Smaller files with an alpha channel

Similar Questions

• export the image with an alpha channel in cs3

  on the video layer 1 I have a background image and video 2 I have a psd numbered video of maya (is the text animation) with an alpha channel (black is the alpha).

  If I export the end frame (even with 1 off video (background)... I don't get a bmp or tiff with alpha channel image.  I get the black background.

  is it possible to export end frame and keep the alpha channel?

  Thank you!

  Search millions of colors +, this will give you channel alfa.

• How to create or export a logo in Illustrator CS5 with an alpha channel for use in Final Cut Pro 6?

  To all those who can help you:

  I created a logo using Illustrator CS5 and must import it in a video sequence in Final Cut Pro 6.  The logo has a transparent background.  It seems that FCP 6 will import the files native .ai and .tiff files, but when I opened the 6 FCP, the alpha (transparent background) is no longer there; There is just the logo on a white background.  Y at - it a setting or a market I'm missing?

  Shaun MacLellan

  I need to insert images of HAVE in Final Cut Pro and Motion quite frequently.

  The best way I found to get a picture of IN Final Cut is:

  1. Select / copy all objects in the doc to HAVE it.

  2. create a new file with a transparent background in Photoshop and paste.

  3 merge layers and make sure that the mode is RGB.

  4 save out as one. PNG or. PSD.

  5. drag the result in Final Cut (or movement).

  6 resize and position the result to taste.

  Attempt to export directly from... to PSD or. PNG is a wasted effort and the results are not even necessarily recognized by Final Cut.

  Yes, there are Photoshop and it's a few extra steps... but it works like a charm.

  In addition, when you create a new file in Photoshop, you can initially set its size that matches the aspect ratio of your video. For example, if you prepare a video HD, you could set the size of 1280 x 720 and position the elements GOT to where they are supposed to be in the frame. You can set the items HAVE precisely by cutting and pasting a picture of your video into Photoshop and positioning HAVE in place on another layer above the video layer. Delete the video layer before you save it as a. PNG or. PSD and it will appear in Final Cut exactly where it should be.

• How do you get the 32-bit floating-point effects of working with an alpha channel?

  I do a few bugs, and lower thirds, but I find it very difficult to obtain effects of 32-bit floating point for export with transparency properly.

  When I do translucent animations with brilliant light effects, they look great in AE but I can't seem to find a way to bring Final Cut and get them to look as they should.

  I have attached this example of a bug with a screenshot of EI on the left with the CPF on the right. The Sun of colors and gradients of vibrant blue get flattened in a dull greenish color.

  

  As far as I know, all my alpha and color management settings are correct. I tried the options endless and codec settings to try to solve this problem, nothing helps.

  You can create an extreme, as for example by creating a translucent shape, crank the path of color to a saturated color superwhite and moving it around with the motion blur. The rendering looks pretty good to make an 8/16-bit, and nothing like he did in your Web.

  I have the feeling that superwhite with alpha channel color values are multiplied by the way AE gets ' lost in translation ' when it is rendered 4-channel 8-bit. Is it possible to look the way it does in the Web?

  Thank you

  Clint

  There is nothing wrong with AE, you have just a poor understanding of the works of floating point processing. In short: you're confusing mix of transparency, and this is why everything falls apart when you export. The color is still there, there is simply no opaque pixels to process on and so she never shows upward, much less in an environment that only works in 8 and 16 bits as FCP, limited killing already loyalty by using an 8-bit format. That's all that happens, and unfortunately there really isn't much you can do. Unmultiplying the result based on luminance should give you a usable result, but it remains an approximation, and regardless of whether you use the same blend modes in FCP, it will never be the same work. So in conclusion, a better way to do this would be to work 8 or 16bpc and make it look as if she were 32bpc. That is, if you can't make the final stage in AE, where even once, you'd be able to get a good mix in the float.

  Mylenium

• How do you export a png with an alpha channel sequence?

  This feature seems to be changed in Flash CC. Please help as soon as POSSIBLE, it is an essential part of my production pipeline.

  Use 32-bit color.

• Export to the file with Alpha layer

  Hello

  I m looking to create an Automation that takes each layer in a Photoshop Document and export it to a TIFF file with an Alpha channel.

