Permutation of shape with precomps layers

Similar Questions

• You can color in a shape with the Brush tool?

  I created a simple circle and want to color a predefined brush I have.

  I know that you can use the shape dynamics and layers to change the stroke color and fill color. I don't want a fill, but rather that I brush, shadow areas, so it looks like I used a pencil on paper.

  I also know that I can do this manually, making sure not not to "color outside the lines" and then delete anything outside the lines that I can wear a color by mistake.

  However, I have many of these objects to the color and want the freedom to move my brush beyond the edge of the circle, coloring and shading quickly with my predefined brush.

  Is it possible to use a predefined brush, color of a shape, but not the coloring to go outside of the boundaries of the shape you created?

  EI

  

  1 fools the shape layer (Cmd + J)

  2 layer > rasterize > shape

  3 wand. Select the inside of the circle.

  4. Select > Inverse and then delete. This will give you some ants running on the raster layer

  5. Select > Inverse so that the Interior of the circle is the live area

  6. brush and your work will stay in the circle

  An additional Tip:

  At this point before you deselect the moving dotted line, choose the command selection > Save selection. In the future, if you choose to modify the brush in the circle you can remind the mobile dotted with Select > load selection before working on the raster layer

• Printing pages with additional layers - page by page

  Already posted this in the pre-press section:

  Printing pages with additional layers - page by page (DUPLICATE)

  But maybe the pros of Javascript are faster by giving a useful answer:

  Hello, need us a script to get a print of a document of two layers.
  The layer 'A' is a base layer, 'B' can be activated by clicking on a button on the layer "A" and gives additional information.
  The layers ('A' and 'B') which should appear in the following order: A1, A2, B1, B2... n1, n2

  
  Weather printing should be established in this way for the regular print command or can be implemented by a button.
  There is no limitation for that in the document.

  Hope I gave a clear statement on the challenge.  Thanks in advance.

  If you want to print each page twice, layer display and then layer B every time?

  In this case, you can use something like this (but the user may need to manually click the button print every time...):

  for (var p=0; p		   

• Excess of text with multiple layers

  I'm creating a bilingual brochure in InDesign with three layers; German, English and a layer of the image. German and English layers consist only of text boxes. When you view the document in InDesign with each of the three visible layers, some text boxes are the two texts are each on the others and others that one of the text boxes, then the other zone of the other layer text either invisible or packed off the page. This means that when I export it as a PDF file, certain parts of one of the layers of language do not exist. InDesign was told in these places, I have overset text I need to fix. I need the text to inflict on one another, however, so that the two versions are the same.

  Is could someone please tell me what I could do here? I would be very grateful for any help.

  Thank you

  I guess, there is dressing applied on some of the blocks of text.
  Turn off wrapping of text for all text frames and that there should be no problem to export in PDF format with all the layers and objects remain in place.

  Kind regards
  Uwe

• How to stack another canvas to shape with another shape

  Hi I have a situation where I have a form with canvas 3 main canvas is contained, and the two are stacked, now I got another form, that is since this form via the menu now I need starcked canvas shape with two stacked canvas of the first canvas to shape how I can do am shaped 11 GR 2

  Alex wrote:

  ... today, I had an alternative, which is since this form via the menu now I need starcked canvas shape with two stacked in the first shape canvas canvas...

  I'm having a hard time understand the above statement.  Are all the paintings that you want to display the part of the same binary form (.fmb)?  If the first three paintings are in a binary form and the two you mention above, are in a separate binary form then you can not display the second shape is if it is part of the first shape because the canvas object window is displayed in does not exist in the first form.  You could try to make your new form as it belongs to the first, but it will be tricky.  You must call the second form by using the built-in Call_Form() so that the first shape is still visible.  Then you can play with the properties of the window in form 2 to make it look less to a new window.  Are the properties of the window you can play with: bevel = none, the Style of window = Document, move allowed = No, resize allowed = No, maximize allowed = No, reduce to the minimum allowed = No, etc..

  I don't know if this will give you what you want, but it could come close...

  Craig...

• Slow with many layers of Photoshop

  Hello!
  
