Direct link to SpeedGrade?

Similar Questions

• If you use the direct link to go from first pro to speedgrade can I make sure that he stays in 2014 releases

  I have just completed a project in first pro cc 2014 I want using the direct link in speedgrade grade but want to keep within the release of 2014.  Can I

  set or it will automatically launch the speedgrade 2015 version since it is also installed on my system?

  Thank you in advance!

  That is great news!  Thank you so much for getting back to me quickly!

• Direct link to adobe speedgrade, clips watch black

  I tired to send a Direct link to adobe the first pro speedgrade. Most of the clips appeared, but some gave me a blank screen. After a few tests more than clips became black screens.

  
  Now almost all of the first 6 clips just show me a black screen

  I tried to change/activate hardware acceleration, restart the software, clear the memory cache to Prime Minister.
  Nothing helps.

  My system specs.
  

  Thanks in advance for your help.

  If you take a new sequence of several the involved and 'safe' music videos, without other effects applied to them, always make the same question in SpeedGrade?

  I would start by "naked" clips on a new sequence in a new project, my car... just a few clips.

  Put them on a sequence, go to SpeedGrade.

  Add one of these things to a clip or two... go to SpeedGrade.

  And now, to see if there is first of all a functioning without problems of SpeedGrade for you... and if so how the problems are.

  Neil

• First will not open my project after that I have record in SpeedGrade via Direct link

  First will not open my project after that I have record in SpeedGrade via Direct link

  Last night, I installed all the updates of CC, everything went well.

  All day I was doing the color correction in SpeedGrade to PremierePro project via direct link.

  After I finished, I wanted to go back to first to make an export (my manager was waiting for a sample) only, when the first attempted to connect to the project I worked on SpeedGrade, could not open!

  She the Saturn: "this project has been saved in a newer version of Adobe Premiere Pro and cannot be opened in this version.

  Before panic to my Director of waiting, I've saved every look I did in SpeedGrade as an individual LUT I could manually apply in an earlier version of the PremierePro project. But it took a long time and it's may not be a long-term option.

  What can be the problem between saving in SpeedGrade and then back in PremierePro?

  I PremierePro CC 2015 v. 9.02 (6) and CC SpeedGrade 2015 v. 2015.1

  I'm working on MacBook Pro Retina display 15'.

  Simple... you SpeedGrade 2015.1 (9.2) and PrPro 2015.0.1 (9.0.1). They don't 'work' together.

  You must get your PrPro up to 9.1, 2015.1 release. If your desktop application Adobe CC is not show your 'eligible' for the upgrade PrPro, sign out of it, then back in... that often useful. If this isn't the case, you may need to use the soft Cleaner CC Adobe to remove the application from Office CC & then reinstall it and reconnect.

  https://helpx.Adobe.com/Creative-Suite/KB/CS5-cleaner-tool-installation-problems.html

  Neil

• Direct link to Adobe SpeedGrade disconnects

  I have a PP CC project that contains some PSD files for titles.

  When I use the 'Direct to Adobe SpeedGrade link' (CC) and back to PP these clips are to be replaced by the chart in offline media.

  If I repath the PSD is the same thing whenever I use the feature direct link - very frustrating!

  To be clear the PSD is not move or change during this brief.

  I'm doing something wrong here?

  Thank you in advance for your help!

  See you soon,.

  Olly

  same symptoms with me with a direct link to first in SpeedGrade offlines Photoshop documents

  I had to save the psd under tif and replace the tif first psd in order to constantly connect the DSP after going back to the first

• Poor performance of Speedgrade, using the first Direct link

  I'm having a problem my project in Speedgrade using the ranking first Direct link.

  My project is in total 7 min 30 sec long consisting of MP4 video from my Canon T5i / 700 d. Video had a slightly higher rate (CBR) than the usual (1.4 maybe?). First, I made a little stabilization using legacy (warp stabilizer) and denoising (magic bullet denoiser II). All these I used the option "replace with after effects composition. These plans represent about 1/6th of the total sequence. All my project files are found on my SSD (I thought pass them it would help.) This isn't). Note, I also use a custom LUT designed to CineStyle which I use on my canon.

