Secondary color correction

Similar Questions

• Secondary color correction - color development.

  Hello. I use secondary color correction in Adobe Premiere Pro 2015.2 CC and can't adjust the color of an object. Uses a number of color correction tools, including hue, saturation, color balance, brightness/contrast. Am experimenting with one or more of them at a time but the best I can get is a sky blue very shallow, bright when I would have a deeper slightly grayish blue. Any advice, anyone? Thank you!

  Neil and Shooternz, thank you!  In fact, I went through many iterations of the video clip since then, try a lot of things, I don't remember exactly what are the effects that I used the first time, when I sent the investigation on this forum. I'll look to the lumetries for the General color correction and the wheel of the LGV. Thanks to you two!

• Sadness! Secondary color Correction mask does not not for me?

  The checkbox "Show mask", and now everything is white, no matter what I do with eye dropper, slides, swear. I feel I'm missing something simple. Noob. Update cc 2015 on Yosemite 10.10.4. Help? I learn everything I can about the color correction and it's such a slow and frustrating process for my brain! I start to understand things and could really use this tool right now!

  I apply us will tell, Three Way, to an item in the Assembly. I'm going up to the secondary color Correction, click View mask. It becomes white, which is very good. I then click the eyedropper and click a color. At this point, I expect to see a form of mask on this color. Nope. This all goes back to pure white. The effect is switched on. No idea why it does not work. I thought crying and laying on the floor, but first, I'll ask here in the hope that someone can save me please try this. I don't think it will work anyway.

  Hi Patrick,

  Have you tried to change the playback engine Mercury of Cl open to software only mode of file > project settings > General.

  Vinay

• secondary color correction 12 poles

  Previously, I submitted a feature request for the "primary" of 12 poles color controls is available on seconday layers in SpeedGrade.

  
  

  Is there any other way to limit the precise controls of the primer coat in a HSL key (or in its outer part)?

  It would be extremely useful for not only having very limited offset and gain when to isolate a specific color in a shot.

  
  

  Thank you!

  Unfortunately, it is not all possible ways right now.

• Lumetri slows down the encoding of color correction more "obsolete."

  Based on my own informal tests, I notice that Lumetri effects on an element in a sequence slows down the process of encoding significantly compared to the same general objective realized with effects of correction of the so-called color "obsolete". Other messages on the forum seem to confirm this.

  I guess the older "out-of-date" color correction effects are far from obsolete. Looks more Adobe innovates and push this crowd of material premium to their last, Lumetri, but that the older effects are more obsolete than obsolete, probably to be there for a long time... iow, use them as you wish for you will hit all compat issues in the foreseeable future.

  Is that what that sounds right?

  My goal by asking is to better align myself as a user of first... my tendency is to take the final product as user recommendations, but that can be a trap when it is really a big innovative push who sometimes material/performance hits that make it unrealistic for all users.

  I have a portable old 5 year, the Sony Vaio VPCF215FX w/6 GB RAM, NVIDIA GeForce GT 540 M, 1 TB SSD.  I am able to do, but I really need to think intelligently avoiding external USB drives, using smart rendering, etc. When I tried an experiment with older color effects, I saw a significant reduction in the encoding time (General of my test described below). For this reason, I'm stepping back and thinking that the push 'use Lumetri' everything is beautiful for those who really need, want, and also have the material that can reasonably be taken in charge, but maybe not for someone like me, at least if I can avoid using older effects and with all the same. I just can't justify Lumetri in some cases where it slows down encoding medium.

  It is not that my hw is unable to use it but when I can use older effects and get a nice discount time coding for my not pro use, seems useful to avoid the Lumetri currently, until the upgrade hw or something. I wanted to just check-in here on the forum because everything above is me in a vacuum, I felt ready to hear some voices from the community on my point of view.

  Oh, my test...

  Create two sequences, each with the same single element from the same ~ 60 second clip of Canon EOS 70 d (ALL-I, 1920 x 1080, 23.976 FPS, MPEG-4 AVC / H.264, VBR in.) Container MOV), where each sequence has the following effects of color...

