bit confused about the function in pipeline

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  OK I've been using photoshop for a while but it has the function of culture changed?  My question is, when I crop a picture, even though I have crops on a very small section, the file remains the same size (pixel dimensions).  If an image is 60 m and I have very small crops, it remains 60 M and 5616 X 3200 pixel, for example.  I'm a bit confused by the present, I'm sure that when I have cultivated an image before it reduces when I cultures.  I hope that I myself make clear...

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• Confused about the extension of the Sprite class

  Howdy-

  I learn programming with object oriented ActionScript and am confused about the class Sprite and OO in general.

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  I explored the Open Flash Chart code and note that the main class extends the Sprite class:

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  Also, on a related note, how to draw, say, a line once I extended?

  Without extend Sprite I could write:

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  ...

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  Then, after that, your chart should be functional...

  Then back in your scenario, you could do this:

  import graphics. Table;

  Stop()

  var myNewChart:Chart = new Chart (300,200)
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• Ask questions about the functionality of EA8500 MU-MIMO

  Dear Linksys

  I bought EA8500, and it arrived today.

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• Confusion about the size of the array in Oracle 11 g

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  _____________________________________________________________________________________

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  Please get back with the answer to my query

  
  

  Concerning

  Dba_segments indicates the space allocated to the segment while expdp indicates the size of the exported data, so if you had a table with a measure of 1 MB, but no data, dba_segments would 1 MB and expdp would report 0 bytes.

  John

• Hi, I'm Vero. I am a student. I want to download install Oracle Applications R12. I am very confused about the installation

  Hi, I'm Vero. I am a student. I want to download install Oracle Applications R12. I am very confused about the installation. I learned to know to install Oracle R12 apps, you have to install VM Box for Oracle Linux OS.
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  Hello Vero,

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• Confusion about the requirements for the 2015 CC software

  I currently have Windows 8.0 (64 bit) which is so satisfactory and stable.  I have not upgraded to 8.1 Windows because I can't install same normal updates for Windows 8.0 without experiencing freezes system that only restore points can heal.  So for now, I would stick with what I have.  But the problem is the confusing requirements for various programs within the pile of creative cloud applications:

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  Dreamweaver: Microsoft Windows 7, Windows 8 or 8.1 Windows

  Hearing: Microsoft® Windows® 7 with Service Pack 1 (64-bit), Windows 8 (64-bit) or Windows 8.1 (64-bit)

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  Can someone clear up the confusion, please?

  I think that my hardware is OK for this.

  Motherboard: Asus Crosshair Formula V-Z (AMD 990FX)

  CPU: AMD FX-6300 Vichera 3.5 GHz

  Memory: 16GB Kingston HyperX DDR3 2133 MHz

  Video: MSI N650-MD1GD5/OC GeForce 650MX

  Monitor: Acer S271HL of 27 "(1920 x 1080)"

  Power supply: Seasonic X-Series 1050W (SS-1050XM Active PFC F3)

  HDD1: Western Digital 320 GB (System)

  HDD2: Seagate SV35 Series (ST1000VX000 1 TB 7200 RPM 64 GB OEM)

  VidCap: Blackmagic intensity Pro HDMI

  USB hub: Rosewill RDCR-11005 5.25 "

  UPS: APC Back-UPS XS 1500

  Router: Netgear WNDR3700 N600

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• Confused about the capacity of the HARD drive on my new Equium L350

  I'm rather confused (normal state) about the capacity of my hard disk. This is supposed to be 120 GB but... On 'My computer', it shows that I have 23 GB of 55.7 left GB on Vista C and 49.8 54.5 on E of data that is delivered to about 110 GB.

  I'm already about 10 GB missing but maybe that is taken up with hidden files. More worrying is that I have so little space on Vista C. Can I save files on the data partition, or is that a no-no? So far, everything I've loaded on it goes into Vista C.
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  Thank you

  I agree with InvaderZim.

  But there should also be another reason why the two partitions of HARD drive are smaller than the whole HARD disk.

  I assume you are using the Vista operating system.
  Vista uses hidden for some files from recovery partition.
  If you check the Disk Manager, and you should see all available on your HARD disk partitions.

  See you soon

• using the function in pipeline

  Hello
  
  I defined a VC_ARRAY_1 as

  create or replace TYPE  "VC_ARRAY_1" as table of varchar2(4000)

  and the work that the test shows below:

  select * from table(VC_ARRAY_1('qqqq', pppp'))
  
  COLUMN_VALUE
  qqqq
  pppp

  But, when I use the function that

  select * from table (vc_array_1(select personkey from tbl_persons))

  I get an error ORA_00936 missing expression (the column personkey is a vrachar2 (4000)). What is the problem with the use of the second?
  
  Thank you
  Rose

  Elle rose says:
  What is the problem with the use of the second?