  My problem is the speed. It is not yet a little slow. It is unusable. Let's say I select the midtones and want to offset a little bit. I click on the slider and slowly move my hand upward. Then I have to wait about 10-15 seconds for speedgrade to even begin to recognize the change. If I released the mouse this means I have to wait much longer before you change it once more. It is the same for all other cursors (temperature of color etc..)

  I grew up to love using Speedgrade color correction, but now it takes much too long. That should take about 20 seconds per sequence takes about 5-10 minutes. Also as a result my correction and grading is obtained bad enough (it was not good start). Restarting does not help, because it is just too slow when it starts like an hour later.

  Everyone knows about this problem? Any ideas?

  As I'm in a bit of a rush for this project, I will try simply to classify in the first. I never did rank in the first CC version, isn't so that any new color someone might recommend tools?

  Thank you.

  Creative cloud: updated 13/01/2015

  OS: Win7 pro

  CPU: i7 930 OC'd

  GPU: Nvidia GTX660 x 2 (SLI) enabled for the adobe engine

  RAM: 1800DDR4 32 GB

  SSD: Samsung 840 Pro 512 GB

  Looking through your equipment for a quick idea... it seems that you use two (separate) video cards? You could try a rapid deactivation of a single card and see if the Sg works better. I suggest this because 1) some computers at certain times had hurt ongoing enforcement matched vid cards SG and 2) there's something quick & easy to test.

  Another thought, I did some denoising on a 02:39 clip in Ae just by using its own noise integrated, and he ran s l o w after this, until I have done a full rendering of it. Even in this case, any modification that I did and he was back to s l o w motion. When I have commented here, I got a few responses to the effect that denoising is so focused on the material that most of the time they have left that at the last round of things before exporting it.

  Hope that there are other answers...

  Neil

• SpeedGrade CC 2014.2 disables GPU acceleration with direct link

  Hello

  Just updated to Speedgrade CC 2014.2, still had problems with the link direct but thought this may be correct, it is not!

  Direct link of first CC 2014, project opens, but as soon as I make an adjustment, I receive the following error message and adjustment updates are cripplingly slow.

  

  Images is 4K Panasonic GH4 H264

  Everything works fine when you import an EDL in native mode.

  Would be great to finally have the link of grade speed work as it does with AE, any help much appreciated.

  The machine is a brand new Mac Pro

  

  Please check if the checkbox automatically clear parameters on the application to quit her is not selected. The info here can be useful: using Adobe Premiere Pro | Sync settings using Adobe Creative Cloud | First Pro CC

  If it isn't, you can report the problem here: Adobe - feature request/Bug Report Form

• SpeedGrade CC14 does not open when you use the "Direct Link to Adobe SpeedGrade... "of PremierePro CC14.

  SpeedGrade CC14 does not open when you use the "Direct Link to Adobe SpeedGrade... "of PremierePro CC14.

  I can open the SG of start menu/desktop computer and I can open the PP project in SG very well. The PP project contains 3 deadlines and I take one I want without any problem. Returning to the SG PP works fine as well. It seems only thing doesn't work does not automatically open the PP file and selecting the correct timeline in the Official Journal of the project.

  I had a glance at the "C:\Users\john Bishop images\AppData\Roaming\Adobe\SpeedGrade\8.0\logs\SpeedGrade.log ' but it is not updated when I try to use the link Direct from PP. command It updated when I invoke the start menu/desktop computer SG. Note that none of the other newspaper, the files are updated either (Plugin Loading.log, Database.txt Trace and Debug Database.txt). All these get updated when I run the desktop/start. It would appear that SG is not yet known.

  I uninstalled the SG and the PP and re-installed (all in the directories by default) and everything seemed to go OK but no change.

  I also added 2 political profile the NVIDIA Control Panel, just display a message when loading SpeedGrade.exe and another for a slightly different message when loading SpeedGradeCmd.exe. SG invoking the desktop/start causes the SpeedGrade.exe message to display. Using the 'Direct link' PP file option does not display anything, reinforcing my thought that SG is just never called from PP.

