Path with the pen color tool

Similar Questions

• How to constrain angle of anchorage when I pull on a path with the direct Selection tool?

  How to constrain angle of anchorage when I pull on a path with the direct Selection tool, as it did in all versions of Illustrator since 1988? New behavior is costing me time.

  Open preferences > display selection and anchor.

  Here you can constrain the handles

• When you add points on the path with the pen tool, it will always add handles almost anything?

  I'm stumped... I have used several times before the tool pen without problem. I use Wacom Intuos... but have also disconnected and used touch pad and the same thing happens... I want to add a track with the tool point pen to move and create a perfect angle and no matter what I do the pen creates the point with handles and, of course, with handles, it becomes very difficult to create and move a corners with the direct Selection tool... It certainly could be Windows or some other internal force creating the problem... I have three versions of Photoshop installed on my Alienware... Photoshop 6, CC2014 and CC2015.5.1 and it happens in all versions of three... If I'm a fool for lack of something obvious please let me know... If it's something I'm missing or have forgotten that I'd appreciate any help I can get... Peace and thanks

  The default behavior is. I just hold down the alt/opt and then convert the point at a point without handles.

• handle Bezier lost in the closure of path with the tool pen

  Can anyone of you teach me please how to avoid losing the first point Bezier handle backward when closing a path with the pen tool?

  

  It is a nuisance for a long time for me, but I can't exclude that I simply failed to find the right way to disable this behavior.

  In addition, C:

  For my own use, I wrote some Javascript AI, JET_CloseSelectedPaths.jsx, which closes a path in the way that narrow box that FreeHand is for pre-existing incoming handles.

  

  Read the descriptions on the page, and you will find a few others in the same collection, which even use workaround for things that FH users take for granted about two decades ago. (Illustrator only devout, of course, should stay away from them because, you know, they use HAVE for a long time, so I should not em.)

  JET

• How to continue the drawing with the pen tool

  Hello

  Let's say that I start to draw an image with the pen tool. Something happens 1/2 through the work of track and I need to stop the trace. How I later come back and start the trace of my last point and continue to the end. Now, all I get is new anchor points and lines that do not join the original track. Thank you

  To resume adding segments to a pre-existing open path with the pen tool:

  1. Hover over the endpoint of the path. A slash mark appears next to the cursor.
  2. Click on the endpoint.
  3. Continue to add the anchorPoints.

  It is not necessary first to select the path (but it should be).

  JET.

• Merge paths with the same fill color

  Hello

  I'm trying to use pathfinder to merge paths with the same colors. I have a lot of colors, so that Select > same fill color would solve my problem, it is very slow.

  My typical workflow is basically by selecting the same colorful and using pathfinder (unite) paths to combine. If the paths have different colors that he would do all the unique color of merged paths. It does not work.

  I want to combine only the paths with the same fill color with the other, but I couldn't come up with a good workflow.

  Someone had a similar problem/situation? What are my options?

  I appreciate all the help.

  

  Select all, and then click 'Merge' pathfinder

• How do I avoid the accumulation of color / opacity where two brush strokes overlap?  In other words, I want to use more than one path with the Paintbrush tool, but see no additive effect where strokes overlap.  What Miss me?

  How do I avoid the accumulation of color / opacity where two brush strokes overlap?  In other words, I want to use more than one path with the Paintbrush tool, but see no additive effect where strokes overlap. 5 Lightroom

  I use it all the time. Turn your opacity, density and traffic all 100%.

  Benjamin

• How to animate a line with the pen tool to give the impression that it is plotted?

  How to animate a line with the pen tool to give the impression that it is plotted?

  Or you can choose the pen tool (g), set the padding to zero and the race to what you want, then draw a path, then press U twice to reveal all of the properties that have been changed for the layer, and then click Add (top-right) and select Connect the tracks.

  To make the race work just animate the start or end point and sent to paint on original or reveal original or normal.

• How to start to draw with the pen tool, a different anchor point?

  It's as simple as that. How can I change the anchor point where I paint. I use the tool on Illustrator CS6 pen on a tablet.

