Question about class in a book of Lesson 11 PS cs4

Hi, in Lesson 11 classroom in a book (Photoshop cs4) is an explanation very little to make a website in Photoshop (looks like they where, in a hurry to finish the book at the end). Try to make my own website, but the problem I encounter is that when I do different pages of a drawing or model and save them to SAVE for WEB & DESIGN as home, contact, etc. A page is crushing the last page and the page get corrupted and the website does not work when you click on the different buttons. Is there anyone who knows how to do this? Because the book is not helpful here and as well help section. A page isn't a problem! I understand the slicing, etc. The only problem I did a home page with 5 buttons

and 5 pages. Thanks in advance!

If you can use DW, and then spit out a page of the PS, then create a model with the reproducible images (contributes to the future update), then create individual pages from the template

Tags: Photoshop

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    I have a few questions about patone color since it is the first time that I use. I want to use them to create a paper letterhead and business cards in two colors.

    1)

    I don't understand that no sex is more than coated patone washed out colors. I heard that it's because the way paper absorbs the inkt. That is why the same results inkt in different colors on different papers (right?). My question is why is the patone black no sex so different than black normal (c = 0 m = 0 y = 0, k = 100) or black intense:

    blacks.png

    When I print a normal document with cmyk, I can get pretty dark black color. How is it that I can't have this dark with patone color black color? Even text documents printed on a cheap printer can get a darker color than the color of Patone. He looks way too grey for me.

    (2) a first model, I want to print of patone in CMYK color (since I have like 10 different colors on a page of quick comparison). I know these CMYK colors distinguish the colors of patone and I can't get a representation of 100%. But is there a way to convert patone CMYK values?

    I hope some of you can help me with my questions.

    Thank you.

    You can get shades CMYK Pantone in Illustrator, (Swatches Panel > Open Swatch Library > color books > + PANTONE Color Bridge Coated or lying) but in my opinion, what's the point?  If you print to a digital printer, just use RGB (HSB) or CMYK. Personally, I never use CMYK called "equivalents." from Pantone

    Pantone colors are all mixed pigmented inks, which are fluorescent beyond the limits of the range of RGB and CMYK in particular. The original Pantone Matching System (PMS) was created for the printing industry. He described formulations of ink pigmented for each of its colors.

    Most digital printers (laser or inkjet) use CMYK. The range of CMYK is MUCH SMALLER than many mixed inks, printed on papers either paved or unpaved can deliver. When you specify no sex Pantone ink in artificial intelligence, according to Pantone conversion tables, HAVE "about" what will look like this color on a sheet no bed, try using CMYK. -In my opinion, this has little relevance to the real world conditions and should be avoided in most situations.

    If your project must be printed on a press printing with Pantone inks spots, then by all means, use Pantone colors. But don't trust the colors of the screen; rather get a Pantone swatch book and watch real inks on paper lying and uncoated, depending on the stock you will use on the press.

    With printing decreases rapidly for inkjet and web printers, Pantone has attempted to expand its relevance beyond the traction-date of publication (in the books and software alliances, with one such as Adobe) his old PMS inks and their supposed equivalent LAB and CMYK. I say "supposed" because even once, monitors RGB and CMYK inks can never be literally equivalent to many Pantone inks. But if you go to your project on a printing press printing, Pantone inks are still very relevant as of the "tones".

    I also put my preferences I > appearance of black both display all blacks accurately and output all blacks accurately. The only exception to this may be when you print on a digital printer, where there should be no problem checking.

    Rich black in artificial intelligence is a phenomenon of the screen, at least in the Prefs > appearance of Black, you specify also "out all inks like Rich Black"-something I'd do it EVER do so out for a real printing press. Still, I put my black people in artificial intelligence at the "output All Blacks Acurately" during a press release. If you fail to do so, then the press you will see any minor issue registration, with C, M and look at the back, especially around black characters.  UGH!

    Good luck!  :+)

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