best way to track

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• Best way to track the time of calculation of planning

  Hello

  Our management has asked us to provide monthly reports of the time of calculations in our main application of planning.

  We have identified one or two global level calculations we want to follow.   We run these calcs about 6 times a day on average.

  But it is almost impossible to sort through the massive application log (when presentations are completed) and filter it down (we tried, but newspaper is very difficult to work with).

  Has anyone developed a simple method (automatic) for the monitoring of the amount of time it takes for a calculation specific to planning?   We use calc Manager by the way to expand our rules and rulesets.   Ideally, we could get some kind of automated report which showed us the cases when the specific rule / ruleset ran and the duration of each instance.

  Thank you
  Mark

  Hi Mark,

  If these are calc manager rule, you should have all the necessary details in the HSP_JOB_STATUS table. You may be able to get this information from a simple query on this table. However, this information is also available in your planning application via Tools-> "Work Console" option, you will not see the time of calculation. It shows only the start and end time.

  Kind regards

  Sunil

• What is the best way to select multiple tracks?

  So, imagine that you have a sequence like this:

  

  And you want to accomplish the following selection:

  

  What is the best way to do that has no shift + selection 12 times? I had FCP where I could click the top left and then shift + click on the lower right and get a selection of range in this way. But obviously it works differently in first. If I wanted to include A5 - 7 in the selection, I could do just a selection rectangle, but someone at - it a convenient way to select several clips landlocked like that?

  The fastest way I can think to do is to temporarily make the slightly shorter left selected top clip so that it has an ATM next to him, then use your mouse to drag and drop around all clips. You must again extend the left top clip again after the fact. Alternatively, you could catch the entire section, then shift select the ones that you don't need. In addition, shift-make drag a marquee selection that includes selected clips deselects them.

  See: work with items in a Premiere Pro sequence

• What is the best way (and possible) to remix a song mixed

  GarageBand 10.1.1

  10.11.4 OS

  Mac Book Pro

  16G RAM

  Hobby old YR 68 recording guy/try to leave a legacy

  What is the best way (and possible) to remix a song mixed

  I have a song that is most often improvised, I was told that his cool, however, re-registration is not possible.

  After reading a lot on the mixture, I now hear where the uneducated choice and errors that I made which explains the sound "not as good" that the song is.

  Before I just jump in and try to undo the settings on the tracks (one is DRUMMER) to return to the raw track before effects/eq/compression ect. is is possible to do?  Opens the unfavorable mix, rename it, save it and just go to work and cancel or disable 'things '.

  The basis of the lean mixture comes even to the root where I 'hot' securities, (orange and red)

  I guess by now you understand my question and I am open to a favorable opinion.

  Thanks in advance for your help.

  jojoguiitar_mn_usa

  I read this question so many times and I can't seem to figure out exactly what you're asking.  You just ask if you can go back in your GarageBand project and edit your tracks again?  Of course, you can, why not you?

• Best method to track usage of the file by the user?

  Hello world

  I currently need to look at a method for monitoring of the activities of the file in my organization and I need a little help to get started on the right track. I had some references point me to app Xcode Instrument via the business model of the file, but I currently have issues seeing any activity from users of the real network. to start, I simply set the target to "All processes" with the hope that it would bring together all activities and newspaper, in which he did for everything except users on the network. On mine, I also found some people who use scripts to dtrace or opensnoop, but I was hoping someone could point to what they think, it's the "best" method to track when a file/folder is accessed and/or modified.

  Also, as a note, we are in a mixed environment and so we only via SMB as our file sharing protocol in the case where it makes a difference. I know that in newspapers of the server application, it does clearly as AFP titles widely as I can only find small amounts of data for SMB in the newspapers (disconnects / reconnects, permissions, etc.). If I need to flesh out the details as well, this isn't a problem, and thank you to you all in advance.

  As with everything, there are a number of ways to accomplish.  Manager of the 'better' is one that works in your environment and that you feel comfortable.

  You can watch the common criteria framework that is built into OS X.  Try checking the man and man audit_control to get an idea of what is possible.  If you enable the service, you will record only login, logout, and authentication.  However, adding to the indicators you can save the file reads, writes, creates and deletes (most other things).  Are you trying to follow everything on local machines or just the server?

