Using the applied effect movement in PrE11

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• using the mosaic effect and adding sequence ti I get option for round or circular frame to face mask.

  Hello

  I AM FACING PROBLEM WHILE USING THE MOSAIC EFFECT, I GET NO POSSIBILITY TO APPLY EFFECTS IN A WAY ROUND OR CIRCULAR.

  OR I GET THE PEN TO GIVE EFFECT.

  Help, please.

  What version of first, this feature came with the 2014 (I think).

• Why channel Volume does not appear in the Panel of the applied effects (first 12 elements trial version)?

  Hi people

  doew anyone know why Channel Volume does not appear in the Panel of the applied effects (first 12 elements trial version)?

  Thank you very much in advance

  Adam

  adamPREMIERE

  I have the book, but this screenshot has been extremely help.

  The answer is...

  Like I said, the default Panel in the range of effects of applied effects/Applied / Motion and opacity.

  Once you apply fx effects Audio/Effects/Channel Volume effect to your audio clip, you will see the channel Volume Panel in the Palette of effects applied and the movement and opacity.

  I'll give you screenshots if necessary.

  Please try to prove guilt.

  Thank you.

  RTA

• I use the first items 14 and tried "with instructions" make a black and white video with a special color. At first, I have to use the Darkred effect, but it has no effect. Other effects do not work. Can I get the desired effect?

  I use the first items 14 and tried "with instructions" make a black and white video with a special color. At first, I have to use the Darkred effect, but it has no effect. Other effects do not work. Can I get the desired effect?

  You mean the Edit guided for a video of Black & White with color Pop, right?

  If so, the program will be directed to the Hollywood Look effects Panel and black red effect.

  If this isn't what you are doing, please let us know where you find "instructions" there is no effect of dark red I know in the program.

• Cannot export the media with the applied effects

  Hello! I am a new user of first and have encountered a problem where I can not export successfully to the media if I have applied effects.

  I'm recording play me video games, with my webcam video in the upper left corner. The games are sometimes super dark, and I'd like to clear up everything except the area where is my webcam images. I figured out how to do this, but I have to do something wrong.

  Whenever I'm ready to export to the media, he might get 4% and then lock the entire computer. This happens on several different machines, even if I allow export to run all night. If I remove one of the effects (light effects), it exports very well and takes what seems to be a reasonable amount of time. The computer I use is again this year with 32 GB of RAM and a decent video card.

  My sequences are about 30 minutes to an hour long, with one or two tracks audio. The only effect that I add is effects brightening, with 1 light on a Type of directional light and intensity set between 15 and 30. I use a reverse mask 4points polygon to apply the effect to all except the corner with webcam images.

  What I'm doing wrong! I googled several times and can never find an answer.

  Thank you all very much for your time.

  Hi Tom,

  Sorry for your troubles, first.

  If I remove one of the effects (light effects) , it exports very well and takes what seems to be a reasonable amount of time. The computer I use is again this year with 32 GB of RAM and a decent video card.

  What I'm doing wrong! I googled several times and can never find an answer.

  Thank you all very much for your time.

  You are doing nothing wrong. In fact, we are in error. This is a bug. This bug has been marked as fixed for our next release, if. It should be OK to use it in the next release, which is scheduled for release very soon. For now, try another effect, as the fast color corrector > input levels sliders.

  Hope that helps.

  Thank you
  Kevin

• How to find max Crest audio audio tracks combined with the applied effects?

  Hi all

  I work in the CS5.5 body.

  Often when I'm working on a timeline, I have two audio tracks of the same songs, one of the camera and the other a separate, synchronized sound recorder on the timeline, so that they combine into a single signal. Applied to these titles, I might have an effect filter or high-low pass EQ. Now, I know that the maximum peak of each track or the individual clips is easy to find using the "Gain Audio" menu item, which I hope is the equivalent of this item of menu but related to the final output after two signal tracks has been added and effects have all served? It is a task that is very painful to have to listen through the entire timeline to discover if the output goes into 0db, if there was a way I could locate on the timeline where the max output, which would definitively solve the problem.

  Find the way to do this would literally save hours per project! It's the only thing that makes me groan inwardly when I perform the output volume, what I have to do most of the time.

  If all goes well,

  Peter.

  I always put a compressor and - 1db limiter of ridges on the master to stop overmods.

• How can I get the name of an instance of the applied effect?

  We have a plug-in effects after (written using the SDK), and we would like to get the name of an instance of an effect applied. For example, if my name of the installed effect is "FoofooBerry", and the customer applied two effects of FoofooBerry, it would be named "FoofooBerry" and the other named "FoofooBerry 2".

  In the documentation, it is said:

  
  «To get the name of the instance of the effect (as renamed by the user), get the AEGP_StreamRef for the effect itself and call AEGP_GetStreamName.»
  
  Which seems to be what I want to do, but how we "get the AEGP_StreamRef for the effect itself" escapes me.

