Movement of masking of the Code between environments

Similar Questions

• I want to replace the code between 2 comments on a lot of files that just may not know to do.

  There is code between 2 comments I want to replace. For example <!-#header-CODE > <!-#/ header->

  The problem is that there are some differences in the code in each file. Its a header I wanted to change a html Web site, I thought that the best way would be to use the feature replace
  But each file is slightly different in the code. If it's just does not. All of the code between these two points must be changed for the same block of code.
  I tried to use regular expressions, I can't understand.
  I tried you/w/w, but it won't work.

  Why is there not an easier option. As <!-#header-> * <!--> #/ header and replace everything between the help file should have at least give an example of the various possibilities.

  Try

  ((\s|.) *?)

  Make sure the "Use regular expression" checkbox is checked.

• Movement of mask and the track Matte Question - why it doesn't work?

  Hi first gurus...

  I am able to use the first titration module - to create a mask - then the Luma put on the effect of TrackMatte to isloate a region of the video (I duplicated the original) which I am interested.

  -By of many tutorials/videos online, I've found.

  Question: Why - can I not use the mask / "exit" from the ThreeWayColorCorrector to do the same thing?

  Image - duplicate the clip - drop the ThreeWayColorCorrector - using "High color" mode - to isolate people form (from an extract of the interview);  the background is black... the contour hair root and the body of the interviewee is white.

  I get white/black - because I passed the exit of the ThreeWayColorCorrector to 'mask '...

  Now - when I drop this clip on my video editing - that I use for the TrackMatte effect - it does not work as I had expected, it could - at all...

  Very disappointing - it would have been a very powerful way - to create a mobile cache to work with the TrackMatte effect...

  If someone has done something like this before? Y at - it an easy solution - or a setting that I missed...

  This should work really - not?

  Some information:

  I work with a GreenScreen shot - with lighting poor to separate the hairline of the screen.

  Work with green screen - subject to blonde hair.

  I thought that the retro-lighting/hairlight was not necessary - I was wrong.

  Now with the green screen hidden using this ultra key - get jagged effect around the airline and what looks like the snow and noise around the fringe.

  I thought en - 1) video duplication and combining with effect 2) TrackMatte - use a mobile mask that matched just the root of the hair/plan - I might be able to blurr the edge enough to get rid of the unpleasant effect I see...

  As BIG as the UltraKeyer is - different parameters of transparency/spill/Starter/soften seem not to be able to remove the ugly/noticeable hairline artifacts that I see...

  New - look like jagged effect / snow...

  Any thoughts?

  
  Thank you

  F

  In my opinion, the track-bearing on Pr capabilities fall away from the brand.  The fact fcp7 as it is very useful.  The limitation of the matte in public relations is that the mast is adjusted on the layer is hidden.  You can animate and change the scale and position of the track matte layer, but if you want it to run in smooth synchronization with the matted layer, you're in for a bit of work.  Ideally, you should be able to pan and adjust the layer being hidden inside a motionless mask.  Can-do that elegantly in PR.  This is a faulty design of the Pr, IMO.

  As a general rule, you must go to EI for the good contols, where you have all the power of masking you need, with the exception of the variable feathering, and who is rumored to be included in AeCS6.  Also it would be nice to be able to follow the points of mask, which is not currently in Ae either.  But that's another debate.

  That said, I am able to use the mask to a secondary use as a Luma matte.  Not sure why it does not work for you.  Have you played with the secondary commands sweetness?  I couldn't even be after what is your problem.

  However, here is a tip that I use with Ae that might work for your problem of inlay.  Use two instances of the Keyer.  Use all first to create a "garbage" key, where you will have the most greenery, leaving only a border around your subject.  Then, you can use the second instance of the Keyer to hone in on the edges.  Give it a shot.  Might work for you.  This method gives you an option to avoid the harsh cleanup settings of Matte with eradicating all the Greens in a framework.

• Mucow put the code between the &lt; / body &gt; tag and &lt; / html &gt;

  How can I put jquery inbetween the end body tag and put an end to the html in a mucow tag, not sure if im able to do this muse as pleaae help thanks

  It would be useful:

  http://Adobe-Muse.github.IO/MuCowDocs/#husing-jQuery

  Thank you

  Sanjit

• Insert the code

  Hi all, I know that I can insert code but I want to be much more accurate where it is inserted (as before the tag "body" closed, for example), and I would like to modify my code directly into a project that I created in the design.

