The stage frame rate is locked to 25 fps?

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  The actual frame rate is 30 fps (MAXIMUM), but I must decrease the value to 10 frames per second. Is this possible?.

  

  Please check
  http://forums.NI.com/T5/machine-vision/programmatically-setting-the-frame-rate-of-a-webcam/TD-p/2654...

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  This is expression of Filip Vandueren

  seedRandom(1,true);

  var t = timeToFrames ();

  var r1 = - 3;

  var r2 = - 2;

  var A3 = - 1;

  for (var i = 0; t > = i; i ++) {}

  var A3 = Math.floor (random (5));

  If (r1 = r3: r2 = r3) {}

  t ++ ;

  continue;

  }

  R1 = r2;

  R2 = r3;

  }

  framesToTime (r3);

  
  

  It is an expression based on Vandueren I tried to change to a sequence of images of 8 frame.  Any way, it worked, but it didn't really achieve what I was looking for.

  timeRemap

  seedRandom(2,true);

  var t = timeToFrames ();

  var r1 = - 6;

  var r2 = - 5;

  var A3 = - 4;

  var r4 = - 3;

  var A5 = - 2;

  var A6 = - 1;

  for (var i = 0; t > = i; i ++) {}

  var A3 = Math.floor (random (8));

  If (r1 = r3: r2 = r3) {}

  t ++ ;

  continue;

  }

  R1 = r2;

  R2 = r3;

  }

  framesToTime (r3);

  The image sequence played all 8 frames randomly without overlapping, but I could not yet understand how playing the fps 8 or 12 fps without consistent with rate of comp at the rate of the image sequence.  Ideally, I would like the expression to determine the frame rate so that I can have in a model with other frame rates and are not afraid to disturb the expression.

  Reorganization of the random images is a common thing for 2D animators to do this, I will also file a feature request After Effects to add this feature to an existing plug-in or create a standalone plugin.

  This should work:

  FR = 12; frame rate;

  numFrames = 8;

  seedRandom (index, true);

  SEG = Math.floor(time*fr);

  f = Math.floor (random (numFrames));

  for (i = 0; i< seg;="">

  f = (f + Math.floor (random(1,numFrames))) % numFrames;

  framesToTime (f);

  Dan

• Best frame rate, resolution, and shutter speed Canon XF 305 to chromakeying

  Hello

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• Comply, or transcode mixed frame rates?

  Hello

  I did a quick search in the archives, but still not quite get my head around this:

  I recently shot a personal project on a Greek island. I have a lot of beautiful 5 d MKII sequences of the island to 1080/25 p, a few underwater sequences of diving instructors took to 1080/30 p and a ton of GoPro HD helmet cam stuff I've pulled my bike to 720/60 p. I guess I don't think too much about rates of mixed frame during shooting, because I had too much fun. I went to pull the stuff of cam headphones to 60 p, then I could slow down and I have a few nice ride shots - by mingling with my GVs. Now that I'm in front of the editing suite, which is the best way to use all these images? I will use 1080/25 p as the basis of my time because most of the good things came from the 5 d. I heard that using Twixtor consistent images works really well, but I'm still confused about what the 60 p on the chronology of 25 p stuff will look like. He will play slow? Very confused.

  In general, it is 'better' to give up material of frame rates less in sequences with higher rates. The reason is that Premiere Pro will automatically insert menu drop down in the form of images duplicated to maintain the same frame rate. Let's look at some examples using the images you mentioned...

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  Now decide on the material 25 fps and 30 frames per second and how to use it. If you use a sequence of 60 fps, you can simply remove these clips as-is; Premiere Pro dupliquera frameworks as required, maintain the same pace, as if you were using the clips in a sequence with a corresponding frame rate. It's very simple, really: no matter if you shoot at 25 fps or 60 fps, a second being always a second. All that is different is the period for which an image is visible. If you have 25 images to fit in the frame of 60 'niche roles' of your sequence, Premiere Pro will be space executives roughly evenly and reproduce each image as long as it is necessary to reconcile the duration of a single frame in a sequence corresponding to the clip frame rate. Visually, there is no difference - this is why it is best to go to a superior that lower rate. If you go lower, Premiere Pro will actually Skip frames because you have more images to adapt to these "slots" in the destination sequence. This will result in a perceived 'jump', where an image is ignored. You can mitigate this, somewhat, by clicking on an element in a sequence and turning on interpolation; This forces Premiere Pro to interpolate between the ribs ignored. OK, it can work for you, or it may seem fuzzy - test is the best way to check.

  Personally, I think I'd go with a sequence of 720/30 p, assuming that all images of 60 p bike will be slowed down. 1080/30 p images must simply be scaled down; the 1080/25 p also has need to be resized, because every fifth frame will be duplicated to match the frame rate of 30 p sequence; and if the 720/60 p is interpreted as 30 p, you will get a nice 50% idle of your sequence, with no scaling required.

  Still confused?

• When using final cut PRO is the best frame for a camcorder Sony NX3 rate?

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  To the right

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• Calculation of frame rates of acquisition image using the 7 Format

  So I finally got my Basler firewire (IEE1394b) camera to capture images at his rate max (120 fps).

  But to do this, I need to use the '7' Format.... which is a bit confusing to me.  When I use the '7' Format, I can't specify the frame (frames per second) rate.  Apparently, you only specify the parameters (length, width, color / mono) of the image and the size of the packets and a few other things.

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  NEITHER told I can calculate the frame rate using this equation:

  

  That comes from this article.

  But I am skeptical because the article also says:

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  People out there can clarify this for me?  Is the frame rate constant?  And then I actually calculate when using size 7?

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  --

  Thomas B. Nielsen

  http://www.nobrainer.dk