1 single track is available of the nested sequence of stereo

Similar Questions

• Sequences can inherit the nested sequences chapter markers?

  I am in my project of edition about 2 hours of video. For that things remain manageable and being able to do fast makes it partial, I have divided the project into several parts. Each part is edited in a clean sequence. Finally I combine parts by adding them in the form of sequences embedded in my master sequence. The problem with this approach is that I can't get the creation to inherit the nested sequences chapter markers. For example, in my 03 sequence, I put a chapter marker.

  

  When I put this sequence in my master sequence, chapter markers will not appear and it is also not be counted when I export the main movie to a DVD:

  

  I could of course place the markers on the main sequence, but I would rather their place in the sequence of the child for two reasons:

  • Markers and edited scenes would be in one place.
  • If I choose to re - edit some parts of the sequence, I won't forget to update the position of the mark.

  I'd love to hear your ideas on how I could do this. If my work flow is poor/ineffective, I'd love to hear about that, too

  You can do all your editing in different sequences and bring them a master.

  But I leave the markers to the end of the Master.

  You want to export a DVD or BD?

• opposite of ctrl-shift-f of the nested sequence

  A position of playhead to in a nested sequence (say, a multi-camera edit sequence), I can use 'ctrl-shift-f' to take me to the same images (probably a playhead position) different in the source sequence. It allows me to find the source.

  Q: is there anyway to do the reverse? I want to start in the source sequence, then find where this film the layer source is used in a nested sequence. Is it possible to do in the body of the cs6?

  And yet, there is a "hidden" feature that does exactly this. If I place markers in the source sequence, they appear in the nested sequence. It is so easy to match the two. Here's what I mean:

  First of all, in my source sequence, I place a couple of markers with the button "m":

  

  Then when I look at my sequence nested (in this case, my Multi-Edit sequence) I see markers in the calendar that does not explicitly place there, that exactly match the markers I placed in the source sequence:

  

  Is this cool or what? Saves me a lot of time and frustration. These Adobe engineers... very good code, body cs6. Pretty darn good.

• How can you find a timecode for the chronology of the hand... in the nested sequence?

  How can you find a timecode for the chronology of the hand... in the nested sequence?

  The opposite seems easy, but I often put the CTI on the main timeline in the hope of finding the exact location of the nested sequence.

  Thanks for all the ideas.

  It is CS3 help, but that's what you're looking for?

• Can a jump in time in the nested sequence

  I have two sequences, SEQ - A and B - SEQ and SEQ - B is included (nested) in SEQ.-a.

  If I'm watching SEQ - has and and find some point I need to change something in SEQ - B, how can I go to SEQ - B at the point in time I have look in SEQ - A? How will I know "what time is" SEQ - b? Looks like I should be able to see that - it seems very relevant.

  I hope I explained it correctly. Basically, the CTI in SEQ - A may not always reflect the same point in time in SEQ - B. I can't imagine that I had left to guess where I should go to a specific edition in SEQ - B.

  I know that there must be a way.

  Paul

  When you get to the point where you want to dive SEQ - a, just press SHIFT + T (the shortcut for reveal nested sequence). You must have the targeted tracks, but who will lead you in SEQ - B at the corresponding time.

• Generation of multiple reports in subdirectories with the calls of the nested sequence

  I would like to generate different paths for multiple sequences, which are each managed in respect of execution of their own.  The following text displays the desired hierarchy:

  YYYY. MM DD. HH.mm.ss_MainSequenceFileName\Test [email protected]
  YYYY. MM DD. HH.mm.ss_MainSequenceFileName\YYYY. MM DD. HHmm.ss_SequenceGroup1\Sequence group [email protected]
  YYYY. MM DD. HH.mm.ss_MainSequenceFileName\YYYY. MM DD. HHmm.ss_SequenceGroup1\Test tswan.html
  YYYY. MM DD. HH.mm.ss_MainSequenceFileName\YYYY. MM DD. HHmm.ss_SequenceGroup2\Test tswan.html

  where:

  Summary of the test contains only steps of the MainSequence of the MainSequenceFile
  SequenceGroup1 is a step of calling in MainSequence with new execution sequence (to generate a separate report).
  Note: The subsequences of the SequenceGroup are stored in a different sequence file.