  There was very little action that export the layer selected as a TIFF with Alpha and there is of course the function of 'layer to export to files '.

  I don't know how I can combine these functions, and it would be great if I could get this feature in a droplet.

  Maybe you can guide me in the right direction

  It treats pixel and the type of layers and masks on the groups would apply, perhaps you want to give it a try.

  Save your hair without transparency, but with pixels alpha channels and layers type;

  2014, use it at your own risk.

  #target photoshop

  If (app.documents.length > 0) {}

  myDocument var = app.activeDocument;

  var myDocument.name.match = basename (/(.*)-.) [ ^\.] +$/)[1];

  try {var docPath = myDocument.path}

  catch (e) {var docPath = "~ / Desktop"};

  var theDup = myDocument.duplicate ("thecopy", false);

  deleteAlphaChannels();

  main (theDup, docPath, basename);

  theDup.close (SaveOptions.DONOTSAVECHANGES);

  };

  ////////////////////////////////////

  getAllLayersBounds.jsx

  main function (dittos, docPath, basename) {}

  showAllLayers();

  get the number of layers;

  Var ref = new ActionReference();

  ref.putEnumerated (charIDToTypeID ("Dcmn"), charIDToTypeID ("Ordn"), charIDToTypeID ("Trgt"));

  var applicationDesc = executeActionGet (ref);

  var number = applicationDesc.getInteger (stringIDToTypeID ("numberOfLayers"));

  //////

  for (var m = 0; m<= thenumber;="" m++)="">

  try {}

  Var ref = new ActionReference();

  ref.putIndex (charIDToTypeID ("Lyr"), m);

  var layerDesc = executeActionGet (ref);

  var layerSet is typeIDToStringID (layerDesc.getEnumerationValue (stringIDToTypeID ("layerSection")));.

  isBackground var = layerDesc.getBoolean (stringIDToTypeID ('background'));

  var layerKind = layerDesc.getInteger (stringIDToTypeID ("layerKind"));

  theName var = layerDesc.getString (stringIDToTypeID ('name'));

  "adjustment".

  otherwise the layer group.

  If (layerSet! = "layerSectionEnd" & layerSet! = "layerSectionStart" / * & isBackground! = true * /) {}

  If (layerKind == 1 | layerKind == 3) {}

  hideOthers (m);

  do twice;

  var theDup2 = theFile.duplicate ("thecopy2", true);

  addTransparencyAsChannelaAndFlatten();

  Save and close;

  saveCopyAsTif (theDup2, docPath + ' / ' + name of base + '_' + theName ".tif");

  theDup2.close (SaveOptions.DONOTSAVECHANGES);

  hideOthers (m)

  };

  //

  };

  }

  catch (e) {};

  };

  };

  substance.

  function addTransparencyAsChannelaAndFlatten () {}

  try {}

  transparency mask;

  // =======================================================

  var idMk = charIDToTypeID ("Mk");

  var desc3 = new ActionDescriptor();

  var idNw = charIDToTypeID ('Nw');

  var idChnl = charIDToTypeID ('channel');

  Desc3.putClass (idNw, idChnl);

  var idAt = charIDToTypeID ('At');

  ref2 var = new ActionReference();

  var idChnl = charIDToTypeID ('channel');

  var idChnl = charIDToTypeID ('channel');

  var idMsk = charIDToTypeID ("Msk");

  ref2.putEnumerated (idChnl, idChnl, idMsk);

  Desc3.putReference (idAt, ref2);

  var idUsng = charIDToTypeID ("Usng");

  var idUsrM = charIDToTypeID ("rocket");

  var idTrns = charIDToTypeID ("Trns");

  Desc3.putEnumerated (idUsng, idUsrM, idTrns);

  executeAction (idMk, desc3, DialogModes.NO);

  alpha channel of the layer mask.