  Everything. You need to throw query results in collection type:

  select  *
    from  table(
                cast(
                     multiset(
                              select  personkey
                                from  tbl_persons
                             )
                     as vc_array_1
                    )
               )
  /
  

  SY.
  P.S. and where is a function in pipeline in all this?

• Confused about the new creative cloud

  Hi all

  Since I read adout the new creative cloud I'm confused about what will happen to my license for Adobe Lightroom. Will they remain still desktop apps as well or I have to pay for an annual license, if I want to use new versions of Lightroom?

  I am a casual photographer and I like to use Lighroom for my photos, but I don't think that pay for an annual license because I'm not spending a lot of time, image-editing.

  Can someone clarify this for me?

  Thank you very much

  Lucian

  5 Lightroom does not have subscription only, you're fine. There is no sign that it will even happen in the foreseeable future either.  It's just the ex-Creative-Suite that all talk.

  Target market of Lightroom is different from the Creative Suite/Cloud. CC is a good deal for the majority of its base of users (next door), while the majority signed without major complaints.  Lightroom has a huge customer base amateur, and they would be much more difficult to convince us to go subscription only. They would be likely to lose most of customers of Lightroom at the moment, and they are not completely stupid.

• Confused about the layout of the table of contents

  Hello

  I work in FM7 and I go through the manual for help on the table of contents page layout. More precisely what I can't understand is how to group entries in a list generated.

  I work in a book with a number of files; I'll have a TOC, LOF and MANY. In the table of contents what I want to do is entered from the Section and chapter group. In other words, I want in my table of contents:

  Section xx

  Chapter xx

  Section

  Section

  Section

  Chapter xx

  Section

  Section xx

  etc.

  I also tried to understand the inputs on the reference page to see if I understand the grouping of the way in which they are displayed on the page.

  Question - how do I? Do I need to format the entries in the reference page? Or is it another place. (This applies also to my LOF and BATCH)

  Advice appreciated.

  Carl

  Will you put a paragraph of the Section of each chapter title? If so, that is the problem - there should be only one paragraph of Section heading, in the chapter where the section actually starts. Succeeding chapters located in this section should not have a Section title.

  That's where you mix and match with the concept of "clustering" and the functioning of an Index.

  TOCs of work by selecting the actual paragraph for each specified tag - FM is not "roll up" all paragraphs in the Section title even if they are the same.

  If you need to have the text of the title of the Section repeated on each subsequent chapter early, I suggest make you a new paratag, for example "Section Repeater", and then not include this tag in your table of contents, of course. There are other methods to repeat the content, too, as the use of variables and markers, but let's not too confusing thread immediately.

• Confusion about the Source of excitement in the bridge SMU-4331 input module

  Hello

  I had some confusion through the input of the bridge SMU-4331 sheet module.

  In the features section of excitement, its current Minimum as 29mA says. What it means. It can only current greater than 29mA delivery!

  

  I think this should me Maximum current specification.

  If you look at the table below

  

  350 ohm resistance, the current should be 10V/350 ohm = 28.5mA

  but for 1 K ohm, current will me 10V/1Kohm = 10mA, which isn't normal, if you specify current minimum as 29mA.

  any thoughts?

  Kind regards

  Mirash

  Hello Mirash,

  I'm glad I could help!

  As for your other question, the SMU-4330/4331 are inherently peripheral ratiometric.  This means that they are designed to detect the level of excitement and range of the ADC to the appropriate scale.  In this way, we can compensate for permanent changes in the voltage.  One of our engineers wrote a big article really nice area on the subject I would recommend that you take a look at: Sensors of Measuring Bridge-Based with the ratiometric approach

  See you soon,.

• Question about the functionality of vector mask

  Hello everyone, I'm fairly new to Photoshop CS 5 so I apologize if I'm asking the wrong type of questions, here goes:

  When you work with vector masks you can:

  (1) "the link" or a vector mask with the other images? ' sharing ' a picture (for example) if I did 'A Building' then duplicated, but wanted to change what build a looked like, I have to only change the mask of the source, then the copies would be updated.

  (2) move the independent image of the vector mask (it seems that I can only move the vector mask, not the image itself). Or in other words: I can move the image and have the mask to follow, instead of being only able to move the vector mask within the limits of the image?

  My application of the question:

  I do a top-down 2D layout of a zone of type "Paste". I did to fill the buildings, building A, B, C, etc. and use multiple copies of each building. Ideally, I would like to be able to 'link' or share say building has a vector mask with all other instances of building A (so that when I change the master, they all change to the new form of mask). The second behavior I have trying to find is the ability to move without moving layer where the vector mask is on this layer (since it seems that you can only move where the mask is, which means that even if I could share masks, they all finish by in the same sense of place I have to re - position each hand again.)

  Any ideas are appreciated, thank you for reading.

