How to get a look of film gold

Hello

I worked very hard to get the look in this video - CarbonTV - Turkey Shish kebab | Facebook but can't seem to do things. How do I create this look Golden in speedgrade? Thank you!

First of all, before making a note of 'Look', ALWAYS neutralize your first clip... and to do this, use the primary layer "bottom." Then, create another primary above this one and rename the primary Look or something like that. General conduct of process stuff. In the video for reference that include you, they did raise shadows so there are very few blacks, but leave the full white to go with this bright sky (from the shadows). They always, some blacks. You will have to perhaps use the tab shadows, drop the blacks (left wheel) a bit and pull the wheel extreme right up just to 'stretch' the values y and compress (low contrast) in the lower midrange. You'll have to judge that.

OK... it is very convenient if you have a ramp or grayscale clip in this framework, so you can check how to say neutral your shadows & highlights are... not to mention that your clip 'test '. They next to and copy the settings. See what you did to the clamp, and which shows you your ramp made depressions to heights. In addition, if you store it as a glance for later use, it is convenient to use the clamp of the ramp, you can't remember to reset your primary base (neutralization of the clip) before choosing "Save as the glance.

(1) I would go in the three color wheels, moving them to slightly yellow to the red side of yellow.

(2) go to the tab shadows, take the wheel of the extreme left (bottom) and to take it in front of the direction just took you the three main wheels... generally better to have key data (shadows / highlights) to neutral.

(3) go to the highlights tab, take the wheel of the far-right (at the top of the scale), as according to 2), use it to semi neutralize your extreme highlights, even if the vid reference you those left a little warm.

(4) make a secondary antibody, for the departure of parameters 'Key' with the 'green' button, I guess and change cursor settings "Hue" the central axis on the Cyan/Green "border" and width to cover green & blue feathers then some. Use the lightness controls to set the Center just above Center, remove so that it covers about half of the full scale, then pull out feathers a little past. I had put the Saturation controls to the range.

Now, with the les parametres settings key, turn gray color gray-Out and see how much of the scene you are touching. What we are trying to do here, is move the Blues/Greens/cyans/purples to orange-red. You should see these parts with important blue/green/cyan/purple. Adjust your key settings until you see the set of colors that you want to change. Redefine grey-out on any.

Now... Push the way to Gamma of the yellow-red of the red color wheel, I look at your glasses and your scene, you do. You'll probably want to work with the two incoming and output saturation a bit also. Although your reference clip has some greens still which are not too "mooshed" of green, they are heated to less yellow a bit.

This happen at least for most?

Neil

Tags: SpeedGrade

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