Color to BNW photography filters

Similar Questions

• for separating RGB color filters?

  I would like to separate color in an image to create false color - start with a single photo UV, combined with a picture of RGB, then separate the B & G of the RGB so I can map the UV to B, B to G and G to R as insects see things. The film images are not digital bullies.

  First of all, I need color for Elements 9 filters and apparently not have installed everything. All the sources that others have used without problem?

  I suppose this conversion each frame separated in B & W, and then to the desired color, then overlay in 3 layers work, but is there a better way?

  You can do without photo filters when you start with a picture (if analogue or digital) color. To get the equivalent of a photo taken with a red filter, use the dialog levels (Ctrl-L) and the less than 0 for the other two channels, G and B output cursor. You get a red monochrome image which you can Desaturate. (If you want to get the color, add a red solid color fill layer). Ditto for other chained up in their own layers. Once you have your three channels desaturated in their diapers, you can add a color to the back and mix the layers mode multiply. If you want to assign a different color to one of these layers, just use a solid color fill adjustment layer bundled with desaturated channel layer.

• Find the color temperature of light source with neutral card

  Hi all;

  I have an adjustable color LED strip that I would get as close as possible to 6700 Kelvin. I hope that I can take pictures of a neutral light card and set the LED color based on temperature/RGB values, I get Lightroom (5.7.1).  Is this possible? If anyone can help with the workflow on how to do it?

  Thank you very much

  I was afraid of that. The numbers only make sense for a radiator of black body like a tungsten light bulb or the Sun, which is a broadband light source. CFLs are generally pretty well made using a series of Phosphors of rare earths that are tuned to human vision and with emissions enough broadband. If you use several sources of monochromatic light as single color LEDs you could not get good numbers. It really depends on the wavelengths of light coming out of the LED. If the color on your camera filters are not the same wavelength of the LED and the sensitivity of three colors of the sensor of the camera is not the same as your eyes, you can get to a situation where your eye perceives neutral colors while the camera sees something completely not neutral. This is from your two raw files. Your illuminated LED Gray card probably looked to the eye, but to the camera, it looked purple. This effect is called Metameric failure and is common if the spectrum of light is very "spicy". This is probably what is happening in your case. You have certainly three narrow band LEDs that you mix. You are really unable to apply the model of the black body of "color temperature" unique to it and then you get strange results you observe. There are index to record high in special colours of the LEDs, which have much wider spectrum light show who have far fewer problems with Metameric failure and that should work for this purpose well.

• Restore partially faded colors

  Hi all

  I'm trying to restore a photo color dating back to 1988. The color change is kind of 'typical' of photographs of the early eighties. The color disappeared not evenly, but in the two main points. About 40% of the surface, the coloring is very good, but on 60 percent, ago intense redness as you can see from the attached part of photography.

  I use Photoshop CC to restore photography. I'm completely n00b to photohopping so I ask your opinion here.

  I scanned the photo and created the RED channel with fuzzy edges mask, the mask looks like stains from color-faded on photography. I tried to adapt the coloration in the hidden area to match the image, but without success. I should probably hide the blue and green channel too and adjust all?

  I would be grateful if someone could give some suggestions or point to a practical guide to the example. And please do not judge too big, I am beginner on photoshop.

  

  What about what you want?

  

  I used the color balance and a black and white gradient on the mask. I also used curves to adjust the values of R, G and B, as well as a few other adjustment layers. If that's what you want to do, I'll do a little video showing how I did it.

  Benjamin

• How can I Pixelize an image without increasing the amount of colors?

  I recently created a design that uses three colors flat; fishing, blue and yellow. I want to Pixelize this design in the same way that the mosaic filter works, but without creating tones added to these colors.

  When you use the filter of the mosaic, I am able to get the effect I want, but it increases the colors by mixing shades together for each pixel. Is it possible to reduce or limit the amount of colors when you apply filters?

  Thanks in advance!

  Try color index with your three colors defined in a table.

• Discoloration in the filters?

  I have a city maps divided into neighborhoods. I have the color of neighborhoods with filters according to a value in an XML file.