  I have tried iterating over all flow on the effect and control of these devices, but I don't see anything useful. Someone knows how to get the ref to flow for effect (not a stream on this effect)?

  I also asked this question on StackOverflow, but unsurprisingly, had no luck (not a bunch of AE experts out there).

  Thank you.

  Hey,.

  You can do this for examlpe of this way:

  get plugin_id with AEGP_RegisterWithAEGP, if you probably already know how to

  then

  AEGP_GetNewEffectForEffect

  AEGP_GetNewEffectStreamByIndex, say for the parameter index 1

  AEGP_GetNewParentStreamRef

  AEGP_GetStreamName

  AEGP_LockMemHandle - This is your wchar_t instance name!

  welcome them

• Is it possible to only use the keyboard to move a window on the desktop?

  I have a lot of fun trying to do it all with just the keys and trackpad not.  One that I'm missing and it would be very useful would be to find a way to move windows with just the use of keys.  I expect the arrows would be involved, but to do something about the window I want to move.

  I believe you can use the best tool to touch (http://www.bettertouchtool.net) to assign keyboard shortcuts to move the windows.

• After using the GPU effects

  Szalam, if possible, I'd like some information in what concerns this topic because I'm having a moment a little hard to get my head around how After Effects uses the GPU in some situations.

  For example, I have a comp UltraHD quite complex with a group of layers 3D element. Because we work closely with the 3D with element layers, we have the rendering engine in After Effects "3D Classic" on. Because I'm using a GPU K4200, I'll just follow the advice of Adobe and use the CPU for any trace of the rays since the K4200 is "unsupported".

  So now that I'm assuming that After Effects will do all THE processing of treatment on the CPU - with the exception of the work of 3-d element, which will be done only on the GPU, correct? Then now, I guess as long as I "simultaneous rendering of several images multiprocessing" something sensible (i.e. leaving 1/4 or preferably more like 1/3 of the available RAM to non - After Effects-related work and not hungry processors), then After Effects will try to max-out the processors as much as possible for everything except the item in 3D work (which will be hopefully out the GPU max). Is this correct?

  Is it interesting to use in load/no tested (for example the K4200) GPU to accelerate the raytraced render engine in this scenario (i.e. 3D only in the model elements are 3D, element, cameras and lights 3D layers), or is it better to leave it on the CPU and leave the single GPU for 3D element?

  Thanks in advance!

  Chris Hocking wrote:

  For example, I have a comp UltraHD quite complex with a group of layers 3D element. Because we work closely with the 3D with element layers, we have the rendering engine in After Effects "3D Classic" on. Because I'm using a GPU K4200, I'll just follow the advice of Adobe and use the CPU for any trace of the rays since the K4200 is "unsupported".

  Right. Your scene does not all the layers using the ray traced in her rendering engine at all, so leave it on Classic 3d is the best choice. The new version of the item has "drawn with RADIUS' shadows and whatnot, but which is unrelated to converter traced to obsolete radius of EI. EI raytraced render engine is essentially an effect pressing the Optix of NVIDIA GPU library. It was just to add depth to layers. People are often confused and think that turning traced to the rendered RADIUS on would hire the GPU to make this, but the only thing he never accelerated has been traced to the RADIUS effect (which has very few people have already used).

  Chris Hocking wrote:

  So now that I'm assuming that After Effects will do all THE processing of treatment on the CPU - with the exception of the work of 3-d element, which will be done only on the GPU, correct?

  Yes.

  Chris Hocking wrote:

  Then now, I guess as long as I "simultaneous rendering of several images multiprocessing" something sensible (i.e. leaving 1/4 or preferably more like 1/3 of the available RAM to non - After Effects-related work and not hungry processors), then After Effects will try to max-out the processors as much as possible for everything except the item in 3D work (which will be hopefully out the GPU max). Is this correct?

  Pretty much, Yes. There are other potential bottlenecks (if you use images out of an external device with a slow connection, for example), but it's like basic things will be.

  Chris Hocking wrote:

  Is it interesting to use in load/no tested (for example the K4200) GPU to accelerate the raytraced render engine in this scenario (i.e. 3D only in the model elements are element and 3D & cameras lights 3D layers), or is it better to leave it on the CPU and leave the single GPU for 3D element?

  Your scene, as you describe it, does not use the ray-traced rendering engine at all. The ray-traced rendering engine is just a way to add depth and dimension to natively layers in AE. Given that you do not use this feature, by turning your comp to use the rendering engine raytraced won't help what whatsoever and, instead, plu cause lead the times.

  But you can feel free to test yourself. Try a rendering with the standard rendering engine and with the renderer raytraced lit. See if you can see differences.

  Here is an official blog of Adobe on the GPU in AE: features GPU (CUDA, OpenGL) in After Effects

• First Pro plug-in using the After Effects API

  Hello

  According to the SDK, you say that the effects API after must be used to create effects type of Plug In for Adobe Premier.

  We have developed several AE plug (effects) based on the SDK CS6 EI and still they does not appear / work on first Pro CS6.

