First CC 7.1 - red images read and export

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• Color change to image saved and exported

  Hi all

  I hope someone can help.

  I kept different images for a client, saved as CMYK and color from the client, other laptops, printers and phones is extremely different, almost like a RAW unedited image. I have checked through all the color settings and read all the forums, but nothing. The image I see in PS CS6 is very different from those printed and read by others, the skin is red and image has a very strong purple tinge. I'm going crazy...

  The suggestions will be extremely beneficial as contact for Adobe is good, does not exist!

  Kind regards

  There are several potential problems here. If you want to send clients, check first convert them to sRGB files.

  To go more in depth:

  • There is no such thing as 'generic' CMYK or RGB 'generic '. You have to study and work, specific CMYK and RGB icc profiles. Image > command Mode can be very misleading and lead to disastrous results, if you don't know that. What it does, is to refer to any CMYK or RGB profiles that you configured as your workspaces, in the Photoshop color settings.
  • To CMYK, you must have the right profile. The profile is one that describes in fact offset press and the papers that will be used for printed documents. Get this printer profile (or they tell you that you use). The default value of Photoshop's us Web Coated (SWOP), but it is actually not used anywhere outside America.
  • All CMYK and RGB profiles differ widely in range, otherwise said, what colors can be contained in this color space. Saturated colors that lie in the range in a single space, may be out of gamut in another. Then it just gets cut and may not be reproduced.
  • A line right profile conversion, so RGB > CMYK, RGB > RGB or something else, will keep the colors as much as possible. But out-of-range colors are lost and replaced by the closer in the range.
  • Photoshop is color managed will properly manage all these profiles and really show you what the file looks like. It will convert between them and preserve the appearance of the color. Many the most other viewers the picture are not the color management and don't know what an ICC profile. They cannot be trusted and will probably wrong colors displayed. Poor/lack of CMYK support in these viewers make it even worse.

• First Pro CC insert unique image in the exported files

  I've never had this problem before now.

  A project I've been compiling works for several months has been exported using TEA via PPCC.

  Previous exports this question came not to the top at all.

  Here's the problem:

  

  Videos of fondues (using Apple ProRes 422 HQ, QT H.264 and MPEG2 DVD) have a single image insert between two stills in a montage.

  The previous record, he appeared on a different photo seconds later in the program, like this:

  

  Again, these are artifacts one untraceable image in the timeline to the MPCC. They appear only as 'flash frames' in the exported video.

  Anyone else seeing this? Is there a solution?

  Thank you

  Jeremy Praegitzer

  Adobe Premiere Pro CS5/CS6 certified associate

  The TV Department Manager - love a child, Inc..

  Hi Jeremy,.

  Please post on the Adobe forums,

  Please provide us with details of your systems:

  What is the operating system and version?

  What is the graphics card installed on the system?

  How much RAM do you have?

  You use any external hard drive?

  and if you use the on Open CL GPU acceleration, you can these question on export.

  Please enable GPU acceleration on software only mode, (if you use the card active cuda then Cuda)

  Kind regards

  Sandeep

• First Pro CC gives an error "Could not create image buffer" and crashing after installing a videocard GeForce GTX 1070.

  Hi all

  I recently installed a GeForce GTX 1070 video card and drivers current in my bench mounted, very happy for the potential break in the rendering and playback (I was using previously a very old ASUS Radeon HD 7850). I had nothing else problems since.

  When I first tried a project of creation of opening, audio refused to play (speakers, headphones, everything...) I looked at the volume mixer while playing through the timeline and no audio only showed upward). Everything seemed fine. I closed, cleared the cache, opened the first, this time hold Alt while doing so to reset the preferences. Open very well, audio read back fine, that only now first was blocked indefinitely the generation of PEK files for a short audio clip in the project.

  After a long bit of troubleshooting in the speakers, I went ahead and did a complete uninstall of Premiere Pro and After Effects, then reinstalled both programs to their current versions (2015.4 and 2015.3, respectively). No more problems of generation PEK, but something much worse. Now, whenever I try to change the CUDA acceleration enabled, I can maybe five minutes absolute performance first until I get an error "Could not create image buffer", warning of notifications of Windows that your computer is low on memory, and finally, a complete crash where the screen goes black, flickers a couple times, then stays black for good with only the mouse cursor appears on the screen.