  // =======================================================

  var idDplc = charIDToTypeID ("Dplc");

  var desc4 = new ActionDescriptor();

  var idnull = charIDToTypeID ("null");

  Ref3 var = new ActionReference();

  var idChnl = charIDToTypeID ('channel');

  var idOrdn = charIDToTypeID ('Ordn');

  var idTrgt = charIDToTypeID ("Trgt");

  Ref3.putEnumerated (idChnl, idOrdn, idTrgt);

  Desc4.putReference (idnull, ref3);

  executeAction (idDplc, desc4, DialogModes.NO);

  remove the layer mask;

  // =======================================================

  var idDlt = charIDToTypeID ("Dlt");

  var desc5 = new ActionDescriptor();

  var idnull = charIDToTypeID ("null");

  ref4 var = new ActionReference();

  var idChnl = charIDToTypeID ('channel');

  var idChnl = charIDToTypeID ('channel');

  var idMsk = charIDToTypeID ("Msk");

  ref4.putEnumerated (idChnl, idChnl, idMsk);

  Desc5.putReference (idnull, ref4);

  executeAction (idDlt, desc5, DialogModes.NO);

  flatten;

  // =======================================================

  var idFltI = charIDToTypeID ("FltI");

  executeAction (idFltI, undefined, DialogModes.NO);

  } catch (e) {}

  };

  by mike hale, through paul riggott.

  http://forums.Adobe.com/message/1944754#1944754

  function selectLayerByIndex (index, add) {}

  Add = undefined? Add = false: Add

  Var ref = new ActionReference();

  ref.putIndex (charIDToTypeID ("Lyr"), index);

  var / / desc = new ActionDescriptor();

  desc.putReference (charIDToTypeID ("null"), ref);

  If (Add) desc.putEnumerated (stringIDToTypeID ("selectionModifier"), stringIDToTypeID ("selectionModifierType"), stringIDToTypeID ("addToSelection'));

  desc.putBoolean (charIDToTypeID ("MKV"), false);

  try {}

  executeAction (charIDToTypeID ("slct"), desc, DialogModes.NO);

  } catch (e) {}

  Alert (e.message);

  }

  };

  Remove alpha channels.

  function deleteAlphaChannels () {}

  Var ref = new ActionReference();

  ref.putEnumerated (charIDToTypeID ("Lyr"), charIDToTypeID ("Ordn"), charIDToTypeID ("Trgt"));

  ref.putEnumerated (charIDToTypeID ("Dcmn"), charIDToTypeID ("Ordn"), charIDToTypeID ("Trgt"));

  var docDesc = executeActionGet (ref);

  var theChannels = docDesc.getString (stringIDToTypeID ("numberOfChannels"));

  Check the channels;

  for (var m = theChannels; > 0; m - m) {}

  ref2 var = new ActionReference();

  ref2.putIndex (charIDToTypeID ("one"), m);

  var channelDesc = executeActionGet (ref2);

  Alpha var = channelDesc.hasKey (stringIDToTypeID ("alphaChannelOptions"));

  Remove alpha channels;

  If (alpha == true) {}

  keep the channels spots;

  If (channelDesc.getObjectValue (stringIDToTypeID ("alphaChannelOptions")) .getObjectValue (strin gIDToTypeID ("color")) .hasKey (stringIDToTypeID ("book")) == false) {}

  // =======================================================

  var idDlt = charIDToTypeID ("Dlt");

  var desc7 = new ActionDescriptor();

  var idnull = charIDToTypeID ("null");

  var ref1 = new ActionReference();

  Ref1.putIndex (charIDToTypeID ("one"), m);

  desc7.putReference (idnull, ref1);

  executeAction (idDlt, desc7, DialogModes.NO);

  };

  };

  };

  };

  Save pdf.

  function saveCopyAsTif (myDocument, path) {}

  tif options;

  tifOpts = new TiffSaveOptions();

  tifOpts.embedColorProfile = true;

  tifOpts.imageCompression = TIFFEncoding.TIFFLZW;

  tifOpts.alphaChannels = true;

  tifOpts.byteOrder = ByteOrder.MACOS;

  tifOpts.layers = true;

  Save the copy;

  myDocument.saveAs ((new File (path)), tifOpts, true);

  };

  hide others.

  function hideOthers (theIndex) {}

  hide the other;

  // =======================================================

  var idShw = charIDToTypeID ("Shw");

  var desc10 = new ActionDescriptor();

  var idnull = charIDToTypeID ("null");

  var officielle4 = new ActionList();

  ref7 var = new ActionReference();

  Ref7.putIndex (charIDToTypeID ("Lyr"), theIndex);