  Now, if you do this, you'll generate a lot of logging data.  The most logical way to handle this is to aggregate the log data into a centralized syslog server.  But it of more infrastructure and will pose challenges if you breadwinner and because portable computers that let the environment.

  Reid

  Apple Consultants Network

  'El Capitan Server - Foundation Services.

  «El Capitan Server - Collaboration & control»

  'El Capitan Server - Advanced Services '.

  : IBooks exclusively available in Apple store

• check registartion early? best way to implement

  Hey guys,.

  I tried to determine the best way to make my request to verify a valid registration on startup key and if the key is valid, the tracks of the app.  If the key is not there, or invalid, it has a pop up screen to enter a registration code.   Any help would be appreciated in pointing me in the right direction.

  (I have already created screen pop-up)

  You do this verification early in the process. Try something like this:

  public class MyApp extends UiApplication {
  
    public static void main(String[] args) {
      final MyApp app = new MyApp();
      app.invokeLater(new Runnable() {
        public void run() {
          app.doStartupWork();
        }
      }
      app.enterEventDispatcher();
    }
  
    void doStartupWork() {
      if (!registered()) {
        PopUp popUp = new PopUp();      pushModalScreen(popUp);      if (popUp.registrationFailed()) {        System.exit(0);      }    }
      pushScreen(new AppMainScreen());  }
  
    boolean registered() {
      // check for existing registration key
    }
  }
  

• Volume: Best way to decrease the volume for a portion of a clip

  I have an audio clip of speaking me - about 22 minutes. I knew it would be difficult to change because of its length, so I divided into eight sections and each section has recorded independently.

  However, I made a couple of mistakes here and there. So instead of wasting time to record a whole clip again and again until I understand well, I have just re-recorded paragraphs which should be corrected.

  So, imagine a master audio clip named Project1 in setting up first. In the track above, where the third paragraph starts, is another audio clip - Project1-3. I'm trying to understand the best way to kill the volume on Project1 - just for the duration of the third paragraph. So when I listen, I should hear the patch, Project1-3, instead of the main audio, Project1.

  I checked a few tutorials, but I'm a bit confused. I thought it was something I have to do in the Source monitor, by using keyframes, but it does not work too well.

  I put a screen shot in line @ https://www.geobop.com/images/audio.png

  In the upper left corner, you can see where I created a key by clicking on the Volume and selecting the level. It was set to 0 by default, so I changed the value of-20. But when I preview the video, I can still hear the sound and changes in value-20.

  Can someone tell me what I am doing wrong?

  Thank you.

  Rather than apply keyframes to the Volume setting, you will find may be easier to use the razor tool to split the audio clip called "Project1" into several segments in the timeline panel.  Then, disable the unwanted segment (select it in the timeline panel and choose Clip > enable) or raise TI (press point comma), leaving a space.

  Your tracks can be difficult to hear suddenly as the stopwatch for the effect of Volume Audio is enabled by default.  If you look at the effect controls panel, while the audio is selected, you can proceed to the next and previous keyframe to see what 'level' to each key frame.

• What is the best way to deliver the WebHelp output files to the development team in TFS?

  I use RoboHelp 2015 to generate WebHelp output.

  The development team want me to archive files in TFS so that they can pick up the files and integrate them into the build.

  I'm looking for some best practices here because I'm running into some issues whenever I try to check the files back in. For example, I need to manually track the files I added/renamed/deleted in the HR project.

  We discussed the following options:

  • Delete the contents of the WebHelp output folder in TFS whenever I want to check in new files.
    • This works, but doesn't seem to be a very elegant option.
  • Zip the contents of the folder of WebHelp output and archiving/retrieval of this file
    • This works well for me, but the devs have create a separate process to unzip the file whenever they generate a release, they don't care.
  • Check all files in the folder, overwrite the files with the new files, manually add the new files and then check back in.
    • This job very well, but it requires you to manually add the files whenever you check in and also leaves / the legacy of old who were removed from the HR project.

  Someone at - it other ideas about how to do this?

  Any help would be appreciated.

  James

  Hello Mack,

  I think that the decompression of a file is a very simple action to add to a build process, it is perhaps the best way to go. But there are other options as well.

  You can check in sources in TFS and use RoboHelp with source code control. Then you include RoboHelp in the build process so that the latest sources are retrieved from TFS and aid is generated on the server. A nice solution, but still work to implement. I like this solution because I do not store an output is very useful. As long as you have the sources, you can always create new output.