  Thank you!!!

  for8aby,

  Guides are your friends, depending on whether you want to continue A) the shape of the path (so far) last anchor Point or B) create a new path starting with an internal Anchor Point with the pen tool:

  (A) right click/ClickDrag on/off the last anchor Point;

  (B) click anywhere near the internal Anchor Point, press space, and move the point on the path ( pathcommented for example) until you're here

  (Smart Guides say anchor), and then drag the handles, as appropriate.

  After that, you can continue as ususal.

• Beginner with the pen tool problem: not obvious on any shape layer

  I'm learning the pen tool. I made a line with the pen tool, but now I can't find out what layer it is on, and I can't caress as I wanted. All my layers are turned off and the form appears. However the research through the layers there is no vector layer that contains my line. In addition, I can't touch the line as the line options and filling are greyed out on my table of paths. I have attached a copy of Θcran to explain if all goes well I mean. I use CS2 on Windows 7.

  

  Your Layer palette capture you have no visible layer and targeted in order to trace the path would not be available and gray by Photoshop.  Target a layer visible and you should be able to stroke the path on this layer. Also, you should be able to add a shape layer by using this path of pen.

• Follow-up with the pen tool

  Hi, I am trying find an animal of comics with the pen tool.  How to start and stop without messing up the design, when you start in a new location within the design, if that makes sense.

  Thank you

  Erica

  Erica,

  To start a new path, rather than continue the current, you must pass the tool pen for something else and back again. You can do this by using the hotkeys with no mousing hand and hold the mouse and your attention (more or less) in position.

  P's Pen, the switch from the simplest is to press O and P and then you can start the new path (O is the reflection, but who is not serious in this respect).

• Masking with the pen tool creates unwanted cropping

  Adobe Premiere Pro CC - 2015.4 version 10.4.0 (30) build

  Operating system - OS X 10.11.6

  Sequence/images - images of reflex digital H.264 in a 1920 x 1080, 16:9, 29.97 FPS

  I'm adding a chart and try to hide a file HAVE with the pen tool. As soon as I click on the tool pen under the control of opacity effect, a small portion of the image is cropped on the right side. Even when I finished the mask, he trims still on the right side.

  Here is what the chart looks like no mask at all. http://i.imgur.com/CtKbvOD.PNG

  Once I click on the tool to start feather mask, it cultures immediately a small part on the right side. http://i.imgur.com/W5ICaJR.PNG

  Even when I change the mask to make sure the mask is not touching the graphic, it cultures still a small portion. http://i.imgur.com/zNTGQ60.PNG

  Here's a short video showing what I want my mask to do (with keyframes) and you can still see the cropped part. https://youtu.be/Sy-Fx4YUc1g

  I restarted the program, re-import the file, delete the chart out my calendar and it added on. Remove the mask and tried again.

  I am at a loss here, but feel like there is something simple that I'm missing. Did anyone had this problem? Does anyone have any suggestions?

  Thanks for your help.

  Is the file have identical to the sequence value.

  How the mask behaves if material MPE turned to the software.

• Is it possible to save the shapes drawn with the pen tool?

  Is it possible to save the shapes drawn with the pen for reminder tool later?

  As for example save selections in Photoshop?

  I use Indesign CS2

  Library to use for this. Or extracts.

  Reuse of graphics and text in InDesign

• Sharp point with the pen tool

  I make a mask with the pen tool, but I can't understand how to connect 'pointed' to a curved line; I know how do either straight lines or curves, but how to connect to sharp curves?

  Hold down the CTRL key when you move the Bezier handle.  This it break so you can get the acute angles.  The acute angles of Dave however cannot be broken... hehe.  Dave just joke.

• Help please with the pen tool! :)

  I'm trying to draw a building with the pen tool.

  I want that every surface (form?) to a new layer, but I want to use the angle of the previous shape to start and complete the new form so that they are distinct, but join perfectly.

  I tried to use the transform tool to create forms I need and align them next to another form, but I don't know how

  to make 'snap' to the shape on the other layer.

  I use Photoshop CC.

  I was trying to search online, but finding this difficult issue of Word correctly in google to be honest.

  Thanks in advance! I hope this makes sense.

  Ted

  tedats wrote:

  I must say I want the forms remain separated.

  Yes, they would be all on separate layers.  You would use only part of the last shape to start the next to ensure perfect alignment.

  Illustrator is a nod to the Point.  It always annoyed me that Photoshop does not handle the snap with the pen or free transform tool.  :-(