Nested sequence does that partially

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• Nested sequence shows only partial video

  I use CS4.  I have a series of projects of each container of nested sequences.  So far, this has been great, but on one - and only one - a project of the sequences, when nested in another poster only a small segment of the video.  The sound is fine.  SEQ #1 and 2 are the two long 01:11:40:12.  When Seq #1 & 2 are nested in Seq #3, #2 seems perfect both audio and video audio #1 is fine but only a small fraction of the video is nested. This video starts at 00:10:33:11 in the #3 and works for only 00:03:45:17, and the video that appears is in and out at the right time.

  My workaround solution has been to make Seq #1 like any other. AVI leader II - which works very well - and then, rather than the nesting of the #1 sequence I just bring the. AVI file in the time line.  It works fine - but I can't understand how and why this one in this a timeline project acts this way.

  Any ideas?

  PS:

  No idea why the timings are displayed with semicolons and not settlers?   00 03 45; just curious 00:03:45:17 17 vs.

  No idea why the timings are displayed with semicolons and not settlers?   00 03 45; just curious 00:03:45:17 17 vs.

  TIMECODE PAL & NTSC (format protocols)

• Is there a command that will take a nested sequence and break in it is separated from the pieces, as they were before, he become nested?

  Is there a command that will take a nested sequence and break in it is separated from the pieces, as they were before, he become nested? I think I've seen this once iin training but I don't remember and can't find it.

  I have roughly the same open close and music track for 4 shows and I hate having to create these same elements to see all four the separately.

  Thank you

  Steve

  You must click the icon before you glue the nest in a new sequence.

• Cut the nested sequence stops playing in first

  Since the installation of the latest version of Adobe first Pro CC (2015.0.2 (version 9.0.2 (6))), it presents a coherent reading problem. After about 1 minute of editing with a nested sequence, first does not allow me to read anything of a sequence or in the source monitor (I also tired to open many projects without success).

  
  

  The only partial solution is to restart first change a sequence returned instead of a nested sequence.

  
  

  Is a similar problem that arises when the preferences are set to the incorrect sound card, but change the audio settings does not fix it this time, even in trying two different audio devices. I also checked permissions have been set to read and write and I tried to roll back first to an earlier version, but the problem persists. I drove back to CC 9.0.0 build still having the problem.

  It is a topical issue because it is a workstation company, and projects have deadlines.

  All reviews are much appreciated,

  Justin

  ________

  ________

  Data sheet:

  iMac 14.2

  10.10.4 OSX (Yosemite)

  3.5 GHz Intel Core i7

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GTX M 780, 4096 MB

  Well, I finally found a work around. The sequence, I've been nesting must have been corrupted somehow and that froze until the creation whenever I tried to draw in another sequence by nesting.

  THE FIX:

  -Copy all the contents of the original sequence into a new sequence (the sequence of as corrupt origin label)

  -The new sequence in another sequence with desired parameters of the nests.

  It's the fine cut for now.

  Thanks for your help.

• Cannot open the file with a nested sequence

  Yesterday, I created a nested sequence. Today, I receive an error message that says that pp does not recognize. Help!

  Mary,
  I guess that you have solved the problem that we have not heard from you.

  Kevin

• Sequences can inherit the nested sequences chapter markers?

  I am in my project of edition about 2 hours of video. For that things remain manageable and being able to do fast makes it partial, I have divided the project into several parts. Each part is edited in a clean sequence. Finally I combine parts by adding them in the form of sequences embedded in my master sequence. The problem with this approach is that I can't get the creation to inherit the nested sequences chapter markers. For example, in my 03 sequence, I put a chapter marker.

  

  When I put this sequence in my master sequence, chapter markers will not appear and it is also not be counted when I export the main movie to a DVD:

  

  I could of course place the markers on the main sequence, but I would rather their place in the sequence of the child for two reasons:

  • Markers and edited scenes would be in one place.
  • If I choose to re - edit some parts of the sequence, I won't forget to update the position of the mark.

