Lines of automation in Multi tracks Dissappeared, I looked everywhere...

Similar Questions

• How to close a gap with the silence, the beginning of a track, Multi track mode?

  Hey everybody!

  I have 2 tracks in multi-track mode... one is music and the other is singing. The music begins at the beginning and lasts 3 minutes. The song does not start until 10 seconds in music. I need to insert the silence at the beginning of the voice, because I send both a producer and I want the line slopes upward from the beginning. Otherwise, they will need to align my singing.

  Thanks for any help. :-)

  Joe

  I would just align the vocal track slide the amount appropriate and right mouse and bounce this track down to another track and then click send this one she would have that 'silence' incorporated in the beginning.

• First item 14: WinTV ts Multi track Audio file number

  I just downloaded trial version of ss14 to test ts WinTV (file) of mounting and discovered multi track audio issue.

  I recorded the football game and imported the file ts at ss14. The problem is, I can hear the sound of the game but the comment disappeared. I can hear the sound of the field but broadcasting comment disappeared. I don't think that there is no audio problem in advertising, but I there is no audio commentary during the game.

  The mixing table"Options" displays 'AUDIO 1 - first plan', 'Voice - leading', '-background music ", 'AUDIO 2 - Background', 'AUDIO 3 - Background'.» I have no idea what track is that.

  I tried to change the setting of 'VOICE' for 'Background', but I got error message saying "one or more selected files could not be automatically analyzed. Whenever I tried to change the setting of the mixer, I received the same error message.

  (I tested another ts file, this saved time TV series, but the result was the same. I could hear the background music, but there is no voice.)

  Can you tell me how I can fix this audio problem?

  Here's my ts file info:

  Format: MPEG-TS

  File size: 22.2 GiB

  Duration: 3 h 12 min

  Start time: UTC-2016-08-25 23:59:51

  End time: UTC-2016-08-26 03:12:35

  Overall bit rate mode: Variable

  Overall bit rate: 16.5 Mbps

  Act score: n/d

  Video

  ID                                       : 49 (0x31)

  Menu ID                                  : 3 (0x3)

  Format: MPEG Video

  Format version: Version 2

  Format profile: Main@High

  The format, BVOP settings: Yes

  Format settings, matrix: Custom

  Parameters of the format, GOP: Variable

  Format settings, picture structure: framework

  Codec ID                                 : 2

  Duration: 3 h 12 min

  Bit rate mode: Variable

  Bitrate: 15.1 MB/s

  Maximum bit rate: 24.0 Mb/s

  Width: 1 920 pixels

  Height: 1 080 pixels

  View picture format: 16:9

  Frame rate: 29.970 (30000/1001) FPS

  Color space: YUV

  The chroma subsampling: 4:2:0

  Color depth: 8 bit

  Scan type: interlaced

  Analysis order: upper field first

  Compression mode: lossy

  Bits /(pixel*Frame): 0,242

  Stream size: 20.3 Gio (92%)

  Audio #1

  ID                                       : 52 (0x34)

  Menu ID                                  : 3 (0x3)

  Format                                   : AC-3

  Format/Info: Audio Coding 3

  Mode extension: CM (complete main)

  Parameters of the format, "endianness": Big

  Codec ID: 129

  Duration: 3 h 12 min

  Bit rate mode: Constant

  Bit rate: 384 Kbps

  Channel (s): 6 channels

  Position of the channels: Front: L C R, Side: L R, LFE

  Sampling: 48,0 kHz

  Rate: FPS 31,250 (1536 spf)

  Compression mode: lossy

  Behind the video:-331 ms

  Stream size: 529 Mio (2%)

  Language: English

  Audio #2

  ID                                       : 53 (0x35)

  Menu ID                                  : 3 (0x3)

  Format                                   : AC-3

  Format/Info: Audio Coding 3

  Mode extension: CM (complete main)