  Is it possible to insert the code between the specific and directly modify the code for an existing project? Thank you!

  Hello

  It would depend on what you insert and where, because there is no hard and fast rule to insert html, if a part of the code is for the head, then he would go to headrest with metadata option, but if it is a plain insert html, so we can insert on a page using object > insert HTML code.

  About the html editing, if any element of page inserted through HTML, then you can right click on this object and modify html.

  Thank you

  Sanjit

• How to move the mask without the masking area who created

  Im trying to place a box of masking to a certain place where he hides a fraction of an object (myRainBow) and then move the mask without moving the masking area. But the code I did exactly the opposite-> he moves the area of masking with the mask itself.

  My problem in other words:

  I have a nice image, but I want to move the image to a different location on my living room wall. So where I have move the image (at the top, left corner, bottom corner to the Center, etc.) it (the content of the image itself) won't change, only its location of the image in my living room.

  How do with the as3 code, cause I have so far only this and it does not have what I want it to do

  
  

  private var masker:Shape = new Shape();
                      private var maskerBoarder:Shape = new Shape();
                      private var container:Sprite = new Sprite();
    
                      private var myRainBowPicture:Sprite = new Sprite(); 
                      private var m:Matrix = new Matrix(); 
  
  
                      public function MainMask()
                      {
                                if (stage) init();
                                else addEventListener(Event.ADDED_TO_STAGE, init);
                      }
    
                      private function init(e:Event = null):void
                      {
                                removeEventListener(Event.ADDED_TO_STAGE, init);
    
                                this.addChild( container );
    
                                //create the gradiant
                                m.createGradientBox( 400, 300, 0, 0, 0);  
                                myRainBowPicture.graphics.beginGradientFill(GradientType.LINEAR, [ 0xFF, 0xFF00FF, 0xFF0000],  [1, 1, 1], [0x0, 0x7F, 0xFF], m , SpreadMethod.PAD, InterpolationMethod.LINEAR_RGB, 0); 
                                myRainBowPicture.graphics.drawRect(stage.stageWidth * 0.5 - 200 ,stage.stageHeight * 0.5 - 150, 400, 300); 
                                myRainBowPicture.graphics.endFill();
                                addChild(myRainBowPicture); 
    
                                masker.graphics.beginFill( 0x00ff00 );
                                masker.graphics.drawRect( 0, 0, 200, 100 );
                                masker.graphics.endFill();
                                container.addChild( masker );
    
    
                                maskerBoarder.graphics.beginFill( 0, 1 );
                                maskerBoarder.graphics.drawRect( 0, 0, 200, 100 );
                                maskerBoarder.graphics.beginFill( 0x00ffAA, 0.5 );
                                maskerBoarder.graphics.drawRect( 2, 2, 194, 96 );
                                maskerBoarder.graphics.endFill();
                                maskerBoarder.graphics.endFill();
    
                                container.addChild( maskerBoarder );
                                myRainBowPicture.mask = masker
  
  
    
                                container.addEventListener(MouseEvent.MOUSE_DOWN, onClick)
                                container.buttonMode = true;
                                stage.addEventListener(MouseEvent.MOUSE_UP, drop);
                      }
    
                      private function onClick(e:MouseEvent):void
                      {
                                container.startDrag();
                      }
    
                      private function drop(e:MouseEvent):void
                      {
                                 stopDrag();
                      }
  
  

  The way you describe moving the mask without moving the mask area is not clear, but if your description to move something on the wall, then you have probably just to add the image of the Rainbow and the mask in the same container object and assign slide it / drop in this container.  From what I can make of your code, you just put the mask inside a container and moving from this container.  Try to put this first container inside another breadsticks and the Rainbow and assign the drag / drop to the second.

• What is the difference between the password and access code

  I get all the IDs and passwords and none are accepted

  "I received message' iPad requires your password after restart", but it does not accept passwords

  What is the difference between the password and access code

  Standard codes which block the iPad are 4 or 6-digit. You can set a more difficult to decode, personalized access code / password in the settings using letter and numbers if you wish.

  A password is a series of numbers, symbols and letters that a user putting in place to protect the information in a frame, a web site, e-mail, etc. This may actually be a word or series of words, if you wanted to set up in this way.

  Your iPad is looking for this 4- or 6-digit code. If you can remember, you must restore the device so for free.

