Effective workflow for adding images

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• Hello, I am creating a mini site for a client via muse, is it possible that it could be updated (adding images) without muse by passer?

  Hello, I am creating a mini site for a client via muse, is it possible that it could be updated (adding images) without muse by passer?

  Hello noutcall19,

  If you intend to replace the existing images in the site then you can certainly do it with the help of InBrowserEditing, but it is not possible to add new images by using InBrowserEditing.

  https://helpx.Adobe.com/Muse/using/in-browser-editing-websites-third-party-hosting.html#up meetings % 20 a % 20website % 20Selon % 20 In-Browser % 20Editing

  Kind regards

  Vivek

• Workflow for new question now that the Direct link is gone

  Hello

  Im a little confused as to how it should run a basic workflow classification of images that will go in Premiere Pro.

  Raw footage before a rough cut of grade?

  If you rank images after a rough cut by opening SpeedGrade & selection of images, when recording done this car get ingested in Premiere Pro (this is not the case for me)

  What's confusing me is the fact that Premiere Pro & Speedgrade don't seem to work more closely together through the direct link. (understand that maybe it's better for the pros)

  Thanks in advance

  Todd

  They a big chunk of things with us when the version 10.x of 2015.3 came through... Remove the link Direct process where SpeedGrade could open a project file PrPro. What left us with is either using the Lumetri in PrPro Panel or EDL export out of SpeedGrade, or go with an XML export using say Resolve. When the 'official' processes, at least. There is a 3rd party solution it's much easier, faster and elegant... and I will mention that below.

  -L' workspace from the Lumetri in PrPro panel color is pretty cool... for what it can do. It's a mashup of Lightroom UI and colorist quasi tools under the hood. He can do some nice stuff on sequence by sequence. For smaller projects, this is a solution viable even once you know how to use it. Especially if you are using an external control panel, such as the ripple of tangent, which makes the process much faster and much more intuitive to do.

  However, if you need real shot in scenes, multiple secondary on a certain clips, or have 100 clips to the rank, it breaks down or is just too slow to be profitable. I show you how to create a sort-of-especially for the shooting, but it is much slower and less accurate than shot-caller in SpeedGrade or resolution. Stacking of instances of Lumetri or through the "main" clip or on adjustment layers works to get additional secondary & effects, but... also add much and you severely hammer your playback performance.

  -Release of SpeedGrade of PrPro EDL is a release of 'old' style and requires that you export an EDL (edit decision list file) which is then opened by SpeedGrade and choose one of the two methods of work in SpeedGrade. (There are also several fussy settings that must be correct before importing the file into Sg, or it simply rejects the file/process).

  1. The first creates a file 'flattened' within the PrPro and export of this possibility, and then import this file as well as the EDL in Sg. SpeedGrade uses the EDL to align the points 'cut' between the clips to the sequence of return in PrPro, to allow you to grade and knit to dissolved & such. You may not include securities and the lower third of the flattened file. After classification, you export the SpeedGrade file import into PrPro and then use to replace this track 'flattened' in your project, such that your titles and other effects & such on the other tracks are now properly displayed and used.
  2. The second is to export the EDL PrPro, and then import that, in the Official Journal, use the media in Sg Panel to access import clips/various media project and hope that Sg 'sees' them all properly and can automatically "conform" them in the project. You may need to do some in keeping text books (selection and including files).

  -XML to use a different application of ranking, say Resolve, is to export XML from PrPro, collecting the media in a particular folder for easy consistent within the will, openness, import the XML file, then add the media used in the process of the process in line with determination. Once completed the classification, you export a file off to bring in similar to the above listed export EDL file PrPro and replace your chronology of base with this release.

  Colorists figure indicating an ad with clips from 70 to 100 that will be '' similar '' in an XML file will be from 30 minutes to two hours properly "compliant" within the will. This moment is just considered part of the cost of doing business. Literally. Charged at the time, of course. Better editor work done to prepare the trimmed project within the determination, the less time they pay for the wizard to load & preparation of the project for the colorist.