  Seq1-UsingLumetri uses the following color effects:

  • Lumetri #1 (primary): globally adjust contrast/tone/WB Correction of basic and secondary HSL to affect parts of the installation image.
  • Lumetri #2 (secondary): none other than the Secondary to affect an object moving on tracks with a circular mask.

  Seq2-NonLumetri uses the following color effects:

  • The fast color corrector: adjust overall contrast/tone/WB (identical to what Lumetri No. 1 above is without its Secondary).
  • #1 RGB color corrector: Color Correction secondary only to affect certain parts of the image (the highest Lumetri #1 only secondary HSL what).
  • #2 RGB color corrector: secondary color Correction only affect an object moving on tracks with a circular mask (what does the #2 above Lumetri).

  I coded then everyone if above with such parameters as input media, none made smart (because I want to see encoding time with effects) and out of type, etc. The result was that Seq1-Lumetri took about 225 seconds, while Seq2-NonLumetri took about 150 seconds, about 50% more time when using Lumetri on the same ~ 60 second clip entry.

  Note, part of the reason why I'm here is to ask my question above one, sort of general/summary, but it is also based on my not not having seen a single Lumetri color correction tutorial that describes these nuances... check in shades that seem to be essential for efficient use of the product by someone like me. I want to know about Lumetri, that's fine, but I also really want to know how to use the product together more effectively... to do this, seems to me, should not take account of the effects of color more older 'obsolete '. I want to at least know if there is agreement, or if I could be missing something here.

  Thank you!

  "Legacy" color tools more elderly are simpler "peripheral" in the code if I understand and don't work... especially... but as has been clearly established by colorists, especially if you do anything with the "" range"in the young or 3-way controls, you can get weird and very... results not correct not...

  That said, if you stick to their tools without using the modifiers of the range and not to push things too far, they work for the most part, kind of like what you would expect.

  Thus, on this laptop old of yours, stick to the Legacy tools is probably a good thing. And works very well for you. If you move up to a more recent material, you probably want to look more like the Lumetri Panel.

  Currently, I am working with the help of a mixture of Lumetri for the 'main' ranking, but using 3-way & RGB secondary additional & such.

  Neil

• Some parts of a video of color correction

  Hello

  I'm new first sorta, having come from Final Cut pro. I have a video that has the CNUE color correction tasks. How can I fix these tasks, without correcting the entire video?

  Any help is appreciated.

  Hi noneed,.

  What you need is the secondary color correction. This video tutorials explains it: http://podcasts.creativecow.net/adobe-premiere-tutorials-podcast/premiere-pro-cs6-techniqu're-55-color-new

  Thank you
  Kevin

• I need to start using the color correction. Should I start by Lumetri, or go directly to SpeedGrade and save time?

  I need to start using the color correction. Should I start by Lumetri, or go directly to SpeedGrade and save time?

  Lumetri Panel/workspace in PrPro is designed as a quick Fixer & able to mainly simple elements you may need to. And it has some limitations so built-in types experienced low editor/colorist can't screw up at all times of their videos. If this tool has everything you need, so it is very convenient. You do not need to learn a lot of ranking 'thought process', just look at your scopes & your program monitor.

  If, however, you'll need to tell secondaries 'Key' on some shades at certain levels of brightness/saturation to change just THE color, hue, brightness, saturation data, or a number of other things more important to the image, then SpeedGrade would be necessary. For me, I use the Lumetri Panel on the simple things, but... as Jim pointed out, if I want to hit secondary or make major changes, I'm more the Sg. Because after I learned that the app rather... unique... minimalist... UI, I'm actually able to move quicker on things over there than in the Lumetri Panel.

