Bug: States and Textlink color settings.

Similar Questions

• CS6 and ACR color settings

  Ok... I did some internet research fully three times and I can't understand it. I'll give you as much information as I can think of from the outset. I know it has to do with color management, but I don't know what I'm doing wrong.

  • Take pictures with Canon 6 d color space sRGB
  • Opened. CR2 with Adobe ACR v8.8.0.397
  • Color space in ACR is sRGB CEI6 1966 - 2.1, 8-bit
  • Click on "Open the Image", which opens Adobe CS6
  • Evidence are attributed to the disabled (off) colors.
  • Color in CS6 settings are:

  

  Here is the comparison of the ACR and CS6:

  

  

  What I am doing wrong? If my color settings are the same between ACR and CS6 (as shown above), shouldn't ' images be the same in ACR and photoshop?

  Let the bashing begin...

  They should indeed. This is a profile of broken screen, affecting the two differently.

  Recalibrate and make sure your product standard v2, focused on the matrix of profiles (if you do not have these options, it does). V4 profiles and LUT can be problematic in some cases. If you do not have a calibrator, use sRGB IEC61966 - 2.1 for now. Restart Photoshop when finished:

  

  BTW, the setting of the device to the color space is questionable. This not apply in-camera processed JPEGs, raw files.

• CS5 synchronized color settings. How can I get the sync?

  My window of Photoshop CS5 for the States of color settings: synchronized. Your Creative Suite applications are not synchronized for consistent color.

  Question: How will I then get it synchronized?

  Chrissto @.

  Don't bother, just dismiss this dialog box. All means of "synchronization", it's that the same preset is applied to the color of each application settings. You can do it manually.

  But there is no particular reason to have the same color settings in all applications. Requirements will be probably different and my color settings are deliberately not synchronized (I wouldn't dream of ProPhoto RGB in Illustrator or InDesign, just as I would never policies CMYK, the value "preserve numbers" in Photoshop).

• Color settings is not Lightroom color settings

  How are you guys! I'm an amateur photographer and use Lightroom and Photoshop. 99% of my work is done in Lightroom, so I really only use Photoshop rarely when I need to do certain things.

  It seems that every since ch & LR CC came out, I cannot get my color profiles to match. I know that LR uses an embedded color profile that is ProPhoto RGB, so I put the color profile accordingly in the PS, but when I open an image in LR and PS, the colors do not match. I've attached a screenshot of the same image open in both programs where we see the difference in color. Does anyone know how can I fix? Any help will be greatly appreciated. Thank you!

  

  This is most likely a bad display profile. This can affect different applications in different ways.

  Color of managed applications must always show absolutely identical - that's the whole point of the management of the colors in the first place. There is no particular reason PS and Lightroom color settings must match. They should display properly regardless of the color space of the file.

  The right way to handle this is to use a standard to make a new profile to display. If you do not, use sRGB IEC61966 - 2.1 for the moment, it is usually close enough for most people.

  Replace your current profile in Windows Color Management. Be sure to restart both applications when done - they need to load the new profile at the start of the application:

  

• Lightroom 3 and CS5 color change when recording to JPEG

  Desperately need help on this one...

  In a nutshell if I use lightroom 3 only and print the images printed images are exactly the same on the screen - so I guess the calbration of the screen is correct.

  If I use lightroom 3 and export to CS5 to continue to make adjustments more when I save the image in jpeg, it seems to have saved well. However if you then maximize the photo in full-screen colors change - radically. Basically, they look aweful. They become quite dull and lose it saturation settings (which were made originally in Lightroom). They print this much too.

  It drives me crazy. I don't think that it has nothing to do with the calibration because it is OK when just using LR3.

  I played with it quite a bit to try to find a solution and have found that if I export for CS5 and Lightroom makes no changes to the photos but just save - she always changes the colors

  Sorry - if it makes a difference... may not, but I have not exported from lightroom for CS5.

  Everything I do is select the right click, click on edit in the > Adobe Photoshop CS5.1...

  Then in CS5 it opens and appears exactly the same as in LR

  From there, I click on file > save under > Jpeg formats and there is an another labeled checked - ICC profile: Prophoto RGB (not really sure what it is and there is no other options to change)

  I tried to show a difference in color by joining the photo.