  How would I melted in the filter, please? My code snippet:

  for (var i: int = 0; i < wardXML.ward.length (); i ++) {}
  If (regionName is {wardXML.ward.ward_name [i])}
  If (wardXML.ward.winner [i] == 'Candidate1') {}
  Region.filters = [candidate1Glow];
  
  }
  If (wardXML.ward.winner [i] == 'Candidate2') {}
  Region.filters = [candidate2Glow];
  }
  If (wardXML.ward.winner [i] == 'Candidate3') {}
  Region.filters = [candidate3Glow];
  }
  }
  }

  ...

  function setCandidate1Glow() {}
  candidate1Glow.color = 0xccb685;
  candidate1Glow.Alpha = 1;
  candidate1Glow.blurX = 150;
  candidate1Glow.blury = 150;
  candidate1Glow.inner = true;
  candidate1Glow.quality = BitmapFilterQuality.HIGH;

  }
  function setCandidate2Glow() {}
  candidate2Glow.color = 0x818BAD;
  candidate2Glow.Alpha = 1;
  candidate2Glow.blurX = 150;
  candidate2Glow.blury = 150;
  candidate2Glow.inner = true;
  candidate2Glow.quality = BitmapFilterQuality.HIGH;

  }
  function setCandidate3Glow() {}
  candidate3Glow.color = 0xDA835A;
  candidate3Glow.Alpha = 1;
  candidate3Glow.blurX = 150;
  candidate3Glow.blury = 150;
  candidate3Glow.inner = true;
  candidate3Glow.quality = BitmapFilterQuality.HIGH;

  }

  Sorry, it must be passed by reference common glow. You could simply return a generic object then. I think this should do it:

  Gs.plugins import. *;
  import of gs. TweenLite;

  TweenPlugin.activate ([GlowFilterPlugin]);

  for (var i: int = 0; i< wardxml.ward.length();="" i++)="">
  If (regionName is {wardXML.ward.ward_name [i])}
  If (wardXML.ward.winner [i] == 'Candidate1') {}
  TweenLite.to (region, 2, {glowFilter:setCandidate1Glow()});})
  }
  If (wardXML.ward.winner [i] == 'Candidate2') {}
  TweenLite.to (region, 2, {glowFilter:setCandidate2Glow()});})
  }
  If (wardXML.ward.winner [i] == 'Candidate3') {}
  TweenLite.to (region, 2, {glowFilter:setCandidate3Glow()});})
  }
  }
                 
  }

  function setCandidate1Glow() {}
  return {color: 0xccb685, alpha: 1, blurX:150, blurY:150, quality: 3, inside: true};
  }

  function setCandidate2Glow() {}
  return {color: 0x818BAD, alpha: 1, blurX:150, blurY:150, quality: 3, inside: true};
  }

  function setCandidate3Glow() {}
  return {color: 0xDA835A, alpha: 1, blurX:150, blurY:150, quality: 3, inside: true};
  }

• A woman in the dark waters of drowning after effect - [LOCKED - duplicate thread]

  Hello guys!

  Please check this second video 20:

  https://youtu.be/26WKH1xV4c4

  I need to show this woman while drowning in black, something water and oil. In fact I don't want to show him all in walnut, just want to show his evil in the waves of black water and this water natural as much as possible (like oil) black.

  I tried to do with Psunami plugin. What is a good plugin for this? Or is it better to try other solutions?

  Thanks in advance

  stay in the same thread could help users help you because there is more information that accumulates different ideas. users can try to help you based on what others have tried before:

  3D black oil

  The first idea that came to me in my head, it is cheap shortly and look here for oil stock video: black oil with Alpha Stock Footage video 8660371 - Shutterstock then hide the girl and see if it's good enough. Maybe throw some correction color heavy effects of filtering to melt some more. If this is supposed to be a dream sequence, then you could actually get away with a lot!

• Problems with the treatment of images and tapes

  I have thousands of files that need to be addressed. I generated an action command, which, when used manually, seems to work. However, when I try to launch a process of file I get an error message indicating that Photoshop could not process the file at the end of the attempt of treatment. The files that it expel are severe bands where a gradient mask is supposed to fade the edges of the image of a light gray (made with two distinct layers and various gradients). In the action sequence I already changed the modes at 16 bits and added a color raster layer and noise was added twice for her and then changed the opacity and fill at 19% and 1% respectively. I wonder why I can do this and then save it as a jpeg file and don't see any banding, whereas when the files that I made cross, they have bands.

  To solve problems of the strips, I used a technique of dithering by changing modes at 16 bits (which I had failed to do in the previous sequence of action apparently) fill a layer of 50% gray color, pixelation, add noise filters set at 25% monochromatic x 2, then set the opacity of this layer (which is on the top) to 19% and fill to 1%. I flatten the image and then changed to 8-bit modes (that I did not also in the original action sequence).