  The images that I'm editing is all images Go Pro, no effects applied. I am doing this for a client and need ready in a week, but the constant crashing makes them difficult to work around. I can more or less run by changing the acceleration of software only, display options but it is much slower and the memory is still eaten up like crazy (if I place the open Task Manager and start to scrub through the timeline I can watch the memory usage get up to 95% in 20 seconds approximately). Reading suffers as a result once the RAM is full until almost full.

  Technical specifications

  First Pro CC 2015.4 (latest version)

  OS: Windows 10 Pro (Version 1511)

  CPU: Intel Core i7 - 5820 K CPU @ 3.30 GHz

  RAM: 16 GB

  GPU: EVGA GTX 1070 (latest drivers)

  SSD (OS and Adobe Suite installed): SanDisk SSD internal 240 GB 2.5 inch SDSSDA - 240 G - G25

  Hard drive (where I put my multimedia files): WD Black 2 TB Performance Desktop Hard Drive: 3.5 inch, SATA 6 Gb/s, 7200 RPM, 64MB Cache

  Motherboard: ASRock X 99 Extreme4 LGA 2011-3 ATX Intel

  Film source - source footage is an hour of video of Go Pro, all arranged on the timeline, no effect applied (I'm just trying change the original film in a short video).

  Type: MPEG Movie (.mp4)

  Image size: 3840 x 2160

  Frame rate: 29.97

  Format of the pixels: 1.0

  It is worth noting that, with my old dusty Radeon GPU, I was able to edit these clips with ease. No reading, no problem of image buffer. I do not see my RAM never go above 60% usage, when I got this card is installed.

  Also worth noting, that the first, I have noticed absolutely no problems, and the video card itself seems to work very well. I can play MGSV at max settings with perfect reading, as well as other graphics intensive games.

  Any help?

  It's been almost a week and I had zero problems. First Pro CC 2015.2 works like a dream! I'll go ahead and mark this thread closed.

  For those just tuning, I was able to find a solution by uninstalling the Premiere Pro and After Effects, and then reinstall them back to last known stable on my bench (Premiere Pro 2015.2 and after 2015.2 effects). So far, running these versions has been very good, even with active CUDA acceleration.

  The only downside is that all the projects I've done in Premiere Pro version 2015.4 should be re-edited from scratch. But I've had absolutely zero problems using the program, which is a relief. Hope Adobe fixes this problem whenever 2015.5 is out!

• Motion menu BluRay renders with stutters and Red images

  I did the menus animated before on Bluray discs before, but this time, the video clip is made with stutters and Red images. I tried back during the music video for first and replacing the assets again but still the same. I tried to lower the transmission speed and tried to force again to transcode the video resource, but nothing has worked. Does anyone have the same experience or a glimpse of how I can fix this. My only guess is that it may have to do with the length that it is the longest video resource I've used in a menu at 59 seconds of time.

  "Stuttering" is as it is jumping around in the video clip... as randomly grabbing an image of one or two seconds in front or behind.

  I don't remember the details, but I think that something like this has been a problem known at some point.

  Then I try using Media Encoder to transcode a reminder instead. I will also try to reduce the maximum flow rate from 25 to 15.

  By selecting the option of the SOUL in still affects only the assets of transcoding for chronologies/slideshows when you use the option 'transcode now'. It uses a SOUL when transcoding in the building and uses no SOUL for animated menus.

  The menu is a standard file in Photoshop with a layer of background image and several layer sets for buttons (2 in the main menu, in the menu of Chapter 11). They are just text, no video clips, graphics or thumbnails. The highlight (= 1) layer is of even the text as the text layer, with an added stroke outline.

  To eliminate the need for transcoding of the motion, you would remove the 'text' layer (as in "the same text as the text layer -" a layer in the menu of photoshop that is not a = 1 layer highlight etc.) and put the video of those in the bottom of the query.

• I downloaded red CS6 plugin and added to the contents of the package, replaced the existing files with the new without saving, now my thumbnails images RED and the color correction do not WORK! How to bring back my old file importerRed! ?? Help!

  I downloaded red CS6 plugin and added to the contents of the package, replaced the existing files with the new without saving, now my thumbnails images RED and the color correction do not WORK! How to bring back my old file importerRed! ?? Help!

  Try asking in the forum Premiere Pro seems to be an Adobe first Pro Lab

• My 6s iphone shows that I have an email unread in my Inbox.  I have read and open any emails in my Inbox, but my phone shows an unread email.  How can I make the 1 red go?

  My 6s iphone shows that I have an unread email.  I have read and open any emails in my Inbox.  How can I make the 1 red go?

