Freeze frame in after effect Photoshop possible?

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• best computer to use Adobe (Premiere Pro and After Effect, Photoshop especially)

  Hello

  I would like to find the best computer to use Adobe (Premiere Pro and After Effect, Photoshop especially), could you recommend me a computer? My budget is: not more than 1,200 U.S. dollars. Thank you!

  Hello

  Please see the technical specifications for applications:

  Premiere Pro: System requirements | Adobe Premiere Pro

  Sequelae: System requirements | After Effects

  Photoshop: system requirements | Photoshop

  Hope that helps!

  Kind regards

  Sheena

• After effects Photoshop video file error

  Has anyone experience this problem? I get this error when importing a Photoshop file with video integrated in it in After Effects.  Important the file, but only the first frame of the video is displayed.

  

  Quick Time Player on my computer is Version 10.2

  OSX 10.8.5

  After Effects CC 12.2.1.5

  Thank you

  What is expected. PS video support is currently non-functional in AE. You must make the outcome in PS and import the image sequence.

  Mylenium

• After Effects, Photoshop, first Pro CS6

  I'm new to CS and have been a little different apprenticeship programs in recent months about the post-production.  I am mainly using Premier Pro, After Effects, and Photoshop.  I noticed there are tons of different ways to work both within and between these programs through the CS package.  Because there are so many ways to achieve a result in the end, I was uncertain, what is the right way to modify or manipulate video footage.  For example, if I intend using consequences to color correction using the fineness of the color, or Matt paint and rotoscoping, should what order I open the files and modify them?  Should I start first and then use AE or do I change in AE, export to a rendered file format and then import them into first?  I noticed that not all changes to EI are accepted at first, which would force me to return in AE first OK? Same question goes with all edits to images in photoshop as well. Always makes downgrade the quality a bit and at the time I did apply the effects and last edition, I don't want to neutralize not my project to be made two or three times before the final. Any advice would be great or at least a direction to look for resources to help you with my workflow problem.  Thank you

  We first define some terms:

  1. Shot: A continuous block of the new images from a unique point of view. Also called a plug.
  2. Sequence: Two or more plans that have been trimmed or cut together to tell a story.
  3. Scene: A continuous block of the tale is set in one place or as a result of a particular character. The end of a scene is usually indicated by a change of location, style, or time.  A scene can be shot, a simple sequence or a combination of several sequences.
  4. Film: A completed project that tells a story. A movie can be 10 seconds of time or 10 hours (re: Andy Warhol)

  The best use of After Effects is to work on a shot, scene or, sometimes, a sequence of composite elements, add graphics or adjust the appearance (color timing) of a shot or a sequence. After effects is probably the tool more difficult than you could ever choose to edit a movie in long form.  Dynamic link is very useful in the early stages of the development of sequences. Once approved, the sequences I have will make generally the sequence for a codec of production for use in the NLE. I'll talk more about codecs later.

  The best use of Premiere Pro (or any NLE) is to organize the shots in a sequence or a scene, then to organize scenes in a movie. Most fans try and cut a long form film (more than 10 minutes) in a single calendar. Professional editors organize each sequence in their own timeline (notice that Premiere Pro calles chronologies sequence 01, 02 etc. sequence) and then combine these sequences into scenes or movie by combining sequences in the final movie in a single calendar. In the end, it's a more efficient way to work on any project involving more than a few shots.

  Photoshop can be used to work on the shots, but it is quite inappropriate as an editing tool. Photoshop and Illustrator are mainly used to create items such as graphics or backgrounds used in After Effects or Premiere in history.

  The best workflow is one that puts you at the end of the project with the smallest number of steps in a minimum of time. In almost all cases, this means that you cut your shots into sequences in your NLE. The next step is to edit photos or footage in a software like After Effects compositing. If you are working on individual plans in After Effects, it is almost always a good idea to give them handles. I handle is a few additional images at the beginning and at the end to refine the change in your NLE. Good rule is to add 30 to 60 frames.

  Let's talk now, just for a second, rendering. You are slightly misinformed on the rendering.

  There are two types of codecs used for production. The first is a codec of production. It would be something like ProRez, Animation or even JPEG 2000, higher quality settings. To qualify as a codec for production rendering files must be lossless, or almost without loss. Production codecs take much DriveSpace. Some of them even will not play back in real time on any system. Many production houses use image sequences as their standard production format. You can make, do not forget then that either again go to production without loss of quality codecs. All you need is enough storage space to hold the files. Each production codec I use is at least 10-bit color depth.

