Canon 550 d

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• Photoshop Cs3 using windows XP tries to import the raw files from Canon 550 d.

  

  I get this message when you try to import the raw files from my canon 550 d. I use Photoshop CS3 on windows XP. I tried to download updates, but this does not seem to solve the problem? Any advice on how to fix it? downloaded 4.6 as advised, but it did not work!

  Any advice would be much appreciated.

  Kind regards

  Claire

  Definitely. You need the version 5.7, which is only for CS4.

  You need a DNG Converter, but since you're running XP, it will be the 8.3 DNG Converter

  Adobe - Adobe Camera Raw and DNG Converter: for Windows: Adobe DNG Converter 8.3

  Camera Raw: How to use Adobe DNG Converter - YouTube

  Gene

• Canon 550 d and colors of Photoshop CS5 does not not to

  Hello

  I am trying to load RAW photos taken with a Canon 550 d in Photoshop CS5. Photos are taken in sRGB color space. As you can see from the image below (with the same photo shows Digital Professional Canon Photo on the left and the Adobe's Camera Raw import dialog on the right), the colors do not match:

  http://www.Studio-Magazine.com/pics/various/canon_adobe/Canon_vs_Adobe.PNG

  It seems as if there is a different white balance, but I can't tell if it's the problem. Playing with the different color settings in Photoshop not led me to a match between the original image.

  I had this same problem with a Canon Powershot S60 and an earlier version of Photoshop (CS2?) in the past. Is there something that should be set on a Mac, when loading the cannon photos in Photoshop?

  Paolo

  Try the Standard camera and Adobe Standard profiles in the camera calibration tab in Camera RAW plugin for Photoshop, where the camera Standard profile is supposed to be the closer for the treatment of the device, but only approximately.

  Regarding your particular side-by-side, the blackpoint in the version of Adobe seems to be higher which makes all darker and increases the contrast, which naturally reinforces colors: white clothes in the foreground being bluer, the purple shirt in the background, so that the bricks you mention all are more saturated.  Try to move the closest low blackpoint zero the default 5, or even change the default toning curve of medium contrast to something less and see if that changes things.

  If you find you want less contrast or a lower blackpoint in your images, you can change the default values of Camera RAW to be something different.  Be careful in the default settings based on one or two images, however, because if you have Auto lighting optimization and/or highlight priority are your license and those get picked up in DPP then you will try to match a moving target that the camera performs its own optimizations before you create the JPG file.  If this is the case, then you might as well just by pressing the Auto toning button in Camera RAW and start tweaking from there.

• I can't open files taken with a Canon EOS 550 d in Lightroom 2 RAW

  I can't open files taken with a Canon 550 d in LR2 RAW.

  I tried to download a patch, but I received an error message.

  I think there is another plugin that I can download, but I can't identify it.

  Please help me find.

  Thank you.

  Download and install LR 2.7.

  FTP://FTP.Adobe.com/pub/Adobe/Lightroom/win/2.x/

• Importing in lightroom Canon cr2 files 5

  I recently updated from a Canon 550 to a 760 D. Since when I could not import new raw files in CR2 format. I had no problem with the import of these files before changing my camera. I checked and han perfectly up-to-date with updates to Lightroom?

  !

  Hi miketwine,

  Canon D 760 requires at least 6.0 Lightroom. See devices supported by Adobe Camera Raw

  Upgrade to Lightroom 6 or use the DNG Converter to be import in ti in Lightroom.Refer Google dng files

  Kind regards

  Assani

• Video of the 550 d is not made in CS4

  I have edited and made video successfully in the first Adobe CS4 using my canon HF100 (AVCHD) camera. I now have a canon 550 d (.) MOV files) and can do everything independently get the video for rendering. I can set up the chronology, smooth video, insert audio, play back fine in the preview pane on the RIGHT side of the window, but when I try to make the final product, nothing happens when I click on the record button.

  Since the new type of video plays and previews OK in CS4, I guess, he acknowledged the video format, but strange, nothing happens when I try to make it, no message, nothing.

