Rolling edit and trim trimming in multi camera sequences.

Similar Questions

• Multi-cam sequence only ONE AUDIO CHANNEL LEFT, Adobe Premiere Pro CC TIMES.

  Hi all

  I was wondering if someone could help me out here. I have several hours of short clips (1-3 min) of an event of 3 days I am organizing and preparation for editing.  I wasn't on the shooting, but the cameras record the external microphone (main audio) on one channel and the internal microphone (audio reference) on another channel; but it varies on what channel they recored reference main vs.  For the clips where someone talking directly to the camera and I know that I will not need the audio reference, I went and made "audio editing" and mixed the "stereo" until "mono" and then selected the channel with the "audio main' to be source channel.   It works now great when the person talks it comes in evenly on the left and right speakers instead of being unbalanced.

  However, when I then try to take 2 of these clips which were mixed at the bottom of 'mono' and create a new multi-cam sequence, new sequence plays constantly audio only from the left lane.  I tried many configurations where do the multi-cam of sequence (automatic, mono, stereo, Adaptive). Nothing works - he ONLY plays the left side.  I also tried to change the audio channels after I do the new sequence and put "Channel 1" in both channels left and right.  Nothing, he still plays on the left side.

  Any idea on how to get my mono source channel to play regularly in the left and right channels instead of only in the left?  Also, if I try to Pan right in the effects window, it's just quieter, not balanced.

  Thanks for the help!

  Found a solution here multicamera Source Audio sequence of 1 speaker instead of two? HELP Please!

  CTRL + N or command + N for a new sequence, select your preset (in my case DVProHD > 1080i) and make sure the audio channels are all mono. Then copy and paste all your clips into the new empty sequence.

  When I upgraded from Premiere Pro CC 2014 and 2015, all my sequences blocking started playing mono audio through the left speaker only. I'd just create a new multi camera sequence or if I opened one I had created in 2014.

• Synchronization of four cameras with gaps in the timeline for multi cameras sequence

  I use Premiere Pro Trial CC to edit a multi camera concert. (The trial is just to see if the multi-came thing will work better than CS5) Since there is a limit of 30 minutes on four of my SLR, I have gaps in each of my deadlines of four cameras. All of these tracks were synchronized manually upward with a master audio track.

  In order to create a multi-cam sequence, I need to synchronize the video tracks 1-4, but so far have not been able to do. I tried to clips from each camera of nesting (so video 1-4 are all separate nested clips.)   I turn on the targeting of track for four channels of video and an audio track. Then I press 'I' to select a Point for the selected tracks. Not sure if this is how it works - just guess here.

  I then tries to 'Create Source Multi camera sequences' and tracks synchronization to aid 'In Points' on the nested five (4 video and 1 audio).   When I double click on the sequence of Source Multi camera to preview, I get four video windows appear, but the timing isn't right. It's as if they all were associated with at the beginning of the clip, not the markers that I put in front.

  So that's my problem. I can't synchronize these titles before creating a sequence of Source Multi cameras. I tried the synchronization of audio track, but it fails - too gaps to make it work, I think. I have no timecode. The only way I can think to do is to clip markers. Are some of these features disabled in the trial version?   Thanks for any help on this!

  MacBook Pro

  10.10.5

  Intel Core i7 2.8 GHz

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GT 750M 2048 MB

  All of these tracks were synchronized manually upward with a master audio track.

  Then, with all your video tracks manually synchronize would with your audio master, you are ready. It would be a sequence with audio and 4 video layers. Now that nest, activate multi-cameras and turn on the multiple camera monitor in the program monitor and start your editing.

  --------------------------

  and if you want to try the other route-

  as for the creation of sequence of Source Multi cameras with points, place your points on your clips 4 source using the source monitor, you will only be able to get one on your audio files. That you establish for the created Premiere Pro sequence camera multiple source.

• How to activate the option 'create the source multi-cam sequence?

  I am trying to create a sequence multi-cam in an interview. I have an audio file (.wav) and two different camera angles (.mov). I point out all three and make a right click, but the option 'Create Source multi-Cam sequences' is disabled. I tried to switch to the Clip in the menu as well. No luck. How to activate it so I can create a multi-cam sequence?

  If you are in the first version of CS6, disable audio and synchronize your video with in or out points, cue or clip. I assume that you are earlier version CC as I believe audio disable "create the multicam source sequence. CC versions and beyond have the ability to sync with audio, so not sure as to why your option is grayed out.

