Help: Calendar CCP for simple FORMS instructions for implementation and 10 Gigabit

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• Need help with keyframes for start and stop an effect

  I use a mask and blurred for a few seconds. I understand that I must use keyframes to indicate when to start and stop this effect in the video, so that the same area is not trimmed for video full.

  The problem is, I can't find help by correctly setting the keyframes. When I opened the menu keyframes in the effect, it seems that I must together for both the mask took and the blur effect. I did... to start and stop at specific times, but the rest indeed throughout the video, so of course miss me something by using keyframes. The manual to create effects is not useful. I need assistance with keyframes as what I'm doing is clearly not working. Help!

  If the mask does not move that you don't have to set the keyframe. For the blur, click the stopwatch next to 'bluriness' add keyframes as below, the Reds don't blur and blue those maximum blur this fade effect.

• With the help of MERGE for update and insert a table

  -Oracle 11 g
  -Windows 2008
  
  I'm working on a script which requires update on insertion according to requirement.
  
  I table_a in the Test database and table_b in a Production environment and want to sync database availability.
  I need help to place the dblink (where to put it etc.).
  Here's what I've got so far:
  
  / * Update the tables for the production of Test environment
  November 28, 2011
  */
  
  FUSION
  in prod.tbl_link P
  using (select * from test.tbl_link) T
  On(prod.tbl_link.link_id = test.tbl_link.link_id.ID)
  When matched then
  Update
  Set P.LINK_ID = T.L_LINK_ID,
  P.L_URL = T.L_URL =,
  P.L_TITLE = T.L_TITLE,
  P.L_DESCRIPTION = T.L_DESCRIPTION,
  P.ISSUE_DATE = T.L_ISSUE_DATE,
  P.PUBLICATION_DATE = T.L_PUBLICATION_DATE,
  P.LAST_MODIFIED_DATE = T.L_LAST_MODIFIED_DATE,
  P.L_ICON_NEW = T.L_ICON_NEW,
  P.L_ICON_RECENT = T.L_ICON_RECENT,
  P.L_ICON_NEW_FROM_DATE = T.L_ICON_NEW_FROM_DATE,
  P.L_ICON_NEW_TO_DATE = T.L_ICON_NEW_TO_DATE,
  P.L_ICON_RECENT_FROM_DATE = T.L_ICON_RECENT_FROM_DATE,
  P.L_ICON_RECENT_TO_DATE = T.L_ICON_RECENT_TO_DATE,
  P.ACTIVE_FLAG = T.ACTIVE_FLAG,
  P.MODIFIED_BY = T.MODIFIED_BY,
  P.MODIFIED_DATE = T.MODIFIED_DATE,
  P.CATEGORY_ID = T.CATEGORY_ID,
  P.SUBCATEGORY_ID = T.SUBCATEGORY_ID,
  P.SUBJECT_ID = T.SUBJECT_ID,
  P.STATUS_ID = T.STATUS_ID
  When not matched then
  Insert (P.LINK_ID,
  P.L_URL,
  P.L_TITLE,
  P.L_DESCRIPTION,
  P.L_ISSUE_DATE,
  P.L_PUBLICATION_DATE,
  P.L_LAST_MODIFIED_DATE,
  P.L_ICON_NEW,
  P.L_ICON_RECENT,
  P.L_ICON_NEW_FROM_DATE,
  P.L_ICON_NEW_TO_DATE,
  P.L_ICON_RECENT_FROM_DATE,
  P.L_ICON_RECENT_TO_DATE,
  P.ACTIVE_FLAG,
  P.MODIFIED_BY,
  P.MODIFIED_DATE,
  P.CATEGORY_ID,
  P.SUBCATEGORY_ID,
  P.SUBJECT_ID,
  P.STATUS_ID)
  values (T.LINK_ID,
  T.L_URL,
  T.L_TITLE,
  T.L_DESCRIPTION,
  T.L_ISSUE_DATE,
  T.L_PUBLICATION_DATE,
  T.L_LAST_MODIFIED_DATE,
  T.L_ICON_NEW,
  T.L_ICON_RECENT,
  T.L_ICON_NEW_FROM_DATE,
  T.L_ICON_NEW_TO_DATE,
  T.L_ICON_RECENT_FROM_DATE,
  T.L_ICON_RECENT_TO_DATE,
  T.ACTIVE_FLAG,
  T.MODIFIED_BY,
  T.MODIFIED_DATE,
  T.CATEGORY_ID,
  T.SUBCATEGORY_ID,
  T.SUBJECT_ID,
  T.STATUS_ID)

  You cannot update the same column that is used in the join.

