Color management system suddenly went haywire!

THE PROBLEM

I had all this work smoothly on my system so that I was getting pretty specific colors during the recording of images sRGB for viewing on the web. Then I had to go away for the weekend and took my MacBook pro with me. I work a little in Photoshop top, but has not changed the settings. When I got back to my office and an external display, I was surprised to find that all my images look inexplicably much more dark and grossly over-saturated seen in any web browser or in the preview. This is the case with any picture I've ever done in Photoshop. They all still seem fine within Photoshop, so.

MY ATTEMPTS AT A SOLUTION

So I thought that maybe something had gone wrong with my monitor profile. I immediately calibrate my external screen (a slab IPS with my EyeOne Display2 using ColorEyes). It did not help. All images in sRGB always seem very dark and very saturated. Here's an example (the left one is open in Photoshop).

RGBproblem.png

Just what went wrong? Why the sudden change and how I'll be back to what the RGB images to look just outside Photoshop?

The photo in #23 looks identical in Photoshop CS4 and preview here (and in Safari when I slip into a Safari window open).

That's what I'd expect from a jpeg to sRGB tagged.

You could also save a version RGB desaturated and drag it in Safari and preview to see what is happening.

Try a new user...

PS

See system prefs > universal access settings

Tags: Photoshop

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    Please contact HP to Contact HP Supportassistance.

    Please let me know the results.

    Thank you for your participation in the Forums of HP! We want to help you as well as others who may encounter a similar problem as yourself. Please consider tagging the post in order to solve your problem as "accept as Solution" to help other members of the community!

    To show recognition for my efforts, please click on the Thumbs Up icon below.

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    Thanks for the reply and the screen shot.

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    Apple documents:
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    Document from CNET:
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    6. Click Close in the color management dialog box.

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    Hello

    Thanks for posting your query in Microsoft Community.

    I understand that you have problems with color management in the computer.

    As you said that you use a Windows Enterprise Edition in the computer. I would advice to follow the link below to post your query in the TechNet forums because they have more expertise on this issue.

    Forums TechNet for Windows 7
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    Hello guys!

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    http://en.community.Dell.com/support-forums/peripherals/f/3529/t/19517601.aspx
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    BTW and I know that this is not your case, but without workflow 10bits or gamma in 3DLUT (NECs & eizos) L * gamma calibration is not necessary.

    For those who have worn with 8-bit or DA better sRGB gamma CRT and let Photoshop or GIMP color management to make corrections for images ECIv2 (or with similar profiles of gamma)

  • 13.7 AE color management is broken

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    ncm.JPG

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    cm.JPG

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    PS.

    After a few tries of the cause of this is the setting of 'hardware accelerate Composition. If I disable it, everything works as it should.

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    Hardware acceleration on some cards also preview problems when comps are wider than 1024 pixels and you work in 32-bit full resolution color space. I filed a bug about this on one of my systems and then turned off hardware acceleration, so I do not have the problem. I'll check and file another bug report needed.

  • Neophyte color management problems

    Neophyte color management problem:

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    The shift-on-drop thing indicates a video card problem. That's how OpenGL works in Photoshop, when you drag an OpenGL image is temporarily suspended, and then snaps back on when you file.

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    I try to use the Pantone Fashion and home / color paper library provided by Pantone color Manager, clean for the use of the radiant missawi 18-3224 TPX (color of 2014). I saved the library named in a *.ase file and opened it in artificial intelligence. The number of colors, I guess, that all colors are imported, but I can't find the 18-3224. BUT there are a lot of 'no name Global Colors"with some of them who could be in question. Using 'pantone.ase xxd' in the terminal I can find at least the name "radiant 18-3224 TPX Orchid", which means, it is saved in the given file. Does anyone have an idea where start or - even better - how to solve this problem?

    Looking forward to any suggestions,

    Stephan

    Dear Scott:

    Your copy of PANTONE Color Manager is seriously out of date, because this problem has been fixed for a long time.

    To correct this, you will need to register at myPANTONE if you have not already done so - it is a free registration and will allow access to the PANTONE Color Manager update installer.  If you need to register you can do it first at https://www.pantone.com/pages/MYP_myPantone/mypMemberProfile.aspx.

