Pretty basic Calc question... I think so.

Similar Questions

• the basic sql question

  Hi all I have a basic sql question
  Watch below two querries
  

  1.  select 1 from dual where 1 in (select 1 from dual union all select null from dual) 
  
  It gives output  as 1
  
  but below one 
  
  2.   select 1 from dual where 1 not in  (select 2 from dual union all select null from dual)
  
  It gives output as no data found 

  I think as operator will not compare with all the values, but not the outcome it will compare with all values... When comparing with the value null, the result is automatically null
  
  I'm wrong
  Please help me on this
  
  and why performance wise in operator is more better than no of?
  
  Thanks to all in advance

  Thanks for posting your explain plan command

  Execution Plan
  ----------------------------------------------------------
  Plan hash value: 3249215828
  
  -----------------------------------------------------------------------------
  | Id  | Operation        | Name     | Rows  | Bytes | Cost (%CPU)| Time     |
  -----------------------------------------------------------------------------
  |   0 | SELECT STATEMENT |          |     2 |     6 |     4   (0)| 00:00:01 |
  |   1 |  NESTED LOOPS    |          |     2 |     6 |     4   (0)| 00:00:01 |
  |   2 |   FAST DUAL      |          |     1 |       |     2   (0)| 00:00:01 |
  |   3 |   VIEW           | VW_NSO_1 |     2 |     6 |     2   (0)| 00:00:01 |
  |   4 |    SORT UNIQUE   |          |     2 |       |     2   (0)| 00:00:01 |
  |   5 |     UNION-ALL    |          |       |       |            |          |
  |   6 |      FAST DUAL   |          |     1 |       |     2   (0)| 00:00:01 |
  |*  7 |      FILTER      |          |       |       |            |          |
  |   8 |       FAST DUAL  |          |     1 |       |     2   (0)| 00:00:01 |
  -----------------------------------------------------------------------------
  
  Predicate Information (identified by operation id):
  ---------------------------------------------------
  
     7 - filter(NULL IS NOT NULL)
  
  02:12:54 SQL> select 1 from dual where 1 not in  (select 2 from dual union all select null from dual);
  Elapsed: 00:00:00.01
  
  Execution Plan
  ----------------------------------------------------------
  Plan hash value: 3291682568
  
  -----------------------------------------------------------------
  | Id  | Operation        | Name | Rows  | Cost (%CPU)| Time     |
  -----------------------------------------------------------------
  |   0 | SELECT STATEMENT |      |     1 |     4   (0)| 00:00:01 |
  |*  1 |  FILTER          |      |       |            |          |
  |   2 |   FAST DUAL      |      |     1 |     2   (0)| 00:00:01 |
  |   3 |   UNION-ALL      |      |       |            |          |
  |*  4 |    FILTER        |      |       |            |          |
  |   5 |     FAST DUAL    |      |     1 |     2   (0)| 00:00:01 |
  |   6 |    FAST DUAL     |      |     1 |     2   (0)| 00:00:01 |
  -----------------------------------------------------------------
  

• PROBABLY A PRETTY BASIC QUESTION

  Hello

  I am pretty sure programming actionscript 3 and nothing else and have a question about as3.

  I want to see a value of enemies 1 to 4 in this script with one line trace, so it will trace, "this is enemy1", "this is enemy2", etc, but I don't know exactly what to write after the trace... If someone could help me that would be great. Thank you very much.

  var enemy1:String = "this is enemy1";

  var enemy2:String = "this is enemy2";

  var enemy3:String = "this is enemy3";

  var enemy4:String = "this is enemy4";

  for (var i: int = 1; i < 5; i ++) {}

  trace (enemyi); / / WHAT should I WRITE HERE?

  }

  use:

  var enemy1:String = "this is enemy1";

  var enemy2:String = "this is enemy2";

  var enemy3:String = "this is enemy3";

  var enemy4:String = "this is enemy4";

  for (var i: int = 1; i<5;i++)>

  trace (this ["Enemy" + i]);

  }

• Very basic question I think?