  If you have forgotten the password for your iPhone, iPad or iPod touch, or your device is disabled - Apple supports

• What is the relationship between the source code (LKS) file and the process file (L4P)?

  I know that Lookout produces a file of source code with an LKS extension when you save a file to process.  Can someone explain the relationship between the two files, especially while the (L4P) process is running?

  1. Is this just a backup file can be recompiled in a process file?
  2. A file corrupt LKS cause strange problems with operation process file?

  I currently have a very strange intermittent behavior with a process file run.  I first thought that the problem was associated with my Fieldpoint and/or their configuration modules.  Since then, I found that my process file has a file corrupt LKS.  I repaired and recompiled my LKS file to a new file to process.  I still don't know if I have solved the problem or not.  So, the problem is intermittent, I did that about 20-30 SECONDS to resolve the problems there before he goes.  Then he can not show up again for another 2-3 days.

  The .lks file is just the source code of your process. It can be opened by a different version of lookout, but does not have the .l4p file.

  The .lks file is not be used while a process is running. Lookout does not read the file more after his execution. So it should not affect the running process.

  What kind of problem, is it?

• I can switch between the code sheet and css html, but I would like to see them both at the same time as well as the design window. Right now and can see rather the design and code html or design and css. How can I arrange to see all at the same time, of

  Hello

  My name is Ellie and I am new to Dreamweaver.

  I can switch between the code sheet and css html, but I would like to see them both at the same time as well as the design window. Right now and can see rather the design and code html or design and css. How can I arrange to see everything at the same time, design, HTML and CSS?

  Thank you

  It ends up something like that...

  

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  Try to use a Widget for Composition in the Adobe Muse Widgets Panel.

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• Seting keyframes to move a mask, what are the Red handles, and why can't I move the mask.

  So, I have a mask I want to track manually. I put a keyframe, and then as soon as I move down the clip in time, the handles on the mask all the Red Tower, I can't move anything. What is c.

  I must be in Auto key. If is not very intuitive to manually follow a mask. Can someone explain what I got. When I put a keyframe, it also always affects a red keyframe at the beginning of a clip.

  OK, so if I put on auto and then change the mask a little to set the first keyframe and make a few adjustments it works fine. TEEN Style!

  I guess that's the best solution. Use Auto and adjust as required.

  But for reference, what are the Red handles that is supposed to mean. And is there a tutorial for manual monitoring mask.

  Also how do a mask drawing good hand, when I click on the + curve and make points, then the expanded mask gets all hexagonal... What is happening with that. you have to start with a round mask and add points and tweak from there to make a mask customized with adjustable smooth edges?

  Seems to be the only way I can hack through for now. Again, please to a good tutorial on the masks and the points, I have an account of Linda, if that helps.

• How to move the code from right to left display panel

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• Newbie - can see the code in the movie Explorer, but not tipping

  Hello, just need a little help here,

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  Matthew

  Solved

  the rocker wouldn't let me see the code until the layer that it is attached to a - unlocked -.

  No clues were present as to what context he was in or that something was locked, so I had to search the whole of the project.

  Not how I would have designed the user interface of the Flash editor.

• How to move the code to the left or to the right?

  Hello

  Is anyone know how you can easly code to move to the left or right using ExtendScript Toolkit app?

  There are 2 buttons that allows to move the code into Dreamweaver. The buttons will insert or remove tab characters before the code.

  Kind regards

  John

  Quite to my surprise (Adobe missed the boat, AFAIAC, with almost all of the rest of the Extendscript editor), it sticks to the current agreements for the majority of the editors (*) code: tab indents a selected block, Shift + Tab outdents it.

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• FlashBuilder - how to move the code with drag and drop

  Guys, I must be stupid. Each IDE I worked in allows me to highlight one or more lines of code, and then, when I mouse over the highlighted lines, updates of the cursor to indicate that I can now drag the code, and it moves when I click and drag.

  FlashBuilder (burrito) does not seem to exhibit this feature, but if I hold down the CTRL I do not copy the code via drag and drop.

  There has been one or two occasions where the drag-and - déposer worked, but I can't understand, or reproduce these conditions.

  Can anyone help?

  Thank you

  T

  It should work in Flash Builder, but you are right, that feedback cursor is not very good because it is not updated to show that any sort of slider. Try selecting the text, then click and hold for about a second before you drag it to a new location. If it still does not work for you it must be another problem. Make sure that in preferences, general-> editors-> text editors "Enable drag and drop of text" is turned on.