Bind a 2D layer to a 3D layer

Similar Questions

• Exclude the track (s) of the adjustment layer

  Hello world

  I use Premiere Elements for many years and am now test Premiere Pro to make the Decision to change to pro or not weather.

  So I try a few things and have mor than one question

  1: I wonder if there is a method to bind an adjustment layer to specific and not too ALL titles follow below.

  Problem: Using the green screen images and make the entry in the adjustment layer (because the film changes with every project, but the entry parameters are always the same - so an adjustment layer is ideal to keep the settings) means that the effects of adjustment layer of her down the track with background images that I want to insert. So I'm looking for a method to warn the adjustment layer one who tracks it has to work on... and which should not.

  Is this possible? and how?

  2: in Premiere Elements I liked the simple way to insert a fade-in or melted to the video and audio tracks just right click on the item in the Assembly of witch and then choose 'Add Transition' with the options "Audio fade-in ', 'fade-in video', 'Fade Audio', 'video Fade-out' that adds the length preset for transitions to the clip. Tool me about one second.

  In Premiere Pro I cannot find this feature in the list right click options. So, I really need to I add each fade in and fade-out manually by using the effect options and setting keyframes manually from 0 to 100? Seems odd that Pro is less intelligent than the elements...

  Or how to do that in Pro?

  3: in the window "Export media" I struggle with the adjustment that will be made, which means that litte drop-down menu with 'all' or 'working space' - I hope you know what I mean?

  Problem: This setting always jumps back on 'working space', even if I used the last time that "everything." And 'all' is the way I went my projects to 99%. So I wonder where I can edit the preset of this option to 'all '.

  Thanks for your help in advance!

  Kind regards

  Lutz

  1 No., the key effect does not work on an adjustment layer, it generates no alpha channel.

  It must be on the clip, but you can save the settings as a preset.

  You can't say to an adjustment layer which layer to use when they are stacked at the top.

  2. in the preferences, you can set the default length of transitions.

  The default transition is Cross Fade, for constant power audio for video.

  3 workspace is the default when you use the work area bar in the timeline.

  If you put default WAB to the output sequence.

• Make an adjustment layer is only a single layer

  How this is done?  Whenever I select an adjustment layer, when I'm on an existing layer, I think he's going to bind to this layer, but it doesn't.  How can I make an adjustment layer only affect the one beneath it, or even link to it?

  -Hold down option and click between the two layers (your cursor will change shape)

  -Have the active adjustment layer and create a clipping mask (command-option-g)

  -Put the two layers in a group and change the blending mode to normal group

  The first two are in the same way for a clipping mask. More about them here:

  http://help.Adobe.com/en_US/Photoshop/11.0/WSfd1234e1c4b69f30ea53e41001031ab64-7853a.html

• Layer effects "binding" when the combination of layers of separate projects

  I'm taking a class Pshop and working on a realistic project.  I've created two main images as separate files.  Both have a number of effects, such as bevel and contour or drop shadow.  Separately, they seem very well. But when I double job with groups of a single image and place it in the other, I noticed that the effects do not give out but rather to take the attributes of the picture, sure I copy records.

  Here's what I mean.  See how the nuts have an outline on them?

  

  Now, I put the layers that make up the guitar in the other file.  I didn't change anything, just double layers.

  

  Now, I've lost the edge.  Also note that the internal bevel around the bridge (the dark brown zone) has also changed.  So that the shadow in the hole of the guitar.

  I'm guessing that he takes on the attributes of the original file settings.  How can I keep these separate settings?

  Hope this question makes sense.  Thanks for your help.

  You are using layer styles and I forgot global light angle control.

• The TCP 1 layer and Layer 2 Communication

  Hello

  I'm looking for possible ways to communicate on the layer 2 and layer OSI 1 (physical layer and layer of data binding).

  I have a this equipment with host interface is ethernet, this device works on OSI layer 1 or Layer 2 or we can say that working on the MAC layer communication device.

  Basically I want to exchage frames between the device and the host PC. If anyone has knowledge on this part please with me.

