_effectsL));
  
       for (iL = 0; iL < num_effectsL; iL++) 
       {
            ERR(Suites.EffectSuite2()->AEGP_GetLayerEffectByIndex(g_PluginID, pLayerHandle, iL, &effectH));
            
            if (effectH) 
            {
                 AEGP_InstalledEffectKey     key;
  
                 ERR(Suites.EffectSuite2()->AEGP_GetInstalledKeyFromLayerEffect(effectH, &key));
                 ERR(Suites.EffectSuite2()->AEGP_GetEffectName(key, effect_nameC));
  
                 if (!strcmp(effect_nameC, "Text")) 
                 {
                      // Get number of effect parameters from Text effect
                      ERR(Suites.StreamSuite2()->AEGP_GetEffectNumParamStreams(effectH, &num_paramsL));
  
                      for (jL = 1; jL < num_paramsL; ++jL) // start at 1 to skip initial layer param
                      {          
                           ERR(Suites.EffectSuite3()->AEGP_GetEffectParamUnionByIndex(g_PluginID, effectH, jL, &param_type, &param_union));
                           switch (param_type)
                           {
                           case PF_Param_POPUP:
                                break;
                           case PF_Param_SLIDER:
                                break;
                           case PF_Param_COLOR:
                                break;
                           case PF_Param_CHECKBOX:
                                break;
                           default:
                                break;
                           }
                      }
                      ERR2(Suites.EffectSuite2()->AEGP_DisposeEffect(effectH));
  
                      break;
                 }
            }
       }
  

  In the SDK document, it indicates the value of PF_ParamDefUnion should not be used.

  So, how can I get these params in the effect, I put (the green line on the photo)?

  And, if there is any harm in my logic, please let me know.

  Thank you.

  > How do I know what setting is pop-menu, checkbox, or difficulty slider? (You can see the green line in the picture).

  I now just how to get the stream parameter type (type of AEGP_StreamVal: AEGP_OneDVal, AEGP_ColorVal etc.). Pop-up menu, checkbox or fix cursor parameter streams have the same type of workflow: AEGP_OneDVal.

  How to control parameter type you already posted in your code).

  > Shouldn't use a loop to get all the params?

  I also use this loop...

  > Could you please tell more in detail how to use it?

  I don't know what you want to do... I can't say more as written in the SDK.

• Instructions immediately talk about Firefox window, but does not say how to get this window.

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