Change how ACR interprets color space for raw images

When you browse the raw (CR2) photos with the OS X finder, I love the way color is represented, it corresponds very closely to the camera in preview. However, Bridge/ACR/Lr all interpret the color space of files differently good raw, and I wonder if there is a way to put these programs according how OS X finder restores raw images.

Color space isn't the issue.  I think what you see with OS X finder is the embedded jpg file has been generated by the camera and saved in the RAW file for viewing, and it should look identical to the jpg of the camera.  The adobes in Camera RAW and Lightroom RAW converter uses the Adobe Standard profile of the camera as the default profile to the camera to generate an RGB from the RAW data image and you can save the image as a jpg, tif, etc. with any colorspace you select (sRGB, ProPhoto RGB, etc.).

Adobe has generated camera profiles for Canon, Nikon and a few other cameras that are a good match for the profiles used by the camera to generate an RGB image.  You will find them on the camera Calibration tab (as suggested in the post above) and they have names like camera XXXXX, XXXXX is the same name as that used in the camera.  Select one with the same name XXXXX that you selected in the camera and you should get a much better game.  You can also change the default profile to the camera at one of them, as suggested in the post above, and then the RAW image will open the first time using this profile instead of the Adobe Standard profile.  If you always use the same profile in the camera, this will solve your problem.  If you use different profiles of the camera in the camera photo then you will need to manually change in Camera RAW and Lightroom to one corresponding used in the camera because the RAW converter does not read what profile you selected in the camera.

Tags: Adobe Camera Raw

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