  SP1 Windows 7 Professional 64 bit

  12 GB OF RAM

  2-Intel Xeon E5640 (16 sons) processors

  NVIDIA GeForce GTX580 1536 MB memory graphics

  PS... I used the Adobe cleaning tool noted elsewhere and tried NVIDIA workarounds as well - all to nothing does not.

  Problem solved!

  My Antivirus software was in the way. Once I have updated, things work fine.

  Thanks for your help!

• "Send To SpeedGrade' changed to 'Direct Link to Adobe SpeedGrade,' creates more .ircp, .dpx files?

  In the process of learning SpeedGrade, I just watch a video on the Adobe site called "the adjustment of the Premiere Pro sequences in SpeedGrade" (https://helpx.adobe.com/creative-cloud/tutorials/videos/premierepro-speedgrade-integration-cc.html?product=speedgrade & path = fundamentals).

  At 04:30 in this video, the authors said that the command send to SpeedGrade in Premiere Pro creates a file .ircp, as well as a folder of files to .dpx on the order of 2 GB for each 8 seconds of footage. In my first Pro project there is no command "send to SpeedGrade. It is a 'Direct from SpeedGrade Adobe link' order however; but this does not create a new .ircp file that I can tell.

  So, this means that this video is obsolete, that the command send to SpeedGrade he no longer exists, it has been replaced by the command of link Direct to Adobe SpeedGrade, and that users no longer have to worry of racking up massive records and heavy, .dpx files when you work between the two applications?

  'Send to SpeedGrade' was an old and inefficient order in CS6 and has now disappeared. Direct link is like say name a new method without interest or DPX files, is a direct link between the first and SG, where Pr serves as executives for the SG in the background, just and effective.

• cannot select the direct link to adobe speedgrade

  I can't select the direct link to the category of adobe in the first speed option

  I had the same problem. Everything is updated until I realized that you must download Speedgrade; It's a separate editing software that directs your plans for her.

• SpeedGrade hangs whenever it is launched stand-alone and never works when you use the direct link to first.

  SpeedGrade hangs whenever it is launched stand-alone and when you use the Adobe SpeedGrade of first Direct link it closes only first. He never try to open same SpeedGrade. All effects have been removed and I managed with this in the past using CC, it is a new problem. Any ideas?

  FxFactory plugin looks at the origin of the crash. Please update the plugin, which should solve the problem.

  Thank you

  Fran

• Direct link to files (first-Speedgrade Direct link)

  When the first sends a project of direct-lnk to Speedgrade, it creates files DPX 10 bit of work in Speedgrade clips.

  But after the rank of Speedgrade and the project is returned to the first, the effect of Lumiteri in first (the look created in Speedgrade) is applied to the original file first used before sending to Speedgrade and create DPX files?

  In other words, if you work directly on the RAW files in first, sent a link direct to Speedgrade and classified the DPX files, then returned the draft at first - the effect Lumetri of the classes created in Speedgrade apply to RAW files in first?  Or DPX files created when you went Speedgrade would return sent to first and used the form then press first?

  Thank you!

  'AugustStudio '...

  A lot of people still can't get what is happening under the hood in the new model more CC video Adobe. I see quite a few comments here and on other forums where people want to know where in the heck PrPro, Sg, & AeFx store their sequences "proxy" or "dpx" or "Preview". The assumption is that once you started with 'original' images and applied to any effect in all programs, Adobe programs recreate the chronology of the whole as something else, that you see in the programs during editing. Included in this is the people who keep demanding to know why by selecting "use spotted ' in the permanent export is not significantly speed up the export. They are TOTALLY safe PrPro has full resolution "Preview" files somewhere... but it doesn't work like that.

