Control of the mix?

Hello

I'm trying to understand how to set up mixes separated for recording in Audition 3.0.  I have not trained as an audio engineer, and I don't see anything in any of the documents hearing that explains how to do this.  I'm basically a musician my tape.  We have recorded a few (guitar, bass, drums and some vocals).  We are now at a stage where we would like to dub additional choirs among other things.  These additional tracks will be recorded one at a time in my living room but I would like to be able provide the interpreters a mixture of different headphones, which stimulate or mute some tracks during recording, possibly even changes eq or effects, without disturbing "main" mixture settings  Is the best way to create a bus "helmet" and activate a second shipment on each track that refers to this bus?  Pointers on this seemingly basic question are much appreciated.  Thank you!

Bruce

Well, the first thing to say is that, for this you need a sound card with multiple outputs.  Of course, if you are just using a simple stereo card then you are limited to a single stereo output (or two mono if you are creative with Pan).  My answer will also assume hearing 3 as earlier versions will not really it.

However, assuming that you thought this part through, hearing can do exactly as you would on a conventional hardware mixer, using "Send" called "Departures" into a hardware mixer.

Rather than reinvent the wheel, let me send you to the Page 178 of the hearing manual which explains in detail how to configure enough as well as send a lot you have out.

Point of interest (as the manual assume that you have this as basic knowledge) is that mixes, you need to implement "Send pre Fade" which allows you to balance each mixture that is independent from the fader setting.

In any case, good reading the manual and if you find yourself with questions, I'm happy to try to fill in the gaps.

Bob

Tags: Audition

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