LaserJet CP1025: My LaserJet CP1025 can imitate colors correctly

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• HP P4015x Laserjet and HP Color LaserJet CP3525dn can support eprint?

  Dear support,

  I have the HP Laserjet P4015x printer and color of HP LaserJet CP2525dn they are old model model. Is it posible to activate service for these model eprint?

  Best regards

  Naren

  Hi Naren,

  I fear not, only the models lised below supports HP ePrint service:

  http://support.HP.com/us-en/document/c02814760

  Kind regards

  Shlomi

• I can't find 'exposure' and 'color correction' because the tabs have changed. It's very frustrating! Help.

  I can't find the tabs 'color correction' and 'exposure' Manual now that I updated to 10.2.3. It's very frustrating! Can someone tell me where are they now?

  Thank you!

  Since 10.2 color Correctiion is now an effect from the effects browser.

• How can I do this kind of color correction?

  Hi all

  I'm working on a project and I need an original décor. I would like to know how to do a color correction, so my white wall resembles that darker wall "bluish". I tried with some plug-ins as Mojo and Magic Bullet Looks, but I'm not good at color correction, and there are opportunities so I don't know how to set it up properly. If you have an idea, please let me know. Thank you in advance.

  

  You can start with a solid color on the background and experiment with as multiply or overlay blending modes to add color and texture.  It is highly unlikely that there you will be able to reproduce the appearance of your image for example by simply correcting the color on a single layer. Blend modes are usually the key to transform the banal background in something spectacular images.

• How to unite the traits with the ends of loos to a path which I can then color?

  How do I me United these traits so I can the color of the dog?

  

  You already created a compound path in the later LG. Revert that. Select all, then use the live paint tool.

  And please, read the instructions on how to use it. There are a lot of pictures in the manual. It may take a certain time to read together, but no need to repeat it here.

• mask option does not work in fcpx of color correction

  The option of mask in the 10.2.3 fcpx color correction works only intermittently. When I add the color correction sometimes I can move my mouse over the color correction tab in the Inspector and the mask icon, sometimes it doesn't. If I closed and reopened fcpx he comes back for a while and works very well. Don't know what is happening with it.

  15 "macbook pro, 266 GHz, core i7, 8 GB ram

  El Capitan 10.11.6

  10.2.3 FCPX

  Intermittency of the interface is usually only a matter of pref. trash of em.

  In rare cases, you must reinstall the application to fix the weird interface glitches.

• Intel GMA > graphics properties > not applying color correction NOT the settings automatically after restarting PC

  Hello

  I just bought a Dell Netbook for my wife and after the opening of the Intel Graphics media accelerator control panel (driver for mobile 945 express chipset family), I tweaked the color correction to eliminate the bluish by default, BUT each time that I re boot the PC, these parameters are not re applied and I got to go again the same control panel and re still apply them (they show very well on the Panel configuration GUI just as I twisted them before the process of re - start, but they have simply not applied when the re PC starts).

  Thank you all in advance for your suggestions ;-)

  Enrique Diazruanova

  Hi Diazruanova,

  You recently did a software or a hardware change?
  You have to use this option with success on your new computer?
   
  Sounds like a driver issue, I recommend you update readers of the adapter to the display of the manufacturer's Web site.
  Here is the link for the center of ddownload from intel, enter model number and search for drivers according to the 32-bit version or 64-bit Windows 7.
  http://Downloadcenter.Intel.com/default.aspx
   
  For more information see the link below:
  http://Windows.Microsoft.com/en-us/Windows7/update-a-driver-for-hardware-that-isn ' t-work correctly
   
  Here is the link to the support technology guide:
  http://support.Dell.com/support/index.aspx?c=us&CS=19&l=en&s=DHS& ~ CK = mn

  Important note:
  This response contains a reference to third party World Wide Web site. Microsoft provides this information as a convenience to you. Microsoft does not control these sites and no has not tested any software or information found on these sites; Therefore, Microsoft cannot make any approach to quality, security or the ability of a software or information that are there. There are the dangers inherent in the use of any software found on the Internet, and Microsoft cautions you to make sure that you completely understand the risk before retrieving any software from the Internet.