  The model used here is essentially the same as in Lightroom for still images, the process of "non-destructive editing. I will use this model. You have a picture or raw, imported/ingested jpeg file in Lightroom. You use the controls it to change color, contrast, crop, whatever. But Lightroom doesn't do a thing to this original picture... ever. It takes the info from the original image, takes the Details of the 'changes' you've done in Lightroom and sent to the video card that the image 'see you '. Not until you formally export image Lightroom makes an image on the physical disk... and never liked the top of the original, but as a separate file. Note, it's very different to say Photoshop, open an image, modify and disappears unless you save or/as when you close Photoshop work you've done, right? Photoshop has to save the changes as literal pixel goes to a "tough" image file Lightroom saves only the instructions for changes to the file.

  PrPro, Sg & AeFx pretty much work like "non-destructive editors' also, combing the original clip on the disk with the instruction set of changes you did to create the image that you see in the program/playback monitor. If you have trouble reading or dropped frames and 'ask' a 'render' of a part of the sequence, it does not have a complete file codec put out cela, but "insights" useful internally that look very nice but are NOT usable for output makes... they are not very high quality. Programs can actually work this way MUCH faster than creating massive files for what you do... like these programs used to.

  So Fran & Joost know exactly what they're talking about. In a process of D - L, Speedgrade just uses the sequence-timeline PrPro 'instructions' and creates more backward in the statement of project file PrPro for ranking changes you did. That's all.

  Neil

• SpeedGrade hangs with Direct link

  I tried the link for the last months of SpeedGrade unsuccessfully as it crashes when direct linking. If there is empty space at the beginning of the sequence, it loads but crashes when you try to move the cursor jumping on a clip. Never, it displays a preview of the video before crashing. I tried it with different video codecs (ProRes files, h.264 and a Sony FS700 MTS) to 1080 p, but it seems to hang on everything I throw at it.

  Speed grade not down when starting a new project of SpeedGrade and add clips manually, but unfortunately all my files of origin at present are MTS SpeedGrade can open only through Direct link.

  Any ideas on how to solve this problem? Let me know if you need more information.
  

  Running the 7.2x34 version

  8.1 Windows 64-bit

  See computer http://www.Dell.com/us/p/XPS-27-2720-AIO/PD?OC=fdcwlp1397 & model_id = XPS-27-2720-AIO

  Awesome new 7.2.1 update this morning this problem, software Adobe engineers thank you!

• video does not appear in speedgrade when you do a direct link from first pro

  When I do a direct link from first pro, the sequence appears to download correctly, but the video appears on the screen. It appears on the timeline and audio renders perfectly.

  It seems that my graphics card doesn't have enough RAM, in case someone else has the same problem.

• Workflow for new question now that the Direct link is gone

  Hello

  Im a little confused as to how it should run a basic workflow classification of images that will go in Premiere Pro.

  Raw footage before a rough cut of grade?

  If you rank images after a rough cut by opening SpeedGrade & selection of images, when recording done this car get ingested in Premiere Pro (this is not the case for me)

  What's confusing me is the fact that Premiere Pro & Speedgrade don't seem to work more closely together through the direct link. (understand that maybe it's better for the pros)

  Thanks in advance

  Todd

  They a big chunk of things with us when the version 10.x of 2015.3 came through... Remove the link Direct process where SpeedGrade could open a project file PrPro. What left us with is either using the Lumetri in PrPro Panel or EDL export out of SpeedGrade, or go with an XML export using say Resolve. When the 'official' processes, at least. There is a 3rd party solution it's much easier, faster and elegant... and I will mention that below.

  -L' workspace from the Lumetri in PrPro panel color is pretty cool... for what it can do. It's a mashup of Lightroom UI and colorist quasi tools under the hood. He can do some nice stuff on sequence by sequence. For smaller projects, this is a solution viable even once you know how to use it. Especially if you are using an external control panel, such as the ripple of tangent, which makes the process much faster and much more intuitive to do.

  However, if you need real shot in scenes, multiple secondary on a certain clips, or have 100 clips to the rank, it breaks down or is just too slow to be profitable. I show you how to create a sort-of-especially for the shooting, but it is much slower and less accurate than shot-caller in SpeedGrade or resolution. Stacking of instances of Lumetri or through the "main" clip or on adjustment layers works to get additional secondary & effects, but... also add much and you severely hammer your playback performance.