  For developers, it is easier to just add all the files output in a specific folder. And you can automate this option for yourself as well. The TFS and RoboHelp can remotely control from the command line. Meaning that you can create a batch (1) file generates output from RoboHelp. (2) deletes the current aid of TFS. (3) add the new output 1 to TFS. (4) checks in changes in TFS. A single file can automate everything for you. I have used this method in the past, and once it is implemented, there is virtually no maintenance for you.

• best way to put up a second NETWORK adapter for the data on NAS Server store

  I want to add a second NETWORK card if I can get the best possible performance for when I move the data store of the ESXi host to the NAS (which will also have a dual NIC). What is the best way to set up the NETWORK card on the ESXi host to achieve?

  PS - I am aware that I am limited to the real network speed of 1 Gbps and conditions and I agree with that (any of the virtual machines are eager resources or production).

  SOLVED... I think so. JPM300 got on the right track, but I was still not clear on it so I googled all this involving and finally landed on an iSCSI with MPIO configuration. I ended up as a result of this article (I use a Synology DS415 +, but the steps are pretty universal): How to use iSCSI targets on VMware ESXi with Multipath i/o - SynologyWiki. The article is old but always worked perfectly for me. I checked the two paths/NIC are used simultaneously, but I did not actual test to see if I have 200 MB/s of bandwidth (I've seen 80 MB/s when the cloning of virtual machines to the new iSCSI data store using vmfstools).

  I ran into a problem where the second path is not added during the alternating market; I removed the path shown and then was able to add the second path, then the first path again.

  Hope this helps someone.

• A way to track where all the Var Sub are applied?

  Is there a way of tracking where all the substitution variables are used in the reports?

  Either in the reports or scripts of calc, either in a 3rd format, if there is one.

  We don't want to individually open each script and scan for use of the var sub, or open each report and see if it is used.

  Not integrated in the product.  Report and scripts scripts of calc being regular files only to the operating system, your best bet is to use all the tools your operating system makes available to search for text.  Windows will do this directly from the browser.  UNIX (and Windows, if you wanted to) have grep, which is probably even better because it will spit the names of files and show you the lines that contain the subvar.

• Best way to film this scene, stitch together plates or green screen?

  I have a call where I walk past a player with him framed on the right of the screen, ' actor A. ' then on the shoulder 'Actor A' (on the left side of the screen) another character is in sight, "actor B." at the end of shooting the camera move to stop and I want at the speed of the actor 'A' of the ramp so that it revolves around very quickly While the 'B' actor maintains a normal speed (which is him walking toward the camera as well). Is the best way to do this shoot with two plates separate and assemble them (if if, what is the best way to assemble the shots)? Or is - this green screen actor 'A' or 'B' and add them in? Remember, the camera moves to the rear while the actor 'A' heading, when moving player 'B' is also in the shot. Ramp speed of the actor 'A' occurs once it stops (it will whisk around extremely fast), how the camera will also be stopped.

  You have a few options. Usually, I start a VFX shot by the thought of the movement of the camera. If I move the camera what are the problems that will result?

  According to your description, you have a dolly with two actors. Tracks camera, the first actor as the second player enters the scene, then the unit stops and the second actor continues to his notes at normal speed while the first actor is accelerating. Two shooting plates will give control the moment where the first actor, but, in view of the camera move, requires you to simulate accurately the moment where two follow-up plans so the point of view between actors is consistent. It doesn't matter if the photos are on a green background. For the view between the two actors to match the camera moves must be identical to the camera angle and the speed of follow up.

  If, however, you shoot all the action in a single pass while you can use rotoscoping to separate into two pieces shooting where the camera stops moving and then adjust the time where the first actor. This works easily if you make sure that you don't move the camera at all once the track ends.

  If the players do not overlap so the second option is a piece of cake because your roto can be a very simple rough mask. If the players overlap in the framework then your roto work will have to be very precise when the players overlap, and you may need to perform a few background replacement to fill in the holes.

  If you decide to do with two plates, then you will probably need to track movement. stabilisation and re-synchronization of two shots to make them at the height. If the camera is moving when you accelerate the first actor, you will have to keep track of movement.

