colors of the monitor program

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• Premiere Pro CS4 - problem with the monitor program.

  Hello. I am not able to solve the problems with the monitor using PremiereProCS4. When I drag a photo (also only one photo) in the timeline panel and read it in the monitor program, vision in the monitoring program is not monitor of race: black or a small part of the picture appear... sometimes changing colors. ASUS P5QPRO Intel 9550 and Sparkle Nvidia GeForce 9800 GTX + 1024 DDR3; directX and the latest gpu driver are installed. Different configurations of Strath discs have been tested. Where I'm wrong?

  Although largely in the max. PrPro range, which is always likely to much larger size than that required. This ARTICLE will give you general information and a workflow possible.

  Coming from the camera, JPEG should be RGB already, so no problems with CMYK.

  Good luck and hope that helps.

  Hunt

• Can I output the monitor program PremierePro CC (only) to a 2nd video screen?

  I already have (years) used PremierePro on an edition of PC system. At this time, I used a box of cards and small groups of Matrox - it was so easy to put in place a 2nd monitor to display the program output (only).

  I started using new PremierePro (CC version) but this time on an iMac 27 "retina 5 k (max for the ram, processors and graphics functionality). I'd quite like to discover the program output only (or at least mostly) on a 2nd 1080HD video monitor. Is it possible to do? With no junction box, I guess that this cannot be done. Is this fair?  I know I could set up an iMac HDMI output, but that would be out of the whole office. I just want to really take a power of video output (monitor of the program only) rather than the entire desktop. Is it some sort of break Thunderbolt to send with a HDMI or DVi connection, which can display only the monitor program (like those old buttons)?

  Of course the iMac screen 5 k and the video monitor will be quite different devices - so I can't really just the range double configuration screen. A 2nd screen Mac is expensive - and it would be another screen to the retina, 5 k.

  As background information, for now I'm only editing content 1080HD that thus the 2nd monitor should be consistent 1080HD. I have various computer and video monitors available if this configuration is possible. I'm not too concerned about the quality of the image in the 2nd monitor - its more about speed reading to check for sync and motion - changes especicailly when a customer sits the long side (and Yes, I hate too). The iMac 27' is a good size screen, but I'm edition multi channel animation graphics and pictures (no animated videos), it fills the screen fast enough. If I want to program a monitor window half-decent size, I am constantly scrolling and minimization / maximization of the channels that I can see detailed work areas easily.

  If I ask a stupid question here, please don't shoot me :-) As I have said for a while I used the PP, but now I use it everyday - so just going back to it.

  Thanks for reading - and advice you might have would be welcome.

  Thank you.

  Pete

  If all you need is a program-monitor output to a second monitor, woudn't integrated two-monitor process work? No, is not the release of calibrated equipment which is often sought for high range editing, but it works for most cases... just have a second monitor mounted on your card system and on the Preferences tab, select it as shown...

  

  Just make sure that your operating system 'sees' your normal monitor as a screen, and then they will appear in this dialog box as your operating system lists them. PrPro always default to sending the output of the program monitor to monitor 2.

  No box necessary engine... and many who have the outboard motor to run a high-end TV, also use it for their treatment of General works.

  Neil

• When I 1st layer trimming video - the upper layers are in the monitor program. I want to be able to see as a layer that I am Reaper. Where are the settings?

  When I 1st layer trimming video - the upper layers are in the monitor program. I want to be able to see as a layer that I am Reaper. Where are the settings?

  

  Disable Composite preview at trim:

  

  MtD

• What is the cause of the vertical lines of color on the monitor HP ZE4900 laptop o? S Windows XP

  I have colored vertical lines on the screen of the laptop monitor, but not on a second monitor connected to the VGA output port

  Ok thank you

• Reference of YC waveform monitor not updated with the reading of the monitor program

  I work through the Adobe Premiere Pro CS6 "Classroom in a book" (pitty me!) and got to the section on the YC waveform.

  That I consult the YC waveform graph in the reference monitor, in the book he notes...

  "When the Gang to program monitor button is selected [he is selected], the reference monitor moves in sync with the calendar and the program monitor.

  It isn't... I do something wrong or maybe my graphics card isn't it?

  Any suggestion would be appreciated with thanks - Lisa

  The waveform is not real-time.

  It updates when the timeline scrub.

• Problems with the monitor program size?