  This solved a problem since JPEG files that appears crossed out in the gradient layers that I was trying to mislead and kept my files become too large. I don't know why the initial sequence of action failed, but when I used a batch sequence to show me a script error, I found that one of the steps could not be completed. I don't know why, but in any case, I rewrote the sequence of action and I am happy to say after a few odd issues of debugging, it works smoothly.

• Conversion from RGB to CMYK for print causes darkening and loss of detail on the page.

  I work in CS5 to create figures in a very wide range of colors. I use filters and adjustment layers to achieve the desired effects, so my images are degraded and high contrast design. I usually only work for the web, so I've never had need to convert my images in a CMYK working space. I started to make prints of some of my work, and I noticed I lose not only in detail, but dynamism as well. A lot of the darker areas are together burrs, and some of the areas of light contrasted against dark look less intelligible than when I created it on the screen.

  My first attempt at printing has been at a Staples, that could be part of the problem. I had saved in CMYK TIFF and JPEG files. TIFF files looked terrible, but the JPEG has a little more clarity in printing. One of my TIFF files displayed on the computer of Staples like being completely tense and in grayscale, although it was happening on my own camera.

  Any advice would be greatly appreciated, because I'm trying to learn everything I can about this topic. Thank you!

  Don't not bither with CMYK for any shape so "home printing". Their printers work no any different from your own inkjet and exoect images come directly from digital cameras, etc. And are calibrated accordingly. Otherwise, you have a lot of reading to do on color, color grading, etc. of the range management.

  Mylenium

• First hypotheses display Pro (Mac)

  Hi, I'm new on video and Premiere Pro.  I am interested in how Premiere Pro displays my video and I have the feeling that she feels that my monitor is calibrated to a gamma of 1.8 in the first days which was considered the standard mac but since a few years we use 2.2.  I see not all controls in Premiere Pro to control this, anyone can shed some light on this?

  I've been running a workflow of color management of photography for many years based on photoshop, I know the video is a completely different animal, just trying to nail the basics here and get on the same page.  Sorry if I forget something obvious.

  Thank you

  Dave

  I would be surprised if Premiere Pro is not supposed to be aware of your calibrated State and adjust to him.  It would just be so UN-adobe otherwise.

  I agree with you. Adobe goes so well with Mac, and PrPro has been around for the Mac for two full versions now, so I would be surprised, as well.

  As most of us have found, calibration for video is a moving target. With printing, we can calibrate each step of our workflow. With the video, there is zero control over display devices, which will use the Viewer. For critical density and color work, the properly calibrated CRT monitor is as good as it gets. Replace a DVD perfect someone and who know what they're going to play on, or how it is calibrated, or not at all. It's a real roll of the dice, and we can only do their best to hand over something that is "as good as it gets." Ditto for the Audio too.

  Good luck, and if you find some controls, settings, I'm not aware, please report those to others.

  Hunt

• Additional to see detailed predicate

  Hello
  In a master/detail O/R, during extraction side detail relationship, I would like the list to be filtered by an additional predicate (condition) is NOT in the join.
  Let me clarify my question:
  
  Assume that order has a list of items based on the order_id column. It is the only connection between the two.
  Normally, when I access the list of items, it will contain all rows that satisfy the relation above.
  
  I wish that the list of items to filter by yet another column on the side of the ELEMENT (for example, COLOR).
  
  Issues related to the:
  How to set my annotations so that when you go to the list of items of a command object, the list is:
  1. ALWAYS filtered by COLOR = "Red"?
  2. filtered by a color setting?
  
  
  NOTES:
  I use the version of TopLink included with MyEclipse 8.5:
  [TopLink info]: 2010.07.06 08:53:28.484 - ServerSession (31128398) - TopLink, version: Oracle TopLink Essentials - 2.0 (Build b40 - rc (2007-03-21))

  You can have a relationship always contain a value of no foreign key using a DescriptorCustomizer, see,.

  http://wiki.Eclipse.org/EclipseLink/examples/JPA/MappingSelectionCriteria

  To be able to selectively filter a 1 m, is not normally a good idea. A persistent object state should be consistent and reflect the State of the database, not a request.
  It is normally best to interview for the filtered results desired, rather than use the relationship.

  It is possible to have the results of the 1 m reflect a query, but not negligible. First you need to check the query is not cache because the cache should contain only real objects ("cache - eclipselink.maintain"="false"), then you must use a join-extraction using Expressions and the same anyOf the join-extraction and in where clause. Expression must be used, not JPQL, as JPQL cannot join fetch aliasing.

  ---
  James: http://www.eclipselink.org

• Promt dashboard: force and custom filter

  Hello world
  
  I have a few quick questions particular dashboard.
  
