All clips in my sequence of multi camera went black

Similar Questions

• Sequence of multi cameras went black (mostly)

  So, I edited three sequences of separate camera multi... They all was beautiful and I exported through media encoder. When I went to look at my files, one of the three was a really small size, and I noticed he was all black.

  I returned to premeir pro cc and of course this multi cam seqence was all black as well (except about 3 seconds of images in the middle of two different cameras). Now when I go back to the original (except the nested multi cam) sequence that is fine so I know that the clips are always linked in PP. Also, I can make a new cam multi of the original sequence and that is very good.

  I think that PP just F'd up... and unless someone can tell me how to go back in the file record history or something I'm flowing because first auto saved when I closed it last.  I'm seriously unprofitable as to why this has happened as it was fine when I went to export it... or at least almost immediately before.  Why are there 3 seconds of footage in the middle of all the sequences of black 47 min? and 3 seconds is from within a sequence of 10 minutes on the original UN nested sequence is not as if a single video file showing upwards.

  OK, so more about what happened that I want to spend my life with. Any way to copy edit them the points on a new multi cam sequence?  Does anyone have ideas, what's happened I can cancel?

  Thank you

  OK, so it's weird... so, the original UN nested sequence was 01:30 hours with 45 minutes of audio at the beginning unused. When I did my nested for multi cam editing sequence I selected the last 45 minutes and nested that.  Everything worked very well, but somehow during export it took my multi cam sequence and added within 45 minutes of audio virgins... so when I extended the sequence of cam multi at 01:30 there was all my videos... but my changes were all conducted on the top of the audio. Seriously stupid and certainly a bug!

  Is there an any file record history that I can come back?

  This looks like a bug in 7.0 that has been fixed in 7.0.1.  I recommend that you update to 7.1. In many if not most cases, the patch has corrected the problem in existing projects.

  This is the main thread about the bug: http://forums.adobe.com/message/5823746#5823746#5823746.

• Problem of sequence Source multi camera PLEASE HELP!

  I merged the 3 cameras with sound using the sequence of Source create multiple cameras.  After that I merged it, I don't know why I can not select the "Multi-camera" button (which is gray) so I can choose the shot I want to use. Help, please!

  You can see a good tutorial on the entire process here - http://tv.adobe.com/watch/learn-premiere-pro-cc/multicamera-workflows-with-premiere-pro/

  The help page also step by step - using Adobe Premiere Pro | Multi-cam editing workflow.  I meant step 4. Create a target multiple camera sequence.

• Using clip markers for synchronization in multi camera CS6 edit

  I am trying to find a way to synchronize video clips to edit in camera multi window. The problem is that I have a clip is the length of the video (1 h). the second continuously camera stopped and started during the filming that he wandered around to take pictures from different angles. I thought I could use the clip marker function to synchronize these. the problem is that I have placed a "comment marker" on each sequence of clip at the right time in each of the two clips and appoints them using the same name. I then open the movie camera to create multiple source.  But the ability to synchronize with the clip markers is grayed out and cannot be selected. I tried to modify the markers to make chapter markers, but it still does not work. I don't see an option to make them numbered or I would have tried that too.

  How do you get the CS6 to allow me to use the trademarks of element, or how to set the clip markers that will be recognized by the camera multi function?

  Thanks for your help

  Add take longer to V1, and then add the shorter clips to V2 and synchronize them manually.  Then nest this sequence in a second, right click and select Activate Multicam.

• How to make a Multi camera track is always visible?

  I'm working on a sequence of Multi cameras.

  Let's say I have 13 titles in there:

  • 12 tracks are actual video clips
  • 1 track made of graphical overlays (as in Formula 1 Racing, with stuff like positions of rank, drivers, lap time, telemetry, etc...). This track is imported from legacy and has in it's alpha channel. This track is at the top of all the other tracks.

  I want the graphic track to be ALWAYS on, regardless of which track I select in blocking.

  This path must be on the INSIDE of the camera multi sequence and I can't get out of multi camera (for reasons of synchronisation).

  No idea how to do it?

  Some screenshots to clarify what I mean.

  Here's my multicamera Setup:

  

  Here is the final result. You can see the graphics overlay on video.

  

  It is not possible.  You need to place the chart outside of the multicam sequence so that it is always visible.

• First film edited with Premiere - proxy, audio questions and multi-cames

  I have several questions that I have not found in the videos and forums, at least not for my situation. I'm finishing the revision of sequences now adding comments in prelude and will begin soon to change it. Please excuse the long post.

  Background:

  I'm working on my first film, a documentary. Most of my work is 10-11 interviews, about an hour each. The majority is 4K Panasonic GH4, but some of the images is an Olympus MDGS EM5 II 1080.

