C7100 series: color C7100 issue

Similar Questions

• Preview color management issue - glued assigned Adobe RGB image

  I often web elements page layout in InDesign that my composition tool, then copy and paste in Photoshop as a smart object to then generate optimized web images. It's just easier to use photoshop. Problem, it is in the latest versions of Adobe have clogged the engine of anti-aliasing and now when rasterising a PDF file or paste a picture also as a chip oppose any portion of the image of this asset is smoother. You don't really notice that if the image of origin placed in InDesign is say double or more this resolution of the web version of final product, the scale hides the issue. But if they are closer to really see faceting full size occurs. Long story... anyway, I decided to study the implementation overview of Apple as a gateway for the rasterising instead of photoshop. He did a good job on glued assets resampling, but on this point saving and checking in Photoshop, I note that Preview assigned Adobe RGB profile to the processed image. Even if I opened the InDesign PDF and export as image in my size. My color workflow is sRGB. InDesign and Photoshop are two parameters in this way, the image placed in InDesign also has sRGB profile, the PDF has sRGB profile. If I copy / paste between InDesign and Photoshop, they are both aware glued Trump space and warn me if different from that of the target document. I have no idea where Preview becomes Adobe RGB, I don't see its place in the app to change that as a preference, and in any case, it seems very strange to be a defect when most of the people would not use them.

  In the preview, click on the tools bar menu point and scroll to the bottom of the drop-down list to assign the profile

  the next submenu you can click on and select sRGB at the bottom of this list. To save this profile to your image,

  do a "save under" (click on file, press the option/alt key Save As should appear). You can also test under the view menu bar item.

  

• Graphic customization Flash series colors.

  I have not found what I'm looking for in the help so far...
  
  I have a few 'series' in my Flash card. It is a simple 2D line chart.
  
  According to the 'Look' I choose, the series changes the colors of the line. I need to assign my own colors to each of them. I don't see anywhere to do such a thing in the chart (or how do for that matter :)).
  
  Someone at - it experience with this?
  
  I think that it is version 3.2, we use...
  
  Thank you

  Hello

  If you select "Custom colors" table attributes color, then color in the text box of "Custom colors" as
  #9999FF, #66FF99

  You can also click 'Flash' under the text is to convene the color picker to help you choose colors

  BR, Jari

• 79 Service error on Printer series color LaserJet Pro 200 M251

  I use this printer with the operating system Mac OSX 10.9.4 for about 9 months.

  Now, I get an error message from the Service 79. I tried to turn off the printer and the several times without success.

  Curiously, when I try to print a document, a message keeps appearing on my computer that says "the printer has been suspended. You want to resume printing? "When I click on the button resume, nothing prints.

  The manual States that the 79 Service error message is related to a firmware issue? Do you know how I can fix this problem?

  Thank you very much

  Stone

  Hi NebraskaPierre,

  By your post, I see that you have found a Service 79 error on the printer. I can help you.

  Make sure that the printer is connected directly to a wall outlet. (do not use a hub or a surge protector) This ensures that the printer is full on and can help this situation.

  This can be caused by malformed PostScript documents.

  Follow these steps:

  Locate the power switch on the bottom of the printer.
  Turn the printer off position and COUNT to 10.
  Turn on the printer and the system should be all together.

  Try printing from another application to see if you have the same problem.
  
  If a print job from your hand repeatedly causes this error, this may indicate a problem with the print job.

  Try to split your document upward more before they print it.

  Fix permissions of the drive on the Mac:

• PIXMA Pro 100 color space issues

  Hello

  I have a few questions related to printing from lightroom, I'm new on this bare with me.

  (1) I have a canon 7 d I shoot in Raw 12-14 bit? and most of my treatment is done in lightroom, so no need to export to photoshop, however if I would be this export as 16-bit tiff or Jpeg? So, if I had to after post-processing in photoshop then back in lightroom, this would allow only me to print in tiff or jpeg format is correct as a psd/jpeg file?

  (2) given that I only edit in lightroom I can print directly in Raw CR2 format 12-14 bit using canon plugin pro printing studio? or is it exported to the translator as a 16-bit file? and then use the ICC profile that is (canon paper) for best results paper mill, I lose a quality of colour printing by printing from Raw 12-14 bits instead of 16-bit tiff/jpeg.