  Hi all

  I was editing a sequence and things were dandy until the program screen size has changed for children.

  Here's a screenshot if you want to take a look:

  

  Here, plays the same video, but in the source monitor, the width of the screen is longer while the width of the screen of the program monitor is also enlarged and lower.

  Can someone help me get both screens, the same magnification and width?

  They have the same magnification (both on the adjustment) and have the same resolution if that helps...

  Thank you

  videosandrobots

  The sequence settings match the layer source footage?

  You seem to have HD or source on the big screen and a sequence of DV (SD or 4:3 aspect ratio)

• Problem of size for the monitor program

  I'm able to import PP CS5 .mpeg files.  However, so that my auto monitor sizes properly Source material, the same material appears zoomed in on my monitor the program.  I chose "Fit" as the size of the program monitor.  How can I fix it?  Is this the result of my project preferences maybe?  Thank you.

  Right click on the clips, choose scale to the size of the image.

• The monitor program basis for hp touchsmart 610-1250 temp

  Hello

  Re: HP TouchSmart 610-1250, 64 bit, Win 7.

  This is a new computer, my first all-in-one, and I want to follow the base temperature. My gadget CPU tells me that there is no core temp system. Is it possible to download a monitor?

  As an all in one, I am concerned by the accumulation of heat, since I use it every day.

  Any info is appreciated.

  Thank you

  A

  Have you tried SIW? (System Information for Windows by Gabriel Topala) I highly recommend it. Go to the page of sensors once you open it, and then it should tell you.

• Change the background color of the program Committee

  Is it possible to change the background color of the Panel program? I don't see a setting for this in the preferences. At the moment it is a dark gray:

  

  I'd like to be able to change it to something like this (this is just a mock-up using a bright color randomly):

  

  For example, when I change the scale property or the Position of the motion in the effect controls panel control, and this dark gray background color appears, I would like to be able to clearly identify where the edge of my clip is. Having a color light 'sneak out' would make that easier than now.

  If you click on the key in the program monitor you can set the background of the Photoshop transparency grid instead of black, this will help to reveal when you moved the clip and do not frame address (if that's what you're after):

  

  MtD

• I can no more color calibrate my monitor Apple Cinema Display 10 years because it is more compatible with my iMac Thunderbolt.  How can I color calibrate the Apple Cinema Display Monitor?

  I currently own an iMac OS X El Capitan Version 10.11.4 27 inches (2 1/2 years) with Thunderbolt technology.  I also have a screen of cinema with older technology.  Previously, when the technology was the same for the Apple display and my previous iMac, I was able to color calibrate the Apple cinema and my iMac but it is no longer the case. I know that there is a way to color calibrate the monitor Cinema with old technology when the iMac has the Thunderbolt technology, but cannot remember what are the steps.  The colors on the Apple Cinema are out of whack and too bright.  Can anyone help?  I'd appreciate any help you can provide.  Thank you.

  Henriette

  PS: The color calibration device I own is a gretagmacbeth eye - one display2.

  Hello henriettefromnovato,

  Thank you for using communities of Apple Support.

  I see you want to calibrate the color of your movie screen.  You can calibrate your screen by following the steps in the link below.

  OS X Yosemite: calibrate your screen

  If you are unable to do so, then please be more specific about what happens when you try and calibrate.

  Have a good.

• on the monitor screen saver has altered the color - how can it be changed by the previous color? Think I must have clicked something!

  Y at - it with a single click to return to the previous color of the monitor s/saver? Cannot use the system restore.

  Hello

  Please contact Microsoft Community.

  I understand from the description of the problem, you want to revert changes made in the screen saver.

  You can visit these links and check if it helps:

  Change your screen saver

  http://Windows.Microsoft.com/en-CA/Windows7/change-your-screen-saver

  Customize your computer

  http://Windows.Microsoft.com/en-us/Windows/personalizing-computer#1TC=Windows-7

  Enable or disable the screen saver

  http://Windows.Microsoft.com/en-us/Windows/turn-screen-saver-on-off#1TC=Windows-7

  Hope that answers your query. You can write back to us for other queries/problems related to windows and we will be happy to help you further.