  This above is the official method we have to work. EDL and XML export process is of course still all heavily used in "industrial" situations, where an editor is in a House after and the colorist in another... or really, even within the same House after. They take time and are a bit complicated especially if you work as a one-man show, where you can spend the time to prepare a project to make your own consistent in the application of classification, then finish the "round-trip" PrPro for final assembly work and export.

  For especially small shops, Direct link was... heavenly.

  There is, however, a way to always use the "shape" of the process of link Direct with most of the projects, and it's a very small 3rd party app created by another user of SG and mentioned on this forum. It is discussed and linked to in this thread of Sg forum:

  Project of creation/Speedgrade conversion tool

  What enforcement... open it on the desktop... drag and drop a project of the 10.x PrPro file built 2015.3 or 2015.4 on the application... it automatically saves and increments the file in a new project file, the conversion of 1 a character in header of the project file so that Sg 2015.1 will 'see' the file as a version 9.x and work with it.

  Do your work within the Sg, then save this file when it is done. Drag and drop than even the file on the app and it CONVERTS... new economy/auto-increment of the file, change this ONE 1 return character as well as PrPro 10.x will see the file as native file and work with it without having to convert it into a new project file.

  There were several hundred downloads, and the only problem I've heard of so far is that comps AfterEffects can fritz. Well, there is a way around that, already used by many editors I know who systematically Ae comp work for projects PrPro: rather than including a model of Ae in a sequence, they make the Ae but export work "comp" directly from Ae in the codec they use for their project, and then replace the original item by this export of Ae on the sequence itself. Typically, it plays easier back and exports with fewer potential problems anyway. More... If you want to redo the comp in Ae, simply open this model even once, your new work and another export or replacement operation.

  With the panels of the ripple & elements, there are much more of my little projects which may remain within PrPro and where Lumetri works very well. However... a marriage? UH... No. All the shot-matching and secondary and stacked effects and such that I'm used to using in Sg can be done in Lumetri... but much slower to accomplish, and by using stacked Lumetri which slow down playback visibly.

  So... I use the two Lumetri in PrPro and if necessary, novel of Patrick and delicious little program also operate at the breast of the Sg without EDL/XML and flattening/export/consistent/round-tripping in this way much longer.

  Neil

• Adding image to Photoshop to moving images

  I have a few pictures and I have a small image that I added to the scene. Moulds to the camera to the left and I wan't the image away to the right, as if it were part of the scene (ie. photo on the wall, the wall moves off stage to the right when I pan to the left, the image on the wall, I added should keep to the right of the wall). If I animate the movement of the frame-by-frame image, it seems a bit choppy and would take time to make the movement smooth. Is there an option in first Pro CS5 that I can use for the image, I added "snap" or on my images and animated as well as point images set to a certain point?

  Thank you.

  You do this in After Effects. It's called Motion Tracking. More information on it here: http://help.adobe.com/en_US/aftereffects/cs/using/WS0D2A799F-1176-44e8-8E4B-330BF1D8B1EDa. html

• "Workflow" for Slow Motion DSLR

  Hi, I've been experimenting with the creation of idle smoothly in a calendar of 1080/25 and questioned on the best workflow. (I used a Canon 70 d, stipulating that 50 frames per second at 720)

  So: Chronology 1080/25 Pro Res FCP7 (majority of the 1080/25 source footage)

  I want to add a short section of idle and for that I shot in 720/50 - but of course it is made at 25 frames per second when added to the timeline and playback is stuttering when 50% of the speed value.

  So I sent the clip (at 50%) to 4 Motion and applied optical flow - this provided a smoother playback

  (I tried to optical flow on a clip of 1080/25 to 50% but reading stuttered slightly)

  I just wanted to confirm if it is the best workflow for idling smoothly.  Also when I tried to apply the optic flow on a second Motion 4 already 'optic flow"selected clip, but when I clicked on that nothing happened - I had to close out Motion and start over with the clip under a new name.