  The error is been derived from here:
  on (t.status_id = s.status_id)
  

  http://asktom.Oracle.com/pls/Apex/f?p=100:11:0:P11_QUESTION_ID:556373000346392260

• Help code AS3 for drag and drop quiz

  I have a flash drag and drop quiz I want to add different images to match the correct veribage when users have dropped the case.

  I have text works well when the user deletes the folder (i.e. "Yes, that's correct! ', I'm sorry, is not correct.', 'congratulations, you're done!'")

  I don't know where to start and I was wondering if it was possible to add an image from the library onto the stage when the corresponding text appears on the stage?

  I have AS3 below code I use.

  Thanks for the help in advance!

  

  ////////////////////////////////////////////////////////////////////////////////////////// ////////////////////////////////////////////////////////////////////////////////

  var startX:Number;

  var startY: number;

  var counter: Number = 0;

  folder_mc.addEventListener (MouseEvent.MOUSE_DOWN, Pick-up);

  folder_mc.addEventListener (MouseEvent.MOUSE_UP, dropIt);

  folder2_mc.addEventListener (MouseEvent.MOUSE_DOWN, Pick-up);

  folder2_mc.addEventListener (MouseEvent.MOUSE_UP, dropIt);

  folder3_mc.addEventListener (MouseEvent.MOUSE_DOWN, Pick-up);

  folder3_mc.addEventListener (MouseEvent.MOUSE_UP, dropIt);

  function pickUp(event:MouseEvent):void {}

  event.target.startDrag (true);

  reply_txt.text = "";

  reply_txt2.text = "";

  event.target.parent.addChild (event.target);

  startX = event.target.x;

  startY = event.target.y;

  }

  function dropIt(event:MouseEvent):void {}

  event.target.stopDrag ();

  var myTargetName:String = "target" + event.target.name;

  var myTarget:DisplayObject = getChildByName (myTargetName);

  if (event.target.dropTarget! = null & & event.target.dropTarget.parent == myTarget) {}

  reply_txt.text = "Yes, that's correct!"

  reply_txt2.text = "Donec sed fermentum lorem. Suspendisse potentialit. Pellentesque hendrerit nunc vitae risus vel gravida Nam semper tempor had lorem sed nulla lacinia vel ante vitae commodo. CRAs ac dolor nibh. « ;

  event.target.removeEventListener (MouseEvent.MOUSE_DOWN, Pick-up);

  event.target.removeEventListener (MouseEvent.MOUSE_UP, dropIt);

  event.target.buttonMode = false;

  event.target.x = myTarget.x;

  event.target.y = myTarget.y;

                          counter ++;

              } else {}

  reply_txt.text = "I'm sorry, this is not correct.";  

  reply_txt2.text = "Lorem ipsum dolor sit amet, adipiscing elit computer. Surpassing massa tellus, ut euismod urna. Phasellus bibendum pretium porta. Praesent sed elit vel odio dignissim in tortor ultrices. »

  reply_txt3.text = "Try Again";

  event.target.x = startX;

  event.target.y = startY;

              }

  if(counter == 3)

                 ){

  reply_txt.text = ' congratulations, you're done! "

  reply_txt2.text = "";

      }

  }

  folder_mc.buttonMode = true;

  folder2_mc.buttonMode = true;

  folder3_mc.buttonMode = true;

  Yes, to add a library on the stage using actionscript object to assign the object a class, tell ImageClass.  You can then use the new constructor to create an instance, and then add it to the display list:

  var image: ImageClass = new ImageClass();

  addChild (image);

• Need help with query for points and polygons, 2 tables of

  Hi all
  
  I'm slowly stumbling along trying to figure things out space.
  
  I have two tables, GEO_POINTS:
  (
  DEP_ID NUMBER (12) NOT NULL,
  LINE NUMBER 4 NOT NULL,.
  MDSYS. POINT_LOC SDO_GEOMETRY
  )
  
  and POLYGON_AREAS:
  (
  POLY_NAME VARCHAR2 (120 CHAR),
  POLY_DESC VARCHAR2 (120 CHAR),
  MDSYS POLY_POINTS. SDO_GEOMETRY
  )
  
  Neither table is engraved in stone, if any, I can change some structure.
  
  I'm trying to understand how to write a query to retrieve all the points in a polygon, perhaps even with an optional buffer provided by the user.
  