• Color of the cab to PSE14 problem

  Hi-
  

  Hi - I'm on the newer side of editing with RAW images. Last week I calibrated my screen and he was excited to see how things like my reds were quite brilliant before. I have PSE14 and shoot with a Canon EOS60D. When I open the CR2 image in Adobe Camera Raw, I've adjusted the colors I needed. I then opened the image in PSE14 and the colors were completely different than what I had corrected to ACR. The colors of PSE14 have been much duller.

  Here is a link to a screenshot of two images.

  https://www.Flickr.com/photos/432436.../in/DateTaken/

  , I could not open exactly the same file in both at the same time, but here's a picture of my screen of two images and how to compare colors. The right image is straight out of the camera in ACR. The left image is directly PSE14 cab (I have not all changes in each camera in ACR in PSE14 file). Although these pictures are not identical, they were taken seconds apart with exactly the same settings and the same conditions. (And I realize that I managed the development behind them ) ) In any case - even the ones I did in ACR and open in PSE14 turn with this big difference in color between the two programs.

  I guess in my mind, I think I should be able to move a file in ACR (which is the version 9.5 and my updates screen says I have updates) to PSE14 and the color must stay the same when it is opened on the exact same monitor. If not, what is to prevent me to do the treatment while PSE14 to get the color I treated initially for in ACR. And if that were the case, why would be processed in ACR knowing that I would have to reprocess the color in PSE14. And how do I know which is correct?

  I don't remember having this problem until I calibrated my screen. Maybe something happened with that.

  I have a ton of pictures that I'm supposed to be the treatment for my son's baseball team and senior girl, but now I'm not sure that I can trust my monitor!

  In the meantime I'll keep looking... Thanks for any help that anyone can provide!

  Kerry

  Maybe you have a Monitor wide gamut.  As an experience, try to assign AdobeRGB profile instead of the sRGB profile in these instructions and see if you get more toned down colors.

  You should NOT choose the profile manufacturer.  It's usually what mess because things includes a set of software and the other not.  I expect the Spyder should work, but if you have two monitors might be the OS or software is getting confused.

  The other thing to try is to turn the GPU on and off in ACR, himself, as well as in Photoshop - something on a graphics processor or the graphics acceleration.

• What are the precise of the colors on the glossy screen of y580?

  I have ideapad y580 and I was wondering if the colors on the monitor are accurate or not. Don't get me wrong, brilliant on-screen colors are very dynamic compared to the matte screens. I have an asus external matte screen. I noticed that the colors are different.

  I noticed that my y580 has a tint blue so that my asus monitor only. I wonder which monitor has the right color? I really need to know because I work with the printing industry and the color accuracy is very important. If y580 is wide color, please suggest how I can fix specifically.

  Thank you.

  Johnny,

  There are tools for sale, they can help you find the answer to your question...

  http://Spyder.Datacolor.com/products/

  Zehn

• Why the colors in the images incorporated into word export (TIFF/JPEG) badly ruined Acrobat?

  I chose this forum instead of printing and prepress forum, because I have a very limited knowledge of existing color space and profile and I didn't want to be (1) leaked and (2) overwhelmed by the level of technical detail.

  When I try to PDF to a word document that contains a TIFF image, the TIFF image appears SIGNIFICANTLY off the coast of color.  I was able to significantly correct the problem by extracting the TIFF image in the Word document and save in JPEG format, but it is not yet 100%.

  Here's what I know:

  I use Windows 7; Word 2010; and Acrobat X.  I also CS5.1 Photoshop and InDesign CS4.

  "My color SETTINGS are put in correspondence in each application was related to my monitor, and my monitor is set to the system default, which is a default system: sRGBIEC61966 - 2.1"

  I use the document for professional purposes, so the color matching is important to me, but I work with what is available to me in a non-profit, which means a monitor Acer X183h and a networked Canon iR C5185 desktop printer and no real color management or equipment policy.

  I'm looking for the best possible solution maintain the performance of color between the monitor and the printer.

  Incredibly that I posted this, the solution came to me - I leave it to the moderators to determine whether it should be retained or deleted.  I wasn't able to find any help on this and it might be useful to other users.

  The image itself which has been incorporated into the Word Document has a CMYK profile. It displayed correctly in the software, but would not convert to PDF or print. I have the source file open in Photoshop and converted it to my profile, and then added to the word document and it is now reliable breed in the right color.

  Since the removal of the external images in word is a common work process (if there is also mediocre) for creating documents in the non-profit organization of people, I think that this type of information could be useful in the knowlegebase.