  A final option is to pull the first actor on a green screen and the second player as a bottom plate and then follow and stabilize the two shots to try to combine them. Here again, if the speed and angle of the two plans that you combine are not identical or at least nearby enough that you can easily fix them you'll be in a lot of tweaking to than the shots work.

  If it were my project, I shoot the two actors in a single plug and then divided take it there where should be the first actor have the speed change and make a few roto work. That seems to be the most straightforward approach.

• What is the best way to create a bookmark for a user to return?

  Hello to all... hello again Steve... I'm back with another question - what is the best way to set up a bookmark system so return users can pick up where they left off in a lesson of AW? I tried the usual internet research, always do, but a few samples and answers I found were AW5, not a lot of help...

  I have a dozen or so cards attached to my frame, I would like a user to return to the last card that he read before the close. (My AW communicates very well with database Access, so if passing a variable to access and back to AW when begins the lesson is on track, let me know...) If the answer here is too complicated, perhaps pushing me in the right direction and I'll me dive in.

  Thanks in advance to all those who have some tips, I really appreciate it!

  Terry

  Try this overview, see if it helps...

  Enter a reference to the map as you enter, then save to the database when you exit.

  You want something that will give you the equivalent of a page number - if you have 7 cards hung the setting, and the user is in the 6th plan when it stops, you want to save the number 6.

  There are dozens of ways to do it, but probably the easiest way is just to attach a calc to each card that has this code

  (I do not have Authorwar very convenient to check the syntax, then you should check out!)

  BookMarkPage = ChildIDtoNum (IconParent (IconID), IconID)<-- tells="" authorware="" to="" return="" the="" "page="" number"="" of="" the="" current="">

  Save BookMarkPage in your Access database to the exit.

  In return, read the bookmark in BookMarkPage, ask the user if he wants to go back to the bookmark. If so, use a calculated navigation that uses

  ChildNumToID (@the of your frame name or its ID, BookMarkPage)

  Note that you could argue something similar by recording the your card, the IconTitle or IconID but these two can break if never update you your file by adding or removing pages, renaming etc. With this method, all you need is a simple page County check that makes sure you don't try to nav for a page number that does not exist (use IconNumChildren).

  Steve

• Best way to remove the clipping

  What is the best way to remove the clipping?  I tried

  restoration/effects/clip restoration (process) and...

  In some cases. It does not remove the distortion, even if the chart of the sound wave "seems good.  I just tried the presets.  Any suggestions?

  Thank you.

  Steve C2 wrote:

  In some cases. It does not remove the distortion, even if the chart of the sound wave "seems good.  I just tried the presets.  Any suggestions?

  Not really--and this is not really surprising that this does not work in all cases. in fact, it is quite surprising that it works at all, in many ways. Obviously, the worst of the peaks of the break less information will be missing, and when the break comes to the point where the distortion is audible, then lot of data reconstruction is not just there for the software to make assumptions about - no cure so that it is possible.

  Only one pic is not too difficult to reconstruct - you have the slope of the wave of hand and on the other, and all you have to do is find where are the points of y-intercept of the two tracks, and who will be actually rebuild - probably quite precisely. But at the time wherever your clipped signal effectively contains two or more peaks, especially if they are part of a long harmonic, then reconstruction can actually do the distortion that you will inevitably get worse. This is because the software only attempts to reconstruct the waveform of the tracks on part and on the other of the clip, (information) as well as harmonic any expected have been there becomes altered, virtually useful - where increased distortion.

• Best way to keep the battty

  My phone is iPhone 6 Grey, 64 GB with IOS 10.0.2.

  My phone battery screen was error and I have changed a new battery for two times. I want to know is the best way to protect my battery.

  Charge it as often as you can.

• What is the best way to buy an iPhone Unlocked 7?

  Hi all

  I am currently using T-Mobile and want to get the new iPhone 7. Since there is no option for a sim-free iPhone, what is the best way to buy the new iPhone? Should I get the T-Mobile one full fare? I know that he will be released version but it will come with a T-Mobile sim so what will do with the sim card? Put it away or give it to T-Mobile? Or should I wait for the version without card sim to appear, which I don't think that will come out until November, and I don't want to wait that long.

  Thank you in advance.

  If you do not want to wait to pay full price for the model from T-Mobile.  You can do whatever you want with the SIM card.