• dynamic links, body cs5-> AE cs5, multi-cam sequence problem

  It's strange. I'm working on an interview with two camera in Production Premium CS5. Does the standard stuff - a sequence source with both cameras, have some sex change here (synchronization of the two cameras, trim clips, etc.). Then nested in the source sequence in a multi-cam edit sequence. The multi-cam monitor allows to switch between cameras, etc.. Everything is good.

  But my publisher wants to make three separate videos of this interview. So the logical thing (so I thought in any case) would be of this nest muiti-cam change when in three distinct target sequences. So I couldn't switch camera made just once and slice-' n - dice all three target sequences to videos - short ' n-sugar that make my happy Editor. For the first target (a single question and answer). The result looks good in the body, and editor-in-Chief approves. All that remains is the addition of the lower thirds.

  Everything is fine until I go to export to AE via dynamic links so that I can add lower thirds and finish. What body sends to AE is not just my target sequence, but it also sends the multi-cam edit and the source sequence as well. But... he knows nothing and don't show me images of CAMA. BCAM appear not at all. Clearly, this does not work. But now I find that I can't even break the links. So I can not yet again. Sigh...

  Two questions: first, how does an export a sequence multi-cam edit via dynamic organization link to AE and do appear in AE-like it does in the body? In other words, what did wrong?

  Secondly, how can I recover it? Should I really delete my sequence target in the body and start over (and by extension, remove the AE project also)? No there is no way to break a dynamic link once it's done?

  --

  Bruce Watson

  Hi Bruce,.

  Jim already did you in the right direction.

  Common to follow way is:

  -You create your legacy third down.

  -you save. Do not export an intermediary (except your animation will not change, so you can export a file using RGB + alpha channel corresponding to your project in Pr or Avid or any editor)

  If you use PR, do not export. No prproject, no middle man, it's just save.

  -First, you choose file > Dynamic Link > import after effects composition.

  Then, in the opened window, you access the AE project where this model is.

  Choose the model, hit very well, use it like any other element of the source, IO in the source monitor or just put on a video track above your video in the timeline, like any other title.

  And don't forget to read the manual of articles about dynamic linking.

  They can give you a great insight to a fast and powerful workflow.

  And I'm pretty sure you can always use this knowledge in CS6.

  Greetings from Vienna,

  Felix

• I have a sound of HUSH with one of my multi-cam sequence

  Hello, can the French guy with poor English here, you help me?

  

  It's my 'main sequence' (I call it "Montage"), left I got a subsequence multi-cam of an interview, everything good about it but right, I also had a subsequence multi-cam of an interview and the sound is horrible, as you can see.

  Two days before I have had no problem and today when I load the project, I got that.

  To see what I have and I go to the sequence:

  

  No sound problem, not DAVID.

  Of course, I tried to recharge my project, restart the computer, load the project on another computer, but none of it worked.

  I have an old auto-save where I don't have the problem but I did a lot of things since...

  So if anyone has a solution or something I can try please help me .

  Thank you

  Try this:

  1. close the Premiere Pro

  2 delete the Cache files.

  3 Rename the folder containing the media.

  4 put updated to 2015.2

  5 reopen the project and link it to the media.

• Multi camera sequence: it is not possible to synchronize audio

  I'm trying to synchronize two clips to make a multiple camera sequence, but there is an error "it is not possible to synchronize, because there is no agreement."

  I do not understand the problem because the two sequences have the same background audio.

  Please check it out on: https://drive.google.com/open?id=0B1_9xcIEJ3BEfldTV1d2cHFqcUU2UUduVFFjQ0ZfVTlnb2N6UU5vUHZK SW5SMllUbGVTeXc

  Thanks for your help!

  No synchronization.

  The audio I hear sounds like a camera tripod rig engine bearing worm drive/gear, to position the camera.

  Better to manually - sync you right with the Commission of "beating", just align the "spikes".

  The clip of 909 has 8819 clapper board spike/claw to 0db.

  Little voice has only a db-21.

  Background noise is of - 35db.

  The music of CN7A749 a Council fighter spike/claw to 0db also.

  Little voice has only a db-17.

  Background noise is on - 22 dB.

  I suggest a few options

  1. - Since you are going to replace the sound in any way (I guess because of the noise of gear) play music so first see a sound wave

  2 - you probably do not want music and prefer peace, so if you want to use the 'create several Source sequence cameras' tabs open in the Source with source monitor key monitor - choose "Audio waveform" and place on spike Board marker clapper, then synchronization by 'Clip marker.

  3. I find the synchronization manually, then nesting, to cause problems with the audio when "flattening" for other operations or programs, but for you there the synchronize manually option in the timeline panel and then nesting to create your multicamera editing.

• Remove the effect of a movie clip nested in a multi-cam sequence?