  Could it have to do with my type camera setup when you install the new project? Any thoughts appreciated.

  Brian,

  First thing I would do would be to scrutinize the AV files, noting all the parameters. G - Spot or MediaInfo you should get most of these settings.

  Then in PrPro, create a new sequence, choose the Preset of office and adapt then all attributes to match the settings of these files. Drag one of this new sequence as a test. There is now no line. How it works (when you return-)?

  Good luck

  Hunt

• Need to buy recommendation on my next photo/goal unit.

  Hello

  To start with what I have now for 2 years:

  Canon 550 d with

  Lens EF-s 18-55mm f3.5 - 5.6 IS STM and

  Lens EF-s 55-250mm f4-5. 6. IS STM

  I saved about $3500 and I am looking for my next investment unit photo/lenses. I'm mainly in the wedding and photography macro, and ocasionaly do sports and wildlife. So far, I used this with a few accessories like triger remote wireless and a tripod for my work. But I guess its time for an upgrade. I would like to stay with canon as a camera brand, but am open to unsupported lenses.  Please put your suggestions for me.

  Thank you.

  Your 550 d (T2i) is an older model, but the sensor is basically unchanged for T3i, T4i T5i, as well as the 60 d and 7 d. The sensor in the new 70 d is improved a bit, but the real difference/innovation in this sensor is the dual pixel technology which is especially good for live view/video.

  A crop sensor is actually good for the sport and macro and wildlife due to the pushing of focal length 1.6 x. The only thing in your list that would really benefit of going full-frame is weddings, where the extra 1 or 2 stops of salvation ISO image quality would be great for Sun/Interior/night shots. A 6 d would be good for that, but good of course none of your existing lenses it if you need new ones.

  You would benefit from autofocus improved sports and wildlife. The 70 d 7 g-d good 19 points AF system, it is really very good.

  No matter what, you must update your lenses. You always put money in glass first, no body. You could really keep the T2i and upgrade only lenses and you would see an incredible help. Here would be my suggestions:

  1.). a fast Prime (or two).
  You have nothing of what is good for shooting in dim light. (premiums) fixed-length lenses are brighter, sharper, smaller and are also less expensive than the equivalent IQ zooms. You could get a 50mm, which is equivalent to 80mm on a crop. It would be stronger than your kit lenses, would be the perfect portrait of head and shoulder-length and leave 4 x more light into the camera. Canon 50 f/1.4 If on a budget ($350.00). The new Sigma 50 mm pre-order if you want something amazing (Google it!) The buzz is huge). for $950,00. He has the IQ of a $4,000 Zeiss lens 1/4 the price. The two works on full frame, if you never like that.

  For the macro, Lenses Canon 100 mm would be great. Or you could get the EF-s 60mm Macro lens that would double as a portrait lens, but which could allow you to get within a few inches of your Macro shooting subject to magnification full 1:1.

  A 35mm would be a long walk-around you. Canon has a good news, and the Sigma fact in his new f/1.4.

  2). a good telephoto.
  The Canon 70-200 is great "big white" L glass and they vary like $700-800 for the f/4 version and non - IS up to the almost legendary f/2.8 IS version 2, which is like $2 300, but is worth it. TIS will be good for the sport and weddings but short for wild animals, especially birds. I hope for the sake of your budget you have no interest in birds, because the super telephoto lenses cost huge dollars.

  See this for weddings: http://www.the-digital-picture.com/Canon-Lenses/Canon-Wedding-Lens.aspx

  And for indoor sports: http://www.the-digital-picture.com/Canon-Lenses/Canon-Indoor-Sports-Lens.aspx

  For the outdoor sports: http://www.the-digital-picture.com/Canon-Lenses/Canon-Outdoor-Sports-Lens.aspx

  For use general zoom: http://www.the-digital-picture.com/Canon-Lenses/Canon-Telephoto-Lens.aspx

  You could do a thing 2 body too, with a little practice. The T2i with a long lens and a 6 d with a 35mm or 50mm for close shots.

