Media Encoder encode 2015.3

Similar Questions

• Impossible to update for Media Encoder 2015 (please help)

  

  had this problem since the last update, whenever I try to update the application, it fails and I do not know why, any help would be appreciated.

  Hello

  Please try out the following link

  "Installation failed" error U44M1P7 with Adobe Creative Cloud or updates of Adobe Creative Suite 6

• Rendering text solid composition layer after effects CC 2015 in Media Encoder produces jagged edges

  Make a layer of solid text in AE publication in Media Encoder product crenellated edges (really, really jagged, artifacts not only) on the text layer when 1280 Vimeo HD rendering:

  • Solid with the text layer, on the best quality switch
  • Composition of EI is imported on Media Encoder
  • 24 fps, 1280 x 780 Source Comp rendered using Vimeo 720 p

  After Effects:

  

  Media encode Vimeo 720 p:

  

  This looks much more than H.264 compression artifacts.  Any ideas why the text could be made so differently/badly in Media Encoder?

  So, it looks like a bug with the race on text rendering in Media Encoder:

  • OSX
  • After Effects 2015.0.1, build 13.5.1.48
  • Media Encoder 2015.0.1, build 9.0.1.29

  The text in red in the above examples has a white line (i.e. outline) applied with defined race "fill line".  Withdrawal of the race and redisplay in Media encode appears to render text smoothly, albeit without the trait, I wanted to actually on this subject.

• Error (-55) when you try to download Media Encoder CC 2015.

  I have a subscription to creative cloud with more CC for 2014. Try to download CC Media Encoder 2015 but get error message. Update didn't download error. Press Retry to try again, or contact customer support. (((55)))) 55. I pressed try again several times. No luck. I have Window 7 PC with 12 GB of RAM with 120 GB of free space on the hard disk, main. All thoughts. Thanks in advance.

  Error-55 is a connectivity problem while downloading applications between the server and the Client computer.

  Try to use the direct download links and check:

  Direct download links of Adobe CC 2015: 2015 creative cloud release | ProDesignTools

• How to restore a previous version of Media Encoder?

  Hello

  I'm under Premiere Pro version 2015.2 (and the equivalent hearing version). I am in the middle of a project and do not want to update to 2015.3 to avoid any unexpected problems that everything worked without problems.

  I then updated After Effects 2015.3, but this has also updated Media Encoder at the same version and so creation and Media Encoder no longer communicate (I can't export first to Media Encoder now, versions get out of sync).

  So I uninstalled both After Effects and Media Encoder. Please can someone TELL HOW CAN I INSTALL THE PREVIOUS VERSIONS of AFTER EFFECTS and MEDIA ENCODER (2015.2)?

  Any help much appreciated. I'm now stuck with no Media Encoder and cannot export in Premier Pro

  Duncan

  It has figured out now - there was a "view previous versions" button in one of the drop-down lists in the office application that I had not seen before.

  Export from Premiere Pro via Media Encoder works again for me, now that I have 2015,2 versions of Premiere Pro, After Effects and Media Encoder installed.

  See you soon

• Export the movie in Media Encoder provides support screen offline

  I've recently updated to the latest versions of first Pro CC (2015.3) and Media Encoder (2015.3) and since the update, I had issues of export of sequences in Media Encoder. The issue I'm having is that everytime I try to export a sequence from the SOUL, it gives the screen offline, on the same clips in the preview window, even though they appear correctly inside the preview in PR. window the really strange thing is that when I export directly from the menu "Export Media' in first itself with the same export settings, everything is fine.

  These project files are templates for the videos that I do on a weekly basis, and they worked perfectly fine before the update.

  I tried the following steps, but had no joy with this problem:

  • Creates a new sequence with only the relevant clips.
  • Created a new project with only the relevant clips.
  • Moved to the location of clips on my drive hard and at PR
  • All the project files and clips on my laptop and used the pre version updates of PR and SOUL, these exports very much copied.

  My tests, it seems that there is a problem with SOUL not recognizing some .mp4 files because it is the only common thing between the affected elements, but happens not all the files in .mp4 h.264.