  This might be (and I hope is) a question with several solutions.  I worked on a wedding ceremony and cut it into editing multicamera.  I have finished all touching up and am ready to send to will coloring, but I got a little carried away and had done some color work in first Pro CC with the Lumetri Looks.  I can't understand how unnest sequence clips and remove the effect or find the effect of the nested element.  I'm also curious to know if this would even transfer at will through XML, and it's really not worth you worried about?  Color will probably be something similar to what gave me Lumetri, but I'd rather have done with more detailed ranking checks. 

  As a question, is possible to unnest a sequence but keep multicam editing?

  Press SHIFT + F when, in the multicam sequence.  Who will open the sequence of origin on the same chassis.

• Overuse a multi-cam sequence?

  Then... started a wonderful project, my first multicam multicam in Premiere Pro, excited that Premiere Pro would handle wonderfully, which was the case. However, I does not bear so wonderfully, not really to catch this body blocking nested sequences. Silly me, RFM.

  Now, I need overcut a multicam sequence that has been created with proxy files. I can't seem to find a way to get the original clip in the source monitor HD, while having the timecode source of the proxy clip.  I don't know that there is a way. I'm ready to put in the time, I just can't wrap my head around the workflow now.  Any help/thoughts/ideas? I read that some partners discussions but have not seen a solution and I am not particularly upset.

  PS CS6, 2012 IMac I7, Lion of the mountains (version?) ... all must be up-to-date.

  Well, then the process I use is use audio system to track the location and the overexploitation of the element main multicam after trackng down from the correct angle.  Tedious, but it works! Won't make that mistake again.

  Detective Conan

• Complex issue of multi-camera editing

  I have a question of several camera.

  I have the following clips:

  1 video clip continues with audio

  24 with audio video clips taken at different times (from different angles and close ups) catches throughout continuous clip

  4-track mono mic that extend over the entire period (4 different microphones placed at various locations in the room)-they are defined as mono in the settings of the element.

  1 stereo audio clip which extends over the entire period of audio recorder separate

  When I create sequence multi-cam, audio-based, it does not complain and creates the element multi-cam.  However, when I put in a sequence, I have 26 audio tracks. Many of them are empty.  I have no audio at the beginning, although I see the video game.  The audio tracks I see seem to be all stereo, with his fate only one side.

  Is there any special way working to combine the sequence above in a multi-came track, where I can change camera angles that I prefer and then mix the audio based on who speak - IE spend an audio 7 sources and sometimes to mix some of them at different levels?

  Most of the videos I've seen does not appear to cover this level of complexity of clip, so really doesn't help.

  Any suggestions gratefully received!

  Thank you

  Dave

  What I do is manually synchronize everything in a sequence, then alt - select the video (and not audio), then right-click and embed the video tracks. Then right-click on this nested track and choose Activate/multi-cam. Now I can make multicamera on photo editing, and audio tracks are intact. I mix and remix audio to my heart's content.

  There are 2 drawbacks to this method, but for me they are tolerable. 1, you must get the synchronization just before you nest, otherwise it's a mess. 2, by balancing the sequence, you have to be sure to cut all the audio tracks at the same time to maintain synchronization.

• Would this workflow to accelerate the multi cam editing work?

  Hey, I work with a really terrible computer and use a couple of low-definition camcorders for multi-camera filming so far. The computer can do almost in front, and I am patient enough to work with her at the moment. I'm about to upgrade to HD camcorders and probably add a couple of cameras to the next bit of stems. This will certainly cause the multicamera editing grind to a halt, so I was hoping to come up with a bit of a workaround.

  Would the following work:

  1. Convert all HD streams down to low definition (including audio without decommissioning)
  2. Import and align the stream of low-def (sequence1)
  3. Run through shoot and choose the camera angles for the entire sequence (multi-cam)
  4. Replace low-def with original HD images (using the right-click-> "replace sequences... ("in the source window)
  5. export the multi-cam sequence.

  It is not important that the changes between the cameras are on exactly the same frame in two sets of video - just need to they are roughly the same second.

  Try your own workflow suggested for your self.

  It work fine but of course its a lot of time to create the proxy files and can be cumbersome in line with their return.

  Use some kind of TC in your workflow. for example, paste TC to your proxies.

• Selection tool became Rolling edit

  I am very confused and must have messed up something in the settings somewhere.

  I use Adobe first CC

  When I selected in the timeline panel (something of pointer) selection tool, it doesn't seem to work.  If I fly over the elements of editing the symbol that indicates is to change it to roll. Move a single item or clips stacked acts just like rolling Edit, and I can't figure how to get back to the basic selection tool.