  Photo right is edited in Lightroom. These colors are what you see when it is maximized on screen and the colors print correctly too. This photo has been open and then in CS5 (photo left) (with LR adjustments) and saved as jpeg and you can see how to change the colors. But you do not see the change unless the screen is completely optimized - and she that prints a lot too.

  I don't know what to do someone had similar problems?

  

  Yes.  Had something similar last night, but with LR 4.1. I suspect that we each have a color profile mismatch, although I had no time to solve my problem yet.

  My first thought is that the native LR color space is Prophoto default, but PhotoShop must have its 'working color space' specified by the user.  Unless Prophoto is specified in PS, there will be differences in color on a Prophoto image scale (sensitivity) of color-travel will vary from one image to the opening image.

  To change the workspace in PS, pull down the Edit menu and select "color settings".

  Don't forget to check the box to inform you and ask how you want to handle the inadequacy of the color profile.

  As the previous poster said, prophoto is a bad choice for the use of the web.  probbaly the most commonly used color space sRGB is relatively low

  Good luck.

  Jerry

• How can I fix the color settings when the only options are a range of blue, black and yellow

  I have recently re installed Windows XP on my Dell Dimension 3000 and the color is now off on my monitor.  The color management setting offers a selection of 16-bit and 32-bit with the a limited range of color blue, black and yellow.  I also installed Driver Detective and all the drivers appear to be up-to-date.

  Some monitors have buttons on them to fine tune the settings and get around windows.

  Check your manual homesite monitors or it's.

• Message box color settings disabled when you use the dialog "Windows color and appearance".

  When you use the configuration dialog box 'Window color and appearance', why are there color settings invalid?  I want to remove the default 'Pastel Pink' value that I find unacceptable.

  I can switch to "Classic Windows" that uses no pastel pink color, but "Classic Windows" does not support "Aero Peek", and the windows look pretty tired.  You can only take "Classic Windows" for many years.

  Color settings are disabled for: buttons, Message box, title of Palette, scroll bar.

  Help, please!

  Me too I'm frustrated by that.   Found the old windows with very honest XP environment.   I used the advanced settings, but has not found a way to save the changes with a label, so I knew that the changes you made.   It is just Frigging trial and error and very frustrating.

  Why are there no way to return either to the default value (not found a default label) or save the settings changed under a name?    It is a productivity KILLER.

  Hello

  Interface user of Windows 7 is theme based. The colors are defined by the theme.

  You still have many color options that can be used to change the colors.

  Right click on the desktop and select Personalize. Click on the color of the window at the bottom of the window box.

  You can select one of the colors in the boxes colored at the top.

  Adjust the intensity of the color with the cursor.

  Click on the color down mixer and you can a lot of variations on all the different color choices.

  I hope this helps.

  Thank you for using Windows 7

  Ronnie Vernon MVP

• I've updated to the latest version and now all my color settings are confusing. Open old files shows wrong colors. What can I do?

  Open the old files poster colors wrong unless I switch to "Monitor RGB" and turn on "Proof colors" in the view menu.

  Exporting jpg files gives me files that look different in each browser. Many of my images take on a lighter yellow cast. I know there are issues with the help of profile being different between browsers, but I've never had this problem before. All my different when PSD files I open them and export differently than before.

  Even my Color picker displays more pure gray, but gray yellow in them. With the evidence mentioned above, color settings, I select in the picker look nothing like what is actually painted on the canvas. I see gray on the canvas but yellow gray in the color picker.

  I remember spending a lot of time setting up my color settings in my previous version of Photoshop. They seem to not have been migrated to my new version, and I don't know how to recover or configure again.

  The upgrade should not create these fundamental differences with my settings and workflows. I work almost exclusively with screen images and websites and I have no idea how to proceed. I can still function normally with my old files and the product is basically useless for me as it behaves now.

  I'm desperate. What can I do?

  Robinson-Adobe says:

  Open the old files poster colors wrong unless I switch to "Monitor RGB" and turn on "Proof colors" in the view menu.

  That what is disable display color management chain - IOW take your profile instructor out of the loop. Which means you have a bad monitor profile, probably a sent through Windows Update.

  The real solution is to use a standard to make a new profile, but if you do not have one, use sRGB IEC61966 - 2.1 for now. Go to control panel > color management:

  

  Be sure to restart Photoshop to load the new profile at startup.

