How can I get Premiere and After Effects on my new Mac book?

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  How can I download my plan creative cloud on my new mac book?

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• Help! Premiere and After Effects on 32-bit systems

  because we are unable to run Adobe Premiere and After Effects on 32-bit systems, can I get versions of cs5 with this license as it is compatible with 32-bit computers

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  Please check the terms of System. Adobe Premiere Pro, you may need to upgrade your hardware to meet the requirements and use.

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• Best way to Dynamic Link Premiere and After Effects... problems.

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  I seem to be getting really reading juddery jaggy when I dynamic bind a sequence in After Effects. Conviviality between premiere and After Effects is quite well. I can jump between the two progs. without any lag or slow down. It's just when I do the necessary color corrections, or VFX stuff, I'll be back in first and the After Effects composition games replaced slow return... very jerky. I get the yellow bar above, who Im with the understanding that he must come back and play in real time. That she doesn't. It is not until I make work area that I can watch the sequence in real time.

  IM at a loss. not sure if this is a setting or what.

  System Specs:

  
  Win 7 64 bit

  mobo Asus P6TE SE i7-920

  6gigs of ram

  1 250 GB OS drive (7200 RPM)

  2 640 gb Vid storage drives (7200)

  1 work of 250 GB disk (7200)

  Graphics card is a - BFG GeForce GTX260

  -----

  I work with files

  DV

  23.976 fps

  captured in Premiere CS4

  After Effects settings match those of the first sequence.

  -

  I not run anything else in the background, as virus scans and my process have been twisted in vipers twisted Win7 instructions.

  -

  I have an upcoming massive HDV project for a feature length movie, and just trying to solve my problems before that date. Even if I'll encounter you more I'd like to solve those underway.

  I'll upgrade to 12 GB of Ram before cutting HDV, I just upgraded system recently is a new installation as well...

  Needless to say that its a DV film and it should work better I suppose.

  My first reference is under A.Bes, told me he ran under what it should be with the current configuration. I still have to try once again after modificaitons to process and services, etc..

  Thank you

  A.BES

  If I understand correctly, you have an AE comp in a sequence of Pr.  In AE, you added the CC and the VFX.  When you return to Pr play the AE comp, you don't get the reading of RT.

  It's normal.  The CC and VFX for EI must be made by AE before coming to PR.  If AE will not be rendered in RT, then Pr will not play the model related to RT

  In PR, the yellow bar does not pass to red because the Pr has no way of knowing what, if anything, was done in AE.  All the Pr never see are images made of EI.  PR, if the size and pace of the computer frame corresponds to the sequence image size and frame rate, then RT reading is theoretically possible.

  -Jeff

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• IMPROVE the BRUTE &. DNG WORKFLOW IN PREMIERE and AFTER EFFECTS

  I am editor-in-Chief, and I work with raw. DNG files more over the past two years.

  Image with the RAW settings controls are amazing off course.

  But not the controls that Adobe provides to editing the .dng files. I find this workflow to be stoneaged, extremely devious and far from effective.

  THESE ARE THE METHODS of EDITING I USE (September 2016, adobe cc 2015.3):

  (1) for editing the .dng files I must interpret my shots with the RAW importer in After Effects. Then export every time with these settings in the format Prores out of After Effects. That will become the images then in first. The render time is huge, place to three days of rendering time for some projects of greater that I worked.

  (2) a very intensively and your working time is as follows:

  • Import each shot like .dng in first (one-by-one, at the same time is not possible (adobe feature request).)

  • In order to be able to change with it, you can edit the RAW temperature, tint, and exposure settings (adobe feature request: integrate all the raw settings as you did with Lumetri).

  • Then there are several ways to do it, I do it like this: I put all the photos in a calendar on the same layer.

  • I have duplicate all the shots to the upper layer.

  • I select all the photos duplicated and then right click: ' replace with after composition effects.

  • You go to sequels and then ask the parameters for each individual shot raw. You set the parameters of all your shots. You will only be able to see the first image of the sequence, so if you are working with a Committee of action, you will only be able to see the first image. (adobe feature request: make it scrollable of sequences of images, so within the RAW screen importer I wish I could scroll through other images of this sequence)

  > > You can open another frame of the sequence of images just from the finder and then open with photoshop, the RAW importer screen will invite, adjust the settings and then export these settings. Then - later - you can load these settings in After Effects by right-clicking the sequence in the project window and choose "replace footage > > file" and then it will prompt you again with the RAW importer window). Pfff, so sneaky and ineffective all together. (adobe feature request)

  • When the settings for all plans are finished, you will find all the plans in a composition. BUT these layers will appear UNFORTUNATELY have been interpreted as images (image .dng) instead of sequences of images (photos/film .dng). (adobe feature request)

  • Up to now, you go the project window and you select the first shot, do a right-click: "replace sequences > > leader." Select the first file .dng and enter. The RAW importer appears again, thank God he reminded of the settings that you have applied to this .dng, os, you don't have to do it all over again.