  Parameters of the format, "endianness": Big

  Codec ID: 129

  Duration: 3 h 12 min

  Bit rate mode: Constant

  Flow rate: 192 Kbps

  Channels: 2 channels

  Position of the channels: Front: L R

  Sampling: 48,0 kHz

  Rate: FPS 31,250 (1536 spf)

  Compression mode: lossy

  Behind the video:-299 ms

  Stream size: 265 Mio (1%)

  Language: Spanish

  Text #1

  ID                                       : 49 (0x31)-CC1

  Menu ID                                  : 3 (0x3)

  Format: EIA - 608

  Multiplexing mode: A/53 / DTVCC Transport

  Muxing mode, more information: multiplexed in Video #1

  Duration: 3 h 12 min

  Bit rate mode: Constant

  Stream size: 0.00 bytes (0%)

  Text #2

  ID                                       : 49 (0x31)-1

  Menu ID                                  : 3 (0x3)

  Format: EIA - 708

  Multiplexing mode: A/53 / DTVCC Transport

  Muxing mode, more information: multiplexed in Video #1

  Duration: 3 h 12 min

  Bit rate mode: Constant

  Stream size: 0.00 bytes (0%)

  If there are several audio channels on your media clip, you won't have to hear all the individual channels in Premiere Elements. Premiere Elements cannot separate the audio for the comment, commercials, football game, etc.

  The music, the voices, the Audio 1, etc., on the Smart mixer see audio track on your timeline. And you should be able to tell who is who, looking at the timeline and see which audio clips are on each track.

  If you can't understand it, post a screenshot of your timeline on this forum and we will tell you.

• Automation of the track, several keyframes at once the passage?

  Is it possible for me to pass the automation track without having to edit each individual key image? I need to move to the front of any timeline so I can extend a music track at the head of the project... But it doesn't seem to be a way to anchor the project track Automation data before moving. In other words, the project is moving, but given all the automations (volume, Pan, etc.), rest in the same place... In retrospect, I understand that I should have used automation clip... But now that I've edited a whole past mainly using my automation of the track, it would be a nightmare to have to go back and fix any small... Am I missing something?

  It's a pain when this happens and you need more space at the beginning. Probably the easiest way is to insert/Silence. Make sure that the playback cursor is positioned at the beginning. Then, go to the menu Edit and Insert/Silence. You can choose how to insert silence and all tracks, including any automation, will all move to the right by this amount.

  As a matter of interest, you can also select all points of the keyframe on a track by clicking on one of them and selecting select all keyframes. Then if you left-click on one of the selected points you can transfer all the points together to the left or right, upwards or downwards as one anywhere on this track.

  P.S. To make the Insert/Silence method works, you will need to go to preferences/multitrack and make sure that the 'adjust track keyframes when executing ripple edits' checked.

• multi track possible adio in media encoding, the Prime Minister or AE?

  Set up a sequence of videos for a client, I created in After Effects.

  
  I made the video and normally I would use either first or After Effects (since default choice what I normally work in) to add a soundtrack after a video final render

  What I do is a long video which repeats itself, but uses different audio tracks every time. But it occurred to me that there must be a way to make it with multi-track then, that you get when you watch a movie, to choose the audio track.

  I can't find anything on it and I don't know why.

  is it just not possible?

  If you follow the instructions in the link, you will get again.

  CS6 still not installed with creative cloud

• Multi-track, audio in the window muffles when it reaches a volume envelope.

  .. .and what is happening with this?  I'm under Audition 1.0 on a Windows XP computer with a soundcard Lynx.  It's a new development.  When the audio reaches the point where the envelope of volume changes, the audio cuts out and not coming back, even if the volume is returned to the unit.  But he's going to mix properly, with the volume changes made.  It's just not possible to hear before mixing down, which doesn't help, of course.  I increased virtual memory.  Anyone have any ideas?  I thank in advance for your help.