  I hope this helps.

  Thank you, and in what concerns:
  Shekhar S - Microsoft technical support.

  Visit our Microsoft answers feedback Forum and let us know what you think.
  If this post can help solve your problem, please click the 'Mark as answer' or 'Useful' at the top of this message. Marking a post as answer, or relatively useful, you help others find the answer more quickly.

• Lumetri slows down the encoding of color correction more "obsolete."

  Based on my own informal tests, I notice that Lumetri effects on an element in a sequence slows down the process of encoding significantly compared to the same general objective realized with effects of correction of the so-called color "obsolete". Other messages on the forum seem to confirm this.

  I guess the older "out-of-date" color correction effects are far from obsolete. Looks more Adobe innovates and push this crowd of material premium to their last, Lumetri, but that the older effects are more obsolete than obsolete, probably to be there for a long time... iow, use them as you wish for you will hit all compat issues in the foreseeable future.

  Is that what that sounds right?

  My goal by asking is to better align myself as a user of first... my tendency is to take the final product as user recommendations, but that can be a trap when it is really a big innovative push who sometimes material/performance hits that make it unrealistic for all users.

  I have a portable old 5 year, the Sony Vaio VPCF215FX w/6 GB RAM, NVIDIA GeForce GT 540 M, 1 TB SSD.  I am able to do, but I really need to think intelligently avoiding external USB drives, using smart rendering, etc. When I tried an experiment with older color effects, I saw a significant reduction in the encoding time (General of my test described below). For this reason, I'm stepping back and thinking that the push 'use Lumetri' everything is beautiful for those who really need, want, and also have the material that can reasonably be taken in charge, but maybe not for someone like me, at least if I can avoid using older effects and with all the same. I just can't justify Lumetri in some cases where it slows down encoding medium.

  It is not that my hw is unable to use it but when I can use older effects and get a nice discount time coding for my not pro use, seems useful to avoid the Lumetri currently, until the upgrade hw or something. I wanted to just check-in here on the forum because everything above is me in a vacuum, I felt ready to hear some voices from the community on my point of view.

  Oh, my test...

  Create two sequences, each with the same single element from the same ~ 60 second clip of Canon EOS 70 d (ALL-I, 1920 x 1080, 23.976 FPS, MPEG-4 AVC / H.264, VBR in.) Container MOV), where each sequence has the following effects of color...

  Seq1-UsingLumetri uses the following color effects:

  • Lumetri #1 (primary): globally adjust contrast/tone/WB Correction of basic and secondary HSL to affect parts of the installation image.
  • Lumetri #2 (secondary): none other than the Secondary to affect an object moving on tracks with a circular mask.

  Seq2-NonLumetri uses the following color effects:

  • The fast color corrector: adjust overall contrast/tone/WB (identical to what Lumetri No. 1 above is without its Secondary).
  • #1 RGB color corrector: Color Correction secondary only to affect certain parts of the image (the highest Lumetri #1 only secondary HSL what).
  • #2 RGB color corrector: secondary color Correction only affect an object moving on tracks with a circular mask (what does the #2 above Lumetri).

  I coded then everyone if above with such parameters as input media, none made smart (because I want to see encoding time with effects) and out of type, etc. The result was that Seq1-Lumetri took about 225 seconds, while Seq2-NonLumetri took about 150 seconds, about 50% more time when using Lumetri on the same ~ 60 second clip entry.

  Note, part of the reason why I'm here is to ask my question above one, sort of general/summary, but it is also based on my not not having seen a single Lumetri color correction tutorial that describes these nuances... check in shades that seem to be essential for efficient use of the product by someone like me. I want to know about Lumetri, that's fine, but I also really want to know how to use the product together more effectively... to do this, seems to me, should not take account of the effects of color more older 'obsolete '. I want to at least know if there is agreement, or if I could be missing something here.

  Thank you!

  "Legacy" color tools more elderly are simpler "peripheral" in the code if I understand and don't work... especially... but as has been clearly established by colorists, especially if you do anything with the "" range"in the young or 3-way controls, you can get weird and very... results not correct not...