  I found the solution by another Member of staff.

  For those who have the same problem, what I had to do was make sure you I have deselected the "import footage natively" in the preferences of the SOUL.

• MEDIA ENCODE - QUEUE GLITCH REPEAT

  Whenever I have export queue in media encoder first, after you export on the last two images on the video, the audio has a glitch repeat, how can I solve this?

  I use the cc Media Encoder 2015.

  This seems to be the same problem discussed in another post (please refer to the near the bottom of the thread for a possible workaround, posted March 29, 2016)

  Re: Random audio added at the end of the videos made in Media Encoder

• First and Adobe Media encoder crashing with the module KERNELBASE. DLL

  I have 2 computers windows 10 crashing while selecting a folder in the window of browser Explorer of files within these programs. These machines is 2 weeks, with 10 Pro from the start windows. The other machine has 3 months with windows 7 upgraded to Win 10.

  Machine 1
  

  ASUS X 99-Pro

  Six Core i7
  

  32 GB of Ram

  GTX 980

  Intel 750 PCIE SSD

  
  

  Computer2

  ASUS Rampage IV

  Six Core i7

  64 GB of Ram

  GTX 780

  Samsung 1 TB SSD PRO 850

  
  

  
  

  
  

  
  

  Name of the failing application: Adobe Media Encoder.exe, version: 9.1.0.163, time stamp: 0x564db283

  Name of the failed module: KERNELBASE.dll, version: 10.0.10240.16384, time stamp: 0x559f38c3

  Exception code: 0xe06d7363

  Offset: 0x000000000002a1c8

  ID of the process failed: 0 x 4150

  Start time of application vulnerabilities: 0x01d136ce9193dbc6

  The failing application path: C:\Program Files\Adobe\Adobe Media Encoder 2015\Adobe Media Encoder.exe CC

  Path of the failing module: C:\WINDOWS\system32\KERNELBASE.dll

  Report ID: 3725abd1-4ce3-44bc-97d0-f44f2a9ec7a5

  Faulting full name of the package:

  ID of the failed package-parent application:

  Name of the failing application: Adobe first Pro.exe, version: 9.1.0.174, time stamp: 0x564dce25

  Name of the failed module: KERNELBASE.dll, version: 10.0.10240.16384, time stamp: 0x559f38c3

  Exception code: 0xe06d7363

  Offset: 0x000000000002a1c8

  ID of the process failed: 0x3c74

  Start time of application vulnerabilities: 0x01d136cc8be4d555

  The failing application path: C:\Program Files\Adobe\Adobe Premiere Pro 2015\Adobe first Pro.exe CC

  Path of the failing module: C:\WINDOWS\system32\KERNELBASE.dll

  Report ID: f4c46647-06bd-4e15-a3ac-13a2433d77f1

  Faulting full name of the package:

  ID of the failed package-parent application:

  Thank you Lord! SOLUTION AT LAST!

  After having been informed by tech adobe support that: "I'm sorry, but this is a file from the base of the core of the system, we cannot do much."

  I decided that I was going to test each component in user accounts and find the culprit manually.

  I have studied everything that I could all kernelbase.dll NTUSER.dat and parameters of the first.

  From what I could gather kernelbase.dll if crushed more often when the 32-bit and 64-bit settings are not configured right.

  I downloaded Registry Explorer 0.7 and analyzed a new vs account a "corrupted".

  I discovered that windows keeps a record of the last access programs via OPEN/SAVE location.

  It is located in:

  HKEY_CURRENT_USER\SOFTWARE\Microsoft\Windows\CurrentVersion\Explorer\ComDlg32\OpenSavePidl MRU\prproj

  To solve the problem:

  It comes to registry changes, do at your own risk!
  