  Color settings won't leave anything here, and don't change anything. Color settings is to manage document profiles - but the issue here is the profile of the monitor , which is something different treated elsewhere.

• My mind is wiped out. I'll put up pages in Photoshop 9.0 to be then placed in InDesign 4.0 for professional printing. Can you help me configure the proper color settings, and what PDF preset to use. And output parameters, etc. Thanx.

  My mind is wiped out. I'll implement the color pages in Photoshop 9.0 to be then placed in InDesign 4.0 for commercial printing in book form. Can you help me with the settings of color in Photoshop, that is to incorporate the color profile; convert in space work, Adobe RGB, etc. and which PDF preset to use, i.e. printing, PDF / X - 1 or 3, etc. Also, what I have to select the output settings such as the conversion of colors with the Destination or the printer deals with that. I know I asked a lot, so thanks in advance for any input or advice.

  Best regards, ScottyB34

  What are the settings of your printer wants? Some may deal with sRGB some want Adobe RGB Ctrl/Cmd-Shift-k in Photoshop, then choose North Amercian prepress 2

  He'll take care of the tags for you, or if sRGB is important, Norh American General Purpose 2.

  Here is a summary of the settings PDF and their meaning:

  When you are ready to create a PDF file from an application such as Illustrator or InDesign Adobe, we give you a list of the predefined PDF settings from which to choose. Well how do you decide which is the right choice? Well, let me explain what they do.

  Let's start with the smallest file size and the name of the type of the story. It is compatible with Acrobat 6, which means that anyone who has Reader or Acrobat 6 or above will be able to open the file. Now it converts everything in sRGB color which is a common space for color monitor.

  All RGB is truncated to sRGB, CMYK and spot colors also. So that means if you have a job to print, you can see some color shifts in this outgoing PDF. You must decide whether it is acceptable. He can't stand live transparency, not flattened. It downsize image content to 100 pixels per inch and this is part of how she made a reduced file size. It also uses aggressive JPEG compression of poor quality on the content of the image. So, you can see some of these rectangular JPEG artifacts.

  But it is how it gives you a reduced file size, and results are appropriate to be posted online or attached to an email.

  High quality printing has compatibility with Acrobat 5 and above. There is no color conversion. RGB RGB stays, rest spot, stays of CMYK CMYK spot and it supports live, not flattened transparency. It does not perform some downsampling to 300 pixels per inch. So, for example, if you placed an image which was 300 ppi and then set to scale up to 50 percent there actually a res then 600 pixels per inch.

  Well, this process would take half out these pixels. Therefore, it can create larger files but that makes it suitable for in the House of printing or sending Let's say a remote office if they want to print we tell cells leaves, or brochures, or something like. It's beautiful out on an internal printer.

  Print quality and high quality printing have similar names, so this may be a bit confusing, but print quality has compatibility with Acrobat 5 or higher. It converts the content of RGB to CMYK destination values according to what you specify as the destination.

  It is usually SWOP, S-W-O-p. It supports live, not flattened transparency. It performs the subsampling bicubic to 300 pixels per inch and because that it keeps at least 300 pixels per inch, which means that it can create some large files, but it is suitable for professional printing.

  Then we start to get into the presets named 'X '. 'X' is now for Exchange. They agree on specifications and the idea is to have a set of specifications if a PDF file is compliant to these specifications, we know it's going to be printable.

  We know that imaging devices are going to treat them properly. So this goes back to 2001, and which can seem a bit old, but bear with me. PDF/X-1 has a compatibility with Acrobat 4. I know, it sounds old. It converts RGB to CMYK content, it keeps the content of good tones. It flattens transparency. Downsize it at 300 pixels per inch. It can large enough crat files if you have large size images in your project and that it is suitable for professional printing.

  The idea behind X-1 is if you send a PDF file to an unknown printer, you do not know what are their capabilities, you send abroad, it will be able to be photographed on any device. No matter the age, it is, they can print. Over the years, the concepts of Exchange became more sophisticated the workflow and devices become more sophisticated.

  SP PDF / X-3: 2002, remains compatible with Acrobat 4 and that means that it flattens transparency, but it does not perform any color conversion.