  LIST4.putReference (ref7);

  desc10.putList (idnull, list4);

  var idTglO = charIDToTypeID ("TglO");

  desc10.putBoolean (idTglO, true);

  executeAction (idShw, desc10, DialogModes.NO);

  };

  by mike hale, through paul riggott.

  http://forums.Adobe.com/message/1944754#1944754

  function selectLayerByIndex (index, add) {}

  Add = undefined? Add = false: Add

  Var ref = new ActionReference();

  ref.putIndex (charIDToTypeID ("Lyr"), index);

  var / / desc = new ActionDescriptor();

  desc.putReference (charIDToTypeID ("null"), ref);

  If (Add) desc.putEnumerated (stringIDToTypeID ("selectionModifier"), stringIDToTypeID ("selectionModifierType"), stringIDToTypeID ("addToSelection'));

  desc.putBoolean (charIDToTypeID ("MKV"), false);

  try {}

  executeAction (charIDToTypeID ("slct"), desc, DialogModes.NO);

  } catch (e) {}

  Alert (e.message);

  }

  };

  Display all layers.

  function showAllLayers () {}

  get the number of layers;

  Var ref = new ActionReference();

  ref.putEnumerated (charIDToTypeID ("Dcmn"), charIDToTypeID ("Ordn"), charIDToTypeID ("Trgt"));

  var applicationDesc = executeActionGet (ref);

  var number = applicationDesc.getInteger (stringIDToTypeID ("numberOfLayers"));

  //////

  for (var m = 0; m<= thenumber;="" m++)="">

  try {}

  // =======================================================

  idHd var = charIDToTypeID ("Shw");

  var desc9 = new ActionDescriptor();

  var idnull = charIDToTypeID ("null");

  var list1 = new ActionList();

  Ref3 var = new ActionReference();

  Ref3.putIndex (charIDToTypeID ("Lyr"), m);

  List1.putReference (ref3);

  desc9.putList (idnull, list1);

  executeAction (idHd, desc9, DialogModes.NO);

  }

  catch (e) {};

  };

  };

• Image resizing loses alpha channel

  If I open a file with an alpha channel .psd and resize it via the size of the Image to a smaller version and then save it again, the alpha channel is no longer detected in the new .psd file. I tried to delete the alpha channel and recreate but it just seems not recognized as having the alpha transparency when I open it in other software (for example, an excerpt on OS X). Can someone test this (Note: I'm using CS5) and tell me if they you encounter the same problem? It is specifically only passes through a resizing using the size of the Image and not by the size of the canvas.

  Ah Ah! I solved it.

  I forgot that if the sum of the image layer contains even a tiny part of the transparency, it will use for transparency rather than the alpha channel information. In this case, due to resizing the background layer must have a transparent pixel slightly somewhere on the edge. Fill the entire layer of bg correctly done.

• ProRes 444 is only way to export (share) titles with alpha channel?

  I like to keep a number of equities with alpha channels and ProRes 444 results in large files.

  Is it possible to reduce the size of the files?

  ITI is the best way with an alpha channel construction.

• export the video with alpha channel

  Hello

  I am brand new with Pro CC first. I completed a sequence where V1 has a series of still images, of small size, so I can see the video clip on the V2 in the background.

  I already exported only and it works very well.

  I would now like to export the clip on V1 by single with alpha channel so that I could put a different background in a new sequence.

  Read and followed the instructions as described in the forum, but they must use something different than what I use (first Pro CC on a laptop with windows 7 Professional), because I do not see the indicated settings.

  Once the clip is exported with an Alpha channel, I'll bring Premier Pro and everything just change the background several times so I will gradually in with several different sequences.

  How could I accomplish this export with an Alpha channel?

  Thanks for the info.

  Bert

  Hi Bert,.

  I think you have your tracks reversed, the stills would be on background on V1 and V2. Of course, if a SINGLE export with alpha and no background, then you can simply use V1 (but later, we clip you made must be V2 or higher to insert background on a bottom rail to show areas of the alpha channel). Export using QuickTime > GoPro 12-bit with Alpha codec.

