Secondary video Panel or double for vocal booth

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  According to the User Guide and all reports online that I can find it, the iOS and 10 control center has a panel for reading.

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  Are there documents of reference from Apple about how this is supposed to work?

  Thank you.

  Garry

  Hello. If you open the Control Center and swipe left to display the right half, it allows you to control the latest app playing, one who had control speakers. If you leave a running music player, you can control it from the control panel. It is unchanged since the previous iOS. I think you can find more magic than is actually present.

• Video camera to Skype for MAC mini

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• When I try to install flash player on my mac, I get to the Panel who asked for my name and my password, and it will not take my password.  tried to change to a new password and the same result

  When I try to install flash player on my Mac, I get to the Panel who asked for my name and my password, but it won't take my password.  Tried to change the password, but same result.  Suggestions?

  This password is presented by your operating system and is designed to prevent you from accidentally installing the software.

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• I need a video card double for it what kind I can use. OS is XP 32 Bit.

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  [number removed for privacy]

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  6 beeps is a video card error. I guess that the card is bad or not compatible.

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• Sounds strange glitch when you watch videos, listen to music for Dell Inspiron 1545

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  restore the system to an older date has apparently solved the problem.

  If she comes back, check the list of programs in the control panel > programs & features and remove Dell Support help and Dell Support Agent to it. Dell published a bad update last week that causes ringing. If you have this update, perhaps using the removed system restore.

• Premiere Elements project assets video Panel

  All the video, including "new point video Black video" appears now that video noise when entered into the active project Panel. However it appears correctly in the monitor Panel.

  I reinstalled Prem elements, dial-up computer (iMac) market, reloaded previously files OK Prem elements that now also indicate the same in the active project Panel.

  Suggestions welcomed.

  Most likely, this is related to a problem with the graphics card driver. Although it will be difficult to find support for a program that is too old.

  Try to download the trial version of version 14 and see if you get the same questions when you add media to it. (Do NOT attempt to open your project from version 10 release 14, or you will corrupt so that no program can open it!)

  If you still don't see this problem in version 14, we can dig deeper. But maybe it's just that OSX and its drivers exceeded the program.

• secondary control as a mask for the tool curves

  I am trying to use the Curves tool on any other that heaven... is possible to do it by linking to a secondary control somehow?

  Hmmm... When I went the last decade using Lightroom in the video from 30 years in the stills, and Yes, a LOT of work in the curves... like a lot of old stills shooters I wanted CURVES. I know there are a lot of video of people who love them too much. But after reading the book "Color Correction for video" Hullfish & Fowler and 'see' how they used the various tools in the different programs of ranking... and really learn how to use the color wheels & sliders... and a few vids lynda-dot-com on SpeedGrade... even after putting curves in Sg, I've only used them on rare occasions. For this... I would not use them at all.

  Go to the basic color correction area... you have three wheels, Offset, Gamma, & Gain, each with a slider on the left for the corrections of "luminance". In the "package" tab of the offset control is pretty much an up-or-down for any tool. Gamma is in the middle and it grows one way, by compressing the data on one side of the move by stretching on the other. The gain is a contrast of Monster control... space-saving, high go fast, mids some values not low at all. And of course you can use cursors for these too... the option are the wheels, sliders, digital input.

  Shift tab shadows... you have now three orders for shade, roughly the lower third of the picture... lift & fall total values, move the middle section facing upwards or downwards or extend the top of them a bit. There is a control "pivot" to define where the intermediate point will occur or 'pivot' for these changes. Midtones... even in the midrange. Also highlights. So, essentially, you have nine controls up & down the dynamic range.

  For your problem, I would go to tab shadows and using cursors of luma (while watching extended... always have the four outside!) I set the slider of luma shadow offset so the lowest values simply hit the bottom litters... and try the two luma middle and upper lift controls in this section of the shadow. Would not touch that the weakest sky of all... the values are in the midrange region. That I brought upward values below, I would probably adjust using the color wheels for the hue/color control.