• capture of animals living stop motion in first using onion skin

  I want to connect my canon 550 d with premiere pro cc I can live animation stop motion capture with capabilities of onion skin.
  Or any other adobe prduct possessing these abilities?

  First works only with tape in camera and firewire.

  There is probably a software that can do this, but I have no idea.

  Google to Stop Motion software.

• Pixel formats

  Hi guys

  I use Pr Cc2014 and I edit clips taken with my Sony Z1 and my Canon 550 d (Rebel T2).

  My sequences are a mixture of excerpts from these two cameras. My exports were very good, but the quality could be smoother. To ensure my exports will have the best quality, I am doing the clips in my sequence as close to the other format as possible. A big difference is IRON. The Z1 is not square, but the 550 d is square. I know how to change reports, but it throws the dimensions of the image.

  Anyone has any advice on the best way to change the dimensions?

  Kind regards

  Graham

  Make a sequence to match the square pixels camera, I guess than 1920 x 1080, images of non square pixels should just drop directly into what he has to get converted to fit.

• I had to do a factory reset on my W7 64 bit PC and reload my software. Now I can't access the CR2 files. Help!

  I had to do a factory reset on my W7 64 bit PC and reload my software. Now I can't access the CR2 files. Help!

  These are the files that I have consulted before the reset and come from my Canon 550 d.

  Do I need another plugin?

  I think the key is that the updates failed.

  I suggest try to update manually via the packets 'Camera Raw 6.7 Update' and 'Adobe Photoshop 12.0.4 updated for Adobe Photoshop CS5' found here: Adobe - Photoshop: for Windows

  -Christmas

• Problems with recognition of files.

  Hello

  Due to the size of the project, that I am, I had to collect and move the whole project from my laptop to a desktop PC. The first 5.5 is the same as on my laptop. In this project, I used the files captured with nikon and canon 550 d d5200. The problem is that the PC does not recognize the files captured with the d5200. He sees them as audio files. Do you think I have a problem with codecs or what?

  Thanks :)

  Thank you. I solved the problem. I had to install quicktime player :)

• Time-lapse on PE11 - how to?

  Just bought (a steal at GBP11-79 equivalent USD 16-70) a Neewer timer remote control Rs-60E3 for Canon 550 d / T2I specifically to start photography of time, another new start for me.

  I would like to know if there is an article on the Discussion Forum on how to treat separate pictures to get a good effect.   Harrington on one of its sites has a few videos on getting real photos (and I don't know that he is right to insist on their shooting in RAW format and treatment in ACR before making the video).

  Steve has a section on the creation of a slide show in the menu Organizer (and also earlier in the book in the active project, I believe) but I have not yet tried it, and I couldn't see (although I only looked through it quickly) something specific on what makes time.

  For a time effect, you import, say, a couple of hundred files, make a slideshow, simply use the tender time to speed up the final product?

  No doubt the length by default in imported seconds still photos also has to be re-defined, for example, 1 second, 2 seconds?  (If this is the case, would be a so there is no need to change with the Time Stretch?)

  I looked at the Muvipix site, but could not immediately see the time, and I have not yet found anything on Harrington on transforming the RAW files in the timelapse video (also it is not dealing specifically with PE).

  Thanks in advance for any guidance on this.

  BTW, the customer examines all say the timer Neewer (as above) is as good as more expensive Canon, the equivalent but they all lament the fact that there is no power switch although most adds that it is a simple matter of the batteries after each use.

  Part of my interest in the time, apart from the inherent fascination of the thing, must deal with the problems of making videos in very low light or at night.

  Brian

  Brian,

  I use the method of Steve, for both time-lapse and Stop-Motion project - similar, but with some differences.

  I have one of my utilities, such as Adobe Bridge (sort of Organizer similar, but with more power and available only with Adobe, such as PS programs, PrE, I, AE, etc.), NaMo (older, free utility file naming), ThumbsPlus (commercial file Organizer) or SuperExplorer (a replacement of Windows Explorer with more power for some things), allows you to rename my files usually a sequentially numbered, say [Clouds_00001.jpg, through Clouds_00099].