  That said, if you stick to their tools without using the modifiers of the range and not to push things too far, they work for the most part, kind of like what you would expect.

  Thus, on this laptop old of yours, stick to the Legacy tools is probably a good thing. And works very well for you. If you move up to a more recent material, you probably want to look more like the Lumetri Panel.

  Currently, I am working with the help of a mixture of Lumetri for the 'main' ranking, but using 3-way & RGB secondary additional & such.

  Neil

• Cannot make the fx color correction without getting the image of strobe

  Cannot make the fx color correction or blur fx with masks without getting the image to strobe. Do not return in the sequence, or export without the video strobe effect. It is clearly a problem since at least 2011 because I saw some forum posts dating back that far. Don't know how or why it is always a question 5 years later. I have the correction color fx on an adjustment layer that makes very well. Leave color and blur fx on a couple of individual clips is whats creating the problem. Does anyone have a solution? It does not appear that I can wait for Adobe.

  At this point, I would create a sequence for each clip (in the garbage, make a right click, create sequence and apply the FX it) then replace the clips in the mixture with the sequences.  -Test this point by one before they go crazy.

  OR, using the idea of sequence preceding above, return on a new clip with holiday color applied to replace as new originals in the mixture.

  Third idea: replace the clips with linked AE comp and try the color of leave which are.

  In short, do what you can to take the color of leave out of the final equation.

• Secondary color correction - color development.

  Hello. I use secondary color correction in Adobe Premiere Pro 2015.2 CC and can't adjust the color of an object. Uses a number of color correction tools, including hue, saturation, color balance, brightness/contrast. Am experimenting with one or more of them at a time but the best I can get is a sky blue very shallow, bright when I would have a deeper slightly grayish blue. Any advice, anyone? Thank you!

  Neil and Shooternz, thank you!  In fact, I went through many iterations of the video clip since then, try a lot of things, I don't remember exactly what are the effects that I used the first time, when I sent the investigation on this forum. I'll look to the lumetries for the General color correction and the wheel of the LGV. Thanks to you two!

• I need to start using the color correction. Should I start by Lumetri, or go directly to SpeedGrade and save time?

  I need to start using the color correction. Should I start by Lumetri, or go directly to SpeedGrade and save time?

  Lumetri Panel/workspace in PrPro is designed as a quick Fixer & able to mainly simple elements you may need to. And it has some limitations so built-in types experienced low editor/colorist can't screw up at all times of their videos. If this tool has everything you need, so it is very convenient. You do not need to learn a lot of ranking 'thought process', just look at your scopes & your program monitor.

  If, however, you'll need to tell secondaries 'Key' on some shades at certain levels of brightness/saturation to change just THE color, hue, brightness, saturation data, or a number of other things more important to the image, then SpeedGrade would be necessary. For me, I use the Lumetri Panel on the simple things, but... as Jim pointed out, if I want to hit secondary or make major changes, I'm more the Sg. Because after I learned that the app rather... unique... minimalist... UI, I'm actually able to move quicker on things over there than in the Lumetri Panel.

  SpeedGrade is not the same as applications other colorist/ranking, didn't say the vast-toolset of determination... but link Direct saves a TON to prepare sequences & projects on XML/EDL out and return & tel. If you go to work with her, I suggest strongly to e-book by Alexis Van Hurkman "Adobe SpeedGrade."... Getting started» It is still CS6... BUT... It covers quickly and directly how SpeedGrade works and how to do things you want to do, better than anything else I've seen. The big change is in the CC versions using the Direct link that you don't have any EDL input/output, and as all the scenario changes you make through PrPro, both the chronology controllling/replacement parts of Sg is grayed out in a project of direct link (directly using a project file PrPro). The interface... different color... is almost identical to the versions CS6.

  In addition, there are some good programs on service tutorial lynda-dot-com, and some that are quite useful on SpeedGrade in AdobeTV that will give you the look more recent Sg and Di-link process. Maybe you spend a few hours in watching & playing around, but once you get this thing is pretty easy to use.