  Don't know if this will help...  Try changing the settings of multi-track preview/playback (press F4).  If the read buffer is too large or too small, you might get dropouts...

  Also, try to defragment the hard drive with virtual memory disabled.  With VM off it may run slowly, but it must defragment the swap file, thus making your optimized super drive. You may have to start in safe mode so that it works well...  Of course, you can activate the virtual machine on when you're done...

  Clean dust from the computer and make sure it is not over heating...?

• Tabular and automated form line Fetch/Automated line treatment on the same page

  I seem to have a problem with this and wanted to know if it's possible.

  I have an automated extraction to catch my primary master file... It works very well.

  Then I have a tabular presentation on the page of a form under... This also works very well

  I added a "Treatment of automatic line" procedure for updating my changes with the header, and I can't get this fire.

  DML settings on this procedure fits my parameters during extraction of automated lines.

  When I try to run the procedure (I took out all the conditions on the condition tab) nothing happens

  I ran debug in the page and that's what shows

  Jump as integrated type process condition evaluates to FALSE.

  If it is not supported and I have to write a pl/sql CRUD proc?

  Thank you

  Scott

  Scott H. wrote:

  I seem to have a problem with this and wanted to know if it's possible.

  I have an automated extraction to catch my primary master file... It works very well.

  Then I have a tabular presentation on the page of a form under... This also works very well

  I added a "Treatment of automatic line" procedure for updating my changes with the header, and I can't get this fire.

  DML settings on this procedure fits my parameters during extraction of automated lines.

  When I try to run the procedure (I took out all the conditions on the condition tab) nothing happens

  I ran debug in the page and that's what shows

  Jump as integrated type process condition evaluates to FALSE.

  If it is not supported and I have to write a pl/sql CRUD proc?

  N ° see online help for the property management operations on the ARP:

  Supported operations

  Check what operations data manipulation language (DML) are supported. This process of data manipulation will perform DML when the value of the claim is one of the values listed. When you use a button to send this page, the value of the claim is defined by the button.

  Available options include:

  Insert

  Triggered by the values of request: INSERT, CREATE, CREATE_AGAIN, CREATEAGAIN

  Update

  Triggered by the values of request: SAVE, APPLY the CHANGES, UPDATE, UPDATE, MODIFY, APPLY, APPLY LINE of CHANGES %, GET_NEXT %, GET_PREV %

  Delete

  Triggered by the values of request: DELETE, DELETE, DELETE the LINE, drop

  The name property of the button (i.e. the value REQUEST) send your buttons on page must match the values required by the relevant processing DML in the ARP request.

• Line link automated Fetch

  Hi Experts,
  
  Apex 4.1
  
  That's what I'm trying to do.
  
  I have the number of fields in a form.
  Value for the fields are taken from two different tables using automated row Fetch.
  When loading of the page as a process of ARF would be based on a flag value in the element of the application and only specific fields so that the ARF must be filled.
  
  what I've noticed is when an executed ARF apex try to link all the form fields that have source type as column Db.
  in my case, when he tries to link a field which is mainly populated by second ARF. It throws the error message.
  
  I know not what t is,
  
  When we have multiple ARF on a page, is it possible to specify... these fields are filled by this ARF?
  
  
  Really grateful if someone could me assisit on that.
  
  Thank you
  T.kurubaran
  
  Published by: Apex-EPA on March 29, 2012 01:12
  
  Published by: Apex-EPA on March 29, 2012 01:13

  Apex-EPA says:

  what I've noticed is when an executed ARF apex try to link all the form fields that have source type as column Db.

  It comes to the expected behavior of the RFA process.

  When we have multiple ARF on a page, is it possible to specify... these fields are filled by this ARF?

  Laughing out loud

  You must create custom line-fetch process to achieve this.

• After Effects CS6/CC - Track beam/line of 3D point of tracking camera

  I am trying to create an effect where a line is connected to both text and an object in my shot. I would like that the beam to increase/reduce the object in my shot moves in the relationship to the place where my text.