  I recorded the sound using a LAV and a shotgun microphone, each goes in its own channel in a Tascam DR - 70 d, an external audio recorder, with a line going into the camera for reference. Audio and video files (at least one, since GH4 brings several) will have a slate tone to the head, created by the audio recorder. The recorder has captured the audio 24-bit, 16-bit audio captured camera. The recorder fooled also two other channels to lower 12db audio in the case of audio peaks.

  I will be changing on Mac laptop - 2013 MacBook Pro, OS 10.11.5, 2.9 Ghz Intel Core i7 memory of 16GB 1600 MHz DDR3, NVIDIA GeForce GT 650 M 1024 MB graphics card. I think I need to create my images 4 K proxies.

  All images is storage on my external drive of G. The interviews are separated and are located in the folders of each interviewee.

  The final project will be 1080, not 4K.

  Questions:

  Naming - being a hybrid, the GH4 breaks an interview of an hour in several separate files. Should I change the names of all files, or keep them in folders named in Premiere Pro? If I should change them, should I do it before swallowing?

  First synchronize audio and video, but since I have an audio file and several video files, I synchronize each video file individually or assemble them somehow, then synchronize? If each of these excerpts from the interview is sewn together, wouldn't that make editing more easy?

  When you create proxy for video files, also create proxy for audio files separate? Once synchronized, will be presented first the Hi output version of the resolution of the video and audio?

  Multicamera - in one case, I have an interview with two 1080 cameras. But for the rest, I've shot with a camera in 4K, so I intend to use a section cropped interview (zoom) when an important statement is mentioned, simulating a two cameras set up. Given that I have to create a sequence of multi camera after I ingest proxy files, first will be a problem activating/deactivating files proxy for the salvation of the res files?

  B - roll is added later, once the interviews are published about. It will be a few (not 4K) images and photos. Make the proxies of these too or first care to have all files proxy or a mixture?

  Finally, I have never edited a video which has been more than 10 minutes. This film could be of 40 minutes or up to 90. Everything I need to know to make the editing more smooth? I am a beginner!

  Thank you for bearing with me and thank you in advance for any idea!

  -SK

  1. allow only file names.  Make your organization with records (hard drive) and ferries (project).

  2. Manual of multi-camera method

  3. the audio files are small and will not need of proxies.  Export will always use the original media.

  4. possibly.  My first attempt was a disaster that froze the machine so badly, I had to do a hard reset.  However, you need not go back to the original of the sequence to make your cut-ins.  Proxy media will do fine work.  Simply place a copy of the plans at the 50% level in V1 and a second copy on the scale of 100% in V2 when creating the source multicam sequence...  Will allow you to see the full versions and then cropped the multicam editing.

  5. the photos no need of proxies.  If the B-roll change, make proxies for those.  PP not care a spirit to keep all the images the same.

  6. $ 2,000 custom PC vs $ 4,000 Mac Pro - YouTube

• Synchronization of four cameras with gaps in the timeline for multi cameras sequence

  I use Premiere Pro Trial CC to edit a multi camera concert. (The trial is just to see if the multi-came thing will work better than CS5) Since there is a limit of 30 minutes on four of my SLR, I have gaps in each of my deadlines of four cameras. All of these tracks were synchronized manually upward with a master audio track.

  In order to create a multi-cam sequence, I need to synchronize the video tracks 1-4, but so far have not been able to do. I tried to clips from each camera of nesting (so video 1-4 are all separate nested clips.)   I turn on the targeting of track for four channels of video and an audio track. Then I press 'I' to select a Point for the selected tracks. Not sure if this is how it works - just guess here.

  I then tries to 'Create Source Multi camera sequences' and tracks synchronization to aid 'In Points' on the nested five (4 video and 1 audio).   When I double click on the sequence of Source Multi camera to preview, I get four video windows appear, but the timing isn't right. It's as if they all were associated with at the beginning of the clip, not the markers that I put in front.

  So that's my problem. I can't synchronize these titles before creating a sequence of Source Multi cameras. I tried the synchronization of audio track, but it fails - too gaps to make it work, I think. I have no timecode. The only way I can think to do is to clip markers. Are some of these features disabled in the trial version?   Thanks for any help on this!

  MacBook Pro

  10.10.5

  Intel Core i7 2.8 GHz

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GT 750M 2048 MB

  All of these tracks were synchronized manually upward with a master audio track.

  Then, with all your video tracks manually synchronize would with your audio master, you are ready. It would be a sequence with audio and 4 video layers. Now that nest, activate multi-cameras and turn on the multiple camera monitor in the program monitor and start your editing.