  Hi im very new to flash, but I'm looking to learn more about it, I tried to use the pre-built Flash components and I was just wondering where and how you can retrieve the values in the boxes checked
  
  I know how to check using the 1 box
  
  If (instancename.value = true) {}
  trace ("box has been checked");
  }
  
  but I want to run through a series of 5 boxes and retrieve all the labels in a first time, I can probably work on verification, if they are checked, but all the I get filament is not set which, I guess, no value.
  
  This is the code I used to try to recover all the labels of each box at the press of a button
  
  We (Release)
  {
  trace ("clicked");
  var i = 1;
  
  While (I < 5) {}
  trace ("Running while");
  i ++ ;
  trace ( check box. Label);
  trace (i);
  
  
  }
  
  }
  
  It would be more appreciated if someone could point me in the right direction for tutorials very basic on the flash components that I could find only the macromedia livedocs that I have not found a lot of help as his technique to speak which I am not yet familiar with...
  
  Thank you Pinky
  

  Hmm, I hate these sensitive submit buttons when they take too long to process your response if you click it again and it deals twice so it seems you spamming the forums: S lol

• A question pretty basic pen: what do I do when I let the handles in the wrong place and they interfere with the next line segment I want to do?

  What happens to me all the time: I'll be tracked something in AI (CS4, Mac) using the pen tool and I find I left the "handles" in a place that ends up being incompatible with the next line segment I want to do. Generally what happens, is that I made a curve and then I want to do a straight segment, but I can't do it without putting in a strong shot. Like this:

  

  How do I either stop doing this in the first place or correct when it arrives?

  Mary,

  If I (put) understand it, you can just press Alt/Option (so that you are always mousing down) and drag the handle back in the anchor, then let go and click or ClickDrag the next Anchor Point.

  View > guides are your friends saying anchor when you are there.

• Green screen - question of thinking

  Hello. I don't know if it was developed before that I can't find anything... So I edit videos for people who shoot on a green background. I'm new on this. I did this at first but I will go to AE as I know AE I have more options for this kind of thing. The question is his clothes reflect green (think they left the mirrors in the room) and I wonder if there is anything I can do to solve this problem and always remove the background? There are 3 clips like this every 6-10 minutes long. You can see on her left breast and her boots are green and will understand that I was worried about the earrings and metal on her clothes! :-( Thank you all! Let me know if you need more details! I hope that there is a way to retrieve these images for my client!

  

  OK, first let's talk about the next time you pull. Your actress is right next to the green screen. Bring the woman away and throw in an orange backlight. Second, when you have highly reflective things like boots and the mask of leather clothing on the edges of your green screen with black fabric (Molton or rag fight) so that there is no green extra outside the zone of action of your actress. These green reflections were perfectly visible when the picture was taken, and it is a lot easier to fix in production that is to fix them in post.

  It seems that the shooting bowed down. If this is the case, you also have to move your images in the background so that it looks realistic. The best way to proceed is to make the background images of the 3D decorations, towards the camera, set up a camera with the same angle of view as the camera allows you to photograph your model, then track down the slope and set the track to a 3D null data. Then, you set the point of interest from the camera to a 3D null with an expression and adjust the distance and size of the background layer so that the picture looks right.

  You have to use the basic roto technique that I showed in the short tutorial for roto those boots by hand or you will have to use rotobrush to create the matte. You might get a key closest if you did some color adjustments to the image before applying Keylight. If the rotation by hand here is how you would take care of the reflections on the boots. You just look at the areas where the Green spill causes the transparency then Desaturate you the green with the selective color.

  

  If you want to try rotobrush then you rotobrush boots and use the roto as matte for the original film, then apply Keylight to the background layer and selective colorization in the top layer to remove the green. Your Setup program should look like this. You will need to read up on how to use Rotobrush if you want to try to go this way.