  1. Create a new user account with admin rights. I'll call it "AdminRescue".
  2. Connection in "AdminRescue" and open first cc, check that the problem has disappeared.
  3. Now you could start using the new account and forget the old, but I find myself that making 3 times in 4 months, the issue will come back again.
  4. The solution is to runREGEDIT under the new account that you created.
  5. Go to HKEY_CURRENT_USER\SOFTWARE\Microsoft\Windows\CurrentVersion\Explorer\ComDlg32\OpenSavePidl MRU\prproj
  6. Select prproj and export it to a disk usb or c:\adobefix
  7. Disconnect from the new user account and log in to the old damaged account
  8. Run Regedit
  9. Go to HKEY_CURRENT_USER\SOFTWARE\Microsoft\Windows\CurrentVersion\Explorer\ComDlg32\OpenSavePidl MRU\prproj
  10. Select prproj and Delete
  11. Select OpenSavePidMRU and import the regkeys exported in the new account. located in the usb or c:\adobefix
  12. FIXED!

• Adobe Media Encoder problem suddenly made with CL open

  After update for first Pro CC 2015.1 - 9.1.0 (174) man and Media Encoder 2015.1 Build 9.1.0.163 I am facing a problem of rendering to H.264 format. I get the message "error compiling Movie - unknown error". However, when I spend "Mercury Playback Engine (OpenCL) GPU acceleration" to "Mercury Playback Engine software" only the same images makes it flawless. Of course, it takes about twice as long. Even abroad, the same images will make to ProRes using GPU acceleration. Here's my hardware features:

  iMac (retina 5K, 27 inches, end of 2014)

  Intel Core i7 4 GHz processor

  Memory 32 GB 1600 MHz DDR3

  Graphics card AMD Radeon R9 M295X 4096 MB

  OS X 10.10.4
  

  
  

  I tried rendering on another drive and the same failure occurs. I tried to export directly from Premiere Pro and the same thing happens.

  
  

  Any thoughts?

  
  

  Thank you

  Aviva

  
  

  
  

  Workaround solution discovered!

  I went through the clouds creative and found that I could turn the clock back to the latest version (December 2015) SOUL the previous SOUL CC 9.0.0.222 CC. (It's a bit buried in 'Previous Versions') Automatically downloading trashes newest version and install the other oldest.

  I threw the last first Pro CC - 2015.1 9.1.0 174 (Build). I chose the same piece of the timeline to compress with the same parameters of H.264 which had been at fault, he gives and launched SOUL 9.0.0.222 changed the rendering engine to the Mercury Playback Engine GPU acceleration, started the render and crossed my fingers. (I didn't hold my breath.) I was 39 minutes of video).

  And it worked!

  I had not changed anything else. I'll do some additional testing, but for now - because of the length to make it - I'm sure that this workaround is solid. The tricky part is to find the old version of SOUL on creative cloud.

  Aviva

• Premiere pro sent restores to older versions of media encoder

  So my job just improved our CC in the 2015 version, but unfortunately our work does not include the latest version of the media encoder in the upgrade. I tried to get them to install them, but for some reason, they are not allowed to.

  in any case, I was wondering if there was a way that you can send the sequence you export over an older version of Media encoding. Because whenever I try to, I get a prompt that displays "you have no Media encode 2015 installed.

  If there is no fix for this I would really appreciate it.

  More information. I did all the updates to ensure it wasn't a bug. Just literally have only the version of the app thanks!

  Due to compatibility and changes, you will need to have the same version of first and SOUL. Please inform your work it is a requirement.

• Media Encoder CC 2015.3 missing files during the export

  Hi guys,.

  After the upgrade to 2015.3, I've noticed on several PP exports to ME that sometimes a video clip will not export.  It will happen every time, lack the same clip or two with a certain sequence, and when I export directly from PP, the clip will be in the final export.  If anyone has experienced this type of problem, and someone at - it other than just export directly from PP solutions?  Thank you.

  Double post, please see the original post here:

  Media Encoder CC 2015.3 missing files during the export

  Thank you

  Ilyes Singh

• Adobe Media Encoder CC 2015 slow rendering time

  Hello!

  I'm new to video editing in general, but I'm quite intimate with the PC hardware so here.