  That you set depends on the look you want. I did some, where I wanted to only 1 Frame, by Image, but also made a few, where perhaps dry. 01 (25 fps PAL-Land) gave me the 'look' I was looking for.

  If you go with a short time, then you will probably have to add chained Cross-fades between Images, and to do this, you can set the duration of the fade way down, to the right, to the 1 x 1/2, the duration of the Images. If I were to decide that 25 images (01 s duration) was perfect, then I would put the length of the crossfade about o1 dry too.

  To determine the 'look', what you want, I do a test with only a few Images and experiment with their length, the longer the cross-dissolves, until I had it just as I wanted - then delete the timeline and import these Images, placing them on the timeline.

  Good luck

  Hunt

• Why my raws look different when I view in Adobe Bridge/Adobe Camera Raw and digital P guns

  Hi all

  I'm sorta new to take Raw photos and I have been using Adobe Bridge / Camera Raw to edit. When I take my photos (I use a Canon t2i) I set it to save a raw and jpg. When I find these images in Adobe Bridge / Camera Raw I notice a clear difference in the jpg and raw (I understand the concept behind raw vs jpg. If im not questioning why a different aspect) it is obvious all the adjustments that have been applied to my jpg. gross natural vs.  My question is: when I find the same two images in the software that came with my camera, professional digital photography canon, the canon and believed almost identical look... My hypothesis is that canon applies the same "adjustments" of my own as he did to jpg files?  Anyone using these two programs and noticed it work?

  Thanks in advance for your help.

  Michelle

  Canon software reads the camera in settings and those in the RAW file as the camera software, if applies so the RAW file should open looking like the JPG of the camera.  You can then make adjustments of this starting point.  Adobe and other third party software does not read all the camera in settings and apply instead a default set of conditions for the departure of starting point, which is why the initial image, you see when you open the RAW with Camera RAW file does not resemble the hearing in camera JPG.  Camera RAW's default camera profile is Adobe Standard, which is not the same as the profiles used by the camera.  Camera RAW has it for Canon 550 d camera profiles, which I believe is the same as the t2i.  Click on the camera Calibration tab in ACR (Adobe Camera RAW) and select the camera profile you selected in the camera (camera Standard, trusty camera, camera neutral, Protrait of camera or camera landscape) - all profiles listed are for the camera that took the photo.  This should give you a match much closer to what you get the camera if all other parameters of the camera are nominal values.  You can save a new default value of ACR and in future all images will be open initially using the new default values.

• It will get a response!

  Well, I have a Canon 550 d. I think with the purchase of a Hyperdeck of black magic, with a 60g SSD, shuttle to save images without compression of the camera's HDMI output. It will not be for short scenes, to which I want to apply green screen effects.

  I am told that it works very well. But I also said that I might need to install it on my iMac a codec that will recognize the uncompressed images recorded on the SSD.

  So my two questions are:

  1. is it correct that I will need a special codec, and

  2. my computer, with 16 GB of RAM, will be able to change these huge files in After Effects, Final Cut Express or, without having a nervous breakdown?

  Thank you.

  HV 40 will work perfectly.

• ACR camera camera, manufacturing tolerances and profiles

  For each camera model, there are a set of model ACR camera of specific profiles. Although these profiles are model specific, they are not camera specific. I guess not all cameras of the same model will produce exactly the same colors due to variance in manufacturing. I wonder if the differences in color between the cameras of the same model are visible or negligible? Experiences?

  A similar question: taking the 'same' picture with a Canon 550 d and a camera Nikon D90 and processing the RAWs in LR with Adobe Standard profile can result in very different colors (even when WB setting manually). Should not the processed almost photos look the same?

  Thanks in advance for any help!

  No, to be honest I've never had two cameras of the same model.  There is one of me, and after all, the lenses ARE interchangeable...

  However, I had relationships with people who have multiple organs, and even the same model with the same goal of model body can produce exposure and slightly different color.  It is an observed fact.

  For those who want an absolute consistency, you have to think that a process of profiling should be available that will get them more than just "close".

  -Christmas