  The wincap dll using we can communicate on layer 1 and Layer 2

• Position of the object changes with the new layer

  After Effects CS6 11.0.4.2

  I have installed recent updates, according to this page (FAQ: what information should I provide when you ask a question on this forum?)

  10 Pro 64-bit Windows

  I have an AMD FX (tm) - 8350 eight cores 4 GHz processor

  8 GB RAM

  AMD Radeon 200 series graphics card R9

  3rd party plugins installed: 3-d element.

  I have an object made to 3D element bound to a null object to control its movement. The position that there is everything I like. However, when I add a new layer (layer setting, sound, text or other) changes the position of the null object. It comes to a lot of trouble because I use 3d objects and as they occupy a different position, their movement seems wrong.

  I wanted to add an adjustment layer, so I précomposé just what I have and add the adjustment to the model layer, so it does not change. It worked perfectly. But, now, I want to add a new text object, bring it to feature 3D extrude it and bind it to a null object, the problem is that if I add the null object, or the text layer to the original model, the previous objects will change their position.

  I use phrases such as wiggle and time * with the first null object. This has something to do with that evil?

  How can I solve this problem?

  Thank you

  Yes. The seed of wiggle() and other Pseudo-aleatoires functions is obtained according to the index. You must manually set a seed with seedRandom (< your="" value="" here="">, true) to avoid tampering. This is nothing unusual.

  Mylenium

• access to the region through its parent link layer

  Hello guys, I have a region lets say "r1" and his mother index.jsf I access to r1 link layer in its parent? I want to enter a setting of binding of r1 index.jsf, is - it possible? Thank you Saidi.

  Hi user,

  But your data sharing taskflow control instance? If so, then you can create a new connection in your index.jsf to the iterator as the region uses 1.

  Concerning

• Linking multiple layers to a main layer

  Hey there.

  I have a script in which I have a loop for duplicating a layer a certain amount of time.
  I was wondering how can I then bind the properties of the effect of all newly layers a copy to the original.

  I thought the PropertyGroup about my effect on each laye access and then, for each property, to set an expression, link to the original layer.
  Unfortunately, I couldn't find that whatever it is in the Witch of script references might I want to loop through all the properties of an effect.

  
  If my description was not clear... here's what I want (more or less) the script to:
  You have 1 layer with a 'fill' effect apllied on it.
  I want my script to duplicate this layer a certain amount of time and then bind the fill color of all new layers to the fill color of the original.
  Note that this is not my real script, just a simplified example of what I have to do.

  I would be very grateful if someone can give me an idea of how I might accomplish this, or refer me to where, in the guide to script, I can find more information about it.

  Thanks in advance

  The script guide said nothing about it.

  You must use the duplicate() layer and the effect, and then set a correct expression which will connect duplicates the original.

  To define an expression, simply do myProperty.expression = myExpression. (string)

  You must ensure that the initial layer and effect both have a unique name.

  Code example (works for most of the effects, except the paint and a few others, who has a tree of property more complex):

  var numDuplicates = 15;
  var comp = app.project.item(1);
  var mainLayer = comp.layer(1);
  var index = mainLayer.index;
  var mainEffect = mainLayer.effect("ADBE Fill");
  var effectPath = "thisComp.layer(\""+mainLayer.name+"\").effect(\""+mainEffect.name+"\")";
  
  // create a 1st duplicate, and link the effects properties:
  var dup = mainLayer.duplicate();
  var effect = dup.effect(mainEffect.propertyIndex);
  var n, N=effect.numProperties;
  for (n=1; n<=N; n++){
      if (effect.property(n).canSetExpression){
          effect.property(n).expression = effectPath+"("+n+");";
          };
      };
  
  dup.moveAfter(comp.layer(++index));
  
  // duplicate more times (numDuplicates-1 times)
  for (n=1; n
  Xavier
  		   

• How to check if the commit operation succeeded to view layer

  Hi all

  I use Jdev 12.1.2.0.0

  I have a table in my page and a button to delete the row in the table. I wrote the code below in the earpiece of the action

  {} public void using (ActionEvent actionEvent)

  BindingContainer links = getBindings();

  OperationBinding operationBinding = bindings.getOperationBinding ("Delete");     

  operationBinding.execute ();     

  operationBinding = bindings.getOperationBinding ("Commit");

  operationBinding.execute ();

  }

  }

  I did not delete active cascade in my model and I want to display an appropriate UI error message saying "Cannot delete this line because it has child records" I want also to rollback so that the I can show the deleted but uncommitted in the af line: table.