  Conversely, I would probably also need to know what polygons a point would have drawn in, and it's the only request I could make any progress on.
  
  What I have so far, which is not working properly, is the following:
  
  Select * from deposits_search where dep_id in)
  SELECT dep_id
  OF geo_points, polygon_areas
  where (sdo_relate)
  poly_points,
  (SELECT point_loc
  OF geo_points
  WHERE dep_id = 10282444),
  ("mask = ANYINTERACT") = "TRUE");
  
  In the light of the foregoing, I want to select all the lines of a third table (DEPOSITS_SEARCH), for all polygons which is a point. The DEP_ID column is my primary key for most of the data tables in the database, and the number rose in my application query. However, the above returns all rows. It should only return one, because I only have a polygon of test defined so far.
  
  Any help is greatly appreciated. Thank you
  
  Bill Ferguson

  in which case you must include a line of buffer for the interaction between the points and polygons (with a stamp),

  better, you use the SDO_WITHIN_DISTANCE operator.

  http://download.Oracle.com/docs/HTML/B14255_01/sdo_operat.htm#i77653

  Not so sure what you mean with "I always have problems while providing a point location and extract the polygons that point would be plotted in" as so-called before unless you want that as a 'transitional instance of a geometry. (Specified using a variable binding or a builder SDO_GEOMETRY.) »

  http://download.Oracle.com/docs/HTML/B14255_01/sdo_operat.htm#i78531

  Read what geometry2 means in there. Read the examples and you will see that you have the geometry second in space operator as a builder. If this is what you need.

  Luke

• With the help of Vlan for LAN and DMZ

  Hello

  For the moment, I have assigned my LAN and DMZ networks to two separate network card (so therefore no Vlan tagging)

  for example vmnic0 = LAN, vmnic1 = DMZ.

  It works well but I like to make changes in the way I want to use two separate physical network adapter and use on the two s two LAN and DMZ nic but now using the VLAN.

  So think of this configuration:

  For each network, I create a Vswitch, in order to obtain a Vswitch named VsLAN, VsDMZ for the case.

  The Vswitch I attribute a two nic Nic will be the day before. as vmnic0, vmnic2 (at rest)

  This Vswitch I create a port group and assign the correct number of VLan as LAN 10 and 20 to the DMZ.

  Create the another Vswitch will have the same Nic but now vmnic0 will be the stanby one.

  Probalby all great so far I think or not?

  Issues related to the:

  -Well this concept where there is a relationship a Vswitch and port group or a switch with multiple exchanges?

  In case a Vswitch with multiple port groups I will assign to group level reserve and the active NIC Port.

  -If I create a group of ports and assiging several Vlan IP packets received by the virtual machine itself also be labelled or not identified?

  Other words. Do I need to configure the NETWORK adapter to the virtual machine also for the same local network ID virtual or not.

  Thanks for your comments.

  Hello

  Change of vlan is a pretty good idea to get the failover and the performance of the network LAN and DMZ. You have confused somewhat however concepts.

  A can only be used in a vSwitch vmnic. So what you want to do is the following:

  Create a vSwitch

  On the vSwitch create two ports: LAN (vlan10), DMZ (vlan20)

  If vmnic0 and vmnic1 have access to the vlan10 and 20, then simply add the two vmnic virtual switch. By default, they will both be active and that's fine. If you do not want to CHANGE the GRPE ports LAN and goto the "failover" tab and put vmnic0 as active and vmnic1 as before. Then do the reverse on the DMZ port group.

  Best regards

  Frank Brix Pedersen

  blog: http://www.vfrank.org

• Form of Database 9i and 10 Gigabit

  Hi all
  
  Is forms/States 10 g taken supported with oracle database 9i?
  
  Thanks in advance
  
  Saad

  Have a look here

  http://www.Oracle.com/technology/support/MetaLink/index.html

• Quick help on a project of forms

  Hello.

  I have created a simple form page with text and the date of the entries, and I don't know how I can save the completed PDF form, it allows only save as PDF from the blank form.

  Can someone help out me with it?

  Thanks in advance.

  Good,

  Then, open the form in the designer of the CA and ensure that for each of the areas that the binding is set on name / Normal or if you need specific overall (see the object > range of binding). If the binding is set to None, then this may be the problem.

  Also, while in the Designer control that Script changes preserve is set to auto (see file > form properties > default values tab).

  You will then need reader allowing the form again.