  (3) using the profiles of ICC paper mill, the original raw will deposit 12-14 bit sRGB 7Dcamera be translated to the printer default Lightroom or is the color space is not necessary because I have not converted to 16-bit in post processing?

  (3) I did not have my calibrated monitor yet but intend to do so in the future, but until then I'm not messing around with pro, photoRGB Pro or Adobe RGB or sRGB mode.

  (4) if I use lightrooms canon pro printing studio Player is the color space translated automatically the settings of my camera or do I have to activate it in lightroom first?.

  (5) I use a Mac running yosemite 10.10 and to learn more about ICC profiles where the factory ICC profiles download how and where to store can you recommend a joint Web site to learn how to do this on a mac?

  (6) as you can see I want to just print the best images from the camera to the printer without much science involved but I'm willing to learn, but get confused with the post-production of workspace different menu software for best results, that I'd do it prosume until I get my proffesionally calibrated monitor would print from Raw with the factory ICC profiles?

  7) color space and calibration of the parameters are all about what you have on the print screen or it is mainly for the depth of extra color to print?

  I can calibrate my monitor on adobe RGB and have my camera shoot on adobe RGB-calibration with the software, but said I need correct color surveillance devices? If I were to do this and still just used paper ICC profiles the footprints would be better?

  My first impressions were excellent, very similar to what I see on the screen in all cases but I checked the lightrooms settings and these are on Pro photo RGB for external editing and it of color space for printing pluggin also studio, or is it just native Raw sRGB if I change the settings it says I'll lose the color space maxium potential.

  Sorry for the influx of questions :-)

  Thomas

  Hahnemühle has an excellent explanation on downloading and adding profiles for PC and Mac

  http://www.Hahnemuehle.com/en/digital-FineArt/ICC-profiles/installing-profiles.html

  Print Studio Pro is rather obscure on the use of profiles than those installed, but it's pretty simple.

  In the area of setting printer settings choosing fine arts I or II (I used one and it seems to work)

  Then in the color management box, use the pull down to find the right profile added.

  (I posted this before, but the post was deleted for some unknown reason)

  

• Illustrator and blending modes. Color management issue.

  Let's say I do 2 circles with 2 different fill colors. Then I meet and mix with multiply. Is it possible to save the color resulting on the intersection?
  Thank you!

  Object > flatten transparency

• Adobe CS4 color display issues

  I use Windows 7 x 64 running CS4 with all Adobe updates. I don't remember when this problem started, but he used to look good, then one day decided to do not. This image is a side-by-side of the original image with the image which shows CS4. The image inside the CS4 is on the left. You can see that he has lost most of the color, making it virtually impossible to work with. If I use the eyedropper tool in CS4 to select a color in the image, it takes the appropriate color, as displayed in color in the attachment tab. Last and certainly the strangest, if I drag the window the image sits in CS4, it shows the color while being dragged, but as soon as I let go, the colors go all wobbly again.

  I really need help with that.

  

  You must set your display profile and possibly update your video card driver (you can test this by disabling the OpenGL drawing and reopen the case if suits him, then the cause is the display driver).

• messy color management issues

  I created a few illustrations of hundreds of Quilt to CMYK. The colors in the illustrations are approximate and there is no way around that. Illustration files have been created well before I knew that I have to do the color management.

  My office is as neutral as I can get it, which shouldn't be too hard.   And it will have the desired ambient light. The book goes 4 x color press. The office of printing service provided me with the ICC profile for their press.

  This is the first piece of the puzzle: the quilt is in Wisconsin, and I am in South Carolina. Thus, specific colors are a problem. I sent the author a book of fan of Pantone Coated 4 color Process and asked to match the colors of cloth with Pantone colors as much as she can then send me the CMYK values. The book will be printed on coated text papter. It seems logical that if I am using profiles right and using its CMYK values, we should get a reasonable color rendering. (Note that I didn't say "exact").

  So the question #1: as a starting point, this approach has a sense for you?

  Next piece of the puzzle: I will soon receive a photograph of the quilt in RGB (obviously). The photographer takes snapshots in Adobe RGB. This photo will be the only source of color information, I have, except a few samples of tissue from the quilt.