  Where can I find guidelines on how to create a plugin s that work on both EI and the Prime Minister?

  Is there a code example for this Plug In?

  Thank you.

  Hi Royi,

  Yes there are examples of code.  If you look at the Descriptions of sample in HPC project 1 of the SDK Guide (on page 35 in the CS6 SDK Guide), those who are first Pro-compatible is marked as such in the description.  More recent versions of the SDK will have as many of the sample projects that are compatible with both hosts.

  In addition, you can refer to the chp 10 SDK Guide on Premiere Pro, to read some general remarks on the compatibility.

• Using the SPACEBAR temporarily move sometimes causes the tool change.

  When I Zoom in on an image I can choose a tool (for example the stamp) with my mouse. Then I can change brush with shortcut key (b) tool. If I then choose to move the image by pressing the space, when the space bar is released the tool that I took with the mouse (stamp) will be active. This should have been the Brush tool as it was the last tool that I used, I should be able to pan without tool change.

  Thank you guys. I tried to reset the preferences. This does not affect the problem. I found that it was caused by a plugin installation. I had installed Pixelsquid, even if it was not checked and 'Load extension panels' has been disabled in the preferences I would meet the problem. After uninstalling the plug-in, the problem has been resolved. At this point for me the solution is to remove the plugin Pixelsquid (although I think it is pretty cool). I appreciate that you guys have responded to my request in a very timely manner. Thanks again.

• What do the different nuances diamond in the applied effects keyframes?

  Using Adobe Premiere elements 12 I do picture in picture effects, but cannot understand why the diamond to keyframe sometimes overflows solid, sometimes white and sometimes 1/2 white, 1/2 black (see photo).  After doing a bunch of research on the web without success I hope someone can explain to me the difference.

  

  Carpe Lux

  Add On to post 1...

  Whereas a keyframe between the first and the last keyframe of the clip...

  I can get the diamond dark all (keyframe)

  a. creating a key image that gives the black half Diamond White/half (type icon that represents the method of linear interpolation)

  b. right click on the keyframe and change the interpolation to something else, such as Bezier method.

  c. then placing the method of linear interpolation.

  But this diamond dark keyframe automatically to clear and is clear when I here a click of an empty area.

  Bottom line, according to my findings: the type of keyframe icon in the box show/hide keyframes gives information about this picture-key, including the interpolation method and controls the position of the key frame.

  Please let me know if post 1 and 2 information targeted to your question. Please let me know if you need additional information on this.

  Thank you.

  RTA

• How to use the command to move the machine to a data store in another data store in WTT(Windows Test Technology) Atlas (2.7)?

  I searched doc help WTT Atlas, just found this: "the MoveMachine command allows users to move client computers between the basins of the machine. This command assumes that the user has permissions of correction to carry out operations and generates an error if this is not the case. "

  Note: this command just explain machine displacement between the watersheds of the machine instead of the data store.

  This issue is beyond the scope of this site (for consumers) and to be sure, you get the best (and fastest) reply, we have to ask either on Technet (for IT Pro) or MSDN (for developers)

  *

  http://social.technet.Microsoft.com/forums/en-us/home s/fr-U.S./Accueil
  http://social.msdn.Microsoft.com/Forum

• For S110, if I put the mode program using the saturation effect "Film positive"...

  but it also affects the AUTO setting?

  (I see that it is also the 'P' value for both Tv and Av, but can't talk to Auto.)

  I've only had the camera in 2 days so I'm still exploring...

  Thank you

  Hi bikerewannabe!

  Thanks for the post.  The positive Film and other parameters of my colors are not available in Auto mode.

  If it is a time sensitive matter, additional support options are available to contact us.

• How can I move precisely image in the monitor by using the arrow keys?

  I am currently using first 13 items on my desktop Windows 10. When I use the special effects of culture, I am able to precisely position the top, down, left and right limiters by typing in a decimal percentages. It works very well, especially when you try to manually move the limiter in the monitor by holding down the left mouse button and dragging. Enter the percentage allows the adjustment takes place easily.

  However, I was unable to find a similar positioning tool for when I want to move the image in the monitor. The only way I know to move the image currently is holding down the left mouse button and dragging the image. What would be the most direct and intuitive way (for me) to precisely move the image, once you left mouse clicked on the clip to show the white frame with its 8 small white squares, simply hold the CTRL key, and then use the 4 arrows to position the image. However, holding the CTRL key and pressing the keys 4 arrow do not work, or not keeping the Alt key and pressing the key 4 arrow, nor does not hold down Shift Ctrl, shift, or Ctrl Alt Shift For me, it would help greatly to a precise positioning, if I could hold the CTRL key and press the arrow key should be.

  Anyone happen to know how to position an image in the monitor otherwise than by holding down the left mouse button and dragging the image where you want?

  Thank you

  With the clip selected on your calendar, click effects applied on the right side of the interface.

  In the effects Panel, open the path properties. Here you can define the Position and the scale and Rotation of your clip. You can also effects and keyframe animated trajectories.