  

  Thank you

  Jeff Pulera

  Safe Harbor computers

• Titles of lower thirds on transparent background in After Effects will not export with Alpha channel

  I created titles of lower thirds in After Effects CS6 on an iMac Yosemite 10.10.5 running with a transparent background.  I want to make this file to be used as overlay on a video editing with Final Cut Pro.  I chose RGB + Alpha in the rendering stack, but it does not work to preserve transparency, and titles are degraded as well.  Is there a solution for this?  I also tried the CS6 Adobe Media Encoder, with no better luck.  Please notify.

  Use your ProRes 4444 codecs.  PNG, or Animation.  No other file QT supports alpha channels.

• Export with alpha channel and edges are jagged

  I have a short animation which is mainly a PSD of a NC card with some thumbtacks animated on the subject. I have a local cable company eager to export the animation with an alpha channel. It uses first on a Mac, I'm PC. Any codec I use that supports an alpha channel, the outer edge of the graph of the State comes out shredded. Zoom in on the PSD in PhotoShop shows that the edge is not embattled, so I guess that's what causes the tip ragged to export.

  Here's the grab of the export. With QT Animation codec quality 100, but produce the same results with DNxHD, Cineform, PNG, etc.

  

  If you import the file that you exported in first, the matte cut the filling correctly?

  MtD

• name with alpha channelIs bar

  I saw a pod cast with richard harrington straps name in photoshop with an alpha channel. Ive doen this a few times and am careful with the result, but now I want to make a music video animated that I can import into final cut pro and use a strap of name. is this possible?

  Ive tried to export only the channel alpha and Ive tried rgb + alpha but cannont get FCP to see as it dose with the photoshop files.

  There are tutorials out there? If anyone can help.

  Thnaks in advance for any help or advice

  If you use a codec that supports alpha (few do) FCP threshold see. You may need to change albums how FCP interprets the alpha, which sometimes flag is lost. Animation and ProRes4444 carry the alpha.

  bogiesan

• compare files with the same structure of channel / rename channel(-groups)

  Hello

  I have several groups ch with many channels in the file of each measure.

  Now, I need to display/compare Channels 2 or more files of measures in a chart. (channel 'speed1' to the file 'measurement1' vs 'speed1' to the file 'GCA2' channel)

  So I import 2 files in the browser und have the same structure of string twice. To distinguish between the channels of the two files I want to rename the channels by script and add the file name of the channel-group name.

  Is this a common way to compare measurement data in files with the same channel names and structures?

  In the affirmative. How can I make a script?

  Thank you very much in advance!

  Ski

  Hi Ski-Fahrer,

  each channel has a name of the institution.

  Data.Root.ChannelGroups ("Name" or Index). Channels (Index or "Name"). Name

  You can assign a new name like this:... Name = "NouvNom".

  I don't think it is necessary to rename the channels. If you do not forget the files. If you want to rename something I only rename the ChannelGroups by adding a date or a serial number.

  Kind regards

  Philipp K.

  AE | NOR-Germany

• Cannot export with ALPHA channel... Really disappointed in this topic!

  It's a sad day today, people... I just realized that I can't export my videos with an alpha channel in Premiere Pro. I can do in FCP7 but, for the life of me, I can't find a way to do in 2014 CC PP. I even did a quick video to show this community wonderful adobe what I'm doing and I hope one of you respond with something like "no, dummie, you aren't doing things!" This is how you are supposed to do"and then I'll be like" Yes! " I'm so stupid... not! »

  But seriously though - how to export a video with an alpha channel of Premiere Pro? I tried all the codecs - Animation, ProRes 4444, PNG... same result with each of them. What is the problem with me?

  I think that your problem is because you change the blending mode to screen. Screen requires something on the screen and if you delete the video under the video screened, there is nothing for her to the screen and it becomes opaque. You can see if you go the program monitor to view on a grid of transparency instead of black (click the key int the program monitor and select the transparency grid).

  Rather that to use the screen, set the mode to merge back to the normal and make a mask in the shape of the white bar.

  MtD

• Video object with alpha channel | need of objects behind it clickable

  I have a video object that plays a video with an alpha channel.  There are objects located behind the video object that I would like to allow the user to interact with, so if someone will fly over video game nothing happens but if they mouse over objects in the background, something that happens.  Is this possible?  A few Google searches and a quick search of the Adobe forms don't me net the answers.

  with the exception of objects under the skin or the buttons, it should work.