alright my UP2414Q UltraSharp? -Question of uniformity color/brightness

Similar Questions

• Capture from the noise of the adjacent area and apply to the uniform color fill... How?

  Hello

  CS6

  I have a space that I have to fill it with a color that is adjacent to the area of color, that I Express and need to have with this sound of colors to another it will look artificial.

  I ejecting the color and it dumped in the area I need to fill, I know there is some sort of noise from a picking area and then apply the color noise I have made by dumping the pipetee color (alt backspace) but do not remember how its done.

  I don't have enough color to use the stamp tool, sometimes if you have a large space to fill with a uniform color and only a small area of the photo with this color to use, this pipette and the corresponding sound is the best way.

  Merlin

  apply > filter > other > high pass

  What parameters within which should I use, default is 10

  It depends on the structure you want to 'catch '.

  It goes the same for the filter > other > H Offset is 0 v 0 areas Undefined chocie of transparent value, repeat edge pixels and wrap autour (he has been on the enveloping)

  To make the seams visible any setting above a few pixels should work; traditionally half liked the dimensions, but it is not really necessary to use exactly half the width and height.

  Layer > layer Style > Pattern Overlay, now it appears last in the line. What happens if I wanted a model named and made for a long time?

  Click the icon and select from the inlay.

  

  How can I use this to paint a color and have with this model that I paint?

  Paint on a layer with the Pattern Overlay (value linear light etc.)

• A few questions about the colors of Patone

  I have a few questions about patone color since it is the first time that I use. I want to use them to create a paper letterhead and business cards in two colors.

  1)

  I don't understand that no sex is more than coated patone washed out colors. I heard that it's because the way paper absorbs the inkt. That is why the same results inkt in different colors on different papers (right?). My question is why is the patone black no sex so different than black normal (c = 0 m = 0 y = 0, k = 100) or black intense:

  

  When I print a normal document with cmyk, I can get pretty dark black color. How is it that I can't have this dark with patone color black color? Even text documents printed on a cheap printer can get a darker color than the color of Patone. He looks way too grey for me.

  (2) a first model, I want to print of patone in CMYK color (since I have like 10 different colors on a page of quick comparison). I know these CMYK colors distinguish the colors of patone and I can't get a representation of 100%. But is there a way to convert patone CMYK values?

  I hope some of you can help me with my questions.

  Thank you.

  You can get shades CMYK Pantone in Illustrator, (Swatches Panel > Open Swatch Library > color books > + PANTONE Color Bridge Coated or lying) but in my opinion, what's the point?  If you print to a digital printer, just use RGB (HSB) or CMYK. Personally, I never use CMYK called "equivalents." from Pantone

  Pantone colors are all mixed pigmented inks, which are fluorescent beyond the limits of the range of RGB and CMYK in particular. The original Pantone Matching System (PMS) was created for the printing industry. He described formulations of ink pigmented for each of its colors.

  Most digital printers (laser or inkjet) use CMYK. The range of CMYK is MUCH SMALLER than many mixed inks, printed on papers either paved or unpaved can deliver. When you specify no sex Pantone ink in artificial intelligence, according to Pantone conversion tables, HAVE "about" what will look like this color on a sheet no bed, try using CMYK. -In my opinion, this has little relevance to the real world conditions and should be avoided in most situations.

  If your project must be printed on a press printing with Pantone inks spots, then by all means, use Pantone colors. But don't trust the colors of the screen; rather get a Pantone swatch book and watch real inks on paper lying and uncoated, depending on the stock you will use on the press.

  With printing decreases rapidly for inkjet and web printers, Pantone has attempted to expand its relevance beyond the traction-date of publication (in the books and software alliances, with one such as Adobe) his old PMS inks and their supposed equivalent LAB and CMYK. I say "supposed" because even once, monitors RGB and CMYK inks can never be literally equivalent to many Pantone inks. But if you go to your project on a printing press printing, Pantone inks are still very relevant as of the "tones".

  I also put my preferences I > appearance of black both display all blacks accurately and output all blacks accurately. The only exception to this may be when you print on a digital printer, where there should be no problem checking.

  Rich black in artificial intelligence is a phenomenon of the screen, at least in the Prefs > appearance of Black, you specify also "out all inks like Rich Black"-something I'd do it EVER do so out for a real printing press. Still, I put my black people in artificial intelligence at the "output All Blacks Acurately" during a press release. If you fail to do so, then the press you will see any minor issue registration, with C, M and look at the back, especially around black characters.  UGH!

  Good luck!  :+)

• Random colors are too dark. Questions on the color boxes

  Hey all,.