  I'd love to hear your ideas on how I could do this. If my work flow is poor/ineffective, I'd love to hear about that, too

  You can do all your editing in different sequences and bring them a master.

  But I leave the markers to the end of the Master.

  You want to export a DVD or BD?

• Video effects in flicker to export nested sequences

  I nested content in a sequence. When I export I get flicker at a time where I added an effect.  I used warp stabilizer and opacity masking and both produced sparkling in the finished coating.  When I add the effect of nested track video, while it is not nested and then rendered flicker does not appear, it is a big pain.  I've been adding effects to clips nested for years and I really need, what can I do?

  I don't know that this will help you, but...  I recently found this with glued on the nested clip (green bknd) drop shadow effect.  I found that the sequence containing the clips that were the nested sequence had a frequency of inappropriate images (10 FPS).  When I changed this to 23.976 fps, the flicker disappeared.  At no time the real video clip has played at 10 frames per second - just the shadow.

  I don't know why that should be while I thought that the rendering was supposed to correct differences as a sequence that when I moved the sequence to the main time line.

• nested sequences change the proportions of clips under them

  First Pro 6.0.5
  Mac Book Pro retina

  See the attached screenshots:

  1. nested sequence is off - everything below is is crunchy and good aspect ratio

  2 nested sequence is over - all under it is blurry and bad aspect ratio

  3. only the nested sequence is on - so you can see that it does NOT contain the layers below by mistake

  Why is this happening?  It's really disturbing... This happens usually when I make my sequence - it goes all haywire proportions wrong when rendering with transparent nested sequence above all.

  Image 1:
  Nested sequence is off - everything below is is crunchy and good aspect ratio

  

  Image 2:

  Nested sequence is on - everything under it is blur and bad aspect ratio (it is pushed to the top - line see black which is formed on the bottom)

  

  Image 3:

  Only the nested sequence is on - so you can see that it does NOT contain the layers below by mistake

  

  Sigh.  I thought about it.  These are my pains of the transition from FCP to Premiere Pro.
  Apparently the regardless of the default settings I had rendering changed somehow the proportions of my original clips.
  I have re-jiggered rendering in the preferences of the sequence parameters, and the new renders a snippet you want on-site.

  So it's not a bug squarely in the first, more just a user error mixed with some default settings in rendering first clumsy.

  Z.

• opposite of ctrl-shift-f of the nested sequence

  A position of playhead to in a nested sequence (say, a multi-camera edit sequence), I can use 'ctrl-shift-f' to take me to the same images (probably a playhead position) different in the source sequence. It allows me to find the source.

  Q: is there anyway to do the reverse? I want to start in the source sequence, then find where this film the layer source is used in a nested sequence. Is it possible to do in the body of the cs6?

  And yet, there is a "hidden" feature that does exactly this. If I place markers in the source sequence, they appear in the nested sequence. It is so easy to match the two. Here's what I mean:

  First of all, in my source sequence, I place a couple of markers with the button "m":

  

  Then when I look at my sequence nested (in this case, my Multi-Edit sequence) I see markers in the calendar that does not explicitly place there, that exactly match the markers I placed in the source sequence:

  

  Is this cool or what? Saves me a lot of time and frustration. These Adobe engineers... very good code, body cs6. Pretty darn good.

• Case Structure sequence does not move to the next iteration

  Hello

  I am trying to create a multifunction data acquisition and control of a laboratory instrument. As shown in the attached VI, I finally 3 different modes: simple, door double door and GC, each with their own functionality. So far, I worked only on the Mode of the door, so that the rest are empty. However, trying to make the system to wait for the interactions of the user, if the key 'only start door mode', it moves in this case without problem, and if there is no hurry, he waits, bike to the tab control like I want it. However, after execution of the VI with the pressed button, it will not return to the 'Wait' case, he freezes in "aquire" and refuses to return to the case "wait." I'm sorry if this is confusing, I think it will be clear when running highlight is used, it freezes just after the correct number of iterations in the loop for. thank you for your help,.