  I tried different web solution. I don't want to use adf custom error handler by extending DCErrorHandlerImpl because it requires a lot of changes in my model layer. Is there another way I can achieve.

  Thank you

  Mozakkir

  Hello

  Whell, next to the DCErrorHandlerImpl extension, you can make customFacesPageLifecycle:


  Oracle Apps: How customize the life cycle Page ADF to work programmatically with bindings

  and in this class, override the addMessage() method:

  Protected Sub addMessage (javax.faces.context.FacesContext context,

  AttributeBinding binding,

  error of java.lang.Throwable)

• avoid to perform actions that are in the presentation at the beginning of the workflow layer

  Hi all

  Is it possible to perform NO actions, that are defined on the presentation layer, at the start of a workflow?

  On our supply workflow contains a step where we select the cluster to build the virtual machine. Once all the other objects required has been selected will be calculated automatically.

  This means that in the next drop you now get a list of all the hosts that are members of the selected group. We do the same thing with the networking and all data warehouses that we use for a virtual machine.

  All actions are mainly related to the 'list of preset of elements', "Data Binding" and "Default"

  The problem is that when I start the workflow I have, of course, a lot of error messages in the log file because I did not choose a cluster at this stage. Also it takes a while until the presentation layer will be shown.

  Can I do to avoid actions that are related to the presentation of the workflow? And make them run when I chose a cluster object?

  Thank you very much!

  The best practice is that the first line of your action must be one if (cluster == null) return null;

  This will speed up the presentation a lot.

  Another more complex way is to use a disclosure ognl expression, but they are difficult to maintain and may not give any gain on the action and returns null.

• Integrate a photo room direct shooting into the layer of a project

  Hello, to the community,

  
  

  Let me explain my problem, I hope not to be too long! : s :

  
  

  I work in an Association of people with disabilities. Pour a sporting event taking place in September, I am in charge of a "souvenir photo booth", where people will be able to get the portrait, which will be integrated in a fake 1st page of the magazine of the Association, and after print with a photo printer on site.

  
  

  I have a camera SLR Canon D600 that I connected to my pc to make shooting from a distance. I do my fake one of the magazine under photoshop cc.

  
  

  My problem, where I need help, is what it is possible to integrate a "shooting live" en photo, directly into a layer of a project?

  
  

  The best I could do is that the photo opens directly into a new project of toshop by changing the settings of the canon utility software (software which allows the binding and struggling to view remotely).

  
  

  It would allow me to win a stage, rather than duplicate the new shooting in the project 'One of the magazine' and resize it, it would be directly in a layer at the base of the already existing project and I would have to print.

  
  

  I thank the community in advance.

  titousnake08 wrote:

  Hello, on the community,

  I'll explain my problem, I hope not to be too long! : s :.

  I work in an Association of people with disabilities. For a sporting event taking place in September, I oversee a "souvenir photo booth", where people can be wore it shoot, which is incorporated in a false 1st page of the magazine of the association, and after printing with a photo printer on site.

  I have a DSLR camera Canon D600 which I have connected my pc to shooting distance. I do my fake cc Photoshop magazine.

  My problem, when I need help, is that it is possible to integrate a picture in "direct fire", directly into a layer of a project?

  Best I could do, it's that the photo opens directly into a new project of toshop by changing the settings of the software canon utility (software that allows binding and catch of view remotely).

  It would allow me to win a stage, rather than duplicate the new shooting in the project 'One of the magazine' and resize it, it would be directly in a layer at the base of the already existing project and I would be more printing.

  I thank the community beforehand!

  Microsoft® translator translator

  Make your template for the false cover of the magazine.

  It must be the same size as the images that you will use with

  It must have a transparent background, so remove the background layer.

  Save the model to a known location with a name like 'Template.psd Magazine'

  Use the EOS utility and set it to save on laptop as well as the memory card.