  I do not recommend having a ramp... a block of neutral gray tones will generally from left to right black (0) to white (100) that you can put on a timeline, see to the Sg, and then look at what is happening where when you change what... so that you get a feel for say overall "initial" three color wheels/luma sliders , which left elevator control, controls gain way Gamma and right hand do... and you need to see that the elevator is * not * the shadows... and then, when you change moves on the shadows, mediums and highlights and always looking three combos of luma/color controls, now what region they change? What control on how these controls affect the image data pivot controls provide?

  It sounds more complicated than it needs to use, really... you just can't guess what they are doing and being puzzled at the first/frustrated when things do not respond as you expect. A few graphics and several simple explanations & examples... and you'll be off and running.

  Neil

• Secondary color correction

  I'm trying to use the "three way color corrector" - 'secondary color correction"after that I choose the specific color, I would like to correct and I tick 'show the mask', I get a blank white screen. Can someone tell me what is the problem?

  A white screen suggests generally that a color has not been adopted yet.

  Is the square of color to the left of the three eye dropper color that you have chosen, or is it black?

  Paul

  www.thepremierepro.com

• I'm retouching of images taken on my iPhone 6 more with Photoshop CS6. I'm doing my color correction and add effects and all that. Before you export the image I review and be sure to what I has no more sharpness and the lines are smooth and it looks good

  I'm retouching of images taken on my iPhone 6 more with Photoshop CS6. I'm doing my color correction and add effects and all that. Before you export the image I review and be sure to what I has no more sharpness and the lines are smooth and it looks good overall. I export it to JPEG, max quality with the establishment of reference standards. I then open the image and it seems fine, as it did in photoshop. My problems begin to occur when I try to download on Twitter as my profile picture. I tried downloading from my office directly on the site via google chrome. When I download the image then begins to have jagged edges and overlooks the tablets. So I thought it was some performance settings, then I tweaked them and restarted a couple of times and still the same result. He would go on my desk but when uploaded to twitter as my profile picture is horrible. So I tried emailing the image of myself and the download through my phone. I opened the image on my iphone and it seemed fine as he did on my desktop but when I downloaded the image it makes then look blurry. I had this problem when downloading photos Twitter via my iphone, so it doesn't surprise me. I have read different forums saying: you must download it from the office, so I thought it would work like this. This could be a problem of twitter than compresses uploaded photos? Other people can do very much the same way, but it does not work for me. Please someone help me before I put my computer in an oven microwave.

  This could be a problem of twitter than compresses uploaded photos?

  Yes. The rest, we can answer. You wrote a lot, but very little discussion. Instead of accurate information you lose yourself in the vague descriptions. Screw color management to the wrong dimensions that trigger resizing server-side it could be any number of things here.

  Mylenium

• Sadness! Secondary color Correction mask does not not for me?

  The checkbox "Show mask", and now everything is white, no matter what I do with eye dropper, slides, swear. I feel I'm missing something simple. Noob. Update cc 2015 on Yosemite 10.10.4. Help? I learn everything I can about the color correction and it's such a slow and frustrating process for my brain! I start to understand things and could really use this tool right now!

  I apply us will tell, Three Way, to an item in the Assembly. I'm going up to the secondary color Correction, click View mask. It becomes white, which is very good. I then click the eyedropper and click a color. At this point, I expect to see a form of mask on this color. Nope. This all goes back to pure white. The effect is switched on. No idea why it does not work. I thought crying and laying on the floor, but first, I'll ask here in the hope that someone can save me please try this. I don't think it will work anyway.

  Hi Patrick,

  Have you tried to change the playback engine Mercury of Cl open to software only mode of file > project settings > General.

  Vinay

• Video stuttering after Color Correction has been added

  I imported my images and he plays well in my calendar until I have add the color correction, and then he begins to stutter.  I have 3 different color correction filters to get the look I want, but I want to know how to stop stuttering.  Any help is very appreciated!

  Hi jeffrey,.

  We noted a BUG with cards not providing R9 not previews when Lumetri is applied and is. Try to upgrade to version 9.0.1 update released today and check if it works.

  Also, if not then change the reading Mercury "Software only in mode" which can work in some cases.

  Vinay