  When you work with vector masks you can:

  (1) "the link" or a vector mask with the other images? ' sharing ' a picture (for example) if I did 'A Building' then duplicated, but wanted to change what build a looked like, I have to only change the mask of the source, then the copies would be updated.

  Yes, it's possible, but not with the classic system layer vector mask in Photoshop. Layer masks are part of a layer and not the layers themselves, so that they can be converted into a reusable object.

  The solution is to avoid vector layer masks and use a clipping/layer instead mask. A clipping/layer mask CAN be converted into a smart object that is reusable, and when you change one, all the other instances are also changing.

  The second part of the solution is to convert the layers contained both the clipping/layer to a smart object mask. Then the batch group. By the way, if your buildings are made up of several elements simply to include these additional elements in the clipping group. Another advantage is that each of the elements may still have its own normal layer mask. Win win situation. And layer effects can be applied to layers/clipping masks, once again what is impossible for layer masks. It also opens the doors to a much less destructive workflow.

  (2) move the independent image of the vector mask (it seems that I can only move the vector mask, not the image itself). Or in other words: I can move the image and have the mask to follow, instead of being only able to move the vector mask within the limits of the image?

  This is also solved with the use of layers/clipping masks - the content and the mask can be moved independently in regular layers. Another advantage is that the two can also be transformed individually.

  My application of the question:

  I do a top-down 2D layout of a zone of type "Paste". I did to fill the buildings, building A, B, C, etc. and use multiple copies of each building. Ideally, I would like to be able to 'link' or share say building has a vector mask with all other instances of building A (so that when I change the master, they all change to the new form of mask). The second behavior I have trying to find is the ability to move without moving layer where the vector mask is on this layer (since it seems that you can only move where the mask is, which means that even if I could share masks, they all finish by in the same sense of place I have to re - position each hand again.)

  Any ideas are appreciated, thank you for reading.

  So here's my solution. I made a sample with two buildings, the view from above which could be reused as desired:

  (1) first of all create groups for each building and place the content to those. Then trace layer vector shapes on the content. Set the transparency for layers of mask to a reasonable of opacity for masking easier.

  

  (2) put the vector shape under the layer of content for each building. Then, for (1) and (2), , click on the border between the content and the shape layer. (for Mac), this will hide the enrichment of the content. (3) remember to layer for shape layers opacity to 100%!

  

  (3) then we will turn this building into recyclable items. Convert each content and layer to a smart object clipping mask. Then rename these layers of dynamic object into something sensible (honestly, I forgot to label the layers well earlier, but you catch my meaning here ;-)

  

  Fact! To clone each building, duplicate layer groups. For each instance that you can move the content (which is handy if you share multiple charts of building in the same bitmap or illustrator file), or you can decide to move the mask in place. Or both. It is the same for the transformation. Your choice. To move or transform a building, select the layer group.

  To change or modify the masks or the contents, double-click the smart object of your choice and make a few changes.

  Also, remember that you can insert additional elements in a clipping group by placing it over the first layer and then clipped by clicking again on the border between them. So, in theory, you could start building different looking buildings by adding other dynamic objects in clipping groups. The sky is the limit! In this way, you can create several building blocks to build various buildings with different looks. And still limit the number of blocks - and any update-able.

  Unfortunately, that's when the workflow breaks down a bit: due to the implementation of the object dynamic in Photoshop, you can't change the mask or the contents of the building in context - instead, it opens in its own window of file. This can be somewhat mitigated by placing the two windows side by side (window-> fix--> double vertical installation).

  This brings us to the second caveat: when you make a change, the changes are not updated in real time in the master document. You must first save it. Still a bit of a flow of work, but when same breaker... At least you now have a workflow not destructive instantiated.

  The content of the dynamic object can be replaced easily with a right-click of the mouse on the smart object layer itself. Or use a dynamic object referenced externally instead if you prefer to generate your buildings in an external application.

  BTW, the layer of Photoline system is much more logical and easier to use for this type of work. Layer masks behave like regular diapers. Layers, groups, masks, layers of external file and so forth can be practically cloned and instantiated as smart objects, but the main object is editable in the context, and all the other instances updated in real time. So, it is more convenient. At least this is my experience.

  I hope this has been helpful! Now go build your cities. :-)

  PS: I thought: isn't Illustrator or InDesign is a much more logical choice for this type of work where you need access to reusable blocks of content? It would also be a more efficient workflow and faster - Photoshop is not really designed for this type of work. Illustrator and InDesign provide potentially out of better quality. You can also divide your work into the pages and so on. Here again, you would probably lose the flexibility of smart objects.

• Question about the functionality of CFB2

  Hello

  CFB2 I try and I was wondering if there is a way for me to point to a function and go to the place where it is defined?

  In addition, the built-in ftp seems to be extremely slow (more than 30 seconds to transfer a file).  Is this normal?

  Thank you!

  You can go to the function definition by CTRL + click on the function call.

  -Ram

  Adobe ColdFusion team