  Go to settings > Mail, Contacts, calendars > press e-mail account. Put the Mail DISABLE (display white side). To return to the home screen (it's essential!). Phone power off. Turn the phone to power back on. Mail switch must stay off - if enabled, you will need to repeat this process. If it is disabled, you did it right - turn it on and the 'ghost' post should have gone - for now. That they will probably come back until this bug is fixed permanently.

• several images capture and read their path to send the byte array to the web service

  Hello

  Have a problem when the image capture, the requirement is to open the camera and capture multiple images, and once done it should send the array of bytes to the web service, wrote the class with reader and Video Control of the code and then using the saved file to store image API, but when the user capture multiple images it replaces previous if I keep the path to say dynamic by using the date and time then how I just know what images are recently captured and their path, one time I know that the path of recently captured using new fileconnection images can read the image byte array.

  Hi Nishant,

  find the attached code. In this demo, you will find:

  (1) the use of the listner log file system

  (2) how to move data from one folder to another.

  (3) how to read file system byteArray.

• My nail of the thumb in bridge always have evidence the adjustments I make to RAW files. Now, for the first time they have not. However when I select the images adjusted and open them in CS6 adjustments are there. I restarted the bridge and PS, and I rest

  My nail of the thumb in bridge always have evidence the adjustments I make to RAW files. Now, for the first time they have not. However when I select the images adjusted and open them in CS6 adjustments are there. I restarted bridge and PS, and I restarted the computer (Mac). Still the same problem.

  I thank assani, but it wasn't the answer. The problem was, I finally understood, that the "option for generation of quality and preview thumbnails" wasn't on "high quality" as it usually is. I have no idea how this happened as I never change this option.

  Thanks a lot for your help.

  Mitchel Gray

• My Prem Pro program window image is blocky and green red yellow vertical bars when static - scrubs and exports ok... what's up?

  My Prem Pro program window image is blocky and green red yellow vertical bars when static - scrubs and exports ok... What is happening?

  This thread seemed to solve... (seems to be a question of el capitan). Super frustrating though, as I don't want to turn off automatic switching: Premiere Pro chart question?

  A lot of El Capitan being more respectful of the adobe!

• My MacBook Pro will not open documents via Adobe Reader. Says I need Aspen Aspen drive in Browzer and accept the terms and insularity first. A crossed this time 3 and got through 'Finish', closed the browser and then retried. No luck. What is going on?? H

  My MacBook Pro will not open documents via Adobe Reader. Says I need Aspen Aspen drive in Browzer and accept the terms and insularity first. A crossed this time 3 and got through 'Finish', closed the browser and then retried. No luck. What is going on?? Have no problem with the same documents on iPhone and iPad

  After finishing the installation you launch Adobe Reader in your folder/applications and accept EULA (End User License Agreement)?

  What is your version of Adobe Reader?

  What browser are using you and version of the browser?

  Thank you.

• Red images

  After the update to the latest version and rebooted my computer, I get Red images around in my composition. I tried rendering and Red images pointing it too. Reloading the images did not help. I've never even heard of this problem until today, and it seems that used to be a problem in the first, not After Effects.

  I'm on Windows 10 and have never had a problem like this before the update today.

  Yes! Sorry, I missed this thread when I was updating discussions last night.

  This problem is fixed in update fixes after effects CC 2015.3 (13.8.1). This update, available now, can be installed by using the creative Office Cloud app, or by choosing Help > updates within any Adobe application.

  Please read the known issues in this blog; You may need to clear the caches until the fix is visible for sequences that you previously imported.

• How to disable the Red images?

  This continues me on a major project so I hope that someone could be kind enough to help.

  I have 7 hours of video, which may have been captured in the wrong, because when I play the mpegs in the timeline panel, the sound is out of sync, with full red frame flashing in and out frames, which I am led to believe is first trying to compensate and keep the sound and image together. The result is however a galling lack complete synchronization between sound and image, and flashes bright red that I need to change around. I work in multi-cam, so three-way this doing at the same time, it is an absolute nightmare!

  If I play .mpeg files captured outside the first, in Windows Media Player, the sound is synchronized and instead of Red images, the photo simply jumps slightly or repeat frames minimally. In my case, it's much better than the Red frames.

  So my question is; is there a way to tell the first NOT to insert the Red images, but whether to compensate as WMP or even to read the files they are?

  Thank you very much.