  • You repeat this operation for all your shots.

  • Then in your timeline first you should have two layers with the same shots, the linked AE comp will be with the interpretations of right and the bottom layer with the original .dng files. You can enable or disable the layer on and outside, by providing a much faster workflow for editing. Type to have created a proxy system.

  -But then a European problem can occur: If all the shots in the AE comp seem to be shorter then in your timeline in first you do this:

  • In After Effects, go first .dng sequence in your project window. Right click, choose "film > > main.

  • You can select the frame rate, set it to 25 if you are working with 25 images per image (to check in settings to create sequence) captures. (adobe feature request: use the same rate for this interpretation as first has done, or ask, and remember this choice)

  • THEN, SEVERAL HOURS LATER, depends on how much you have pictures, you can begin to find a way to edit first. You can nest the sequence in which the original dng sequences and the composition of linked EI are superimposed. If you do not have to edit with two videos and several audio blocks above the other.

  For editing with the org .dng files, you can adjust the base temperature BRUTE, hue settings and exposure in first, so you can see what you're doing. For most RAW images are very dark without the RAW settings, so who can help when your first change in flow when the AE comp is off.

  • When you want to change the raw settings, you can go to sequels, open the project and then choose: "replace footage > > leader." Then importing RAW window again and you can make the change. It is now automatically charged also in first due comp system that you built.

  For a film RED and ALEXA it's organized all much better...

  So now I ask Adobe:

  WHY is WHY WHY like that?

  Two years ago, it remains unchanged.

  I am a very big ADOBE fan and faithful, programs and innovations are impressive. Lumetri is impressive. I hoped he would also modify the RAW data, but unfortunately it doesn't.

  This lack of a good system of RAW editing really pushes me away Adobe right now. This isn't a professional workflow.

  If several editors have the same types of problems, please reply to this post with your opinion.

  Perhaps, it helps a little pushing Adobe to change this.

  And if someone has a big piece of something I'm missing, please please enlighten me. I won't be arrogant kind.

  I can't find the right answer to this workflow of the stone age, and I guess that most people will know it.

  WHY is WHY WHY like that?

  I'm not convinced that it is.

  The only part of your post, I found valid is where clips must be imported one at a time.  It's true, and Adobe certainly should to address the issue.  But both, Blackmagic and other responsible camera must also decide, releasing updates of firmware that create the MXF files to hold the CinemaDNG RAW images, audio, time code metadata and in a single file.    No records, no covering.  A clip, a single file.

  This is technically possible and it is the best option in all areas.  For each Adobe feature request, so we need to request a Blackmagic as well. Two actually, because changing the way in which the cameras record is good the best option.

  Other than this one problem, I don't see where everything you do is necessary.  Lumetri now accesses the RAW data in images CinemaDNG, is not only an effect on top as fast color corrector.

  Using the new feature of Proxy editing is done MUCH easier.

  I see no need for the AE in the pipeline.

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• How can I get a refund after canceling export pdf subscription? !!!

  
  I want my money. How can I get that back today? !!!

  Hi kiaraj4743422,

  You can contact customer service. Make sure that you sign in with your Adobe ID and select product from the list below.

  Then choose a chat option or by phone under "still need help? Contact us. "

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• Cannot download Adobe Premiere and After Effects

  I just bought a contract of 1 year for the creative cloud. As far as I understand, all Adobe software would be available in the creative cloud. But when I try to download for example Adobe premiere, this program does not appear in the Adobe Application Manager. What's wrong? The "programs onlye that appears is Photoshop, InDesign, Flash Pro, Illustrator, Fireworks, Muse, Dreamweaver, hearing, prelude, Lightromm, Flash Builder, Acrobat X and Touch App Plugins dashboard. Anyone know what could be wrong?

  Tormodinterfil wrote:

  As far as I understand, all Adobe software would be available in the creative cloud.

  Of course, providing that you have the hardware and the operating system to run all downloads.

  Premiere Pro and After Effects will be run only on 64-bit operating systems.

  What operating system do you use? I'm guessing that Windows 7 32 bit.