  Open your first image and save the next Action.

  Give it a descriptive name and assign a shortcut to (SHIFT-F5 for example)

  Start recording:

  File > Place incorporated "Magazine Template.psd.

  Press the Enter key

  Stop recording.

  Now, whenever you open a new image, use SHIFT F5 to load the model above the image and print it.

  Good luck

• Transform problems of effect when used with the depth of the 3D layer

  Here is my set upwards.

  I have PreComp with graphics any illustrator with active continuously rasterized layer.

  This graph has a reflection in it. I was thinking by applying the effect processing, offset setting to-100 and by setting the anchor point.

  Regarding the graphics move from left to right (X, Y) there is no problem and anchor point is in its place.

  As soon as I do the 3D layer and start changing the values of depth thinking begins to jump around.

  My guess is - it happens that point because of anchorage is a constant value and because the thinking is based on its value it does not follow the base of the graphics. Purhasps it is a snippet of code to be used to bind the value of the anchor Point to the Zoom value? Adjustment of the values of anchor with keyframes turned out to be too difficult.

  In other words, I like to keep thinking at a constant distance from the base of the graphic part and once the relocation of graphics on or in the reflection does not follow.

  I précomposé this graphics and it imported into the new Compostion and applied movement XY and Z using the camera and Null layers. It was the same effect and reflection did not stick to the base of the graphic.

  I need to keep the collapse processing enabled on all consecutive Comps/PreComps to ensure that the vector art makes to high quality.

  What would be a good way to make a reflection of a 3D/preComp layer in the model where the movement controlled with layers of continuously active camera and Null, with the Transformations of rasterized/reduce?

  I'm with Mylenium on it. Your concept is inappropriate and you do it is much too difficult. Just put the anchor at the bottom of your reflection, then resize it to 100 in y [100, -100] can do the two 3D layers and implemented a matte degraded on the reflection layer.

• Script to connect several layers to one layer draw

  I'm trying to bind several layers to one layer no animated but I want each layer to start the animation layer from time.

  What would be the script that I need to add instead of duplicating layer draw for each layers?

  I hope that this question is not too complicated to understand lol

  TIA

  W

  I think you can do it with an expression as follows:

  thisComp.layer("ROTATE").transform.xRotation.valueAtTime (time-inPoint)

  Dan

• Anyone can throw some light on dependencies on the view and the model layer?

  Hello...
  
  
  My view controller layer has mapped to the layer of dependency model.
  
  It will lead to a cyclic dependency so i map viewcontroller to the model dependencies?

  It depends on where you call the method. If you call it directly from the workflow that you can right click on the method, select 'Edit link' and you get a dialog box where you see the binding of the method. In the lower part, you see the input parameters to your methos. You set the setting on "#{securityCcontext.UserName}".
  If you call the method from within a bean via an operation binding you use code like

          OperationBinding binding = bindingContainer.getOperationBinding("doSomething");
          binding.getParamsMap().put("param1", "hello");
          binding.execute();
  

  Don't forget to check for errors after calling the method.

  Timo

• Script: A single layer to set the opacity of the other layers?

  Hello

  I have a lot of layers in my computer whose name begins with "POINTER_".

  I need these layers to falter at the same time.

  But I can't the subcomp or use stencil alpha.

  I don't know that it is possible to make a script on an adjustment layer that would do just that.

  All he needs to do is to allow me to make keyframes this adjustment layer opacity associated then with the opacity of each layer starting by 'POINTER_ '.

  I'm not a guy of script, so it would be great if someone could show me how to do this.

  Thank you very much!

  see you soon,

  Chris

  You don't need a script to do this; you need an expression.

  You can easily bind properties between layers with expressions. In this case, you apply an effect cursor Expression to your layer zero (or just use the property opacity of an adjustment layer). ALT-click on the opacity for one of your layers property then use the pick whip to choose cursor effect or the property opacity of your layer of control. Now, when you change the value of a single layer, the others follow. You can copy and paste the expression resulting from your icon from selection for the other layers. (You can even choose to copy expression only and then paste that to the rest of the layers).