How to import ProRes 422

Similar Questions

• How to import prores files?

  Hi people, first will not let me import prores files, I get this 'Failure to import a file' dialog box, why is this?

  

  Try to install Quicktime and Apple's ProRes decoder:

  Apple - Support - downloads

• FCPX import as H.264 rather ProRes 422

  I am running 10.1.4 FCX. When I import media from a archive of the camera, the clips are converted to H.264 instead of ProRes 422 format according to the Inspector.

  My FCX preferences is set to ProRes 422 for import. What I am doing wrong?

  Thank you

  Final Assembly reports the original media format - although there are optimized versions. To check, select an item in the browser and in the Inspector > Info > available media representations, see if there is a green dot next to optimized.

  Russ

• How can I set up stereo audio tracks as default in first using the ProRes 422 codec?

  Forgive me if this has been asked several times before. I searched but can't find anything that explained in a language that does not require a degree in computer engineering.

  I'm a new convert to our beloved FCP 7. I'm learning to love dear first - but the audio part of this is driving me crazy.

  I exported from FCP files as ProRes 422 movies with stereo audio tracks. I want to put first in the same way. But when I do it all crashed in a single audio file.

  It plays havoc with the Pan - especially in mixtures which have a mix of stereo music. Apart from this it just confuses me.

  Also. When I create a new project from scratch in the first and I select the custom ProRes 422, this setting doesn't allow to ProRes 422 audio mono. I don't see a codec for something else (ie. stereo).

  Am I missing something?

  I looked in all areas of preferences and can not find anywhere to change this. I just want to import audio data from simple, basic two-lane (and let appear the same) that I would be in FCP, ProTools and the myriad of other editing programs that I use.

  I also want to be able to set up a base of two-way stereo timeline/sequence without having to reinvent the wheel.

  Thanks a lot for all the help and patience. I'm slowly pulling my hair and spend long periods sitting in the corner, hugging my knees and crying.

  My characteristics. Preferred codec installation: ProRes 422 codec

  First pro version CS6 (6.05)

  Thanks again.

  In the project Panel, select all the clips and rightclick/change/audio channels.

  Set it to 2 tack and mono.

  When you drop the clip on the timeline the stereo turns on two tracks.

  You can also set by default in the preferences under Audio (before you import the clips) (stereo to mono).

• How to add a ProRes 422 audio 5.1 with Lrti audio file to the script with audio mapping even?

  Hi all

  I have a file of format ProRes 422 (1080i 29.97) with 5.1 audio with Lrti. I can't add it to a sequence with the correctly mapped 5.1. I have great difficulty with the LFE channel. Although audio (wave monitor display it), I don't get anything out of this channel. In addition, my center channel seems low. The map should be the following: left, right, Center, LFE, LS, RS as well as the stereo down mixes Lrti. Any help would be greatly appreciated.

  I never did work quite like that, but I'll try this for your sequence settings:

  

  This is to the drummer on track:

  

  And for your export settings:

  

• Download Apple ProRes 422 Presets first

  If anyone knows anything about downloading presets Apple ProRes 422 first, so you can actually use them in a project as a parameter of sequence?

  I can download them here: http://www.Adobe.com/support/downloads/thankyou.jsp?ftpID=5411 & starts = 5030

  
  

  But I don't know how to actually get in first?
  

  The files that you downloaded is pertinent to CS6. If you are using an older version of CS6 of Adobe Media Encoder then:

  1. download and unpack desired predefined packages

  2. start SOUL

  3. in Panel Preset browser, click on the button import Presets and select desired presets (excerpts)

• Unable to log and transfer of media files ProRes 422 MOV in FCP 7.

  The log window and transfer in final cut PRO 7 said my multimedia files to Apple ProRes 422 (in a .mov container) are "unsupported" and I'm unable to import. This is after I've used MPEG Streamclip to convert original h264 video files to Apple ProRes 422. I shot with a Canon 5 d Mark II. I missed something?

  Do not use TYou log and transfer. It's for the camera Med.

• MXF to ProRes 422

  A client gave me a car that they got their cameraman. I need to get the files in Apple ProRes 422 for editing, but I don't know to use ClipWrap, Mpegstream Clip or XDCam transfer... or else.

  Each file is a map and includes a series of folders: Clip, icon, Proxy, Audio, video, voice of the Audio and video files are. MXF.

  Any help would be great!

  Looks that they shot Panasonic P2... it's the structure of files in this format.  None of the mentioned converters will not work.  To do this, you use standard old LOG AND TRANSFER files... even inside FCP.

  Now... If they shot that has been saved as DVCPRO HD P2... which will come only in DVCPRO HD.  Cannot be imported as ProRes... the only option you have is DVCPRO HD... but it is a conversion without loss.  If they shot AVCIntra, then you can bring it like ProRes. In the journal and transfer of preferences (menu sprocket in the interface of log and transfer), there is a place to choose which format ProRes import AVCINTRA as. NOT AVCHD... AVCINTRA...

• Shooting 2 k S-Log2 on F5 (AXS - R5) / Prores 422

  Simple questions that I had a hard time getting replied:

  The Sony F5 can shoot 2 k S-Log2? If so, how?

  What is the best way to convert XAVC, 2 k, etc the F5 to Prores 422?

  I was on the phone with a lot of people without any resolution for this.

  Thank you

  -Dan

  The F5 won't XAVC 2 k or 2 k RAW until September free firmware update.

  Slog2 is available only when shooting XDCAM, XAVC or SR Codec internal cards, not BELIEVED. RAW is RAW.

  The R5 saves only the RAW format, nothing else.

  To convert one of these ProRes formats I highly recommend to use DaVinci Resolve. The Lite version is FREE and will until HD resolution. The full version can produce higher like 2 k and 4 k resolutions.