  Specifications:

  • The stock of 4770K i7, no thermal regulation speed
  • 8 GB 1600 MHz CL9 DDR3 RAM
  • GTX 780 + 170 MHz clock and 110% limit/95 degrees C temp power target
  • Driver 368.39 used
  • 3 x Samsung 840 EVO (no raid)
    • Windows 10 64-bit running off SSD1
      • PE/AE/SOUL installed on this drive
      • Cache / Scratch areas on this drive
      • Images under development
    • SSD 2
      • Games
    • SSD3
      • Games

  I save images using shadowplay NVIDIA from a 75 Hz screen 2560 x 1080. The output file is a 1920 x 1080 60 fps 35Mbps bitrate H.264 MP4 file. (1920 x 810 with black bars).

  I would add that sequences Adobe Premiere elements 14, do any editing that I have to do, and then export it to a file of bitrate MP4 1080 p H.264 12Mbps. The rendering process usually take around 10-12 minutes to 6 minutes video.

  I then add this file to output in Adobe After effects CC 2015, create a composition with drag and create a button, add a few layers of text and export it via Adobe Media Encoder CC 2015 (AE supports native H.264 from what I understand) with the SAME PARAMETERS. But this time, and I estimate that I type here, render times are 40 minutes.

  I ran a few tests and in the course of the first to make the CPU turns to about 80% CPU and the use of 1.8 to 2 GB, as I watch often some youtube in the meantime, so that understandeably not 100%. However, to the course to make AE/SOUL, le CPU CPU remains at about 30% CPU and 1.8 GB ram usage. With the help of the Mercury Playback Engine GPU Acceleration (CUDA) I expect to see more high on my GTX 780 loads, but he is 2-3% of load, so anything.

  Since my render outputs are (to the best of my knowledge) identical between the EP and shall return AE/SOUL, it seems that the use of material by SOUL is in this case. Other posters have suggested that some effects require the previous frame to be returned to pass, but I have not used such effects, are limited to simple text.

  So what's happening? I would appreciate any insight you have on this and I stand ready to provide more information that you need.

  Kind regards

  Corentin Robin wrote:

  First of all, wow. Thank you so much for the depth and quality of your response! If everyone had that kind of mentality, forums would be a very different place...

  No problem! That's why I'm here.

  It is certainly useful that you said your question clearly, with a lot of info and he asked respectfully. Quantity of, "why his does not work u should help me solve this NAOW! 1. 1. ' messages with no information is astounding.

  Corentin Robin wrote:

  I'll try to be to condense my game data on a single disk or both and use the third exclusively for editing. Or I could buy a new one, if the budget allows.

  This would be ideal. In my freelance studio, I have three separate units

  1. OS/software
  2. Footage
  3. Cache (if there are different types of player, it should be faster than you [I know your are currently all the same, it's more for future fans forum])

  It will probably not help much for the rendering speed, but it should help when you're interacting.

  Corentin Robin wrote:

  Before moving on to something else, I want to explain what I'm doing with text. I add text and overlay video, with sometimes a few very basic motion tracking (I can't forget this feature if I need). To the best of my knowledge, PE lets just add a black screen with text over time, like on a Blackboard for example. No text overlays/over-the-video (if it has no meaning...). So respect that, Premiere Pro have these features? If so I could make the switch.

  Certainly, you should stop using the Premiere Elements and start using Premiere Pro. Not only it gives MUCH more flexibility in the work, but you can layer objects of type as much as you want on top of your film.

  He was also transparent enough with AE. By example, if you have a shot that you want to add text, you could cut the part that would have text and simply right-click and choose "replace with After Effects composition. That images will be replaced with a dynamic link to a model of EI that already contains the images that you are handling. You save your AE project and results will be displayed immediately on the first! It's really convenient. If you want to keep this direct link, you can. Or if you are sure you are finished with AE work and wants to read smoothly at first, you can choose to make and replace it. It restores an intermediate file to AE and replaces the model tied first with her. VERY useful feature.

  If you keep track of movement, you probably want to use AE. Although you can make an animation in Premiere Pro, AE is much more suited to do. And if you start to get really fancy, you probably want to do some rotoscoping too.

  Corentin Robin wrote:

  I understand that EI requires much more accurately, and the way you explained it enabled me to understand one of the big question I had with her, which was "why reading in real time is so difficult in AE? You answered that perfectly, cheers!

