Change indicator for a NON Boolean production images

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• Help: after changes, the content of part of an image touch tones in the other area of photography

  Hi all

  It's a complicated thing, and it's really shake me up. I really hope someone can help.

  I'm editing of hundreds of images (a time-lapse of a river movie) and from time to time a ship comes across the scene. When he picks up a certain proportion of the scene (about 1/10), the lighter tones in the image (especially the sky) change and are lighter. When the boat leaves the scene, these tones return to what they should be. All changes are exactly the same from one image to the image, it is only when a boat comes into shot there is a problem with discoloration unwanted tones. Changes include: all cursors Basic, tone curve, HSL for several shades, as well as added upper and radial filters.

  
  

  I'm not quite sure, but I think that when a ship arrives in scene, other settings change as well (for example, I think maybe for clarity, but I've been focusing on easier to see in the key changes). No numbers change however.

  When there is zero edits, then a boat entering the shot is without effect the best tones of the image (the sky). From what I can tell, if I it si je l' ai have edit anything which affects the tone of the sky (for example overall brightness, or graduated filter or the overall clarity), then a boat coming in shot causes the brighter tones of the sky to become best, even if no parameter digital don't alter. I have reproduced the issue by using the same set of images with unique global changes and just graduated filters. I thought it was a problem with global changes, with perhaps a parameter being calculated on the fly for each image, but I did a test with just a graduated filter as well. It has been fixed to not come by hence the boat is in the shot, it's just covered the sky and the problem yet has occurred.

  
  

  A very interesting observation: if I clone or heal on the boat using the removal tool room in one of the frames problem, the lighter tones then go back to what they should be. When I delete the clone, distributed tones mean. If I change the opacity of the clone hiding in the boat, the tones go unhinged proportionally.

  I am editing in Lightroom 5 on a Mac OSX 10.9.5, and the photos in question are raw, shot on a Nikon D3S files (locked in place, the camera movement is not a factor). As a film, a sudden change in tone is really obvious: the movie seems unacceptable flicker. It is essential that I have the necessary control to ensure increase smoothly to an image in the image, and I would have thought that now detail all of the same parameters would be all I need.

  It really bites. I'm only enter these time-lapse movies, I used to shoot only stops, and I never noticed a problem like this when editing in LR or ACR in the past (Note: the problem persisted when I tried via Bridge and ACR). FYI: I am a very experienced editor, been using LR since the 1.x version and edit in photoshop since version 3 (not CS3, but version 3, altogether at the time!). Never been this frustrated.

  It of a very weird question and cause me to spend hours of extra work to fix it (especially with the adjustment brush and it is very difficult to exactly match what the tones expected to look like).

  Thanks in advance for any help, I really need.

  Chas

  PS. I'm happy to put in place a set of examples of raw files in this series on Dropbox, if someone wants to try to reproduce the problem.

  Time lapse videos like this, you should avoid using one of the HDR-like adjustments. These are shadows, made prominent, white, black and clear. These effects affect different parts of the image according to the overall brightness of the image. Lightroom performs a comprehensive analysis to create on-the-fly masks that affect where the sliders affect the image. When a boat enters the picture, the overall brightness will probably down and Lightroom updates the balance when highlights may affect the image at a different point, which makes the effect of the stronger slider. You might try to use the tone on these images curve and use the graduated filter only with exposure setting (i.e. no clarity, shadows or highlights slider adjustments).