  Here is an example of what I mean (starting at about 00:40): https://www.YouTube.com/watch?v=-H-Oodf20UM

  I used 3D camera tracker to create different follow-up points throughout the shooting, but unfortunately I can not understand how to reach the (generated through the beam effect) line at one of these points. I tried to create a null object, and then choose the position of the beam to the position of the null value, but it does not whip. It seems that in the 3D camera Tracker keyframes are not generated, which can be accessed under the position of the null value settings.

  Any ideas or suggestions? Thank you!

  When you solve for a camera you get only camera keyframe. You don't get the keyframes for the objects in the scene. If objects are moving in the scene, then you must either make Planar monitoring or follow-up. If a large object moves in a scene, you actually do not account for this movement to get a good camera solution, because the 3D tracker is a try to understand how the camera never moved not how different things in the movement of the scene.

  You can successfully get the effect with point or planar tracking.

• the analysis of a multi-track cue sheets recording in files vs

  I have a large mp3 to records that contain a lot of songs (tracks).  Some songs are get together, others are not, in the same file.  The songs are NOT indexed in the file.
  I use WMP11 for playback, as well as other mp3 players (portable, car, etc.)
  In order to be able to jump or select a piece, I need to export the mp3 file large, an mp3 file for each individual piece, using Audacity.

  Is there an alternative, where I can create a cue sheet that identifies songs, allowing to WMP and my mp3 player view and search the individual pieces in one big file?  Made of sheets of benchmark for support WMP11?

  Barry

  Hello

  I suggest you according to the question in this forum and check if that helps:
  http://social.msdn.Microsoft.com/forums/en-us/windowsdirectshowdevelopment/threads

  It will be useful.

• Monitor - required device and multi Track Record

  I would like to

  1 drag a track on the track into the hearing.

  2 arm track 2 to save.

  3. the voice on track 2.

  4. finish with a voice on track 2, which is in the context of music on track 1 - so I can then manually mix the two stalking after the words.

  It's just if I can follow the track and therefore the voice I hear the track. In a studio as appropriate.

  Currently I run

  1 x IMAC

  1 x EPM900 table Soundcraft mixer connected via the outputs to the IMAC

  1 x Neuman which is connected to the fade an XLR on the mixer

  1 x two mini phono for a single entry mini on the IMAC of entry decision.

  1 x Bose Companion 2 (exit IMAC directly to Bose)

  I can now record in the IMAC and here myself through the headphones into the mixer - play recording by the companions of Bose.

  I guess I have to introduce path 1 to mixer so I can hear the track and voice mix at the same time right?

  So I need a straight audio interface? If so - what kind, £150 is very good.

  Don't know how I make the mixture in my headphones, I guess I could pre fade 1 9 track (i.e. my music) as a hack or just open the fader... oh I'm confused. Even better if you can make 1, 2, 3 for me

  Any help to achieve this would be very useful.

  Well, I couldn't find the 900 EPM on the Soundcraft site... just the 08/06/12 EPM.  Depending on how the EPM900 differs from those I found, there might be a way to make your follow-up help to send on the mixer - bring the computer in the mixer, set the pre melted, increase departures on both the mic and computer chains, but only reveal the fader for the microphone you save.  If you can monitor the departures to the helmet, it would basically make you want.

  However, I would probably recommend you go even when on the road of the audio interface.  Audio integrated on computers are notoriously bad quality (Yes, even Macs), so more convenience you would also get much less noise and a lot more.

  In your price range are quite a few models.  I can personally recommend the Alesis iO2 - I have one that I use for simple location records during the use not my big digital mixing console.  The iO2 goes for about $100 in most USA providers.

  If you want to look at the others, the only feature you want to look for is followed directly.  This will allow you to monitor your microphone without the latency that occurs to send your voice on a round trip via your computer and DAW.