  SMOOTH SLOW MOTION OF 60 P USING CINEMA TOOLS

  http://library.CreativeCOW.NET/ross_shane/slow-motion_cinema-tools/1

• Can I have a global calibration for different images sizes in VBAI

  I run a VBAI algorithm on images from several cameras to linear scan.  We use a square, simple, calibration (.42mm/pixel) for each image, they are always 1024 pixels wide, but can vary in length of the image.  Currently, I use several instances of Calibration Wizard then 10 to account for variations in length, but it seems to me that the internal calibration resulting is the same for each instance.  So is it possible that I can set up a unique calibration use if for any length of the image?

  Thank you

  This is a feature that we added in the latest version of Vision Builder AI (2012), which will be available very soon.

  Would it be possible for you to use the LabVIEW execution step to calibrate your image? If so, you can call a LabVIEW VI that sets the calibration using IMAQ Calibration2 Simple to set, after the steps in the acquisition. Once the image is calibrated, all subsequent steps must return results calibrated, even if you do not use the VBAI built in calibration.

  Christophe

• different workflows for different users

  Hello

  I want to create different workflows for different users in bcc atg. As for example I login as a Bishop, I create the project, I can add assets, when the author, I have simple step like deploy to production.  When I login as a normal user, I must follow the normal flow. for this what are the steps that I followed and what files are xml I have change for the commercial user interface.

  Hello

  Finally, I got the interface user of Merchandising for my custom workflow.  to do this, I added a configuration as speedWorkflow.xml file

  PUBLIC "-Technology Group, Configuration of the Application of CCI Inc.//DTD //Art / / IN".

  "http://www.atg.com/dtds/application-configuration/application-configuration_1.0.dtd" > ""

  atg.remote.commerce.Resources

  merchandising.activity.displayName

  atg.controlcenter.view.DividedApplication

  Profile of $accessRight$ sitecatalogread: read; Profile of $accessRight$ sitecatalogfull: read;

  Profile of $accessRight$ mediaread: read; Profile of $accessRight$ mediafull: read; Profile of $accessRight$ storecontentread: read;

  Profile of $accessRight$ storecontentfull: read; Profile of $accessRight$ storesread: read; Profile of $accessRight$ storesfull: read;

  Profile of $accessRight$ promotionsread: read; Profile of $accessRight$ promotionsuser: read;

  Profile of $accessRight$ promotionsfull: read

  / ATG/Remote/ControlCenter/service/GenericDividedApplicationInitializer

  10

  /Common/commonWorkflow.WDL

  atg.remote.commerce.Resources

  merchandising.activity.displayName

  atg.assetmanager.common.view.AssetManager

  / ATG/Remote/trade/service/MerchandisingAssetManagerInitializer

  / ATG/Remote/trade/assetmanager/ContentConfiguration

  /Common/commonWorkflow.WDL

  ApplicationConfigureManager.properties

  & applicationFiles =.

  /ATG/remote/ControlCenter/service/speedWorkflow.XML

• Create proxy for the image sequence

  Hey guys,.

  Today, I was delighted to see the newly implemented for PremierePro proxy workflow.

  Unfortunately I have not yet figured out how to apply this workflow for image sequences.

  Is this possible?

  Background:

  We do not stop motion animation and all our images always comes into frame sequences with each frame being 20 MP. We want to keep the resolution up to photo-serrure, because we would like to keep the possibility to crop and zoom into images.

  So far, we have created lowquality of sequences of images as proxies (in the same resolution) and they use them for editing in a FullHD timeline, where we can evolve and frame (and of course change) images. After picture lock replaced the original media. Once the images is online and the harvest is final, we create a FullHD prores file for VFX and editing.

  But this process is error-prone.