  The second type of codek is called a delivery codec. These are highly compressed playback in real time on the low-cost systems and should never, I repeat never be used in the production pipeline. Anything either in the class-MPEG codec is a codec for delivery and should not be used in the production pipeline.

  Come to think of it, there is a third type of codec video. Here are the codecs of the acquisition. They are the codecs used by various aircraft factory to record videos. AVCHD, is a codec of low data rate used by cameras. Other cameras from the level of consumption at the pro level can use various forms of MPEG encoding. These "acquisition codecs" are not at all suitable for use downstream in the production chain. I mean, in other words, you must never make some turned to the initial acquisition codec. The only exception to this rule are professional cameras and recording systems registering in lossless formats or raw from the beginning.

  One last thing. Don't forget sound. Polished professional productions use always specific sound editing programs to complete the audio track. While you can do a job just in most NLE, you can do a much better job in something like Adobe Audition. Cutting, mounting or setting sound and AE should be limited to reference audio tracks and scratch not only. After made will do a good job of making an audio track without loss of an own original, but it is a audio more heavy and inefficient, editing tools ever developed. Oh, wait, AE is not a tool for audio editing, so it's OK with me.

  I hope this helps you on your way.

• First Pro CC (but also after effects Photoshop cc, cc) crashes my computer

  Hi everyone, since a week I can't use any of these products. Simply, my computer crashes whenever I try to start a program.

  I get a BSOD with security check failure message from the kernel and it restarts automatically. When it starts, it takes a fairly long time, and it starts with a black screen.

  Check the virus, system, with nothing errors does not. All my drivers are up to date.
  

  I have Windows 8.1, Intel (r) Core i7-4510U @ 2 GHz

  NVIDIA GeForceExperience GTX 850M

  Someone has the same problem?
  

  OK, maybe I found the solution. The issue seems related to the latest version of the Geforce driver. Just installed the patch and everything seems to work fine now

  Driver GeForce HotFix 361,60

  I'll do some tests more

• Can I use After effects with a processor i5 with no problems?

  I am looking for a new computer for editing in After Effects:

  * Do I need a processor i7 or i5 processor yourself run 3D effects and more without any problem?

  * Is enough 8 GB RAM or could go for 16 GB of RAM?

  * Can I run 3D effects and more without problem with GeForce GTX 760 2 GB?

  I have the version of AE called 'After Effects CC 2015' and I can go the feuture uppgrade.

  It is also possible I buy Photoshop...

  Thanks for the replies!

  Lukwin8 wrote:

  I am looking for a new computer for editing in After Effects:

  Bad idea. After Effects is not software editing. You want to Premiere Pro for editing of a film. That's much, much, much better at home because that's what it's designed to do. When it comes to Visual effects, compositing and motion graphics, so you must use After Effects to these tasks.

  Lukwin8 wrote:

  Do I need a processor i7 or i5 processor yourself run 3D effects and more without any problem?

  An i5 will work to launch After Effects. The clock speed of the processor will make a big difference in the AE speed makes things.

  Lukwin8 wrote:

  Is 8 GB of RAM pretty or could go for 16 GB of RAM?

  Get 16 GB or more.

  Lukwin8 wrote:

  Can I use the 3D effects and more without problem with GeForce GTX 760 2 GB?

  What are the 3d effects you plan to use? There could be several things that you hear here.

  If you're talking about ray-traced rendering introduced in CS6 engine, I would advise against using it. She is considered obsolete by the After Effects team and I don't know any people who used it professionally.

  If you're talking about the substitute continually improve the ray-traced rendering engine (the inclusion of Cinema 4 d with your subscription to After Effects), the GPU is not relevant. C4D renders on the CPU.

  If you talk about AE own 3d space (which is technically 2.5 d), the GPU is not relevant AE makes it only on the processor.

  If you talk about third-party plugins as item 3d, 3d Zaxwerks Invigorator, Shapeshifter of the courage, etc., you will need to check on their needs.

  Lukwin8 wrote:

  I have the version of AE called 'After Effects CC 2015' and I can go the feuture uppgrade.