  Niall

• How do I synchronize iCloud to gmail for contacts and calendars

  I set up a gmail on apple Mail account several years ago and works exclusively on my MacBook Pro using iOS ver El Capitan 10.11.2 for emailing, calendar etc. entries... Now I want one also double my Contacts and calendar on my gmail account.  I recently went to my gmail account only to find that all the contacts and calendars on Macbook are not appearing in gmail.  In the calendar of MacBook I have Setup several different schedules and different groups for my contacts that must be in the gmail account. I have everything in my iCloud account.  Now I need to synchronize calendar and Contacts in iCloud to the gmail account BUT I DON'T want the old contacts in my current gmail account to be transferred to iCloud.  Simple I want info by iCloud the Gmail account.  Can anyone offer any suggestions of how I can achieve this?  Thanks for your help.

  For your contacts, see if that would work - https://www.fullcontact.com/blog/fullcontact-icloud-google-sync/ GOLD http://apple.stackexchange.com/questions/75360/how-to-sync-icloud-contacts-with-google

  For the calendar, see if it works - http://computers.tutsplus.com/tutorials/techniques-to-share-apple-and-google-cal endars - cms-20057

• Calendar beat for clip - best workflow practices?

  Hi all

  I am currently working on a short video that must be programmed to music. Of course, in some ways, a tool like Final Cut or Prime Minister would be more suited to the task in a certain way, but for reasons of the technical specification of the production, it must be done in After Effects.

  

  So I try to nail a good workflow to time the various elements of the project to the beat of the music. I've done so far is, I developed the waveform of the original tape so I can get some raw visuals on where obvious changes occur. See the screenshot to the left. I placed a marker on the right framework where arrives the drum call, where I don't want to do something cool with the video.

  It is obviously of limited use, because even if the rhythm coincides with one of the peaks of the waveform, it does not look at who it would be. Also, it is not possible to determine the exact framework on which the beat happens using this method, because each peak is several frames long, and includes several elements of the audio.

  The next thing I tried was so simply to listen to the track with RAM Preview and pressing on the * key to place markers on the soundtrack to the beat. Some of you are perhaps better to the rhythm games that I could hope to be, but I find that while this allows asking a large number of markers quickly, it is very inaccurate.

  Which is very good, expect - I couldn't get all the markers on the right framework for the first time, but I can go back and drag some images, right? But the problem here is with Visual and audio scrubbing with the playhead. When you RAM Preview, the playhead does not refresh on all images - it updates every seven or eight images or so. Which means that if I look at the calendar to see if my markers are in the right place, I can't say when the playhead passes over it.

  So instead, I hold down the Ctrl key and rub. This kinda works, but the audio is quite rough and discontinuous. As such it is difficult to get an idea of each framework as part of the song and even if I do hear a heartbeat, it is difficult to recognize as such (this technique works best in Final Cut somehow, for some reason, he manages to rub while sounding less discontinuous). So what I do is I have a picture, I think that could possibly be the rhythm, and I hold Ctrl and left click on the playback head, which makes a loop a short (five images?) segment of the audio. Then I do the same thing for a few images before and after, just to ensure that I targeted the right frame. Now, finally, I have the marker in the right place for a single beat.

  There must be a better way.

  I wonder if anyone has faced this problem found a workflow more efficient? I think that it might be a sheet of I could use a software that allows me to go through the audio and place markers better - and then I can somehow export marker data in After Effects? Or maybe another workflow I didn't think.

  Your thoughts?

  Cut with precision to the beats music is usually a simple matter of math. Most of the music, especially the music with a strong beat, turns to a certain number of beats per minute. It is generally easy to understand. There are moments where you have a tempo change or a Fermata, ACC., or retirement or a change, they are usually for a short period and easy enough to fix. Understand the tempo and you about 90%.

  Another tool that I use quite often is Sound Keys of Trapcode. It is much more versatile that use bed convert audio to keyframes.

  If I have a fairly long segment that has a bunch of beats fast beats I will sometimes create a solid small, add the hue and saturation to the solid game to colorize, add this expression to colorize hue - index * 140, cut the length of the layer to the length of time, then duplicate the layer for bat as much as I want to cover , the layers in sequence and then use this sequence of layer as a guide. The configuration looks like this:

  

  You can also use an expression loopOut on rotation to rotate a small layer SAY 45 degrees on each beat. By example, if you had a heartbeat every 20 frames together 3 hold keyframes, one on the first image of 0º, the frame of 20 to 40 ° then put a 40 chord to 0º and simply add the expression loopOut("cycle") of rotation. Now the small cube could give way to a different angle on each beat.