  

  This combination of Rotobrush and Keylight uses rotobrush to cut areas with hard edges and is very good at that, then use Keylight to remove the green background of the skin and hair. The last step for a composite full is set up a few slight wrap around your actress and match the movement of the camera.

  To learn how to use rotobrush just type in the search help field in the upper right corner of the AE and cross training material. Inquire on film the same light. If you need to learn about tracking, the same thing again. Use search help and type in the Tracker.

  If that was my project and that the shot was a long minute I can allow approximately 6-8 hours, given the original film. If the images were shot property that could be reduced to 30 minutes.

• Basic VMWare question

  Hello, people:

  Please forgive my very basic questions, but I'm totally new to VMWare.

  Yes, as a R & S Cisco engineer, I worked with server

  specialists to get their online environments, but my focus was on the

  network component, from the access layer.

  Anyway, when you create a virtual machine and associate a request,

  This virtual machine has an IP address assigned to its own vNIC?  So, if it

  5 virtual machines run on a physical server, the number of addresses IP are you going

  have? How the allocation of an IP address of the physical NETWORK adapter is bound to the

  others?

  Once again, thank you for your help in advance.

  Take a look at the document I linked in the previous post.

  The virtual network is based on vSwitch which are "dummy" brigde.

  So has each VM's own MAC address (which is virtual and the part of the seller is dedicated to VMware).

  A physical NETWORK card is simply an uplink to the physical switch and the physical MAC address is generally not used and not visible in your network traffic or your ARP table (think a unmaged switch, it can have a MAC address, but you don't see it on your network).

  When you have several (more than one bear on a vSwitch) uplink you can have different types of team policy.

  (For you is probably the simplest to understand) is like the etherchannel on Cisco switches (and it takes a good configuration of the physical switch).

  André

• Basic PCMCIA question: where is the controller?

  Hello people,

  I have a basic question of the PCMCIA:

  The PCMCIA controller is integrated on the motherboard or does the PCMCIA device?

  Practicality: if I want to change the PCMCIA in a laptop, I can change everything (part mechanical + electronic) or simply the mechanical part?

  I have a mono-emplacement controller, and I would have a dual slot PCMCIA. If the controller is on the motherboard, I have no chance of success.

  Thank you:

  UB

  The controller is on the motherboard. Pcmcia slot unit is removable, as stated above, but it's just a cage to hold the cards... no chip is in it other than a plug-in interface on the motherboard which channels to the pcmcia controller.

• On the basic ACL question

  I have a few question ACL. I'm not clear on the source address and the destination address in the following cases.

  Case 1

  My IP WAN1 is 1.1.1.1, my FTP server is 192.168.1.2 port 23

  If I have access to FTP from internet, use ftp://1.1.1.1:23, so what's my IP ACL of source and destination IP? 1.1.1.1 is source? destination is 192.168.1.2? or any?

  Internet-(Outside 1.1.1.1) ASA (inside 192.168.1.1) - FTP (192.168.1.2)

  Case 2

  My WAN1 is always 1.1.1.1 and FTP is 192.168.1.2 port 23

  If I use the ftp://1.1.1.1:8023internet FTP access, what the ACL source IP address and destination?

  I tested in both cases = any source and destination = everything is OK.

  But I confused. I still think the Source address is IP WAN1.

  Hello

  You access the server FTP from the Internet and most likely, you won't know what ip address you will be source. In this case, your source ip address will be everything. If you know the ip address on the Internet that will have access to your FTP server, and then you specify it as the source. You access list will be as follows:

  access-list extended 100 permit tcp any host 1.1.1.1 eq 21

  access-list extended 100 permit tcp any host 1.1.1.1 eq 20

  or

  access-list extended 100 permit tcp x.x.x.x y.y.y.y host 1.1.1.1 eq 21

  access-list extended 100 permit tcp x.x.x.x y.y.y.y host 1.1.1.1 eq 20

  (if you know the network or host who will have ftp access)

  You must also make sure that you have configured static NAT and inspection of the request to your FTP server

  Thank you

  John

• ESXi upgrade. (stupid question I think)

  Then ESXi supports two processors or machines; It proved to be very reliable.