  I'm trying to change the color of the plots on a graph of mixed signals remotely using the 'color box' which works very well. However, I'll also put squares of color to a color at random when the program starts first of all which is where my problem lies.

  What I am doing, is that I have a random number generator pumping a number then I multiply the number by 10000000, just to give me some brighter than the dark colors, and then I wired to I'm defining the random color on the color box control. The problem is that even if it does not the decent colors some colors produced are quite dark and difficult to see on the graph of mixed signals.

  I could make the graphic background a different color if I have to in order to see a majority of the colors coming out, but I would rather that have the colors come out on the side that is bright and colorful.

  So I have two questions for you guys and girls:

  1) how the colors of the colorbox get determined using the unsigned int 32?

  Such an example of why I'm confused, is that the number I had is 5726420 from the random number generator (+ multiplies), but under the control of colorbox RGB value is R:87 G:96 B:212. Why is this?

  2) there is any type of algorithm out there that someone did which can produce random values that will give the kind of colors neony? or whatever it is semi bright indeed?

  Any help is very appreciated!

  Ionized

  Use 'RGB color' of three random U8 (o.. 255) values to generate a color. (double click on it to open the VI to understand the structure of the type of color data )

• Two questions about the color of Lumetri (workspace color)

  The first question:

  Let´s I have three clips on the timeline, left to right, A clip, clip B and C clip. If I place the CTI to clip B and then move on to working color space that I can easily do magic with color Lumetri in the Lumetri color Panel. But, if I decide now that the adjustments I made to clip B would be great to use for the C clip, is there a way to simply click a button or assign a keyboard shortcut that auto-magiquement copy the clip B to the C clip settings? (the clip B to clamp A (or) It would speed up the workflow much.

  Yes, I know that I can copy/paste from the effect options, but given that the Lumetri color Panel is right and options effect is extreme left would be great avoid using the mouse too. Avid Media Composer has this function is very convenient. I guess that Final Cut Pro 7 did not have it. If she had been in Premiere Pro...

  The second question:

  Is there a way to alternate the color of Lumetri power of in Lumetri color instead of the effect controls panel? Yet once, too much mousing for such a task simple. If I select the color of Lumetri in effect options I can use the hotkey "effect on" to toggle color Lumetri or not, but this same shortcut does not work in Lumetri Panel which is odd color.

  Any help is appreciated!

  1. Unfortunately, no.  It's just one of the many features that we had in SpeedGrade have not yet in PP, Adobe decision taken to kill premature Direct relationship.

  2. Fortunately, Yes.  There's a shortcut not assigned for this.  I use the 0, the default key in SpeedGrade.

• Weird question: problem of color...

  Hi all

  Please see the following images. Whenever I applied the "change color" (3 way color corrector) for the adjustment on my full video layer, something like this happened...

  The color in the clip is "bouncing" and I couldn't fix it... Then I "1by1" apply the color corrector to each sequence.

  Any idea what goes wrong?

  

  

  

  Hi Kelvinl33985653,

  Please see the following images. Whenever I applied the "change color" (3 way color corrector) for the adjustment on my full video layer, something like this happened...

  The color in the clip is "bouncing" and I couldn't fix it... Then I "1by1" apply the color corrector to each sequence.

  Any idea what goes wrong?

  What are your system specs?

  What version of Premiere Pro, you have installed?

  FAQ: Should what information I provide when you ask a question on this forum?

  Also, try the following steps:

  Open your project, click file > project settings > General and change of video rendering "Software Only Mode" and delete previews

  Thank you

  Ilyes Singh

• A question about the color change

  Hello - I have Adobe PS Elements 5. It is the work (drawings), no pictures. I learned how to change the background color in my paisley design. The paisley himself is a white dropout - bit linear background, some solid - against the solid color. How can I add a color to white (foreground) design of abandonment. In addition, if the paisley was a color instead of white, how would change its color? Thanks for help.

  Hi Ryan,

  I think this question might be better suited for the community forum of Photoshop Elements: Photoshop Elements

  Sue.

• question of printing color

  Can I use different CMYK percentages depending on the size of the type to be printed to achieve the same appearance of color?

  Brand guides are important.  Cool Gray #6 = 30 % K.  Lots of color there.  Not necessary to compensate for the size.  The point is, the CMYK formula should not change until there is a redesign and update of the Guide of the brand.  Otherwise, to change would be an infringement of rights of use of the copyright.  Why is this particular color and size to a question?

• Question about the color picker.

  Hello fellow Canadians.

  
  

  I'm running on a question in Photoshop CC today, it all started when I tried to start a new project. Basically what happens is that when creating a new document (Ctrl + N) the color chart of RBG grayscale. I tried to open a new document and checked the profile of color on the Options in advance and saw that it was made gray work: Dot gain 20%. When I go in Edition > color settings: I see that color profiles are on normal parameters...