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  Hi Eric,.

  I think the sequence works as you want.  When I run it on my computer on my computer he is turned down for the case of waiting as you want.  I don't have to open the VI called single door Pulser.vi and manually, click on the button to stop inside the VI but after doing that it moves to the cae of waiting.  Also, I noticed that you have a constant wired up to the judgment of the outside loop while. This isn't really a good idea because it forces you to use the button abandon.  The button abandon does not stop correctly the VI and could cause other problems.  I suggest you to have a stop button on the front panel somewhere to allow the judgment of the user of VI.

• Is it possible to link the CTI to a nested sequence?

  I have a nested sequence, and I want to change the position of the keyframes based on what is on the main sequence. I'd like to be able set up the ICT in the main sequence, then go to the nested sequence and have the ICT at the same position, then make the change.

  The way I did it is to calculate the time elapsed since the beginning of the nest in the main sequence and then go to the nested sequence and the displacement of the ICT at that precise moment. Shortly.

  Is it possible to link the CTI to a nested sequence? i.e. everywhere where ICT appears in the main sequence, when you go to the nested sequence, ICT is in the same position.

  I am running CS6.

  I can't think of a way, but it would be a good request for future versions:

  Feature request/Bug Report Form

• Is it possible to designate a bin as a destination for nested sequences?

  I like to keep my projects (who doesn't?) and started to work with nested sequences. Is it possible to designate a specific location for all newly created nested sequences?

  Thank you.

  (Work on PP CC 2015 on a machine Windows 8)

  Not that I know of, would make a good feature request:

  Wishform - Adobe Premiere Pro

• Solution-alternatives-tips for multi-audio export in a nested sequence?

  Like many, I mounted my final model as a nested sequence. Several, but not all the subsequences contain a mixture of stereo audio tracks and mono source (including: some isolated from the channels of dialogue, layers, sound effects, etc...). Unfortunately, as I just found on the hard, it seems that exporting OMF or AAF in a nested sequence transfers only the tracks visible IN the NESTED sequence ONLY and ignores all other audio tracks of original sequences (void). And I said that this is the norm for OMF/AAF.  Wow! It sucks!

  I hope it's one of those annoying weird things where everyone but me knows the best way to get the audio tracks, went to their audio favorite finishing DAW. Mine is Logic Pro X.

  Appreciate it. Thank you!

  What happens if you UN - nest it. Like taking this sequence in the project bin after selecting the button "display nests as the individual sequences and more words ' in the panel mounting - take this sequence nested of the location of the project and place it on the timeline where he opens the video layers.

  Now, if this is not export as an OMF - perhaps because she always links to the nest - what to say to another sequence, copying stacked above video layers (layers video open upwards) and copy the audio layers.

  Other then that, the command "flatten" allows in some circumstances - but even more with blocking sequences.

• flatten nesting sequences

  is it possible to export the project / timeline (xml, edl,...) without hierarchical structure sequence I mean, flat as a single sequence. It is easier to copy-pase images in another sequence of size more great and then, because images of larger size and grows easily in larger size of the sequence, but nested sequences cause... first cropping does support some scripts? Otherwise, there is always a way to directly process xml using php, c#, or c++ files?

  Hi Jacek,

  I don't know a way to do this other than to create sequences making nests and flatten then those. You can request a feature here.

  Thank you

  Kevin

• Drop caps and nested Styles does not

  For reasons that escape me, it seems, the drop caps and Nested styles does not work for me. I am confident, I have followed the correct steps of there exactly: Nested styles to heavy users. Adobe InDesign tutorials CC

  Yet somehow the style preview and paragraph simply do nothing for me.

  I wonder what I'm missing.

  

  You have manually applied 1 character Style to the whole paragraph. THT is a priority.