  SpeedGrade is not the same as applications other colorist/ranking, didn't say the vast-toolset of determination... but link Direct saves a TON to prepare sequences & projects on XML/EDL out and return & tel. If you go to work with her, I suggest strongly to e-book by Alexis Van Hurkman "Adobe SpeedGrade."... Getting started» It is still CS6... BUT... It covers quickly and directly how SpeedGrade works and how to do things you want to do, better than anything else I've seen. The big change is in the CC versions using the Direct link that you don't have any EDL input/output, and as all the scenario changes you make through PrPro, both the chronology controllling/replacement parts of Sg is grayed out in a project of direct link (directly using a project file PrPro). The interface... different color... is almost identical to the versions CS6.

  In addition, there are some good programs on service tutorial lynda-dot-com, and some that are quite useful on SpeedGrade in AdobeTV that will give you the look more recent Sg and Di-link process. Maybe you spend a few hours in watching & playing around, but once you get this thing is pretty easy to use.

  I do not recommend having a ramp... a block of neutral gray tones will generally from left to right black (0) to white (100) that you can put on a timeline, see to the Sg, and then look at what is happening where when you change what... so that you get a feel for say overall "initial" three color wheels/luma sliders , which left elevator control, controls gain way Gamma and right hand do... and you need to see that the elevator is * not * the shadows... and then, when you change moves on the shadows, mediums and highlights and always looking three combos of luma/color controls, now what region they change? What control on how these controls affect the image data pivot controls provide?

  It sounds more complicated than it needs to use, really... you just can't guess what they are doing and being puzzled at the first/frustrated when things do not respond as you expect. A few graphics and several simple explanations & examples... and you'll be off and running.

  Neil

• Removal of the dominant color and color correction to match the reference documents? the tutorial/guides/videos

  I searched some tutorials showing how to use SpeedGrade. I'm now comfortable with the UI enough to use after seeing these: http://www.youtube.com/user/AdobeTV/videos?query=speedgrade

  I am looking for tutorials that explain how to do a couple of things, first of all, I want to be able to remove color casts. In photoshop to do this you can use a curves layer and the use of the whole white point color chart and click somplace that is supposed to be white. and to the Prime Minister, you could do something similar with the color correcting fast. So basically that I'm looking for a way to target an area within a framework that should generally be grays, in the Anime, the eyes always be shades of gray, is as well as what I would target usually when you work with anime in photoshop first. If anyone knows a tutorial that shows how to do this type of color cast removal color correction in SpeedGrade could you please share a link.

  Some of anime the older 80 and 90 on the film, the film has aged and that's where the color cast came. There is also a loss of color information in all areas. For example in the image below. Heaven is supposed to be blue instead of green teal/sea.

  Another thing is back in the 80s and 90s many anime worked limited color palletes; something like maybe 16 colors in total, so many colors are used repeatedly. Thus, even with only a limited amount of reference material, I'd be able to get the corrections close. (I have no clips of reference for every single episode, only a handful of scenes from a handful of episodes).

  I have a few reference documents showing approximately what should be the color. So, my next question is if anyone knows of any tutorials/guides/videos showing how to use SpeedGrade to color correct a clip so that the colors match the colors used in a reference element

  I was also wondering on automatic correction based on an element of reference, although I'm guessing that this isn't always possible.

  When I looked at the websiminar: http://seminars.adobeconnect.com/_a227210/p738pxm9zs0/ about 43 minutes into it, a feature is shown that automatically adjust the color with a clip that contains a colorchart.

  I was wondering if a tool like that could analyze a start to clip at the end, to create a palette of colors used, and then compare that to the colors used in another clip and correct them. (a feature like this would be probably more useful/precise in anime that it would be long, but who knows.)

  Another question related to the user interface:

  I had a question, the only place where I see to access the colorwheels is in appearance, my video tab, I'm trying, just manages to adapt to 100% in the monitor.

  So I prefer to hide or reduce the different looks (maybe even with a keyboard shortcut) so that I can access the color tools it covers, I've attached a picture of what I'm talking about. I know pressing 'P' cache at the bottom and thought that maybe it already is a way to hide/minimize/reduce the aspect presets to access the tools behind them without narrowing down the size of the preview screen.

  

  It's a hard thing to do. SpeedGrade has an estimator of the matrix which aims to draw a camera shot in reference, but it only works if there is a graph of Macbeth in the framework - and you of course that.