  This means that it maintains RGB content, place remains in place, rest of CMYK CMYK. He still performed bicubic downsampling at 300 pixels per inch, and therefore, it can create large files. But this is suitable for commercial printing, if the printer signals you that it is present RGB content is correct.

  PDF / X-4: 2008 is compatible with Acrobat 7 and later. See, we're getting more modern. No color conversion. RGB RGB stays, stays CMYK CMYK, spot rest spot and it supports live, not flattened transparency.

  He still performs bicubic downsampling. Therefore, it can create large files because it maintains the pieces of the image to 300 pixels per inch or higher and it is suitable for commercial printing, as long as the printer tells you that RGB content is not serious and dynamic transparency is acceptable. Some older workflow does not support dynamic transparency, or they treat well, and that's why always ask. It is a special case in Illustrator, something called default Illustrator. Its compatibility is Acrobat 6 or higher.

  It does not perform the color conversion, everything continues like this. It supports transparency live, not flattened, and it also contains the original, editable Illustrator file in the PDF file. It preserves layers and it may be return, can be reopened safely in Illustrator and it's really the only PDF format you can do with safely. But it can create larger files, because you sort of two files for the price of one, they sometimes get huge.

  So what predefined PDF is Right For You? Well, if you want to send for printing, the first thing you should do is to ask your printer how they want the created PDF.

  They should be able to give you the plug for the creation of the PDF file. They may be able to give you job options files you can simply import and use as your preset target. But if it's a stranger the printer or the printer for some reason any said, well, I don't know, just make a PDF and this happens, well, choose the lowest common denominator to the PDF/X-1 test. Anyone can image that. If it is a more modern printer and up to date, especially if you send it to someone who uses digital presses, PDF/X-4 should be safe.

  I always go back to point one, ask the printer. If you send it as an attachment or you're going to post online, well, smaller size of file is a pretty clear choice. But remember this, you can start with one of these predefined parameters, and you can always edit it to customize your specific needs. So get to know the presets, understand the destiny of the PDF you create, and then make the best PDF that you can.

• Colors do not match from Lightroom (checked ICC, cab version and color settings)

  Greetings,

  I have a picture of the water in the rocks in Lightroom CC 2015. Do you have all my settings and it looks the way I want it. He sent to Photoshop CC 2015 and I get this strange halo neon-aqua in the water.

  The image has a DNG from a Panorama in Lightroom, so I tried the following:

  1. check that the treatment of color Aqua/Blue in Lightroom. Restore all files source panorama 0 and rebuilt. Same question.

  2. export file looking for good Lightroom as TIFF, then open it directly from Lightroom. Same question.

  3. open the TIFF file in other applications (e.g., Pixelmator, Raw Therapee). Image looks exactly as it does in Lightroom, so question should be in Photoshop.

  4. change the settings in the color settings in Photoshop. Tried of perceptual and Relative. Have all the options under "Color management policies" as "Preserve" and all options are checked. All combinations led to the same question.

  5 enabled setting in Camera Raw by bridge and resynched setting for the CC apps. Same question.

  6a changed to write the settings Lightroom develop in format JPG, TIFF, PSD files (I always checked even when XMP). Same question.

  7. calibrate the monitor with X - Rite ColorMunki Photo. Same question.

  8 calibrate the monitor with a gain of X-Rite ColorMunki Photo, but this time with the ICC v2 profile. Same question.

  9. turned on GPU (MacBook Pro retina end 2013). Same question.

  10. tried to re-assiging and profile ProPhoto RGB conversion. Same question.

  11. I usually export to Photoshop as 16 bit, ZIP, 300 dpi, ProPhoto RGB TIFF. Tried to export to Photoshop as PSD. Same question.

  12 tried exporting as sRGB and AdobeRGB. Who worked in the sense that the halos of aqua has disappeared, but the image is duller than in Lightroom (although a so slightly).

  In view of the fact that the image is displayed as expected in all applications, but Photoshop (well, Illustrator as well, but it converts the subtle colors of the water in 8-bit, so I'm not sure that the problem is the same), I suspect I'm missing something in Photoshop. In addition, it seems to only affect how Photoshop interprets the images with ProPhoto RGB profiles. I don't remember having this problem with previous versions.