  If you have after effects CC 2015, then you have a subscription with Adobe which includes AE CS6, CC, CC 2014, 2015 CC and next version of After Effects coming out for as long as you are subscribed.

  How to find and install previous Version of Adobe Apps in 2015 CC

  Lukwin8 wrote:

  It is also possible I buy Photoshop...

  If you only subscribe single-app for After Effects, just get the regular subscription to creative cloud. It's cheaper than to make two single-app subscriptions and it includes After Effects, Photoshop, Premiere Pro, Audition, SpeedGrade, Illustrator, Muse, Animate, Dreamweaver and many other professional programs like that.

  If you want to do video editing, you'll want to have Premiere Pro. After effects is ideal for animations, compositing and effects Visual, but it's TERRIBLE editing. Premiere Pro, use for this!

  Hope that helps.

• After Effects stuck at initializing MediaCore

  I have not used After Effects in some time, and after starting it recently that I quickly stuck on "initializing MediaCore.

  I tried:

  -Updated all my programs, drivers, and the after effects itself (Lateset CC version)

  -Reinstall after effects, Photoshop, Quicktime

  -Remove all plugins

  -Removed preference files

  -As Admin

  -Deletion of AE all files associated with

  Here are the errors I get:

  SplashScreen starts normal but the text simply says "Initializing MediaCore '

  Freezes for 1-2 Minutes

  SplashScreen farm

  This set of errors pop up:

  "Library of Photoshop failed to load. PSD files will not be supported. You may need to reinstall. »

  Then "After effects WARNING: unknown Exception.

  Then "after effects error: cannot unlock an unlocked list.» (4: 27)

  Then "after effects error: current Crash.". Last logged message was: 7116 > < GPUManager > < 2 > Sniffer result Code: 3

  This error is sometimes different

  And finally the last one said after "than the effects could not sue sorry... »

  Thanks for any help!

  If you have tried everything in this link: Hang | Initialization MediaCore | Splash screen:

  Can you show the screenshots of what goes wrong in the CC 2014 and 2015 CC?

• Is it possible to have cc photoshop and after effect cc? instead of cc of photoshop and lightroom cc? because im not not using lightroom and I would like to replace it with after effect

  Is it possible to have cc photoshop and after effect cc? instead of cc of photoshop and lightroom cc? because im not not using lightroom and I would like to replace it with after effect

  Hello

  You have a plan of photography which includes Photoshop and Lightroom. Replacement of lightroom with AE CC is not possible with the current subscription. You can go for creative cloud all apps which includes any software or subscription only app for Photoshop and AE.

  You can check https://creative.adobe.com/plans

  or contact the Adobe customer support contact customer service

• Is there an equivalent for Photoshop adjustment layer masks After Effects?

  I have a clip showing the clouds in a blue sky and the Valley in the bluish shade, and I want to darken the blues of the sky without affecting the Valley. Effects such as Hue/Saturation or curves produce good results on the sky, but apply to the entire composition.

  In Photoshop I would just do something like painting a gradient on the adjustment layer mask, but I don't see an equivalent in after effects CC2015.2 and wonder if I forgot something. Pointers?

  John

  Mast track controls are in the Modes Panel. The second icon in the lower left corner of the timeline will reveal the switches and modes column in the timeline panel, or you can press F4 to switch between them. If the second icon is not selected, then you should also see a switch at the bottom of the column switches switches/Modes.

  Here's how I would setup a colour correction in this train yard shot to put a glance Kodachrome faded on the bottom of the frame without turning the yellow sky.

  

  If you look very carefully between the cars, you can see the start and the end points for my gradient.

• Is it possible to import an After Effects animation in Edge animate for use of Muse?

  Is it possible to import an After Effects animation in Edge animate?  If this is not the case, how you can cut paths in edge animate?

  If you need transparency, then png sequence is the way to go. If she didn't need transparency then jpg sequences are are a good choice. To really keep the file size down, you can also watch the GIF animations. Usually, I shoot jpg or png sequence in Photoshop and use the timeline to create the animated gif. If you want the full video experience then output a mp4 of EI and drop in animate it but disable controls if it's just an animation sequence. for the movement to animate: mp4, webm, and animated GIFs are the choices.

  If you don't need to run a sequence of jpg or png of AE then use the tool of the region of interest in the model to cut the surplus. The output sequence, then drop a symbol to animate images.