  Short of writing a custom plugin, you will have to do it by hand - if there is a true 'gray' in the framework then the pickers for the 3WCC/FCC in first allows you to get the right temperature, and black/white levels can be removed to the limit with their pickers (assuming that something on one of the frames is supposed actually to be black or white). Fix nonlinear cast where the RGB layers are each affected by different curves is a much more complex process, and not automatable in everything I know. However, once the white point Beach and brightness are attached, you can still make some visual adjustments of the balance on a range of colors with secondary correction tools in the 3WCC.

  If you use the first and you want more help with these tools, please ask in the Premiere Pro forum.

• Color correction and film film appearance

  Hello world

  Rookie question I guess on the coloring. Since I started to edit this area of production immediately caught my interest. My first films, I started to add the film an eye like showed on many tutorials to youtube of tweaking with the color corrector 3-way and the ProcAmp. During all this time, I thought it was 'color correction '. So, I found some tutorials by Jeff Sengstack on the color correction which seemed quite a bit more professional, using all scopes and waveforms etc. I was real pleased with myself and made the entire video in this way only to find out that I thought that it looked less "professional" than with the filmlook tutorials simple. So... here's my question:

  Do you look motion picture (if desired) after you do the overall color correction or color correction is not necessary when you want to apply a film appearance?

  Second question: everyone recommends the use of Magic Bullet software vs using the tools of coloring in Premiere Pro?

  Thank you for any help or advice.

  Sébastien

  CFG is true - you ask something that is a very broad topic - something that people spend their life, learning and development.  And the second the answer correct you firstly your picture - balance of whites, levels, etc, and then apply any kind of look you are going for.  In fact, many correction colors and the ranking of the programs use different "rooms" for this primary - process to correct your image, secondary affect certain elements within the image and then a Master to dial at a glance.

  My sugesstion is that if you do not want to spend the time and energy to learn the process, you can use something like Magic Bullet Looks that will give you options and the cinematographic images with a single click. (Within reason and depending on your source of the layer film)   If you want to take it a bit further, you can use something like Colorista to do manually and with a lot more power.

• mask option does not work in fcpx of color correction

  The option of mask in the 10.2.3 fcpx color correction works only intermittently. When I add the color correction sometimes I can move my mouse over the color correction tab in the Inspector and the mask icon, sometimes it doesn't. If I closed and reopened fcpx he comes back for a while and works very well. Don't know what is happening with it.

  15 "macbook pro, 266 GHz, core i7, 8 GB ram

  El Capitan 10.11.6

  10.2.3 FCPX

  Intermittency of the interface is usually only a matter of pref. trash of em.

  In rare cases, you must reinstall the application to fix the weird interface glitches.

• I can't find 'exposure' and 'color correction' because the tabs have changed. It's very frustrating! Help.

  I can't find the tabs 'color correction' and 'exposure' Manual now that I updated to 10.2.3. It's very frustrating! Can someone tell me where are they now?

  Thank you!

  Since 10.2 color Correctiion is now an effect from the effects browser.

• file extension for the monitor color correction

  I'm trying to manage the colors on my screen.  I understand that somewhere in XP there is a set of specifications for the color corrections.  No one knows what it is and how to manipulate.  It is important to show some images simulated for vision.

  You must use the color for this Management API.

  All functional you need located in icm32.dll.

  Use following links to get started:

  Introduction to OS Microsoft Windows color management

  Color management functions

  It will be useful,

  Andrey.

• All new Yoga 2 Pro 13 order to ship through the yellow color correction pre-installed?

  I am excited about buying this machine as soon as POSSIBLE, but this problem is important to me. I wonder if I have to install the fix myself, or new commands should work out of the box.

  It is also mandatory for me that it will work with GNU + Linux like Fedora, Debian and Ubuntu distributions. If yellow color correction out of the box, I need to know that once the fix is applied, it will take during the upgrade of a free operating system.

  Yes, thank you!