  I tried everything, but for some reason it does not work. I also saw that before you create a new document, the colors are set to normal.

  
  

  Note: When you try to change the color profile is what I get:

  • Grey work: Dot gain 20%
  • Don't Color manage this Document (this option is always set to gray scale.
  • Point to save 10%
  • Dot Gain 15%
  • Point 20% gain
  • Point 25% gain
  • Point 30% gain
  • Gray gamma 1.8
  • Gray Gamma 2.2
  • sGRaY

  Anyone know what I can do to solve this problem. ?

  There is nothing wrong. No preferences setting is necessary.

  You have just the dialog box new file set to grayscale. Change it to RGB:

  

  This happens when you copied a document in grayscale on the Clipboard (as for example a mask). The dialog box new file reads Clipboard settings and creates the new file accordingly (except if you choose an other presets).

• Another question border.fill.color.value

  I'm trying to script an if statement to set the background value according to the instanceIndex of a subform.  I tried it in the click event of the addButton and the subform indexChange event.  I saw an example of exactly what I'm trying to do, but for the life of me I can't find it now.  I searched this forum both the users of the forum and I know that it was in one of them.  In any case, here's what the script looks like:

  -form1. Main_Subform.AdditionalAssaysSubform::indexChange :-(JavaScript, both).

  If

  (form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '0') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = '240,240,240 ';

  }

  on the other

  If(form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '2') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = '240,240,240 ';

  }

  on the other

  if(form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '4') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = '240,240,240 ';

  }

  on the other

  if(form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '6') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = '240,240,240 ';

  }

  on the other

  if(form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '8') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = '240,240,240 ';

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = '240,240,240 ';

  }

  on the other

  if(form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '1') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = "255,255,255";

  }

  on the other

  If(form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '3') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = "255,255,255";

  }

  on the other

  if(form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '5') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = "255,255,255";

  }

  on the other

  if(form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '7') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = "255,255,255";

  }

  on the other

  if(form1. Main_Subform.AdditionalAssaysSubform.instanceIndex == '9') { }

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDropdown.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssaysDataTable.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayAvgNeg.border.fill.color.value

  = "255,255,255";

  Form1. Main_Subform.AdditionalAssaysSubform.AddedAssayDisplacement.border.fill.color.value

  = "255,255,255";

  }

  I also tried to use the or (|) and combine the fi.  My question is... I use the correct event; I place the conditional statement in the appropriate place; or I again in left field?  Any suggestions would be much appreciated.  Thanks in advance. -rpeterson

  Hi Renee,.

  Here is an example highlighting the background color of the field nested inside a repeating subform based on the index of the repeating subform. The background color will not change enter/exit the fields but will create a color pattern similar to shadow line of the tables.

  This JavaScript script lives in the repeating subform AdditionalAssaysSubform indexChange event.

  nIndex var = this.instanceIndex;
  nColor var;

  If (nIndex % 2 == 0)
  nColor = "240,240,240";
  on the other
  nColor = "255,255,255";

  Use the following if you want to change the background color of the object
  AddedAssaysDropdown.border.fill.color.value = nColor;
  AddedAssaysDataTable.border.fill.color.value = nColor;
  AddedAssayAvgNeg.border.fill.color.value = nColor;
  AddedAssayDisplacement.border.fill.color.value = nColor;

  Or background color of the following if you want to change the widget
  AddedAssaysDropdown.ui.oneOfChild.border.fill.color.value = nColor;
  AddedAssaysDataTable.ui.oneOfChild.border.fill.color.value = nColor;
  AddedAssayAvgNeg.ui.oneOfChild.border.fill.color.value = nColor;
  AddedAssayDisplacement.ui.oneOfChild.border.fill.color.value = nColor;

  See you soon

  Helen

• QUESTION ABOUT THE COLOR SETTING BLACK AND WHITE

  HI, I WOULD LIKE TO PUT MY PRINTER INK PRINTING IN BLACK ONLY INK BUT WHENVER I TRY TO PRINT POWERPOINT SLIDES, IT WILL AUTOMATICALLY PRINT COLOR IVE YOU GO TO PRINTING PREFERENCES TO ADVANCE SETTING AND SET IT TO BLACK INK. PLS ADVISE. Thank you!

  Hello

  If he please completely close Power Point, to ensure that the printing preferences are set correctly and then reopen PowerPoint and try to print again.

  The Power Point also print dialog click on Preperties / settings and ensure that the settings are done.