  If you have a Lynda.com account I did a How To around creating a Preloader to animate from After Effects. Watch the Web request for video online course for beginners: create a Preloader

• After Effects cropping my frames?

  I have a bunch of images that I put as well as some audio to the after-effects.  The problem is that even if I have all the images full size in jpeg format, when I put them in the aftermath of what he cultures as well as a small part the image is perceived.  The audio works fine and everything is aligned and I can make and save as a quicktime file, but when I play I always get only a small part of the image I want to see.  I tried to play via preview I take out to see if everything I do is fixing the problem, but it shows me my sequence in preview, just a static image, or nothing (and I have my selected composition, not just a single frame).  I tried right-clicking on the composition to go in the composition settings and adjust the width and height, but it shows me just a random frame in the middle of the sequence.  As I set the borders extend so I can see the full image, but when I gave everything and save it again the problem is not fixed.  Any suggestions?

  Real bases here to digital imaging. A pixel is a pixel. Your images are larger that your comp. is their scale in After Effects or resize them in Photoshop.

• Dynamic links with, Photoshop and After Effects

  1 intent: Im using Photoshop CS5 (PS5) & After Effects CS5 (AE5) to create a DVD for still CS5 (5) menu. I used the 'Film & Video' preset in PS5 do a standard HD x 1080px 1440 image format; who looks the same in AE5. My problem is in the PS5 size "Pixel Aspect Ratio Correction" is the size I want the universal size to be. Its a more elongated version that looks better to me, but works well with HD monitors (as this DVD will play on a computer 17 "laptop).

  Question 1: Is it possible to have AE5 recognize the "aspect ratio pixel correction '' of PS5 and set the parameters of that size in AE5 composition?

  ```

  Question 2: What are standard sizes for computer monitors that would work welll especially with the Dynamic Link AE5 and 5 working with PS5?

  Question 2: What are standard sizes for computer monitors that would work welll especially with the Dynamic Link AE5 and 5 working with PS5?

  I love my monitors that are be 1920 x 1080. For editing, etc., it does not matter. Size to see all the controls, etc. is nice. The important part is keeping the proportions. Again, first, After Effects do default. When you preview material outside these programs, especially HD, some players (things of sense as Windows Media Player, Quicktime, VLC media player, etc), won't get the proportions provided, particularly when you assign to the 'full screen '. They are likely to play your movie to the size of the screen, and it will depend on what is perhaps the "native resolution" of the screen. Look for the settings of these programs which retains the proportions.

• History of the effects of Photoshop (like AFter Effects)?

  Hi all

  I use photoshop for a few years now, but just started using after effects and love the effect controls tab where you can see all the effects applied to each layer.  Y at - it something like this be possible in Photoshop?  I know there's a story, but this is the story of the entire document.  It is not a story for each layer is there?  If no to all the above, Photoshop on the road ever consider this?  I think it would be very useful to see the effects applied to each layer and then be able to access them again.  Sorry if it has this feature and I don't know about it yet.

  Thank you all

  Dynamic filters are what you are looking for (filters applied to a smart object, so that they retain editability).

• Is it possible to edit a short film in Adobe After Effects alone, or do you need to use Adobe Premiere for editing?

  Adobe After Effects is a post-processing image that is used to manage the layers and effects of pixels on the film, but it has basic editing capabilities.  These sufficient capacity for simple film change tasks?

  possible? Sure. but it will be difficult and unproductive. you better do it in first.

  This tutorial explains the differences between Ae and creating a good and fun way:

  Adobe After Effects vs Adobe Premiere Pro - YouTube

• Upgrades require reinstalling Photoshop and After Effects filters

  Confound it Adobe, I have more than 50 third-party filters in Photoshop and After Effects and you are updates always force me to reinstall them. Surely there is a way you can upgrade without wipe these stars every time!

  [As published for the clarity of the question and the future forum search... MOD]

  Hi Jacquess,

  Photoshop 2015.5 CC is a major version update it will install completely separate from the current version of Photoshop CC (version 2015.1.2) and have a separate plug-ins folder.

  Then, you must reinstall all of your Plugins, check the Web site or updates to plugins manufacturer and install your plugins.

  You can check the crawl space of digital imaging of Jeff Tranberry | Adobe Digital Imaging tid - bits, served in a dirty ashtray.

  Kind regards

  Assani