  ESXi can be upgraded to support more than two machines?

  The offerings are a lot of confused; ESX Infrastructure, Foundation? What is the path?

  I ask because: (pm = physical machine)

  PM_1 produciton SQL (Server retired)

  PM_2 Test SQL (cpu dual-quad and we want to make good use)

  My plan (need work) is to make PM_2 a complete unit of ESX (?).

  Then move the servers produciton and essay on PM_2 as of the virtual computer.

  ESXi can be upgraded to support more than two machines?

  Yes.  ESX also fits grand you need to run virtual machines.  Depends above all on material.  We have IBM 3950.  Each of them is core 16 / 2.93 GB CPU / 63GB of RAM, and we use SAN attached fibre.  just one of these IBM servers running 77 VM.  I pushed him to 100, and he has not yet shown signs of degradation in performance.  It is what you need and configure for your hardware.

  The offerings are a lot of confused; ESX Infrastructure, Foundation? What is the path?

  The Foundation is limited to 3 machines managed by a single virtual centre.  If you still think you have more than 3 machines, do not buy buy Foundation standard or Enterprise.  Now if you think you need to move the machines or high availability, then buy the company, if it is not the Standard version will be fine.  Talk to your sales representative, he will explain these options in more detail.

  Then move the servers produciton and essay on PM_2 as of the virtual computer.

  This seems plausible.  Not too much VM is right, and that seems fine.

  BTW, there are NO stupid questions, only hypotheses are stupid.   Ask and you will receive a response.

• Basic re question: software Simulations

  Hello

  I am a new user of Captivate trying to create 2 to 3 min. of training videos on how to use a business application. My question is simple. I think that the video would be much better if the user did not have to hear every mouse click (in fact the screenshot being created I think). Is it possible to inhibit this noise?

  Thank you very much!

  Kerry Benham

  You can turn off the clicking sound in the mouse for each slide object settings.  This must be done individually.

• Basic Workflow question

  Hi All-

  I would like to build a presentation of EI who looks that you are walking/driving on the road and images/pictures/text appear on billboards like you to walk/drive to.

  I'll start as simple as possible, but would eventually like to produce something which I think is a pretty common effect with depth, moving through or beyond the objects in 3d space, adding and moving the camera, etc..

  This type of effect/presentation goes by a name or a BOM? I'm not having much luck finding online tutorials so I don't know that I'm not looking for good things.

  I am running After Effects CS5, Flash CS5 (if necessary), and Zaxwerks ProAnimator. I am a nOOb on the implementation of the real world, but have experienced many hours of training. If another product (s), it would be easier, I would appreciate that information as well.

  Thanks in advance,

  Rich

  > you have suggestions for resources to help me understand the EI 3d world?

  Start here:

  "Overview of the layers 3D and resources."

  > I'm under AE CS5 and there only seems to be too many books on.

  You don't need a book to After Effects CS5-specific. The 3D features have not changed in recent versions of little.

  But there is already a version of a book excellent chapters CS5 3D:

  http://blogs.Adobe.com/toddkopriva/2010/06/creating-motion-graphics-with.html

  I recommend early:

  http://blogs.Adobe.com/toddkopriva/2010/01/getting-started-with-after-EFF.html

  BTW, you can find much of this information. How to search:

  http://blogs.Adobe.com/toddkopriva/2010/05/How-to-search-for-after-effect.html

• Three basic flash questions

  Hey guys,.

  I'm pretty new to Flash but I just get the hang of things. I am trying to create an interactive slideshow in flash that will not end on the web. Here are three quick questions, I currently have. Thanks for any help you can provide

  1 Let's say I have an icon of a person in my flash file, how can I make sure that when my movements over the person a thought bubble appears and when she comes out of the bubble disappears?