  1. I have a dashboard invites the style and the color of a car. The color depends on the style of the car, or you choose a different style, only certain colors are available. So, in order to limit the color shown, I checked the checkbox 'keep '. In addition, style and color are based on which car you look at. My requirement is that each car in a separate dashboard page since we have only 4 cars. Users do not want to be invited on the car, they want it have been shortlisted. From there, each specific page should be the prompt for the style and color, and this prompt should be limited based on the car for this page.
  
  Ideally, I would like to start the guest of dashboard with the car, it by default the value corresponding to this page, then hide this 1 piece of the prompt but view the two other parts (style/color). Is it possible to hide part of a command prompt? I found the CSS code to hide a prompt together, but I've not found a way to simply hide a field in a command prompt. If I could hide the first part of the command prompt, then it would make my life easier.
  
  2. because I could not hide the first part of the command prompt, I tried to write the SQL results option to limit the style and color based on the correct car. This worked very well, but because that I'm just limiting SQL results on the type of car, when updating the selection of style, the choice of colors is forced/updated. In order to get around this, I had the choice of style to define a variable of presentation and then filtered the color based on this variable of presentation section. It worked almost except it turns out that the variable of presentation that he not updated until the go button is pushed. Users won't have to hit the button go first, then select the color, then click on the button go again. Is there a way of forcing a field in a one-time DB on a previous field and also to define the custom SQL? Does anyone know how the constraint check box so that I can do the same thing in the section custom SQL?
  
  3. assuming that options 1 and 2 can be done. I tried a third option. I created a command prompt of dashboard for each car type and set the default value for each of them to the appropriate car. Then placed the car inside guest of own Section and set the CSS on SCREEN: NO. This effectively hides my guest of car users. Then I had my dashboard style prompt and visible color, but I made sure that the style and color had the 'force' check box selected. I was hoping that a check constraint would require dash of style-color prompt to be filtered by the guest of dashboard of car hidden... no dice.
  
  Is there a way to force a quick dashboard by another?
  
  Can anyone recommend a more elegant solution to my problem?
  
  Thanks for the help!
  
  -Joe

  Try a simpler approach to this problem. You don't want users to have a prompt to select a car, Yes? Everything after it works, Yes?

  Ok. Create a "Table of contents page. What I mean is the following: first of all, create your four pages of dashboard specifically for each car with the syle and guests of color restricted properly with reports filtered to the private car. You have done this.

  Now, create a fifth dashboard page that will be the first page a user sees. Instead of guests, use the Image object or the link to display the links to four pages, labels with the names of the four cars. You can doll this page up with your company logo, etc, and everything that the user sees is the four cars. When a link 'car' is selected, it takes them to this particular report and that they can start to 'customize' their choice of car using the guests of style and color.

  HTH,

  David

• Overview of photography to develop looks like 8-bit color

  I just installed Lightroom to take advantage of the free 30 day trial, but from the start I have a problem. I tried to import an image that is taken with my Canon T3i RAW format, and while the preview looks fine when I'm in the section of the library, it seems that it is in color of 8 bits or something when I switch to develop. I have no idea why he did this. Anyone has an idea why it is doing this? I have included pictures of comparison that people can see what I'm talking about. I am running Windows 7 64 bit.

  

  Lightroom preferences-> Performance tab, disable the GPU option. You can also see if there is an update the graphic driver for your graphics card.

• Color label filters where are last LR CC?

  I may be missing something really obvious here, but since the last update installed on LR, I can't find the color label filter more? used to be next to "rated" in the film strip, but it isn't here now - anyone can help this confused man, before his head explodes?

  You find the color labels in the upper filter bar as Shooitstbond007 present in the screen clip?  Do not know if the two are related but

  I can get parts of the lower bar of the filter to hide but they appear back by hitting the FILTER label.  You can always try to remove the tip of preference files.  I am amazed that this affects a single file in lightroom and how it can be messed up and then spoil Lightroom.

  Replace the Lightroom preference file. Lightroomers!

  https://helpx.Adobe.com/Lightroom/KB/preference-file-locations-Lightroom-41.html

• Filters and colors?

  How can I keep the colors to my object when a filter is applied? When I aply, for example, the bevel filter, it changes the gray image. Thank you!

  Apply the filter of a copy (a layer above your object) and set the blending mode of this overlay/soft light/hard copy light. Don't forget to check the layer styles, because they are a much more flexible way to add bevel effects.

  More about them here:

  http://help.Adobe.com/en_US/Photoshop/11.0/WSfd1234e1c4b69f30ea53e41001031ab64-789ba.html