  When I now import a sequence of images in the creation and create a proxy for her, a mov with only the first image file is created.

  Which is obviously useless.

  My question:

  1 would it not possible to import a sequence of images and create a sequence of images of proxy (with the same interpretation of the images, i.e. of framerate) from the original image sequence?

  2. the sequence of images proxy perhaps erred in lower resolution (original image in format 5760 x 3840 px, resolution 1920 x 1080 proxy), and once I pass the proxy to original scaling is adjusted accordingly.

  Really looking forward to some tips to achieve this!

  Thanks and good luck

  Max

  I had a little further:

  I made a mistake by creating templates in the MediaEncoder:

  I created a coding model and not a model of ingestion (who both the end of the .edr file), which should in fact have been obvious.

  So now I have:

  1 has created a file of 5760 x 3840 Prores4444 out of sequence of images

  2 imported the first PorRes4444

  3 creates a proxy using my own template (ProRes 422 Proxy 1920 x 1280) with aspect ratio 3:2.

  It works, BUT:

  When I play the file on the timeline proxy, the proxy file is adjusted differently than the original file (proxy disabled), but only during playback.

  It is probably a completely different question, I'll create another post for this.

• How can I restore a credit for an image licensed by mistake

  It is a little confusing for an image with your license credits, you have just to click once ONLY on the icon, I just wanted to add the preview of an image to my library and was sold by mistake. How do I "restore" my lost credit? I have not used the image somehow...

  Hello

  I've added a license credit to your account in order to replace the one bought by mistake.

  Kind regards

  Bev

• In Lightroom CC my dehaze cursor keeps disappearing. To retrieve for each image, I have to go in the calibration Panel in the develop Module and set it to 2012 (ongoing). Then he wrks. But only for images. I have to go through this process forever

  In Lightroom CC on a Mac, I have to go to the camera Calibration Panel in the module development for each image and change the drop-down list of effects to read 2012 (current) in order to make my cursor active, or usable dehaze. But I can't make the change for 2012 (current) 'sticky '. It is up to 2013 and my cursor dehire becomes ineligible for the next image every time. Someone at - it a solution? Thank you!

  Problem solved by the first installation of L 6.0, and then upgrade to 6.3 LR

  ~ Rohit

• Process for Sharpe images

  Hello

  I have read through the forums and a lot of suggestions. But I still find the images appear blurry, once placed in Muse. My current workflow creates the image in illustrator (if the vector, most of my friends), save for the web to the right size. Place in the Muse. For some unexplained reason, some graphics are superb and others seek outside the home? Even if I use the same workflow?

  Can someone suggest a solid workflow to render images of vehicle for the use of muse.

  Thanks in advance

  Disable the opaque PNG Images convert to JPEG option in the Site Properties.

  By default, Muse will convert an opaque PNG image in JPEG format to produce a generally much smaller image (and therefore more rapid page load time). Works well if the original image is photographic in nature, it does not work as well for the illustrations generated by computer or other line drawings because the compression JPEG introduced noise and softens such images.

• Show dynamic text inside the title for several images on mouseover

  I have 25 animated Clips dragged on the stage and they have for instance similar names for easier manipulation purposes within programming using loops. The instance names look like this: image0, image1, image2 and so on.

  Whenever I'm mouseover on one of these unique images, I want to show the unique title of this image using all securities as a dynamic text named imageTitle container.

  I managed to do this job image by image, but that would require me to copy paste and modify the following code for each image.

  image0.onRollOver = function() { 
      imageTitle.text = "First image title";
      imageTitle.textColor = 0x000000; // setting the text color here
    }; 
  
  
  
  image0.onRollOut = function() {  
      imageTitle.text = "Choose an image";
      imageTitle.textColor = 0x000000;
  };  

  Question: The above code wouldn't work, but seems redundant to me. Since I was the name of similar instances (image0, image1,..., image24), how can I put this code inside a loop or something to work for all the images without repeating this code 25 times.