  There is much more detail in the fact that I could get! Basically, AE must first build a cache, and then he reads. Maybe I should have said that. It is even simpler and shorter!

  Corentin Robin wrote:

  On the issue of compression, I realized that the work of a compressed codec is not ideal. My gross output of Shadowplay file was indeed H.264 because I believe that is the single output file, it allows. I don't think I can do without shadowplay for now because it has unique characteristics which cannot be replaced:

  • For extremely low hardware with Nvidia drivers
  • Ability to retroactively save a video after an interesting "keep-worthy" event, to avoid recording 24/7 in the hope of something interesting

  Those who do not sound like some very useful features. Just make sure that you get quality settings in the codec to achieve a data rate as it allows.

  Corentin Robin wrote:

  Also, to continue on the issue of compression, I got mixed responses regarding this. Some, like you, would say that working with H.264 sacrifices quality and performance, but some say that it is not a problem since the youtube compression will be severely disfigue the file in any case.

  YouTube can recompress, Yes. But if so, it adds ANOTHER layer of compression. That would be an argument even more important to preserve the quality of your side as much as possible.

  Corentin Robin wrote:

  I think my question would be: I would win a much higher quality using Fraps/Dxtory where I can control the settings of the raw images (keeping in mind I lose the comfort of ShadowPlay) even though the compression of Youtube should (I think?) disfigure this film?

  I think that the benefits of ShadowPlay outweigh the concerns that I had about compression in only one step. I still say don't do any other steps in making H.264s again and again that you transmit your project between applications. If you need to make something (you won't have to if you start to use together the Premiere Pro and AE), renders an intermediate codec until you create your deliverable.

  Corentin Robin wrote:

  So, keeping in mind of all of your suggestions and the constraints I have / has chosen to conform to, I should:

  • Have the work files on a separate disk, with areas scratch on this drive or free
  • Replace PE PP to eliminate the need for the AE and have only a single record
  • Since a single rendition is necessary, it is therefore more a real need for an intermediate codec low compression/lossless

  Yes. Although, you can still use AE, you have eliminated the need to make the intermediate files if you use Premiere Pro and AE set.

  In addition the Dynamic Link workflow I mentioned, you can also (once you have finished your editing in Premiere Pro), your Premiere Pro project import into AE. Use import > import Premiere Pro control project. She puts your complete sequence in AE with each cut on its own layer. You really need to do if you started to do really complex with your AE work if.

• CC 2015 - Premiere Pro / Media Encoder crash solution | Win10

  OK, so was super frustrated with the Adobe crashing shit in first and SOUL 2015. It would hard lock my system without warnings or error screens

  I could get it for coding, but not using CUDA causing massive export times - 10 hours for 10 minutes of video

  Windows Pro 10 / 64

  Adobe first Pro CC 2015, latest updates

  Adobe Media Encoder CC 2015, latest updates

  AMD FX-9590 4.7 GHz processor

  16 GB of Ram

  Help - Process Explorer

  Click with the right button on creative cloud and select kill process tree. If you are prompted to allow, click OK.

  

  Low and behold, I use CUDA in PP and the SOUL and the apples to apples 10 hours export is not using CUDA just took 30 minutes using CUDA with no crashes.

  I'm down 3 more exports and feeling very hopefull!

  Looking for any other entry as well...

  But apples to apples for the projects, no restart, among others.

  If you think I'm lying all the time encoding...

  -------------------------------------------------------

  30/05/2016 23:52:03: queue has started

  (Source - file: C:\Users\m9590\AppData\Local\Temp\Syd and Jesse Wedding_CC - 6) warp stabilized.prproj

  -File: Z:\MultiCam Sequence.mp4

  -Preset used: Custom

  -Video: 1920 x 1080 (1.0), 23.976 fps, Progressive, 00:11:37:17

  -Audio: AAC, 160 kbps, 48 kHz, stereo

  -Bitrate: VBR, 2 pass, target 2.00 MB/s, Max 10.00 MB/s

  -Encoding Time: 09:40:11

  31/05/2016 09:32:22: file encoded with success

  31/05/2016 16:48:39: suspended queue

  31/05/2016 16:48:46: queue stopped

  (Source - file: C:\Users\m9590\AppData\Local\Temp\Syd and Jesse Wedding_CC - 6) warp stabilized_1.prproj