  -Release of SpeedGrade of PrPro EDL is a release of 'old' style and requires that you export an EDL (edit decision list file) which is then opened by SpeedGrade and choose one of the two methods of work in SpeedGrade. (There are also several fussy settings that must be correct before importing the file into Sg, or it simply rejects the file/process).

  1. The first creates a file 'flattened' within the PrPro and export of this possibility, and then import this file as well as the EDL in Sg. SpeedGrade uses the EDL to align the points 'cut' between the clips to the sequence of return in PrPro, to allow you to grade and knit to dissolved & such. You may not include securities and the lower third of the flattened file. After classification, you export the SpeedGrade file import into PrPro and then use to replace this track 'flattened' in your project, such that your titles and other effects & such on the other tracks are now properly displayed and used.
  2. The second is to export the EDL PrPro, and then import that, in the Official Journal, use the media in Sg Panel to access import clips/various media project and hope that Sg 'sees' them all properly and can automatically "conform" them in the project. You may need to do some in keeping text books (selection and including files).

  -XML to use a different application of ranking, say Resolve, is to export XML from PrPro, collecting the media in a particular folder for easy consistent within the will, openness, import the XML file, then add the media used in the process of the process in line with determination. Once completed the classification, you export a file off to bring in similar to the above listed export EDL file PrPro and replace your chronology of base with this release.

  Colorists figure indicating an ad with clips from 70 to 100 that will be '' similar '' in an XML file will be from 30 minutes to two hours properly "compliant" within the will. This moment is just considered part of the cost of doing business. Literally. Charged at the time, of course. Better editor work done to prepare the trimmed project within the determination, the less time they pay for the wizard to load & preparation of the project for the colorist.

  This above is the official method we have to work. EDL and XML export process is of course still all heavily used in "industrial" situations, where an editor is in a House after and the colorist in another... or really, even within the same House after. They take time and are a bit complicated especially if you work as a one-man show, where you can spend the time to prepare a project to make your own consistent in the application of classification, then finish the "round-trip" PrPro for final assembly work and export.

  For especially small shops, Direct link was... heavenly.

  There is, however, a way to always use the "shape" of the process of link Direct with most of the projects, and it's a very small 3rd party app created by another user of SG and mentioned on this forum. It is discussed and linked to in this thread of Sg forum:

  Project of creation/Speedgrade conversion tool

  What enforcement... open it on the desktop... drag and drop a project of the 10.x PrPro file built 2015.3 or 2015.4 on the application... it automatically saves and increments the file in a new project file, the conversion of 1 a character in header of the project file so that Sg 2015.1 will 'see' the file as a version 9.x and work with it.

  Do your work within the Sg, then save this file when it is done. Drag and drop than even the file on the app and it CONVERTS... new economy/auto-increment of the file, change this ONE 1 return character as well as PrPro 10.x will see the file as native file and work with it without having to convert it into a new project file.

  There were several hundred downloads, and the only problem I've heard of so far is that comps AfterEffects can fritz. Well, there is a way around that, already used by many editors I know who systematically Ae comp work for projects PrPro: rather than including a model of Ae in a sequence, they make the Ae but export work "comp" directly from Ae in the codec they use for their project, and then replace the original item by this export of Ae on the sequence itself. Typically, it plays easier back and exports with fewer potential problems anyway. More... If you want to redo the comp in Ae, simply open this model even once, your new work and another export or replacement operation.

  With the panels of the ripple & elements, there are much more of my little projects which may remain within PrPro and where Lumetri works very well. However... a marriage? UH... No. All the shot-matching and secondary and stacked effects and such that I'm used to using in Sg can be done in Lumetri... but much slower to accomplish, and by using stacked Lumetri which slow down playback visibly.

  So... I use the two Lumetri in PrPro and if necessary, novel of Patrick and delicious little program also operate at the breast of the Sg without EDL/XML and flattening/export/consistent/round-tripping in this way much longer.

  Neil