  Update: I've added a table for the project that contains all titles:

  var imagesTitles = new Array("First image title", "Second image title", .... );  

  :

  imageTitle.textColor = 0 x 000000;

  for (var i: Number = 0; i<>

  This ["image" + i] .ivar = i;  key stage

  {This ["image" + i] .onRollOver = Function ()}

  imageTitle.text = imagesTitles [this.ivar];  milestone used here

  }

  {This ["image" + i] .onRollOut = Function ()}

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• Some very strange problems with zoom in/out effect on a still image

  Hello everyone!

  I try to do the zoom and effects. I use these effects to animate still images.

  To make, I use the standard "Motion" effect. I just put a keyframe [at the beginning of my image] and set the scale to 100% (for example), then I do another keyframe [at the end of my image] and set scale here about 150%. It works, but the result is terrible.

  When I start to play my animated picture effects (zoom in/out) distort my image. I'm starting to see a few lines in the whole of my image and it irritates my eyes really. I've seen these awful zoom when I used Ulead or Sony Vegas.

  I think I did something wrong. Can you help me solve this problem ?

  This distortion appears also when trying to animate my image using which and YPostion of the "Motion" effect

  I guess someone can not understand me and I decided to attach some files here. First is an original image without distortion. Second is this image with distortion. And the third is just my setting of this effect of "Motion".

  In conclusion: "Scale to the size of the image" is disabled. The size of my image is 2816 x 2112.

  Thank you for your attention!

  Create a new sequence with progressive settings and import are your photos or existing sequence.

• When I right click on an image, I can't see the option "search Google for this image. How can I get that back?

  I don't know what that I have maybe changed, but right-click on any image, gave me the option in the Google search menu for the image. This option is gone.

  This is not a built-in feature. Have you used any of these extensions:

  • https://addons.Mozilla.org/firefox/addon/imageSearch/
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  You might first check the addons page to ensure that it is not disabled. Either:

  • CTRL + SHIFT + a
  • "3-bar" menu button (or tools) > Add-ons

  In the left column, click Extensions. On the right side, off the cluster of extensions at the bottom.

  If it is enabled, it could be a problem with some of the code in the extension is not compatible with Firefox 40, or one other extension it bumping from the context menu.

• HP Image Zone Update for HP Image Zone Plus?

  I have a Hp Pavilion a350n. With a HP Photosmart 2610 installed. The HP Image Zone is the 4.5 version, (which contains my version 045.004.157.000 Images, Edit version 045.004.157.000, version 3,0,0,10 of the picture library, version of the creative projects 045.004.157, HP Image Share 045.004.157.000 version) in the downloads and updates for the ngn350 section (http://h10025.www1.hp.com/ewfrf/wc/softwareList?os=228 & lc = en & cc = us & dlc = en & product = 371643 & lang = en) there is an update for HP Image Zone Plus (large enough 254 M), the upgrade is the file 'sp26422.exe., published on 30/11/04, Version 4.2.3  I thought that it would be upgrading my area of Image to Image Zone Plus. This is not the case. In my view, he says that I had need of HP Image Zone version 4.7 or later or something like that. I'm not under the HP/Windows delivered software came with the computer (a long story) so I have Windows XP Pro with the printer driver (solid line). The printer was purchased in December 04. Is it possible to upgrade the software of HP Image Zone for HP Image Zone Plus? Or update the current HP Image Zone 4.7 and update Image Zone Plus? Any ideas would be appreciated.

  Thanx

  Only after the last tree has been cut down.
  Only after the last river has been poisoned.
  Only after the last fish has been captured.
  Then only you find that money cannot be eaten.
  -Indian prophecy screams-

  Current offer of HP's HP Photosmart Essential:

  http://www.HP.com/United-States/consumer/digital_photography/free/software/index.html?JumpID=hpr_R1002_USEN