  Example of a hierarchy:
  MainSequence-> SequenceGroup1-> SubSequence1, SubSequence2, SubSequence5
  MainSequence-> SequenceGroup2-> SubSequence2, SubSequence3, SubSequence4

  Would result in the following files:
  2010.08.18.10.00.00_MainSequenceFile\Test [email protected]
  2010.08.18.10.00.00_MainSequenceFile\2010.08.18.10.05.00_SequenceGroup1\SequenceGroup1 [email protected]
  2010.08.18.10.00.00_MainSequenceFile\2010.08.18.10.05.00_SequenceGroup1\Test1.html
  2010.08.18.10.00.00_MainSequenceFile\2010.08.18.10.05.00_SequenceGroup1\Test2.html
  2010.08.18.10.00.00_MainSequenceFile\2010.08.18.10.05.00_SequenceGroup1\Test5.html
  2010.08.18.10.00.00_MainSequenceFile\2010.08.18.10.40.00_SequenceGroup1\SequenceGroup2 [email protected]
  2010.08.18.10.00.00_MainSequenceFile\2010.08.18.10.40.00_SequenceGroup1\Test2.html
  2010.08.18.10.00.00_MainSequenceFile\2010.08.18.10.45.00_SequenceGroup1\Test3.html
  2010.08.18.10.00.00_MainSequenceFile\2010.08.18.10.45.00_SequenceGroup1\Test4.html

  My plan was to specify the base path using the StationGlobals (for support through several files), and then use the ReportOptions reminder in the file of the main sequence and the sequence of group file.  However, the recall of ReportOptions occurs only in the file in the main sequence.  If I create a ReportOptions reminder in the sous-suite file, it will never be called.  The ReportOptions of the MainSequenceFile callback is only called (since that's where the new run is launched I guess).

  In my view, that this hierarchy could be created using what follows:
  In the ReportOptions callback, get a reference to the sequence of the appellant step and determine if it is a SequenceGroup_SequenceCall (a type of special stage that I created), if so then use a different expression to generate the name of the subdirectory and report.  If this isn't the case, then use the expression of the main sequence.

  It would take to what follows the ReportOptions in MainSequence reminder:

  1 get the reference to MainSequence path of the report generated from the process template.  This could be done by storing the RunState.Root.Locals.ReportPath in a StationGlobals variable before the new sequence.

  • Is it possible to do without StationGlobals?  A SequenceCall parameter is most appropriate?

  2 get the reference to the call of the sequence step

  • Not sure what the best way to achieve this.  Please notify.

  3. date format
  The statement to get the start time of the SequentialModel is not called that after ReportOptions recall and the path of the file Expression determine report.  This is why the name of the report file timestamp may be different from the header of the report.

  • Why the statement to get the start time is not called as the first step of the sequence, and what are the consequences of this change in the sequential model?

  My questions are indicated by bullets that precedes.  Any help would be greatly appreciated!

  Hello

  I created a small example that should full fill your requests.

  Note: I have only tested in Mode Single Pass (No. Serialnumber request!)

  No StationGlobals when used. To get the parent folder data two queues when used in ReportOption callback

  Hope this helps

  Jürgen

• 2015.3 audio problem with the nested sequence

  When nesting one sequence in another, the audio from the original sequence gets completrely lost since the last update.

  If the nesting of the sequences is not possible.

  Correction of the source in Premiere Pro sequences

• Cut the nested sequence stops playing in first

  Since the installation of the latest version of Adobe first Pro CC (2015.0.2 (version 9.0.2 (6))), it presents a coherent reading problem. After about 1 minute of editing with a nested sequence, first does not allow me to read anything of a sequence or in the source monitor (I also tired to open many projects without success).

  
  

  The only partial solution is to restart first change a sequence returned instead of a nested sequence.

  
  

  Is a similar problem that arises when the preferences are set to the incorrect sound card, but change the audio settings does not fix it this time, even in trying two different audio devices. I also checked permissions have been set to read and write and I tried to roll back first to an earlier version, but the problem persists. I drove back to CC 9.0.0 build still having the problem.

  It is a topical issue because it is a workstation company, and projects have deadlines.

  All reviews are much appreciated,

  Justin

  ________

  ________

  Data sheet:

  iMac 14.2

  10.10.4 OSX (Yosemite)

  3.5 GHz Intel Core i7

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GTX M 780, 4096 MB

  Well, I finally found a work around. The sequence, I've been nesting must have been corrupted somehow and that froze until the creation whenever I tried to draw in another sequence by nesting.

  THE FIX:

  -Copy all the contents of the original sequence into a new sequence (the sequence of as corrupt origin label)

  -The new sequence in another sequence with desired parameters of the nests.

  It's the fine cut for now.

  Thanks for your help.

• Audio waveform in the nested sequences

  If I nest a sequence in another the audio waveform display as a flat yellow line.  But I want to nest them to start a multicam, so I need to see the audio to sync.  Is it possible to get the audio waveform of nested sequences to appear?

  At the top of the application, choose "Sequence > render Audio.

• How to run the callback model SequenceFilePostStepFailure after step fails with the calls of the nested sequence

  Hello

  I want to appear a message immediately box on any test failure.  I thought I could use the reminder of the SequenceFilePostStepFailure model to achieve this, but when I change the reminder of process model to achieve this, I found that the recall code is executed only for the failures of step of the top level of the page sequence file.

  My test code has sequence called before mutiple files to the granularity of the basic numerical limit test that range from success or failure, so I would like to run the callback SequenceFilePostStepFailure immediately at this level.  I can accomplish this by adding a substitution of recall of SequenceFilePostStepFailure in the file of the sequence in question, but I prefer to use the implementation of reminder default template, so I can't find all the places where numerical limits tests are executed and cause the ASE of pass/fail.