  2. If I have a small picture of a version of the page of a .pdf file in my flash file, how can I do so that when the page icon little .pdf is click on the .pdf file is launched?

  3. I understand how to create a square to the text button and the refectory with its parameters to the top/bottom/more/click, but I wonder how I can do something like change the color of the text when clicked or when the mouse is on it? Right now I don't know how to change the color of the square button.

  Thanks much for any help you can provide these fundamental questions.

  1. If you understand what you're saying, that you do in your 3rd question, create this icon as a button and have thought as part more bubble.

  2. you create the small image as a button or a movieclip so that you can assign the code to him.  The code you assign depends on which version of actionscript will use your file, that you did not mention.

  3. If you are working with a button symbol, you probably just spend more time to play with them to understand how you can use the four frameworks.  To change the color of the text on working capital, you would have a different colored text in plus.  If you want the text to change color and stay like that when you click the button, then you will need to create the button as a movieclip.  Button symbols can be controlled in this way (exception for AS3, but it is not simple).

  The key to answer most of your questions and to learn that Flash is to play with Flash and see what works and what doesn't.  Try different tutorials as well.

• Basic Actionscript question: mouse listener ROLL OVER event

  Hello-

  This is a very basic question, but I can't seem to find an answer. I have a mouse over the event and have created the buttons with the mouse overs which works very well. I created the actionscript code to go to a specific web page when a user clicks the button. Now, I need to add a label to the mouse more then when someone of the mouse on any area of the button, it will show them a particular name for the button.

  I'm sure it can be done using actionscript in a mouse event run on command, but I can't understand what I need to display the text. Here is where I am:

  community_btn.addEventListener (MouseEvent.Roll_Over, showmsg);

  function showmsg(evtObj:MouseEvent):void

  {

  }

  Thank you!

  If you want the text to follow the mouse, you can have a movieclip that contains the textfield object is empty, and when you rollover the button, the function of turning tells that movieclip to take the x and y position of the mouse (mouseX and mouseY) and fills this movieclip with the appropriate text.  Roll off the button removes the text, making the invisible text movieclip.

  If you want the text to have a background, you could also control the visible from the movieclip property so that it appears on rolling and disappears when you deploy.

  Thus, in the reversal function, assuming that you had this ToolTip named MC... "toolTip", soimething this might work for you

  toolTip.x = mouseX;  could add a little space if you want, for example: mouseX + 5;

  toolTip.y = mouseY;

  toolTip.visible = true;

  toolTip.tField.text = 'text ';

  And implementation code to would have to deal with the last two lines.

• Transparency, flattening of question (I think)

  Hi all

  I'd appreciate your help with this.  I tried this search through the forum but am still confused.  I think it's a transparency flattening of question, but I'm not sure how to solve this problem, and how to fix it.

  I have designed for a magazine ad in InDesign CS2 and exported in PDF format.  The polaroids have shadows, which looks good on the screen:

  

  But when I print I get these 'borders' ugly where the slides are:

  

  Can't get rid of them, except by printing the PDF as an image.

  My questions are:

  (1) assuming that it is a question of transparency, how to fix this?  I read on the transparencies on the forum, but (please forgive my lameness) I do not know how to apply them effectively.

  (2) when can I fix this?  I mean, as a best practice, is it something that is treated inside InDesign, or when you export InDesign, or when you print the PDF?  Was going on in the magazine so obviously they were able to fix, but I still want to know what I am doing wrong to save their extra work in the future.

  I have Adobe CS2 and Acrobat 7 Pro on a Windows XP Pro.

  Thanks a lot for your help.

  Ed

  I guess that there nothing wrong with your data at all, just that your printer handles images and vector art differently when he makes.

  See http://indesignsecrets.com/eliminating-ydb-yucky-discolored-box-syndrome.php and http://indesignsecrets.com/eliminating-the-white-box-effect.php