Kiss the whistle - part 2

http://forums.Adobe.com/thread/860180?TSTART=0

Based on the above thread... a little more help needed please.

O K.  did the concert and recorded (filmed) a grand piano in a solo situation with a pianist.

Amazing, amazing, amazing experience for me... pianist was awesome and it turned out that we had a... made by hand Steinway Grand Concert for the performance.

My audio amateurism did introduce a certain degree of "whistling" in the record... .Although I have to say... I really nailed the feel of the Steinway (confirmed by the owner of the Steinway and a Professor of music (Piano) University.-the two who were there and who I listen to headphones as I implemented the show).

I've reached a certain beautiful reallly stereo separation and audio dynamics is so real and satisfying. MY HUMBLE OPINION

Important was... the performer. emotionally and visually really has complete event

Now... I want to 'kiss the hiss': bye!  (How?)  The hiss is there, and I maybe only (not the client) will know.

Next...

I would like to raise a little volume of a requirement of the DVD release.

I have everything dynamically safely with a peak around-12dB in my edition (first Pro CS5.5)...  This means that I have to find my just a little follow-up.

What is suggestions for a little more courage on the sound of a DVD?  I think I must add 6dB.

Oh well, back to the level is the easy bit - that's what standardization is for. Highllight the entire file, select Effects > Amplitude and Compression. Set the scale in dB, and then drag the level back to about - 0.5 or - 1dB (you'll hardly hear the difference between these, but do not go to 0 dB if it is a kind of disk you write - sometimes they get mad!). Apply it, and will then reset your file so that the highest point reaches the value that you set. Don't try to do it with the on-screen gain control, because on a file more you won't see the pics properly, so you won't know how to adjust. The normalize function, however, this very precisely made.

As for getting rid of the SSIH - well, it depends on how much there is to know to what extent you can get with this without ruining the sound of the piano. What you need to do is go to Effects > noise reduction and select the one upstairs, one focused on the process. What don't try you that with another adaptation, or attempt to use the noise reduction - they work as well, especially the Adaptive NR - that could ruin a piano even sound without trying it, I think.

Open the advanced control. Initially, you need to set the size of the FFT to 16384 - in other words, the highest there is, since it's a hissing sound you are trying to reduce. This setting, you must then perform a single hissing selection in your file and the capture as a profile of noise (SHIFT + P). If you try to do this before the FFT, he'll do again, so beware!

Then, it becomes more difficult. You must select a part of the file which got preferably, whistle, piano and whistle and then just a hissing sound, all in a small section. Don't worry too much on the blue line on the screen at this point, or doing whatever it is, you see, but you can trust your ears and do an overview. My guess as a starting point for the slider settings very important is that you need the noise reduction a rule somewhere between 80 and 90 percent and reduce by one set to not more than 10 dB above. Also in the advanced Panel, established somewhere control of the spectral decomposition near or less than 10%, otherwise you will get the modulation effects more that you will like.

What you listen to, mainly, is what is happening during the disintegration of piano sound, where hiss level comes back to, and what objects you can hear (if bad it looks like bubbles under water). What you absolutely don't want to do is get rid of all the noise - this would make artificial sound, and no one will want to listen to it for a long time. It will also destroy the downgrading of piano. What you photograph almost certainly, is that a reduction of somewhere between 6 to 10 dB - beyond that is where the problem is inevitable. You don't need sounds of piano strong to set parameters, but quiet ones - the NR will not significantly affect something of higher level anyway. One thing you definitely want to avoid is any form of modulation hiss - what is more annoying whistling itself - it's where the parameter of spectral decomposition becomes important, and keep low - certainly not to the it by default of 65%! It is only when you remove too much hiss you get sensitive objects - and to avoid this, you need to monitor high enough to hear.

Unfortunately, all the records are different from this POV - it's one that you absolutely have to play it by ear. If you can post a few seconds of noise and quiet piano however, it would be much easier to get you in the ball park.

Tags: Audition

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