  Neil

• Panel Interaction motion for Flash CC (an alternative to the motion editor)

  Hi all

  We have this new extension as a substitute for the missing in Flash CC (for now) query editor. Using this Panel, you will be able to apply Custom Easing in Flash CC and also control various properties of a motion tween such as: -.

  1 a list of individual properties of interpolation

  2. view and edit the value for each property curves

  3. view and edit the curve of acceleration for each property (Custom Easing)

  4 an overview of the complete track.

  5 live Preview and feedback with the scene.

  You will also be able to save and reuse your curves of acceleration custom in the form of a library facility.

  For detailed information about the operation, go here: http://nipunasthana.wordpress.com/2013/12/21/motion-help/

  Guide to download and installation, go here: http://nipunasthana.wordpress.com/2013/12/23/custom-easing-in-flash-cc/

  
  

  Do try this out and let us know your comments and suggestions on the desired workflow. Note Please - this is a work in PROGRESS and will be updated soon based on your entries.

  Thank you and best regards,

  Mabrouk Asthana

  Flash Pro Team

  Officially, we have included the new version Flash Pro CC 2014 motion Editor.

  More details and the full list of the new features of Flash Pro CC 2014 are available at these links:

  Overview: https://www.adobe.com/in/products/flash.html

  What's new: https://helpx.adobe.com/flash/using/whats-new.html

  Issue date: https://helpx.adobe.com/flash/release-note/flash-professional-cc-2014.html

  Videos: https://helpx.adobe.com/in/flash.html

• How copy sequences from another project and NOT end up with entries double for source clips?

  If, like me, allowing you to work in Final Cut Pro, you know a major difference in first Pro workflow is that the two projects cannot be opened at the same time. Also, the referenced clips must be part of the project first. Firstly, it forces me to be more organized with projects/clips and avoids the situation of source clips "unregistered". On the other hand, I'm running in a challenge around copy/reuse of sequences from another project.

  We have a large group of images that is used for two different purposes. In order to keep things clear, I created two project files that contain the same elements of sources and the different sequences. (I cloned the project after importing all the clips in the source and work then from there.) Now, I need to "copy" some footage from the project A to project B, so that I can reuse the edition work on these sequences without having to replicate them on the. In FCP, I would have just two projects open and copy - paste the sequences of project A to project B. In Premiere Pro, I was happy to see that copy - paste can work through projects - i.e., I can 'copy' in the project, close the project A open project B, then "Paste". HOWEVER, bringing to all of the source clips referenced by these sequences in the project has... Even if the source clips are already in project B.

  OK, I understand why this happens, because Premiere Pro does not know (or check) the same clips already exist in project B. But I don't want to keep the two entries of the source clips in the project (in different bins too), because that becomes a source of confusion on the road. Is it possible for me to separate the news sequences of these 'new' entries in source clip and connect them with the existing entries? If I just go and delete the entries of 'new' source clip, references in these sequences don't simply go offline, they are deleted. If new sequences are empty.

  I fight to see what is the best approach in this case. Any suggestions or tips?

  I do this very similar workflow. I'll have the project 'A' where I change my sequences, etc., and then down the road, if I want to use some of these project grna 'A' in a new project 'B '.

  PP can do what you are looking for and do not create the duplicate of source even footage items.

  Do not copy and paste. Use rather import to import the discovery of the other project.

  Open your project that you want to reuse sequences. Then go to file > import and place you on the project that you want to import sequences of. Click the project file, and PP will ask you which you want to import sequences. Select the sequences (or the entire project) and PP will import the footage for you.

  Now... the media in double...

  If you clip source "00001.MTS' for example, already in the project you have open and one of the sequences that you import reference also the clip of"00001.MTS"from source, PP will not import a duplicate because it will use the clip that you have already imported.

  However, if PP is to import a copy it's probably because in each project, you have different I/O points set for the same element in source. If this is the case of the PP will import the copy of the clip so it retains every version of the video I/O points.

  If you make a test import and make sure that there is no point of I/O, or they are the same I/O points, PP will import the clip of dup.