  -Output File: Z:\MultiCam Sequence - stable and cultures only.mp4

  -Preset used: Custom

  -Video: 1920 x 1080 (1.0), 23.976 fps, Progressive, 00:10:37:05

  -Audio: AAC, 160 kbps, 48 kHz, stereo

  -Bitrate: VBR, 2 pass, target 2.00 MB/s, Max 10.00 MB/s

  -Encoding Time: 07:16:19

  31/05/2016 16:48:46: encoding failed

  -------------------------------------

  The operation was interrupted by the user

  -------------------------------------

  31/05/2016 17:00:29: queue has started

  (Source - file: C:\Users\m9590\AppData\Local\Temp\Syd and Jesse Wedding_CC - 6) warp stabilized_2.prproj

  -File: Z:\MultiCam Sequence_1.mp4

  -Preset used: Custom

  -Video: 1920 x 1080 (1.0), 23.976 fps, Progressive, 00:10:37:05

  -Audio: AAC, 160 kbps, 48 kHz, stereo

  -Bitrate: VBR, 2 pass, target 2.00 MB/s, Max 10.00 MB/s

  -Encoding Time: 00:30:57

  31/05/2016 17:31:31: file encoded with success

  31/05/2016 17:31:32: queue stopped

  31/05/2016 17:44:31: queue has started

  -------------------------------------------------------

  UPDATE #1

  I just had my first breakdown material editing in Premiere Pro, with CC does not.

  Will keep the changes running WITH CC then kill him before you encode.

  Update 2

  No, it was a moment of random when the SOUL is are featured. Now even with CUDA off, I can't get an export at the end.

  GRRRRR

  Bah to all

  After much frustration I seemed to have solved

  Go into the BIOS you and make sure you have AMD Turbo Core CLEARED completely. Not on auto or something else.

  

  I did 3 hours now exports, WITH CUDA and with my CPU pegged at 65 ° c with ZERO problems

  HUZZAH!

  

• Blue mount when you export images via Media Encoder CC 2015 Lumetri

  Hi all

  I have a really weird issue involving images with a Lumetri applied LUT and export through Media Encoder. Rendered images will come out with a massive distribution of blue color. I use CISC-c of a MkII C100 and application of color Lumetri with a LUT and then a few basic correction (no creative effects). There is no other effect applied to the images, and the exported result is not equivalent to the images without the applied LUT (so this isn't like ME is just without taking into account the effect). Export directly from the first results in video correct research, as does the export through ME without the applied LUT.

  Images of example (as it appears in the first and when you export directly, first and then when exported from Media Encoder with the color cast):

  

  I'm under Premiere Pro CC 2015 (up to date as that is to ME) on Windows 7 64 bit Pro, Intel Core i7-4910MQ, 32 GB of Ram, Quadro K4100M (362,13 drivers). I can't say with certainty when this problem first arose, partly because I am not using lut for a long time, but it was certainly past at least a month or two. I tried searching online on this subject, but the only similar thing I came up with that was of CS5.5 and given workaround solution was to place an effect of cropping on the video, which I have tried without success.

  Someone else has experienced this or has any ideas please? I can export directly from first as a solution, but it's not ideal at all because I can't move on to other work while it exports.

  Thank you very much

  Tim

  Hi cast,

  What is the setting of reading Mercury on Premiere Pro and SOUL engine?

  In addition, in the preferences of the SOUL, could you please uncheck the option "Import sequences in native mode" and check if it works?

  Thank you

  Regalo

• Hearing of cc 2015, or 2014 allows media encoder?

  Hello

  hearing cc 2014/2015 using media encoder does

  How can I send my hearing files to media encoder?

  Thank you

  Not directly at this time. You can only send files to Media Encoder by exporting the hearing and then import it into me. But there are feature requests in for this. So, it can happen in the future if we're lucky.