  Please let me know if this is useful,

  Shlomi

• Projection of images and the question of the color space

  We are having a discussion in our photo club. We use a projector to project the images of the competition. For years, we used Faststone Viewer to project images. We have the usual problems of people not calibrate their monitors and sometimes the colors match does not, but it worked pretty well.  Now that the people who handle the projection are competent in LR, they use LR on a Windows laptop, to organize and display the images via the projector. The projector is a projector of sRGB VGA.  Some argue that LR will cause problems because it uses the Adobe RGB color space as the space of display colors. (We know that the native color space is ProPhoto). Others think it will display images in space sRGB color to the projector as you can when you export an image. I can't find anything in Adobe help pages on this subject.

  Here is a contribution to the debate to give you an idea of what some people are talking about:

  I understand that LR will send bits of images (in the Adobe RGB color space) to the Windows API and in turn the bits are returned on the LCD screen and exit VGA via LCD/VGA color profiles associated. That is my understanding of the viewer FastStone sends the image bits being without modification in the color space. LR sends the bits altered the Adobe RGB color space. Assuming that both programs require the same Windows API, the images must return the same, but they do not. My conclusion is that the former is in sRGB and the latter in Adobe RGB. I guess they call the same APIs because you can open a jpeg file in Windows Picture Viewer (applet in Win7) and see a different rendering of FastStone, it does not use the color managed API.

  Anyone who can shed some light on this delicate subject?

  You actually want an app like Lightroom or Bridge to view images on your projector and not the unmanaged faststone Viewer or something like. Lightroom translated correctly the image on the destination for the projector profile regardless of the original color of images space. It is best to calibrate them and profile projector in addition to your monitor. Some of the highest fine adjustment washers support projectors too. It is rare that these projectors really are sRGB. They are usually somewhat narrower. Some of the more recent are wider gamut when using LEDs or lasers instead of bulbs.

• Output with uniform colors for web pages

  This color management really important issue which does not seem to be adequately handled by the Illustrator. I hope I'm missing something, but I'm afraid that I'm not.

  When you design a webpage in Illustrator, unless you're actively in view > proof Set > sRBG every time you open the document, in hexadecimal values selected objects will not match between the display of your document and the browser. On the other hand, save for Web, default will convert colors sRGB for you, so display them faithfully in the design.

  So, if you're not in the process of think to select sRGB format of test, whenever you open your document, and then once you start to produce for the web, images are, but do not have the background and text color. AND there is no way to convert the document at the end of the process to have the color values appropriate as far as I can tell.

  At this point, your only option is to make a save for Web on your overall design, converted it to sRGB which way, open the raster file in photoshop and select the hex colors from there.

  It seems at the very least, you should be able to set a default evidence for a document configuration, or be able to select the hexadecimal values converted for you to sRBG.

  I missing something here, or is this an accurate description of the situation?

  ramow,

  Here are a few pages on the way that you set up a new profile of docment with your desired settings

  https://helpx.Adobe.com/Illustrator/using/files-templates.html#specify_document_setup_opti ons

  http://blogs.Adobe.com/adobeillustrator/2009/05/startup_profiles_a_great_tool.html

• Question about the color range selection methods similar colors in Photoshop.

  Hello

  I have a few images that I must exclude the background out and some of them are very difficult to exclude. For example, an image is that of a white hat that has feathers on it and it sits on a white background. These photos were taken by a professional photographer, but it is extremely difficult for me to choose the background because it is dangerously close to the foreground in terms of color image. I tried to use the range select color that works a little, but feathers are almost impossible to extract. Does anyone know of a more efficient way to choose the colors of the narrow range? Any help would be appreciated.

  You need contrast between the subject and the background to be able to extract the subject well. If you can't find a way to create the necessary contrast, you will need to rig the extraction. If the subject has smooth edges may use the pen tool to create a path or selection then the selection of feathers and use it as a mask to soften the edges of the object.

• Question reg black color.

  Hello

  I'm quite new to work in illustrator and CMYK, so sorry if the answer is obvious for some people.

  I read that there are two kinds of black, 'normal black' and 'black '.

  I am doing a logo for a client with a black background as in 'normal black' (C = 0 M = 0 Y = 0 K = 100). When I export to PDF to send to a print shop, it's not like that "black" to me.

  My question is: I do it correctly, and printing will be always dark black.

  Thanks in advance.

  BR

  Ulf

  Yes 100% K will be printed as a maximum black.

  It shows more light because Illustrator wants to give you a glimpse of the black print.

  A black ink on white paper does not fully cover the paper, so there's always some light reflected to the back.

  A black (RGB) monitor is darker, because that black means the absence of light.

  An intense Black is a black print with a few C, M or Y said, to make it look darker or make her feel warmer or colder.