  --------------------------

  and if you want to try the other route-

  as for the creation of sequence of Source Multi cameras with points, place your points on your clips 4 source using the source monitor, you will only be able to get one on your audio files. That you establish for the created Premiere Pro sequence camera multiple source.

• Rolling edit and trim trimming in multi camera sequences.

  Hi all!

  I'm having a problem that is quite frustrating. I work with a sequence of cam multi and I make my changes and everything is fine and dandy... Until I try to move an amendment with a rolling edit or if I'm trying to extend a clip.  The edict is delayed for about three seconds and then just appears where you released it.  It makes it very difficult to make changes of fine adjustment.  This behavior continues even after I flattened the Multicam and after that I'm "Multi caméra" to "Video Composite".

  I noticed this on my mac 2013 pro (trash) and my 2011 macbook pro, the two Prime Minister running Pro CC2015.  In the same project, sequences that are NOT multi cam does not exhibit this behavior. 

  Am I missing a setting or something, or is this a new bug?

  First Pro CC 2015.0.2

  Mac pro end of 2013

  3.5 GHz 6-Core Intel Xeon E5

  16 GB 1866 MHz DDR3 ECC

  AMD over-pants D500 3072 MB

  Thanks for reading,

  ISH.

  Hello

  Go to the timeline panel > icon key and uncheck the option "Composite overview for Trim.

  Vinay

• Multi camera using an existing sequence already synchronized with the eyes of the plural

  Hi all

  I just tackle multi cam in first pro 2015 (fully updated)

  I watched an excellent tutorial from Colin Smith using the step by step instructions, but he began by selecting a number of clips in the tray. I managed to create a multi cam

  by using this method.

  BUT

  I already have a sequence that has been synchronized with the eyes of the plural. What I would do is multi cam this sequence, do not need to synchronize again.

  If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

  but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

  So, my question is how to create a sequence of cam ready multi for editing an existing synchronized sequence?

  Thanks a lot for your help

  Chris Anderson

  If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

  but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

  You are on the right track: right click on your original sequence. Select new sequence of the clip. Open in the timeline panel. Right-click on the video track. Select 'Activate blocking->' and then change the programe in blocking monitor view. Read the sequence and you click with your mouse on the angle desired in the program monitor should turn red. It work?

• How to activate the option 'create the source multi-cam sequence?

  I am trying to create a sequence multi-cam in an interview. I have an audio file (.wav) and two different camera angles (.mov). I point out all three and make a right click, but the option 'Create Source multi-Cam sequences' is disabled. I tried to switch to the Clip in the menu as well. No luck. How to activate it so I can create a multi-cam sequence?

  If you are in the first version of CS6, disable audio and synchronize your video with in or out points, cue or clip. I assume that you are earlier version CC as I believe audio disable "create the multicam source sequence. CC versions and beyond have the ability to sync with audio, so not sure as to why your option is grayed out.

• Multi-cam sequence only ONE AUDIO CHANNEL LEFT, Adobe Premiere Pro CC TIMES.

  Hi all

  I was wondering if someone could help me out here. I have several hours of short clips (1-3 min) of an event of 3 days I am organizing and preparation for editing.  I wasn't on the shooting, but the cameras record the external microphone (main audio) on one channel and the internal microphone (audio reference) on another channel; but it varies on what channel they recored reference main vs.  For the clips where someone talking directly to the camera and I know that I will not need the audio reference, I went and made "audio editing" and mixed the "stereo" until "mono" and then selected the channel with the "audio main' to be source channel.   It works now great when the person talks it comes in evenly on the left and right speakers instead of being unbalanced.

  However, when I then try to take 2 of these clips which were mixed at the bottom of 'mono' and create a new multi-cam sequence, new sequence plays constantly audio only from the left lane.  I tried many configurations where do the multi-cam of sequence (automatic, mono, stereo, Adaptive). Nothing works - he ONLY plays the left side.  I also tried to change the audio channels after I do the new sequence and put "Channel 1" in both channels left and right.  Nothing, he still plays on the left side.

  Any idea on how to get my mono source channel to play regularly in the left and right channels instead of only in the left?  Also, if I try to Pan right in the effects window, it's just quieter, not balanced.

  Thanks for the help!

  Found a solution here multicamera Source Audio sequence of 1 speaker instead of two? HELP Please!

  CTRL + N or command + N for a new sequence, select your preset (in my case DVProHD > 1080i) and make sure the audio channels are all mono. Then copy and paste all your clips into the new empty sequence.

  When I upgraded from Premiere Pro CC 2014 and 2015, all my sequences blocking started playing mono audio through the left speaker only. I'd just create a new multi camera sequence or if I opened one I had created in 2014.