  ----------------------------------

  Update:

  Some additional information. I see many other topics on the forum that it is not a rare problem, but unfortunately I have not seen any encouraging solution. I have seven hours of images, but I'm keeping on my edit of starting so I'm looking for a way oput this. Can anyone maybe recommend a third-party program where I could pre-made all mpeg files before you start the installation? As I say, Windows Media Player (of all things!) plays the files to my satisfaction, so I just need versions of the images that will not upset the first.

  When you capture these images with HDV-split are the files still out of sync?

  http://strony.Aster.pl/paviko/HDVSplit.htm

• Experiences with RED R3D: CS5 and in general?

  I'll post my first spot with images of a RED One next week. I've only played with a few clips and not tried anything 'real' with her yet.

  The film is made in 4K 16 x 9, I think of 23.976. Final delivery will be 720/30 p for broadcasting/cablecasting. Fortunately, no sound synchronization worry in this one. I get the RED drive full of pictures tomorrow afternoon, so I'll have some time to play with the equipment.

  My system seems to be OK with clips of 4.5 K I tested. I kick down to 1/4 and 1/2 resolution break, and things reading seems catchy. My system is a i7-930 @ 4 GHz, 24GO RAM, GTX 480, 4-drive RAID 5 off the coast of the mobo that serves as my main drive of edition.

  I looking for general advice dealing with this material in general at the OS level, just in case where there are best practices and pitfalls to the extent of the CS5 is concerned. I am trying to determine what would be the best configuration of the sequence to be used; I want to use a preset matching RED, or by mail to my destination size/frame rate? My usual approach with my own 1080 p material (DVCPRO HD, primarily) is to change in a sequence of 1080 p full raster and then export them directly to 720 p to deliver. I think I'll take the same approach here, working at 4K and export to the final, but I'm open to suggestions. Work at a lower frame size would obviously give me sliding options.

  I can do a little light AE work on this; nothing too things I flip that quite quickly. I hope to make it a shine - the producer is terrified of RED (of course, he's the one who usually shoots 35mm and there telecine to miniDV), and if all goes well I'll have much more regular tasks to do like this... and I'll get to raise rates!

  Thanks in advance you seasoned REDitors

  Hey Colin,.

  I have worked extensively with R3D in PPSC5 and REDCINE-X.

  First note - don't bother with Cine-X... Now that CS5 (starting from 5.0.3) supports the new science of the color in the build 30, there is no need to use movie-X as an intermediary. According to my experience it is both very slow and also VERY unstable. If you start to do too much, it crashes. And this isn't just my system, word on the street, it's that Cine-X is unstable both on the PC and the Mac, period.

  Then, use PPro CS5 for everything you do with R3D.

  If you go to crop, then Yes, go ahead and edit in 720. There are RED presets for down in the lower ranges, too, so I would use a RED 720p30 preset in order to paste in the RED presets for editing. It may not make a difference, but I just watch is as best practices... Either paste elsewhere, in a "Preset" RED.

  Œuvres RED beautifully in PProCS5... I have a 920 with three disk RAID-0 and the GTX285 and I put it on the ground 1/4 and full of break and it works beautifully up to four layers. I haven't worked beyond four layers, but it was still good when I hit four.

  Note for you with the clip for the RED settings dialog box... You can save preset settings, then go in your first shot of a specific configuration, it get the way you like it and then create a preset for that. Then choose the rest of the clips in the tray under the angle of the shot and apply this preset. Repeat for different configurations of shooting required.

  Adobe has done a great job, building of support really fluid and flawless for RED and with the 5.0.3 release, they got support for the science of colours 30 build as well.

  R3D Edition has been a great experience for me...

• Series of reading and DAQ in same While loop

  Hello world

  I have a while loop that has a DAQ reading and a reading series of VISA.

  DAQ readings slow while loop for series com & therefore the iterative nature of the measures to constantly check byte-by-byte (for the full range of the code: 22 bytes) does not work. (it will check 8 bytes, 24,.. etc. because more bytes is collected in a buffer before it can browse new loop.)

  Is it possible to synchronize these two data acquisition devices?

  Data acquisition speed is fast enough, so if there is a way to keep the series bytes in a queue and take only the first 22 bytes for every while loop iteration?

  Thank you for your help. I can't join VI, but I can give you a reference image.

  I recommend having separate loops of data acquisition and reading series.  If you simply connect the latest value, the local variable is great for sending to playback in series to the other loop for logging.