  I also called lenovo and they said that the new deliveries would come with the pre-installed fix

• LaserJet CP1025: My LaserJet CP1025 can imitate colors correctly

  Greetings,

  I will write directly to the question. When I try to print my great that contains mainly dark colors and purlpes, my impression of this picture does not look good, the nuances of purlple are blue and simpli does not work with my graphics project I've done.

  I tried to print is trought photoshop and word, but the result is the same, I tried to fix it simply with the options available, but it did not help as well.

  Please help me, yours faithfully customer

  Hi @EpiclyToasted,

  Welcome to the Forums of HP Support!

  I see that your HP LaserJet Pro CP1025 colour printer is not printing colors correctly. I'd be happy to help you and don't forget to come back to this thread and check "Accept as Solution", if I have successfully helped solve you the problem. If you want to say 'Thank you' to my effort to help, click on the "thumbs up" to give me a Kudos.

  I see that you have already done some troubleshooting. I do not know what measures you have completed so far, but I recommend the steps in this guide below.

  You use Genuine HP Toner?
  What are the levels of toner?

  What is the guide that you used to try to resolve the problem, HP LaserJet Pro CP1025 and CP1025nw - color printers Print quality problems?

  If you followed the steps in this guide and still impossible to print in color, you have certainly one or more faulty cartridge.

  If you have a faulty cartridge, it might be under warranty. To check the warranty on your ink supplies, go to hp.com/go/learnaboutsupplies, select your country/region, and then review the information of limited warranty for your supplies.

  Contact HP for service in all countries except Asia-Pacific.
  First, check your product warranty to check your warranty printer status and then go to contact HP support to find an authorized dealer or to schedule a repair.
  Cost of repair out-of-warranty printers may apply.
  What you can do, is to use the following link to create yourself a file number, then call and it can help to expedite the appeal process:
  Step 1. Open the link: www.hp.com/contacthp/
  Step 2. Enter the product number or select Auto detection
  Step 3. Scroll up to "still need help? Fill out the form to select your contact options.
  Step 4. Scroll down and click on: contact HP options - click Get phone number
  File number and phone number are displayed.

  Please reply to this message with the result of your troubleshooting. I can't wait to hear strings attached good luck!

• Intel GMA > graphics properties > not applying color correction NOT the settings automatically after restarting PC

  Hello

  I just bought a Dell Netbook for my wife and after the opening of the Intel Graphics media accelerator control panel (driver for mobile 945 express chipset family), I tweaked the color correction to eliminate the bluish by default, BUT each time that I re boot the PC, these parameters are not re applied and I got to go again the same control panel and re still apply them (they show very well on the Panel configuration GUI just as I twisted them before the process of re - start, but they have simply not applied when the re PC starts).

  Thank you all in advance for your suggestions ;-)

  Enrique Diazruanova

  Hi Diazruanova,

  You recently did a software or a hardware change?
  You have to use this option with success on your new computer?
   
  Sounds like a driver issue, I recommend you update readers of the adapter to the display of the manufacturer's Web site.
  Here is the link for the center of ddownload from intel, enter model number and search for drivers according to the 32-bit version or 64-bit Windows 7.
  http://Downloadcenter.Intel.com/default.aspx
   
  For more information see the link below:
  http://Windows.Microsoft.com/en-us/Windows7/update-a-driver-for-hardware-that-isn ' t-work correctly
   
  Here is the link to the support technology guide:
  http://support.Dell.com/support/index.aspx?c=us&CS=19&l=en&s=DHS& ~ CK = mn

  Important note:
  This response contains a reference to third party World Wide Web site. Microsoft provides this information as a convenience to you. Microsoft does not control these sites and no has not tested any software or information found on these sites; Therefore, Microsoft cannot make any approach to quality, security or the ability of a software or information that are there. There are the dangers inherent in the use of any software found on the Internet, and Microsoft cautions you to make sure that you completely understand the risk before retrieving any software from the Internet.

  I hope this helps.

  Thank you, and in what concerns:
  Shekhar S - Microsoft technical support.

  Visit our Microsoft answers feedback Forum and let us know what you think.
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