  

  I do experience notable in Photoshop slowdowns when working with large files (more than 4000 x 4000 pixels) with many layers.
  I tried different things, like tinkering with performance options in Photoshop, brush settings and global PC settings.
  Nothing seems to help.
  
  When you start with a new file (say 4000 x 4000 pixels), everything seems fine. As I work, I create layers more. When the number of layer approaches 80 ~ 100 I start noticing significant slowdowns. The Brush tool becomes lag (delay adds boring), zooming and paning is smoother and everything becomes overall slower.
  
  When checking in the Manager of tasks, either the graphics card or RAM or processor is fully utilized. Total CPU usage is usually only 20 ~ 25%, 50% of RAM but Photoshop is lagging as hell.

  I think I have a quite decent PC. (at least for this type of workload..)
  My PC current specifications are:
  
  CPU: i7 6700 k @ 4, 0GHz
  RAM: DDR4, 16GB, 3000 Mhz
  GPU: GTX 980 Ti
  2xSSD RAID-0 for the main system partition (Photoshop "scratch disks" can also be programmed to do this).
  Windows 10

  
  So, what could be the problem? Any ideas I could try?
  Or should I rethink my working habits of several layers?

  Update!
  After more inexperienced, seems to have finally found the culprit that is causing slowdowns.
  Layer blending Options. Especially those that generate their own semi-transparent area.

  I can reproduce this in the layer file 10:
  (1) create a new file with the dimensions of the 6000 x 6000 pixels (or something bigger) with no background
  (2) draw something
  (3) add option 'outer glow' merger with significant RADIUS
  (4) add a few more layers, repeat steps 2 and 3
  (5) create new layer below all other layers and try to get something in the area where overlap the effects of "outer glow".

  So the main takeaway:
  Be careful adding mixture of options to layers and rasterization them where possible.

• How to put an external glow on a shape with no fill effect?

  Hey everybody.

  
  

  I need to have form stoke No Fill/No with the outer glow effect. I tried but all in vain. I fill the shape with white and then put multiply, but this multiple effect, making the two invisible. When I go into the layer and change the fill multiply then the outer glow seeps into the form, and it's not what I want.

  
  

  My form is a form of lotus/Crown. Screenshot attached.

  I need to this 1 highlighted the form striking the outer glow that is present on the 2nd form but with no fill.

  Kindly help me out here. As I had struggled with this problem for over a week now, to start from forum to forum and tutorial tutorial but without success.

  Thank you.

  
  

  make your object with two fillings in the appearance palette.

  give the upper fill opacity to 0%.

  Apply an outer glow for the background fill.

  Select the object in the appearance palette (i.e. the entire object is selected, not one of its individual fillings).

  in the transparency palette, check the piercing group.

• When we try to create a shape with a predefined size above 10 x 10 inches of ps cs6, we get the next value in A message between 0.00 10.00 inches and thumb is necessary.  Close value inserted.

  When we try to create a shape with a predefined size above 10 x 10 inches of ps cs6, we get the next value in A message between 0.00 10.00 inches and thumb is necessary.  Close value inserted.

  You could put in your dimensions in the boxes of fixed size .

  Then just click on you document and move the object slightly before releasing the mouse if you don't get this pop up dialog box to create a Rectangle rounded.

  

• A shape with a solid color fill

  How you fill a shape with a solid color so that the color is confined inside the border/boundary of the shape and does not bleed outdoors, giving shape edges rough after filling?

  I was checking the custom shape fill option which is present after you select the custom shape tool. If I use a new fill layer, the whole layer gets filled. Select the custom shape with choppy edges so quick Selection tool results. And nothing happens when I convert the custom dynamic object shape. I thought it would help, but it did not. I really need help. Also, I want to fill the shape with black. Thanks for your help.

  Hi,shamg

  Please change the fill color for shapes in Photoshop CC - YouTube   using the custom in Adobe Photoshop shapes

  For more information. See Photoshop help | Draw shapes

  Concerning

  ~Assani

• How to change a shape with an effect added to this topic?

  I'm trying to cut a hole in a circle that I applied an effect to the. When I use the Pathfinder tool unite it causes the effect to apply inside the shape. I just want it to be a regular circle without effect on her. How to change the form so it's just sold form?

