Correspondence of the shots on the advice of different cameras

Hello again world Speedgrade! I'm looking for some advice. I have pictures of a guy who's talking about three different cameras and 3 different angles. There was only a single light. I used blow matcher for cam 1 and cam 2 and that worked pretty well. But I'm fighting with matching cam 3 CAM 1 & 2. Auto game worked fine. So I tried to balance the shot and the same lut. The first LUT is to make the images more closely for a look of newspaper. The second LUT must he STYLIZED, but it always na not get out very comparable. I don't know where to start to make some adjustments. Any suggestions?  R Neil Haugen do you have any advice?

dj_cam1and2.jpgdj_cam2and3.jpg

This kind of correspondence can be much more as it seems at first. And Yes, I have a few ideas.

First, for General shooting match, I would have as well the RGB Parade and the waveform high Luma visible with the vectorscope.

... Face and the right are both pretty close, have the subject as pretty good size and the rest is book-cases and books, which are fairly consistent between shots in addition to your lighting is more than the right, so the topic is more a contrast/brightness/level range. The left photographed... clearly the cam3 you are referring to... is contagious on the side of the shadow of a much smaller topic, so the black much more generic this topic for the hit, and the shelves are pretty similar... but... you also have the white brilliant bit of upper wall, more large one-piece "brilliant" in the image and then the door and other. Very different, not easy items to shot-match automatically.

To really match it, you will have to look at who is the most technically demanding fair grade... which is clearly cam 3. You have to first make a product... and treat this as basically a match two-shot, cam, cam1/2 and 3.

Download cam3 fine... especially dark colors & brights controlled with contrast enough to the Middle middle/low so your subject stands out own. On my monitor cam3 seems to have a titch less showing yellow & magenta, cyan more cam1/2. It is in part, because the color of the top right and right seems to be slightly light to your subject and shelves. You will probably have to hide half or so with a feather that goes right to halfway and the left edge and clean this cyan drift. In fact, if you do that, and maybe move the luma to say 10-30 on the Parade from left field to intensify a bit, you'll probably go a LONG way to get this handled.

This would make it much easier then correspond to 1/2 with it.

Neil

Tags: SpeedGrade

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