  All the foregoing is CC versions and is up to date. ACR is 9.2.

  Steps 1 through 9 were the ideas that I found elsewhere in the forums, but I'm out of ideas.

  A reflection as to how I can continue to use ProPhoto RGB, given that my entire workflow is based on that?

  Thank you very much

  Paul

  Screenshots would help, but from what you describe this must be your monitor profile. A problem with the profile itself, or an application is not loading the correct profile.

  It does not matter what color space you export from Lightroom. These applications are the two color managed and will display the file correctly regardless of the color space. They must be synchronized (the exception is the threshold effect that can happen from Adobe RGB to sRGB, but you won't see that on a range wide-screen.) Any cutting of ProPhoto was moot because you don't see, in any case, on any monitor).

  So when you say you see a difference between a file exported as ProPhoto and exported as Adobe RGB or sRGB, it's a smoking gun. Something wrong here, and the main suspect is still the monitor profile.

  The two find themselves in the same monitor profile, but the source profiles are different. In Lightroom, it is linear (gamma 1.0) ProPhoto, in Photoshop gamma 1.8 ProPhoto, Adobe RGB or sRGB. Conversions are so different. This is why a bad profile may appear differently in different scenarios.

  Basic troubleshooting is to replace the monitor with a known good profile. That would be the sRGB or Adobe RGB, depending on whether your monitor is a standard or wide range. Then see if there is still a difference. Be sure to restart both applications when done - they load the profile screen on startup.

  

• Validate and adjust the color settings to start InDesign CS6 and CC

  Is there a way to check what the FSB settings file is selected each time InDesign starts? I tried this script with a javascript script that allegedly worked with CS4. The field that is referenced 'app.colorSettings.cmsSettings' is not recognized as a valid field.

  Here's the script:

  var settCol = "Our-color-settings-name ';
  isSet var = app.colorSettings.cmsSettings;
  If (isSet! = settCol) {}
  var userinput = confirm ("do you want to change your color settings? (\nYou have"isSet +" color settings selected\n\nWe recommend change if you are doing a job for the catalog! ", true);
  If (userinput == true) {}
  app.colorSettings.cmsSettings = settCol;
  (alert ("you have the" + settCol + "selected.\n\nTo change this select color settings from the Edit menu"));
  }
  }
  else {}
  Alert ("You have the color settings" + isSet + "selected.\n\nTo change this select color settings from the Edit menu.");
  }

  
  

  Thank you
  

  Yes, you can check for this and turn CM like this:

  Tell application "Adobe InDesign CC 2014"

  Define mySetting 'PARAMETER Name'

  VR;

  the value currSetting settings CMS color settings

  in case of error

  currSetting the value «»

  try to end

  If currSetting is not mySetting then

  dialogue box "do you want to change your color settings? You have "& currSetting &" color of the selected settings. We recommend to change if you are doing a job for the catalog! "buttons {'Keep', 'Change'}

  If the back button on the result is 'change '.

  VR;

  Set set to true color enable color settings management

  set the color for mySetting settings CMS

  try to end

  on the other

  return

  end if

  end if

  tell the end

• Is it possible to restore default color settings without resetting the preferences?

  Running InDesign CS6 and I accidentally changed the color settings (long story). Now every document I open past that comes with a profile mismatch warning.

  I would like to reset my color setting by default (with all my materials online), but I can't find anywhere on the web, what should be the original settings.

  Help, please.

  (PS - I currently get the warning for RGB and CMYK)

  Out of the box, to the United States, it would be General 2 goal in North America, which is not, in my opinion, a good choice for anything.

• LR4 and CS4 color mismatch

  I'm working on a print image and I had to take the image of the LR4 for CS4 to edit more vast, that I couldn't do in LR (using the clone brush major - pain in the neck to do in LR). I did a lot of research and made the suggestion given to cases similar (but different) with nothing doesn't. Here is the results of my experiments:

  • LR4 open files in CS4 via LR loses a lot of orange hues, loses contrast and just generally look washed out and anemic. File opened using LR copy by applying adjustments.
  • Exports LR4 (JPEG, TIFF, PSD) looks ok in Preview/Finder of Mac as they are in the LR4.
  • LR4 exports seem to always anemic when opened manually separately in CS4.
  • I imported the export files to LR4 and they look very well (not washed out as in CS4).
  • I did anyway the clone brush in CS4, saved the file under a different name, they look washed out in CS4, but take a good look when open in the Mac preview AND when they are imported into LR4.