  So question #2: if I convert to CMYK photo so it has the same color profile that the illustrations, if a color of the carpet seems like a match reasonalbe with the corresponding color in the illustration, can I rely on this information?

  Regarding correction of color between red and green, ago more red and reddish brown than green, so the intention of encouraging the reds in the profile.

  I'm probably too simplify these problems. But I'm in the ballpark?

  Thanks in advance.

  Toni

  Toni,

  Sorry for the delay: the ragworts kept luring me further and further away (others may have other excuses, or maybe wait silently, relying on my ansering as soon as I'm back in the cool of the farm, I hope not just waiting to go for we two).

  I created a few illustrations of hundreds of Quilt to CMYK. The colors in the illustrations are approximate and there is no way around that. Illustration files have been created well before I knew that I have to do the color management. I assume you used a limited number of colors, matching fabrics, so you can change shades or use Select > same > fill color, no?

  My office is as neutral as I can get it, which shouldn't be too hard.   And it will have the desired ambient light. The book goes 4 x color press. The office of printing service provided me with the ICC profile for their press.

  This is the first piece of the puzzle: the quilt is in Wisconsin, and I am in South Carolina. Thus, specific colors are a problem. I sent the author a book of fan of Pantone Coated 4 color Process and asked to match the colors of cloth with Pantone colors as much as she can then send me the CMYK values. The book will be printed on coated text papter. It seems logical that if I am using profiles right and using its CMYK values, we should get a reasonable color rendering. (Note that I didn't say "exact").

  So the question #1: as a starting point, this approach has a sense for you? It does: it's perhaps the best way, assuming that the book is based on the same standards of color than the ink used by the printer (the book in front of me is Euroscale). This means that the author is rather deeply involved in the management of the color, which can be a good thing (she knows more or less what is possible and what she gets).

  Next piece of the puzzle: I will soon receive a photograph of the quilt in RGB (obviously). The photographer takes snapshots in Adobe RGB. This photo will be the only source of color information, I have, except a few samples of tissue from the quilt.

  So question #2: if I convert to CMYK photo so it has the same color profile that the illustrations, if a color of the carpet seems like a match reasonalbe with the corresponding color in the illustration, can I rely on this information? I doubt: depends on the correctness of the colors in the picture (only the author can say, perhaps), and it's two-step, fabric > RGB > CMYK. You can use it as an additional reference.

  Regarding correction of color between red and green, ago more red and reddish brown than green, so the intention of encouraging the reds in the profile. I think you should go for a good game in the Greens (and other colors), to have balanced and enjoyable work.

• Match color of series for a table and a chart?

  I created a table with 4 sets of data.  Then, I created a graphic line with this information.  I noticed that when I select the line graph the data in the table becomes highlighted with a lighter version of colors used in the chart.  Each series Gets a corresponding really nice color to match the graph.  As soon as you select any where else these colors disappear.

  Is there a way to automatically match line chart series color color of the card?  If this isn't the case, I see this as the colors that appear in the table so that I can put in manually?

  Select the series by clicking on the graph, then any "point":

• Inverted color scanning

  Hi, I'm legally blind and cannot read the text in black and white. I need to turn my scanned documents to white letters on a black background. Is there a way to do this? I have a Canon MP495

  Hi elweezo,

  Reversing black and white using the interface of scanning your PIXMA MP495 only is not supported.  To invert the colors, the issue will have to be scanned and then reversed using software such as Adboe Photoshop or Jasc Paint Shop Pro for image editing.

• PDF from file HAVE not all the colors shown on the screen, print a few.  Why?

  I did a number of files to HAVE colored and convert to PDF format so that the public of the contents can be read.  I HAVE it compressed files when converting to PDF.  On the screen, the PDFs look good, but when they print only some of the colors come out.  The remaining content is gray.  How can I get the prints to look like what I see on the screen?

  OK, it's beyond color management issues :-)

  Are what kind of colors?

  Spot colors?

  Are perhaps those colors in a document placed?

  What did you exactly the document?

  Save the Illustrator? Like what?

  Print in Illustrator?

  What printer?

  Have you checked the driver of the printer?