• How to remove children lines with removal of multi line?

  Hello!

  I have a DSM process that removes the selected lines of the report, but it gives an error if the line have a child row in another table, so I have to go to this report and remove these first.

  Just add somewhere in the DSM process something then it removes children lines too, or I have to create new process for this?

  Hi EgaSega,

  DELETE will work if there is no foreign key constraints that refer to the line to remove.

  If you don't have foreign key constraints, you can change them to 'ON DELETE CASCADE '. This way, if you DELETE a row in a parent table, all child rows will be auotmatically DELETED, too.

  There are also "ON DELETE SET NULL', which allows you to DELETE the parent rows with children. When you DELETE a parent, child rows are not automatically DELETED, but the columns that pointed to the DELETED parent are automatically changed to null.

  Check out this old thread of discussion forum SQL and PL/SQL for more details:Delete record based on the ID of the main table

  Hope this helps you,

  Kind regards

  Jitendra

• Audition (cc2014) - _Tracks_ multi-track export as separate files? Possible?

  It seems like a no-brainer.

  Multitrack is all together, synchronized, leveled - perfect.

  But.

  The client needs of each track in a separate WAV file.

  Should be possible, right?

  And yet... Lot wants to only use raw Waveform files, not the multitrack tracks.

  Export wants only do multitrack mixer (or model, etc.).

  I know I'm missing something obvious bonecrushingly... but I still lack.

  Any ideas are much appreciated. ALL I need are saved as audio files separate titles.

  Thank you!

  Hello

  File menu: mixer Session / any exporting a multitrack. You will notice a "Mixer Options" area is the export dialog box. Check your rods and fire away.

  -paul.

  

• A voice very quiet level multi track.

  Hey,.

  I edit an audio file for clients that sounds balanced hearing normally or through the Waveform Editor , but one of the track becomes very quiet when I put it in the multitrack editor.

  The file seems to be divided into a high and a low level with the lowest level being very quiet and the top is just right.

  

  I have worked with hearing for awhile not but that has really confused me. Is could someone please help me solve this problem?

  Best regards

  Mdbroderick

  Hmm... looks like a pair of stereo tracks in a single file for me. In this case, open it in view Waveform, deselect a pair (Edit > Enable channels or controls to the RHS of the screen) and select Edit > copy again. This will create a new file of just the selected tracks. Since there are two of them, this will be a stereo file. Save it and use it as the copy to insert into a multitrack session stereo. Swap channels active on the original file and do the same thing with the other two and you're good to go - you will have the original split into a pair of stereo files, that you can manipulate individually to get the levels as you want.

  A major advantage of this is that you get to keep the original intact, and we will work on the copies, which is always safer.

• No sound on video Multi track

  I just bought CS6 as an upgrade from version 3 today.

  All my sessions are in .its files version 3

  Why CS6 could not open its own session of older files is only delayed (or I am I something missiong)

  So, I used Ses2Sesx by the aatranslater which converts the its sesx.

  However, a clip that is set as the LOOP. The peaks appear as one line (or super zooms)

  and will play not in multitrack view.

  If I open the file in the editor, he plays very well.

  If I disable LOOP and then turn LOOP, peaks appear but still no sound when played in multitrack view.

  If I replace the file in the files Panel sound works. HOWEVER, I have hundreds of drum loops in my music.

  I did it for just one song today and it took 5 hours to reset every drum loop.

  I just can't justify playing or using this program, if it cannot open my old sessions having wave files in a LOOP.

  Each program on Earth is backward compartible but this program stupid.

  All the answers or can I get my money (bought February 28 and published March 1, 2015).

  Well I had to reinstalled CS3 then saved sessions as xml

  Had to change a few options, but managed to bring in CS6 in 4 hours.

  I suggest you save all your sessions of cs3 in xml format.

  Also had to reload all the effects that many of them when removed or renamed in the CS6.