  I wrote a step by step guide how use DaVinci to convert formats of files here: http://cinetiny.com/5SG4yVnQ

• Question about the capture in ProRes 422 HQ

  Hi, I hope that you´re having a great Easter!

  I m a fresh technical coordinator on an award show and do some research on this workflow we want to use for the project.

  As part of the we´re to see the creation of the comedy bits and other small videos for breaking the live broadcast, and I have to take a decision on what format we want in the shooting.

  We´re using first and to facilitate the workflow, I thought ProRes would be a good choice for the capture format. As much as we´re is not a large amount of shooting sequences. For this reason, I think that the shooting in 422 HQ is viable.

  However, I Don t currently have information about the use of we´re cameras, so here are my questions:

  It is common for the cameras to support ProRes capture more precisely 422 HQ?

  Which cameras support it?

  Are all memory cards capable of storing 422 HQ?

  Do you have the experience of working with a workflow of 422 HQ on smaller projects or possibly more? Disadvantages?

  
  

  
  Thanks for your time!

  EDIT: This is the right place for this question? If not, please direct me to a more appropriate forum. Thank you!

  Many high-end cameras are supported the record in ProRes format. If you find yourself using cameras do not record ProRes then you could always tie a convergent, or external such as Atomos products recorder which allows to record any flavor of ProRes to an SSD. Here is a list of Apple authorized products that support ProRes: https://support.apple.com/en-us/HT200321

  I don't know that is how updated, but given that the gun RED 8 K is about, it seems quite common. The list shows NLE, video cameras, and recorders, so it should give you a good start.

  The memory card or the SSD just need to be fast enough to support written bitrate of 422 HQ. Any SSDS should do, if you go with an external recorder. If you go with one of the cameras that uses a memory card, manuals and manufacturers can tell you recommended specs.

  I have experience with ProRes 422, no HQ, but if you have a fast enough machine, it should be quite pleasant to work with. The obvious disadvantages I can think would be needs of storage and bandwidth between your storage and your machine, especially if you go with a multi-cam project. A single stream or two of ProRes 422 HQ should read through any modern storage, high-speed.

• Last updated wrecked ProRes 422 reading

  With Prores 422 SBDAs. Played fine until today. The update is applied. > "The file has no audio or video streams.

  Damn, why break you, adobepremiere ?

  I'm on Win10x64. Everything went very well before. QuickTime reads the file no matter what (see image below).

  Does anyone have an idea on how to fix this?

  

  It worked again after restarting the PC...

• I do not understand how to import a project that I created in Final Cut Pro in After Effects

  I do not understand how to import a project that I created in Final Cut Pro that has many sound effects in After Effects. When sharing, choose Apple Pro Res 422, resolution 1920 x 1080, select other - After Effects, it comes as a layer in AE. I don't see how I can change this and do not know, I'm doing this right. Can someone help me please. Thank you very much.

  You can use the file--> menu to import and use the Pro import, but of course there are limits. They are just completely different programs of two separate companies.

  Mylenium

• Export failed to achieve the required bit rate and colour care space - ProRes 422 in MPEG2

  With the help of first Pro CC v7 I exported a ProRes 422 (HQ) MPEG2 file and selected the HD 1080 p 23.976 preset.  I needed the finished file to have a minimum of 50Mbps flow and the color space to be YUV422.  I was under the minimum flow rate and the color space is incorrect. Can someone please instruct me on how to get my desired results. Thank you!

  MXF OP1a XDCAM options are hard wired for the correct settings for each preset - in the case of 422 @ 50 mbit, it already uses a preset CBR (constant bit rate).  The main codec Concept always Compress contents, so it is quite possible that your source material will eventually take less space than 50 Mbps, depending on the complexity of the images.  There is nothing to replace it, you can change, it's just the codec do its thing.

  I don't see how the color space was incorrect, unless you take what you think that you have chosen.  Make sure you're one of the presets that has 50 in the name, picking, and other (18/35) VBR and space colorimetric 420.   You can check the presets under the video tab - if you have a 50 mbit preset selected, the video codec should list something like "XDCAM HD 50 NTSC (4:2:2)".

  Wil

• Numbers - how to import external data to a cell in a single file into a new cell in another file?

  Numbers - how to import external data to a cell in a single file into a new cell in another file?

  I want to do the same thing in numbers (3.6.2 (2577) I used to do in Excel (any version):)

  to import a calculation of a cell in a file in a new cell in another file.

  Example: I want to import the result of a sum in a specific cell of my accountant in August to a cell in comparison in my accounting of September.

  It was so easy in Excel. Until the reference computer broke down.

  By the numbers, I tried to copy - paste the contents of the cell formulated, but not good.

  No help manual online or anywhere. I think that maybe the function is absent in number.

  Then I return to MicroSoft Excel, that I have used for many years and I am sorry to say feel much more wysiwyg.

  Formulas in a numbers document cannot reference cells in other documents of numbers.

  "Much more wysiwyg" is another way to express what many of those who "used (MS Excel) for many years" expressed as "more intuitive. These two descriptions usually boil up to ' what I'm used to, ", which is also true in the other sense.

  Whatever the real explanation, the standard advice is "the tool that will do the job." If "the job" requires referencing values in a separate document, the numbers (alone and without the help of AppleScript) are not the best tool for this job.

  Kind regards

  Barry

• How to import pictures in iBooks author?

  My media in iBooks author browser shows only photo booth as a source library.  I suspect iBooks that author has written for iPhoto, not Photos.  Can somebody answer how do I import pictures from my library of Photos?

  Hello nigelllam,

  Thank you for using communities of Apple Support.

  I see that you are wanting to know how to import photos to iBooks author. The following article provides unfair information how to do this. iBooks author: Add and edit the photos and other images

  Best regards.