Classification of clips from many sources

I have a pretty unique "Finish" challenge that I hope that some Pro users can sound the.

I'm an editor of finishing in a press social media company. We do short recaps of the breaking news, social stories, political events, etc. A project can have clips from CNN, HBO, Getty, a feature film, a youtuber and graphic animation, all sewn together in a second of 50-80 story. Of course, these sources vary between highly ranked, professionally shot footage all the way up to intact amateur clips. I started "reverse grade" and clips of "reclassify" in an attempt to establish a consistent look for our brand, but am often questioned by the extreme dynamic range in the images we use.

The biggest challenge is our deadlines, usually in an hour or two to get the project, so I'm limited to the ranking within Premiere pro, extremely fast. I am currently using Lumetri color Panel during the major part of the correction / rank, with a curves here and a fast color corrector here.

My goal is to establish a workflow where I can:

1. quickly push all the clips in a relatively neutral Center (think: log footage)

2. apply a LUT overall, with a uniform result

3 win a Webby

The problem I have is actually reach this neutral starting point, systematically all projects.

-Do I have to painstakingly fix manual 'from scratch' correction?

-Are there techniques quickly push the clips already sorted to a neutral Center?

-Are there methods recommended for reclassification already ranking footage?

Here's my current workflow:

-Rub the sequence to correct the problems of major contrast - pulling usually contrast way back (pushing for that look of journal)

-Hustles blackheads / white to match

-Fill temperatures - usually warm new footy and cool amateur footy, still trying to hit this neutral Center

-Make a second contrast / black point pass

-If necessary, add RGB or Fast curves / three corrector chromatic way if there is always something is not sitting right

-Add an adjustment layer above all the clips, to apply LUT, add cereal

What do you think?

Any ideas on how to improve this process (or it rewrite entirely!) is very much appreciated!

Much love to everyone on the forum!

-A quick How-To-Guide to match all the clips to a waveform standard easy 3 steps in first.

Before you begin, open vectorscope HLS, YUV vectorscope and waveform type luma

-Add the color corrector effect to clip fast

1 view the waveform luma:

using the color corrector effect fast:

the value of point black ire 7.5

set the white point ire 90

If the black and white points are already overexploited, adjust the output level while they are defined.

Point Grey (the Middle slider), discovers the vectorscope HLS, make as small a point as possible, increase until you see elsewhere increase. a large part of the shadow will automatically match 30% on the luma of waveform. You can find this also creates a uniform slightly journal watch so it is easier to rank and later reconciliation.

2. white balance (white balance of the click dropper) or... If you can't find a white spot, place temporarily saturation so that it fits inside HLS vectorscope. Watch the vectorscope HLS so the hue wheel defines the lightest part weighted at the Center.

There is a secret tip for any skin tone to match and thus correspond to a faster color between shots, "line of skin tone.

Temporaily set 200% Saturation easily see the line of light saturation.

Align - quick corrector color-Hue - Angle brighest vectorscope HLS (no YUV) line between where the red and yellow line would be in the vectorscope YUV (around 11:00 o clock). It's the angle of the overall hue to the skin tone.

3. adjust color saturation fast correctior to 90% of edge vectorscope downtown YUV (100% is in contact with sides) so all the clips have the same saturation.

Now you have perfectly matched to black point, white point, contrast, gamma, saturation, tint to like 10 seconds per video.  And the best part is, they are all easily dimmable.

a tip:

don't forget to keep an eye on your histogram for any sharp peaks, it means your footage is probably 8 bit and you might introduce quantization errors in your grade.

Tags: Premiere

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