    So here are the steps needed to correct this problem:

    1. delete all exported PANTONE FASHION + libraries HOUSE of all Adobe applications.

    2. log into your myPANTONE account and go to tools/downloaded software.

    3. download the PANTONE Color Manager for Mac or Windows Installer as appropriate.  It is the first product on the software downloads page.

    4. run the installer of PANTONE Color Manager directly on your current installation, which will update to version 2.1.

    5. the re-export the PANTONE FASHION + HOME of PANTONE Color Manager libraries for your Adobe products.  All exported PANTONE FASHION + HOME colors will now properly appear in Adobe Illustrator.

    Please note: when you start the PANTONE Color Manager Update, you will be asked to perform a "PantoneLIVE" update on the cotton F & H PANTONE library.  This update will remove the cotton F & H PANTONE and PANTONE F & H cotton - libraries of new colors and replace them with a single cotton F & H PANTONE library with all the colors of 2,100 in chromatic arrangement.

    Best regards

    John Stanzione

    Director - technical support

    PANTONE, LLC

    E-mail: [email protected]

  • The operation of the Photoshop color management

    Hey guys!

    I spent some time, research and try to understand the inner workings of the Photoshop color management and met much information unclear and contradictory, especially in what concerns the test format. I think I thought that some of them out, but (for ease of my sleep) I thought to ask direct questions, just to be sure. I guess it's more of a curiosity thing.

    I'm on a Mac OS X 10.8, Photoshop CS6, monitor calibrated from the standard range, working in sRGB for the web.

    (1) what I have gathered, to get a specific color as possible on my screen, all I have to do is the workspace sRGB or have images with embeded sRGB tag and including my calibrated monitor profile ICC loaded in OS X. In this way, all the images and colors in Photoshop will respect sRGB and my calibration profile will ensure that my monitor is in fact the correct sRGB color display (for as long as it's still capability). Fix?

    (2) I have met many 'practical advice' where people mention using the format of test > Monitor RGB as a way to monitor the colors for the web and then I saw people saying that's not true. As I understand it, the function of monitor RGB strips the tag embeded and does not take into account the workspace of the image, instead showing you the RGB values in the 'native' of the screen color space, which in my case would be sRGB-ish. Photoshop color management, but not the profile of calibration of displayaround a bit. Fix?

    (3) when the viewing a tag image sRGB, activating / disabling the test format: RGB Monitor on and outside has absolutely no effect. Am I right to assume that this is because the sRGB tag is getting 'off', but since the monitor is standard gamut, the native color space is always sRGB?

    What I find weird is when I change the display profile in OS X to my only calibrated for, for example, a generic RGB, activating / disabling the test format: Monitor RGB effect - changes in brightness of picture visibly. If my above hypothesis was correct, it shouldn't happen, right? Where my confusion.

    Thank you!

    Kris

    Many people overcomplicate it. It's actually very simple.

    1 Photoshop converts on the fly from the document on the monitor profile profile. As long as the monitor profile is an accurate description of the screen, it shows correctly regardless of the original document profile. That's the whole point of the color management, translation of one color space to another aspect/goal of maintaining.

    There is no particular reason to work in sRGB just because your monitor is (or close). However, you will not see directly the colors in the file that are outside of the monitor range.

    2. waterproofing to Monitor RGB is a quick test to see how the image appears without any color at all management. I guess it could be useful in some cases, when you need consistency to accuracy. Other than that, it is completely useless, that it shows what it looks like on your system. And anyway, there is no reason today not to use fully color managed browsers.

    3. Waterproofing is an extra turn to the conversion mentioned above. The point is to limit the range to test the profile, so that you can see this cutting will do to the image. It will documents profile > profile proof > monitor profile. If the profile of evidence has a range equal to or greater than the monitor profile, you will see no difference.

    Important point to keep in mind: If the profile source and destination are the same, no conversion happens and color management is by definition disabled or disabled.

    The first part of the string of audit, document evidence, may be a "convert" or "assignment". Convert maintains appearance, while assign run numbers, but changes its appearance. It's the checkbox 'Keep the numbers' in the proof Setup dialog box.

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