• A camera view several Clips, multi-cam Edit

  Hello everyone, in CS6...

  I have three views of camera, composed of several clips.

  Camera 1 is 7 clips

  Camera 2 is 5 clips

  Camera 3 is 7 clips

  Can I align them track by track and make 1 track video camera 1 video camera Track 2 2 & 3 track video camera 3?

  How can I carry out mounting multi-cameras with these?

  Thank you.

  You can create a sequence source multicamera and add clips afterwards. That's how I'd do.

  1. In the project Panel, select the first clip for all three angles.
  2. Right-click, choose Create Sequence of Source blocking
  3. Right-click on the Source making sequence and choose > open in the timeline
  4. When the sequence is open in the timeline panel, modify the remaining clips for their respective titles.
  5. In the multicamera target sequence, run the blocking editing session, as you would normally.

  I hope this helps.

• dynamic links, body cs5-> AE cs5, multi-cam sequence problem

  It's strange. I'm working on an interview with two camera in Production Premium CS5. Does the standard stuff - a sequence source with both cameras, have some sex change here (synchronization of the two cameras, trim clips, etc.). Then nested in the source sequence in a multi-cam edit sequence. The multi-cam monitor allows to switch between cameras, etc.. Everything is good.

  But my publisher wants to make three separate videos of this interview. So the logical thing (so I thought in any case) would be of this nest muiti-cam change when in three distinct target sequences. So I couldn't switch camera made just once and slice-' n - dice all three target sequences to videos - short ' n-sugar that make my happy Editor. For the first target (a single question and answer). The result looks good in the body, and editor-in-Chief approves. All that remains is the addition of the lower thirds.

  Everything is fine until I go to export to AE via dynamic links so that I can add lower thirds and finish. What body sends to AE is not just my target sequence, but it also sends the multi-cam edit and the source sequence as well. But... he knows nothing and don't show me images of CAMA. BCAM appear not at all. Clearly, this does not work. But now I find that I can't even break the links. So I can not yet again. Sigh...

  Two questions: first, how does an export a sequence multi-cam edit via dynamic organization link to AE and do appear in AE-like it does in the body? In other words, what did wrong?

  Secondly, how can I recover it? Should I really delete my sequence target in the body and start over (and by extension, remove the AE project also)? No there is no way to break a dynamic link once it's done?

  --

  Bruce Watson

  Hi Bruce,.

  Jim already did you in the right direction.

  Common to follow way is:

  -You create your legacy third down.

  -you save. Do not export an intermediary (except your animation will not change, so you can export a file using RGB + alpha channel corresponding to your project in Pr or Avid or any editor)

  If you use PR, do not export. No prproject, no middle man, it's just save.

  -First, you choose file > Dynamic Link > import after effects composition.

  Then, in the opened window, you access the AE project where this model is.

  Choose the model, hit very well, use it like any other element of the source, IO in the source monitor or just put on a video track above your video in the timeline, like any other title.

  And don't forget to read the manual of articles about dynamic linking.

  They can give you a great insight to a fast and powerful workflow.

  And I'm pretty sure you can always use this knowledge in CS6.

  Greetings from Vienna,

  Felix

• Synchronization of a display multi-cam with no common point of sync (several clips that start before and after others)

  Hi all

  I recently recorded a production of theatre and because of some limitations of record on some camera, I've seen camera that is non-stop, and three others who cut inside and out for the big musical numbers or great moments, etc. Is it possible to create a view of multi-camera with multiple views, I, because none of them share a common point of synchronization? Is it possible to set multiple synchronization points and label all so that they can synchronize correctly? I'm sorry if it's very confusing! Thank you very much.

  Kyle

  multicamera Create Sequence of Source, with Sync Point, choose Audio

• I have a sound of HUSH with one of my multi-cam sequence

  Hello, can the French guy with poor English here, you help me?

  

  It's my 'main sequence' (I call it "Montage"), left I got a subsequence multi-cam of an interview, everything good about it but right, I also had a subsequence multi-cam of an interview and the sound is horrible, as you can see.

  Two days before I have had no problem and today when I load the project, I got that.

  To see what I have and I go to the sequence:

  

  No sound problem, not DAVID.

  Of course, I tried to recharge my project, restart the computer, load the project on another computer, but none of it worked.

  I have an old auto-save where I don't have the problem but I did a lot of things since...

  So if anyone has a solution or something I can try please help me .

  Thank you

  Try this:

  1. close the Premiere Pro

  2 delete the Cache files.

  3 Rename the folder containing the media.

  4 put updated to 2015.2

  5 reopen the project and link it to the media.