  I see the same behavior in all sequences of the project I'm working on as well as sequences in other older projects. Then I suppose I must have messed up something in the Basic program, but I have no idea how to do to reset anything I did.

  Any help would be greatly appreciated.

  Can check the preferences of the deployment/rippel under trim tool.

• Sequence of multi cameras went black (mostly)

  So, I edited three sequences of separate camera multi... They all was beautiful and I exported through media encoder. When I went to look at my files, one of the three was a really small size, and I noticed he was all black.

  I returned to premeir pro cc and of course this multi cam seqence was all black as well (except about 3 seconds of images in the middle of two different cameras). Now when I go back to the original (except the nested multi cam) sequence that is fine so I know that the clips are always linked in PP. Also, I can make a new cam multi of the original sequence and that is very good.

  I think that PP just F'd up... and unless someone can tell me how to go back in the file record history or something I'm flowing because first auto saved when I closed it last.  I'm seriously unprofitable as to why this has happened as it was fine when I went to export it... or at least almost immediately before.  Why are there 3 seconds of footage in the middle of all the sequences of black 47 min? and 3 seconds is from within a sequence of 10 minutes on the original UN nested sequence is not as if a single video file showing upwards.

  OK, so more about what happened that I want to spend my life with. Any way to copy edit them the points on a new multi cam sequence?  Does anyone have ideas, what's happened I can cancel?

  Thank you

  OK, so it's weird... so, the original UN nested sequence was 01:30 hours with 45 minutes of audio at the beginning unused. When I did my nested for multi cam editing sequence I selected the last 45 minutes and nested that.  Everything worked very well, but somehow during export it took my multi cam sequence and added within 45 minutes of audio virgins... so when I extended the sequence of cam multi at 01:30 there was all my videos... but my changes were all conducted on the top of the audio. Seriously stupid and certainly a bug!

  Is there an any file record history that I can come back?

  This looks like a bug in 7.0 that has been fixed in 7.0.1.  I recommend that you update to 7.1. In many if not most cases, the patch has corrected the problem in existing projects.

  This is the main thread about the bug: http://forums.adobe.com/message/5823746#5823746#5823746.

• workflow multi-cam

  I've recently upgraded from Avid and I am used to putting all my images in the source window and drop the clips in a timeline. in the first 6, I created a sequence multi-cameras with my audio devices and 2, I went through this sequence and created markers so I can easily find bites interview I want to use. My problem is this, when I put this in the source window multi-cam sequence, mark my in / out and drop it into my new timeline, I lose the mulit-cam property.

  I'm basically looking for a solid workflow that allows me to sync, mulit-cam sequences in a source window, which I can then pull clips from and insert into a timeline. If this is not possible, I'd love to hear how people work with sequences multi-cames that are just pieces of what will eventually become a larger edition.

  Thank you very much!

  Hey James. I'm not quite sure I understand what you're saying, but I think the essential and I think I have dealt with similar frustrations. That's exactly how I work with multicams in FCP 7 and Avid (i.e. sync audio and video tracks creating a multiclip, then load them in the source monitor, do the points of e/s and then only take pieces for the timeline) and me could not operate as well in PrPro.

  I know that there are two ways to make multiple elements in PrPro, the "old way" and how to CS6. This tutorial details how CS6.

  http://Provideocoalition.com/ssimmons/story/working_with_multicam_in_adobe_premiere_pro_cs 6.

  Have you used this method? If so, then I don't know what is wrong because it should work.

  But if you have used the 'old way' (synchronization of the elements in a sequence and then dragging this sequence in the timeline as a nested sequence (and not actually create a ' sequence camera multiple source "as explained in the tutorial)) so I wonder if you missed the last step. After you drag the sunc/nessted sequence in your timeline, you will have to then right-click on it and select "Enable multiclip."  No matter what chance you skipped this step, and you're not actually 'lose' the property of multi-came, you're just not him?

  I highly recommend the CS6 way, but because it's more like Avid and FCP 7 in that it creates a "multiclip" that opens in the Source you can then change down and use pieces. It was * almost * as good as Avid and FCP (even if I still of the oxen with how PrPro manages the audio multiclip, but that's another post for another day).

• How to remove a "Razor Cut" created from Multi Cam Monitor

  I have 3 cameras I do a multi cam edit.  Use the monitor multi-cam, I made my changes of camara, but in the end I spend 1 Camera2 camera and really don't want to.  I just want to stay on the camera 1 and melted.  How can I remove a "razor cut" so that the monitor of mult-cam placed there where I went from camera 2 camera angles?

  Thank you!

  Dan

  Means the faster is to remove the clip and drag the end of the first set to fill the void.