  Most of them have their own color settings that could make additional conversions.

• Posterlization/Banding Office of the colors displayed in the camera «D610» profiles

  Greetings,

  I have several question of the color of the strips/posterlization the selection of camera calibration tab portrait profile camera LR.

  My image is a D610 Nikon SLR RAW file and the color of the strips into shadow shows quite clearly when the zoom to 100%.

  Surprisingly, all as Vivid, Neutral, Standard and Lancscape camera profiles are the same color of the strips. So I have no choice except using the Adobe Standard profile which I prefer not to due to my customer's requirement.

  However, I also meet this same problem as well in RAW D700 file during post-processing in LR. But the problem can be solved easily by changing just the old profile of the camera to the new V4 version.

  I use Lightroom 5.7.1 64-bit Macintosh. Is there anyone facing this problem like me? because most of my photos is photographed by D610 and this problem bothers me a lot.

  Any suggestion given to me would be much appreciated.

  Thank you

  Boyd

  1 D610 - camera Portrait profile - color banding issue

  2 D700 - portrait camera profile - color banding issue

  3 D700 - camera Portrait profile V4 - problem solved

  Here is what I see using the latest plugin cab 9, which was equivalent to the more recent treatment programs 6 LR and LR CC 2015, so a version of the problem still exists.  I'll pass this information and your sample NAVE along Adobe and hopefully they can fix in the next version, but if LR 5 can be fixed, I'm not sure.  Assuming that Adobe releases new profiles for the D610 with the next version of LR and ACR (6.2, 9.3) then you would hack things LR 5.7 installing the DNG Converter 9.3 (or whatever version a better profile) then copy into folder LR resources on top of the older profiles, or at least put in the library user profile location well if old and new profiles have the same name Maybe you couldn't access one you wanted.

  

• Colors seem to be desaturated when previewing and working on images in photoshop. Screen also flickering when using tools. Help

  Colors seem to be desaturated when previewing and working on images in photoshop. Screen also flickering when using tools. Help

  For color related issues. Make sure that your monitor is color calibrated.

  Also disable camera raw 'use of the graphics processor.

  Go in Edition > Preferences > Camera Raw

  

  How can I check if my graphics driver is up to date

  Please see how: install and update drivers in Windows 10 - Microsoft Community

  What happens when you switch to the mode Basic Drawing in Photoshop

  Go in Edition > Preferences > Performance > advanced settings and setting mode "drawing" at the base

  

  Concerning

  ~ Assani

• circleItemRenderer = border color

  Hi, I created circles for my data in a chart.
  
  I am able to change the color of the black line and circles the black series color.
  
  but I can't just change the color of orange border of circles - it seems to take from the default series color...
  

  You talk to a newsbot automated... and not a very intelligent of what I gleaned over the past week. But give it some time, the algorithms of AI will probably improve.

  Try adding to your init() function:

  series.setStyle ("stroke", new stroke (0 x 000000, 2, 0.4);

  TS

• CM2320nf: macOS driver Sierra (10.12) for CLJ CM2320nf?

  Hello world

  I have a CM2320nf on my network home and downloaded what I think is the most recent driver for Mac OS X (v1.5.0) but when I try to install it on my Mac OS system Sierra (10.12) I get the error;

  

  Of course, my OS is over 10.6 but I guess the installation program can be stifling on the change of name ('OS X' at 'macOS') or he sees not all the digits in the version number (see "10.12" under "10.1").

  Y at - it a package of latest driver, that I could use or y at - it a trick that I could use to install the drivers on my Mac?

  Thanks in advance!

  Larry.

  Hi Larry,

  For printing, if it does not list the printer model downlaod and install the following package:

  https://support.Apple.com/kb/DL1888?locale=en_US

  When adding the printer don't forget to select the inside of the series Color LaserJet CM2320 MFP use the dropdown not PostSript ageneric driver.

  As mentioned, only print and fax are supported, the scan is is longer supported on any Mac OS X later than Snow Leopard (10.6).

  Try the of VueScan 3rd party application which seems to support your scanner:

  http://www.Hamrick.com/VueScan/hp_laserjet_cm2320nf.html#technical-information

  Kind regards

  Shlomi