  I have attached a few sequences of the example I want to illustrate the problem.

  Thanks for the help,

  Daniel

  My fault, I see now that the recall of model should I have changed is the ProcessModelPostStepFailure.  Problem solved.

• Why my nested sequence is superimposing the effects?

  Hey everybody,

  So after I fix the colors my master clips, I sync them, remove the audio not desired, then nest them. BUT in the nested sequence, it seems that all the layer of video tracks video effects throwing my nested sequence in a horrible color landscape of overexposed or more colorful clips! Can someone help me?

  Mike Diaz

  1. create a sequence corresponding to your support.

  2. Add the clips, synchronization manually.

  3. create a second sequence corresponding to your support.

  4. nest the first sequence in the second sequence.

  5. right click this sequence of nested, then choose multicamera > activate.

  6 change now.

  Once you're done editing, add effects cc for clips in the first sequence, created in step 2.

• Is it possible to link the CTI to a nested sequence?

  I have a nested sequence, and I want to change the position of the keyframes based on what is on the main sequence. I'd like to be able set up the ICT in the main sequence, then go to the nested sequence and have the ICT at the same position, then make the change.

  The way I did it is to calculate the time elapsed since the beginning of the nest in the main sequence and then go to the nested sequence and the displacement of the ICT at that precise moment. Shortly.

  Is it possible to link the CTI to a nested sequence? i.e. everywhere where ICT appears in the main sequence, when you go to the nested sequence, ICT is in the same position.

  I am running CS6.

  I can't think of a way, but it would be a good request for future versions:

  Feature request/Bug Report Form

• nested sequences change the proportions of clips under them

  First Pro 6.0.5
  Mac Book Pro retina

  See the attached screenshots:

  1. nested sequence is off - everything below is is crunchy and good aspect ratio

  2 nested sequence is over - all under it is blurry and bad aspect ratio

  3. only the nested sequence is on - so you can see that it does NOT contain the layers below by mistake

  Why is this happening?  It's really disturbing... This happens usually when I make my sequence - it goes all haywire proportions wrong when rendering with transparent nested sequence above all.

  Image 1:
  Nested sequence is off - everything below is is crunchy and good aspect ratio

  

  Image 2:

  Nested sequence is on - everything under it is blur and bad aspect ratio (it is pushed to the top - line see black which is formed on the bottom)

  

  Image 3:

  Only the nested sequence is on - so you can see that it does NOT contain the layers below by mistake

  

  Sigh.  I thought about it.  These are my pains of the transition from FCP to Premiere Pro.
  Apparently the regardless of the default settings I had rendering changed somehow the proportions of my original clips.
  I have re-jiggered rendering in the preferences of the sequence parameters, and the new renders a snippet you want on-site.

  So it's not a bug squarely in the first, more just a user error mixed with some default settings in rendering first clumsy.

  Z.

• Solution-alternatives-tips for multi-audio export in a nested sequence?

  Like many, I mounted my final model as a nested sequence. Several, but not all the subsequences contain a mixture of stereo audio tracks and mono source (including: some isolated from the channels of dialogue, layers, sound effects, etc...). Unfortunately, as I just found on the hard, it seems that exporting OMF or AAF in a nested sequence transfers only the tracks visible IN the NESTED sequence ONLY and ignores all other audio tracks of original sequences (void). And I said that this is the norm for OMF/AAF.  Wow! It sucks!

  I hope it's one of those annoying weird things where everyone but me knows the best way to get the audio tracks, went to their audio favorite finishing DAW. Mine is Logic Pro X.

  Appreciate it. Thank you!

  What happens if you UN - nest it. Like taking this sequence in the project bin after selecting the button "display nests as the individual sequences and more words ' in the panel mounting - take this sequence nested of the location of the project and place it on the timeline where he opens the video layers.

  Now, if this is not export as an OMF - perhaps because she always links to the nest - what to say to another sequence, copying stacked above video layers (layers video open upwards) and copy the audio layers.

  Other then that, the command "flatten" allows in some circumstances - but even more with blocking sequences.

• Video effects in flicker to export nested sequences

  I nested content in a sequence. When I export I get flicker at a time where I added an effect.  I used warp stabilizer and opacity masking and both produced sparkling in the finished coating.  When I add the effect of nested track video, while it is not nested and then rendered flicker does not appear, it is a big pain.  I've been adding effects to clips nested for years and I really need, what can I do?

  I don't know that this will help you, but...  I recently found this with glued on the nested clip (green bknd) drop shadow effect.  I found that the sequence containing the clips that were the nested sequence had a frequency of inappropriate images (10 FPS).  When I changed this to 23.976 fps, the flicker disappeared.  At no time the real video clip has played at 10 frames per second - just the shadow.

  I don't know why that should be while I thought that the rendering was supposed to correct differences as a sequence that when I moved the sequence to the main time line.