you have the camera?

I don't. Well, I had some undesirable point and shoot something that gives me mov 264 (thank God) I could test on my computer with cineform AVI conversion (to see if my computer mouse could handle)... and it's too mousey make a real documentary (my computer and cs3).

So I have to upgrade to 64-bit, get CS6 thing production and move. Some here think that mov is not good because of the Quirktime (32-bit) and some think that mac (res pro) is not good and some other things... many think thoughts there. I couldn't care less.

I want to get SOMETHING I can draw pictures of movement with... and change. In my mind at this point... because it is simple, YES, YOU'll get IT DEVINE... BEER THIRTY! YAY!

That said, it is now to tell a story. How can we imagine shooting motion pictures WITHOUT telling a story? I can't. If I take photos even more of one or two of the same substance, it becomes a "series". If I shoot 24 fps it becomes now bound in time and on time tale... It IS ESSENTIAL, to tell a Visual story through the illusion of time and images.

so... now what that? After decades of telling stories with such things we have tons of little gadgets that can record several images very quickly through chips etc... YAY!  What's up with fairy tales? Not much IMO. The part of it takes some planning and thought and finally some (YES YOU are DEVINE IT... EDITION! YAY! ).

As this forum is about the change and tales, I think it is perhaps high time that someone started to focus on it a little more.

I know help here as others who have no idea of how a computer works without talking about this suite of program etc, but it's really only going to be a successful product, if the results are decent and fullfill the dreams of the company try so hard to be a player in the world to tell stories.  It's not the 'market share' one can think. It is not the lowest common denominator. It is simply to tell a story and what happens with a beautiful product of end for all of us to enjoy.

Let's start to talk more please... talk about Rodan, how he's lonely. Talk about your own stories at home and make some modifications to your imagination. Write the stories in your imagination and get there with shooting and make WHO finished with your editing using adobe products. PLEASE, I BEG YOU!  A freaking story! Sell something. Tell me something!

If you just want to sell books or technical expertise and to be an adobe lover that is correct... your help is needed. But if please tell a story before he died with this revolution and allows to share in the forums. It is movement, not photographs. He revealing story and a lot of work, we're going to do. We will use what we have at our disposal and do it before everything degenerates into a sad story of the DEATH of stories in our culture!

Rod,

Perhaps you are overthinking the technical aspects of the colaborating on long distances. Think rather, how communicate you if they were in the same room. The same tools to work for both situations in most of the cases. I used to live on the coast of Easy and colaborate with people on the West Coast. No real movies, of course, or even documentaries. I specialize in the training, that's what I'm working on with other people when the opportunity arises. Yet, the tools we use are no different than the tools that you can use.

For example, to tell a story, I imagine that most people start with a table of Storyboard. Sometimes it's nothing more than a series of sketches on paper 8.5 "X 11". (A4 or in other parts of the world). You could go to very difficult to animate tables storyboard, or using programs of professional Storyboard. Or, you can sketch out an idea on paper and just photograph the paper with a Smartphone and turn it into a PDF file. There is an app for that.

The people at the other end and then print it out, draw on it and test it back in and send it. Or, perhaps, you paste the image into a Microsoft Word document and they can use the annotation feature to communicate. They open the image, edit and save the document as a new version number.  This kind of things back by e-mail or simply share a dropbox account specifically set up for this project.

It is pretty basic, but what happens if you pointed out also a videocamera to yourself as you examined him each image? They would hear the tone of your voice, the excitement generated on ideas and hesitation on the other. Integrate with video images, and you have a way to really communicate your point of view. People respond to Visual cues. If they understand why you did something with a tool for editing and you then show them other choices, you are likely to convince that your way is the best, or they can challenge that. But you gave your best shot in looking them in the eye, as it and make them benefit from your experience.

What happens if the video you posted above were places where you broke in and discuss why you have chosen to do what you did and what you think would work, and they have suggestions about this particular section? Put a solid screen without interruption under the video timecode, you post on Dropbox to make it easy for them to refer to your questions.

What happens if you stopped the video at 6:12 and told them why he was left light parasite in, or why you intend to eliminate it in post?

You have a video that plays all the way through to your first edit, and another who has the video of break you in all directions, discussing the editing of the scene next, coming, etc.. Or there are two ways and ask for feedback.

These are the same things you could do if they were in the editing with you, room or conference room. Why let a little thing like distance cause a problem?

If you are willing to work with time zone problems, there is nothing stopping you to share screens very early in the morning or late in the night with someone on the Internet. GoToMeeting is such a great place to go for such things. He is not fast enough for live video, but it is pretty fast, in general, to discuss the individual frames of a video and other concepts (same correction of color if you coordinate your monitors with the same brand of adjustment tool).

If they have the same video source that you do, you pause while both watch the video off the screen, and then you both come back to discuss.

If you need to work with another editor and you posted the source material where you can also use it well, then all you have to do is to share your project file. You post where they can get it, and they play the timeline the same as you would. If they have any suggestions they make changes on a copy of the sequence and download the project to download. This method is preferred when the project is divided into a single project by scene. This requires that you plan in advance and the use of drive letters that can be put in the same place on both computers or it becomes a bit complicated. I worked this way on a project once. Came out great. We ended up using drive letters S, T, u and V just to get to the top and out of the way.  I ended up leaving like that until I've changed computers. After that, it was funny for a have a D drive.

So, no special tools. Nothing, you have not already. And nothing you can not do with this small point and shoot camera or mobile phone.

I think of it this way. You edit a video to tell a story. Convince people that you know what is best for the final outcome requires you to tell a story of sorts. Collaboration is almost as showing both sides of one of these small documentaries that show how a movie was made.

Before I call it quits for the night, to answer the question:

Have you seen motion pictures that tells a good story, and he says well?

I don't know what is good. I know only that if she catches my attention throughout the beginning to the end, if I care about characters, and if I want to film was to the end because another couple of hours would be fine with me, so the film is 'good '.

I want to be entertained, but I want especially to escape the world being presented to me on the big screen. Take me to the 1860s with Lincoln and listen to his thoughts on the major issues of the day. Make me dream of sitting in the Chair of a starship captain. Take me dancing and let me fall in love all over again with the idea of romance.

In many cases, I find that television allows me to bind with a character in a way that is not the movie. So when a great Director is tackling a TV project, I'm the first to set up the DVR. Give me time to learn enough on a character to love, hate, pity on them, or some emotion is desired by the Director. Unfortunately, not many great directors work on TV. But now and then, from time to time, it's going to happen.

In other words, don't just tell me a story. Pick me up and put me in your story if I had to walk out of my door and found myself in England at the time of Jack the Ripper, I'd know what to do and who to trust. If you have not watched Street Ripper on BBC America, I can recommend it as a way to escape from reality for a little while that every week.

Unfortunately, my wife and I won't to see movies very often. Most of what I see is on Showtime, HBO or Starz. The advantage of this, of course, is that I can go back and play to catch what was said or to make sure I saw what I thought, I saw. It disrupts the flow of the movie that the Editor worked so hard to get, but what I can say? It is what it is.

Also on the subject of the tale, I watch a lot of videos of TED. This one is particularly relevant.  http://www.Ted.com/talks/andrew_stanton_the_clues_to_a_great_story.html

There are a few other videos. These six are worth watching:

http://www.Ted.com/playlists/62/how_to_tell_a_story.html

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