  I tried to change the settings of export in LR and PS color workspace both match each other (sRGB, AdobeRGB and ProPhoto RGB) and the difference in color is still visible. I use a start 13 "2011 Macbook Pro with the native of the calibrated screen only, using Spyder3 Elite. Assesment Spyder 3's nearest to AdobeRGB with more than yellow/orange cover AdobeRGB color space of the monitor.

  OpenGL checked or unchecked box also made no difference.

  Can someone help me please? At this point, I'm ignoring the washed color in CS4 and just using LR4 as my reference.

  Hi, I did not read the other thread, but I would like to

  Download a copy of the .jpg ProPhotoRGB PDI marked here

  www.gballard.net/Photoshop/pdi_download/

  then open it in Lr and Ps (using the embedded profile, do no conversion)

  which is off?

  If Photoshop is badly displayed, you are probably being hit with the scene referred, OpenGL, or profile version 4 bugs

  information on the profiles of bad and bugs here

  www.gballard.net/PSD/colorlooksbad.html

• Between 5.5 and CS4 color management problems

  I'm faced with a problem of color management and would be very grateful if someone could help me with that.

  I'm working to create in inDesign CS4 (6.0.6) and using my usual color management settings. I set up at the bridge in my CS4 and then use in InDesign, Photoshop and Illustrator. My settings are for jobs printed here in the United Kingdom, as follows:

  ---

  Workspaces

  RGB: Adobe RGB (1998)

  CMYK: Coated FOGRA39

  Color management policies

  RGB: Convert in the workspace

  CMYK: Convert in the workspace

  All three 'request when opening' checked

  ---

  Then I have a customer takes the file InDesign me, working there and returned to me to complete the development and execution of the high pdf - are for printing. It runs the latest InDesign CS5.5. I have him ordered to open InDesign and set his Edit > color... settings as follows without any open file is by default (am I do this bit correctly, it will work through all the files I send?):

  ---

  Workspaces

  RGB: Adobe RGB (1998)

  CMYK: Coated FOGRA39

  Color management policies

  RGB: Preserve embedded profiles

  CMYK: Preserve embedded profiles

  All three 'request when opening' checked.

  ---

  We did some testing and it doesn't work. It can open and work on the file ok and I see text changes she did without any problems.

  But when I analyze his record returned in detail, I can see that his record is now showing view > test format > Document CMYK - us Web Coated SWOP (v2)

  that suggests something coming to an end that applies US profile. I can change the configuration of evidence to work: Coated FOGRA39, but prefer the US profile never made his reappearance!

  My apologies if I'm doing a very basic error or errors here, but I usually have my color management just on my own system, so this is new territory for me. If anyone can help with what I should advise him to do to an end, I would be very grateful (she is about 300 miles north of England, so can't easily try the options on his MacBook Pro myself!)

  PS I also noticed that some items on the page have been modified when exporting .idml to 80% of transparency-enough to fool me for a while that the colors had changed over those too, when in fact I don't think that had anything to do with the issue of profile, probably just a bug between economy of process CS5.5?

  The easy way to get your colleague to use the settings that you want, is likely to create a .csf (color settings file) by pressing save button in the Edit > color... Settings dialog box, then having his press office in the same dialog box and selecting your .csf you sent.

• OfficeJet 7610 large format: Advanced color settings

  Bought an Officejet 7610 wide format e-all-in-one more than 1 year ago.  Finally put in place.  Am I correct, that there is no advanced settings of color as my old Photosmart C6280 - brightness, saturation, hue, and settings for each color? Is this what current HP - Photosmart line?

  Hi @jyz2100,

  Although the advanced color settings may be different, there are options with software and print, dialog box that you can modify. I wonder if you might find the following useful information:

  The default sRGB mode

  The default sRGB color space is the most common configuration for print jobs. As mentioned, most of the images are sRGB and sRGB offers color high quality automatic without user intervention. When sRGB is selected, the driver controls the color management. Color management should not be attempted with ICC profiles, while the pilot is set to sRGB mode. This will lead to generally low color fidelity.