  These tips will help you with some quick cuts just the pace but let me give you some tips on cutting to music I've learned 42 years ago (Yes, I'm an old man) when I was learning to edit music to my first job in the film. My mentor had been in business since 1952, had worked as an editor on a ton of feature films and a bunch of advertisements. He told me that if you simulate with precision the rate, which was pretty easy to find and mark with a pencil on stock mag, wax your cuts will look out of sync. The problem with this precision, is that the eye and the ear are not precisely synchronized. The time advance or delay depends on the shooting, where shooting takes your eye, where the Cup move your eye and creates the atmosphere of the music. The best technique is to listen to music and place markers that you type on the beat. In the old days, I did it by tapping a pencil of wax on the mag stock as he crossed the Steenbeck or Moviola, today I do by tapping the * key, then I cut and adjust the cutoff point for shooting dictate when the music and the rhythm line up with emotion. You will get a better result, and your work will go much quicker that fussing around trying to harmonize the beat with each cut. I changed my cuts as much as 4 or 5 images forward or back to fight for the sequence feel.

  I use two techniques that I listed above for cutting short segments of very tight cuts and help to save time, but his definition of the resolution of your car model and the Zoom factor of your computer at 25%, the ram preview for "today", and simply cut the pace by usability will give you a much more pleasant and emotional response to your sequence as precisely and mathematically exactly matching the beat. The last piece of advice I can give you on the music of Cup is to make the first cut, then walk away at least a half hour, then come back and look what you did. You'll instantly see where you have to make adjustments and it will take less than half of the time to cut your sequence.

• Now, my Windows Live/Hotmail calendar disappeared for 2 days? What happened and how do I?

  My email is * address email is removed from the privacy *.

  My calendar disappeared!  It is very painful because I have confidence that this would be the best place for me to store my important information.  What can we do, if anything?

  Windows Live Hotmail forum is a dedicated forum who knows better the problem for Hotmail and the calendar. They better be able to help in the forum below.
  http://windowslivehelp.com/solutions.aspx?CategoryID=ace34140-3bfa-493b-8F51-6891a8faead1

• I changed my computer; in the former, I installed Adobe Acrobat 7 Pro. I installed the DVD this software in the new computer, the installed software apply for registration, and it is not possible online or by phone because I get an e

  I changed my computer; in the former, I installed Adobe Acrobat 7 Pro. I installed the DVD this software in the new computer, the installed software apply for registration, and it is not possible online or by phone because I get an error message: "Servicio de Activacion not available." I have download the acrobat 7.0 Pro software, following the instructions on the Adobe web site, and I download PPRO_2.0_Ret - NH_ES.zip, but the software has been Adobe Premier Pro, no. Adobe acrobat 7 Pro. How can I use my Adobe Acrobat 7.0 Pro?

  Download Adobe Acrobat 7 and Adobe Creative Suite 2

• Help: How do I allow the creation of apply random effect of images to make their video for easy and quick editing of a video?

  Help: How can I allow Prime Minister apply random effect of images to make their video for easier and faster for video editing?

  There is no automatic way to do this.  But for easy slide show creation, there is much simpler than a NLE professional level tools.

• How to make a stationary State (or equivalent) for the form to change color and reveal some hidden above text...? is there a widget I could use?

  How to make a stationary State (or equivalent) for the form to change color and reveal some hidden above text...? is there a widget I could use?

  There are many solutions. A more simple: put the text and the items colored in the back and put the 'shape' on it. Configuration of the 'shape' become transparent in a stationary state.

• Hello, I want to DPS magazin for IOS and Android with a lot of text notes. There are about 200 notes per article. The idea is to make windows pop-up as EPUB 3.0. Help, please.

  Hello, I want to DPS magazin for IOS and Android with a lot of text notes. There are about 200 notes per article. The idea is to make windows pop-up as EPUB 3.0. Please help., Hello, I want to DPS magazin for IOS and Android with a lot of text notes. There are about 200 notes per article. The idea is to make windows pop-up as EPUB 3.0. Help, please.

  Remember that only you can create an iPad app using your simple editing solution (which is included in your subscription CC). So you need a Pro or business of DPS version to be able to create a Android version.

  You can create pop-ups in InDesign using slide show options and a multi-state object. But it's all manual work, then you're going to spend a lot of time on this point, also depending on the layout of your design.