  
  

  This is what is going to be.  I want the inner ring to be just the same, without effect.

  
  

  I want to look like this. Here I have just a white circle on top of it without the Pathfinder unite added to it.
  

  Select the shape with the applied effect, and choose object > decaying appearance.

  Re-Pathfinder operation attempted.

• How to fill one shape with another shape, but not of models

  Hello

  How to fill one shape with another shape, but not of models. Example of this poster

  

  put in a shape of the tree so that it looks like this:

  

  Select your type with a vector path, which is the subject

  Object > envelope distort > make with top object.

• Fill the shape with text

  Whether you have a shape, a triangle and you want to write text inside, if the pile of words on top of each other like a pyramid. Who would you do? When you use the text tool, you can drag a text box, but I want a triangle of text, or a star or another strange form. How to fill a shape with text?

  Why?

  I do not mean to be a five-year-old; I'm asking because there may be a way to get the desired result in a different way.

  For example, if you are wanting to use animations of text, John Dickinson explained how to do this:

  'Export' your Illustrator file in Photoshop (.psd) format.

  Then open the .psd in After Effect in the form of Composition

  Select the text layer and choose layer > convert to editable text.

• Import Illustrator file with several layers and sublayers as composition by keeping all layers and sous-calques

  I drew a map of the country with several layers and sous-calques, including the streets, cities, railroads...

  Now, I want to create a template for my colleagues in After Effects.

  To do this, I want to import the AI in After Effects, holding all sublayers and layers in compositions and subcompositions.

  When I do, I get the first two layers correctly, others just in a merged publication.

  What can I do to get all the layers of each as a layer in After Effects?

  Best regards, Raphael

  Illustrator imports only the first level of the layers. If you have groups or paths below you must release layer groups. The layers will then be stacked in the order in the form of layers. Then you need to move them to the top.

  The procedure is to select a layer in the layer Illustrator Panel, then without selecting any which specific element in the layer click on the menu in the upper right corner and select release to layers. All an elements in this layer will be transformed into layers. Now, select all, and drag them to the top above the original layer. This will leave the empty original layer and put all the elements in new layers.

  Here is a tutorial I made there are a bunch of years and who uses this technique to transform a mixture in a morphing.

  Morphing with Adobe Illustrator. I hope this helps.

• Please help, I want to replace a shape with an image. I don't understand what I'm doing wrong.

  I watched a video of a guy this step by step and I still can't make it work.

  What I want to do is to replace a shape with an image. I guess the way to do is to make the image of the background color of the form, if you want to. On the element of the scene, I click on "creationcomplete", and then type the following code:

  ($(sym.lookupselector("BIG_RIGHT_BOX")).css('background-image','url(images/Karma.jpg)');

  I put the photo (karma.jpg) in the project, and I can see it in the "images" tab

  You are very close - just a few things:

  1. No need to lookupselector - in Animate, use sym. $)
  2. The url itself should also be nested quotes

  Then try this:

  SYM.$("BIG_RIGHT_BOX"). CSS ('background-image', 'url("images/Karma.jpg")');

  That should do it...

  HTH,

  Joe

• Data sheet for work with 3D layers

  Hey guys

  I was wondering what computer all the people you use to work with 3D layers?

  My PC is a sort of good, but sucks with the 3D layers.

  Sucks even with a 426 size Composition width and height 240 with 3 layers of 3D text animated with camera.

  RAM Preview takes too long and the record is time.

  

  That the addition of graphics one help?

  Concerning

  First, 8 minutes isn't a time long remder for a movie that lasts several minutes. People working in 3D are used to make the time of several minutes per image for some work.

  For the traced the beam 3D rendering engine, you definitely want to make aure that you have a GPU that can use CUDA to accelerate this converter. See this page for more details:

  http://blogs.Adobe.com/AfterEffects/2012/05/GPU-CUDA-OpenGL-features-in-after-effects-CS6. HTML

  If you do not use the traced the beam 3D rendering engine, then times the speed of the clock of your CPU and the number of their processor cores is much more important, amount of RAM.

  See this page for resources to make After Effects work faster: http://adobe.ly/eV2zE7

  See this page for more information on material for After Effects: http://adobe.ly/pRYOuk