Monitoring camera reduced sequences of 5K or 4K to 2K mistakes?

Regarding the process of integration of 3D elements in a plate of live action sequences, I note that the process involves the use of software to track and resolve the live action sequences where subsequently followed data can be sent to the relevant software to integrate the 3D-elements which is the process of moving.

However, I have a question about the images. As we know, most of the cinemas in the world have 2K projectors and some have 4 K projectors. I know 2K projection in cinemas will be around for a while before upgrading. I also note that most films are shot digitally using RED cameras for example, and they turn to 4 K or 5 K and then reduce the image to 2 K deal in post-production.

My question is: If one were to pull on a plate of 4K and reduce to 2K, when 2K images are followed and solved for the integration of 3D elements, would there be mistakes expected with the tracking/resolution process because 4 K was spread up to 2 K? I ask because it can be more costly in terms of time (and money) works with 4 K at the station, as most big 4 K 3D geometry must be returned instead of 2 K 3D geometry.

Would appreciate your thoughts.

When you run that a trail camera AE calculates the focal length and fixed the position of the camera according to the perspective changes that occur to the geometry in the scene. A 4K has a greater than a 2K turned image size so the focal length will be different, but this isn't the position of the camera. The problem is that the focal length and the angle of view depends on the size of the frame of the model. This means that you cannot just copy the camera and stick it in a bigger computer.

Fortunately, there's an easy solution. Let's say you reduced your images in 4K images to fit a standard model 1920 wide HD. The height of the model doesn't really count, we are only concerned about the width. This same technique would work if you made a broad DI 1920 (digital intermediate). If you just scaling images to fit horizontally in a smaller model, you will need to dial before moving followed all the attributes before you ran the camera on the demo. If you made a DI, then you just camera would follow the images.

Now the camera track is done and everything works fine. You have inserted your nulls or solids and the model exported to C4D and created your 3D scene and everything goes well with the world.

To replace your images with the 4K images and set solution camera that you would simply run the script scale Comp that comes with AE. You open the comp and then you type in the width of your images at 4K and press go. Everything is done for you. You now change the scale to demo or furred DI with the original 4 K footage. You export the new model of C4d and you import smaller animation in the new comp in C4D and all evolve to adapt. The part of the pipeline C4D is the only part that requires some math. Everything else works.

I hope this helps. I've done this kind of thing for a dozen years and the file > Scripts > Composition.jsx of the scale, that's exactly what you need.

Tags: After Effects

Similar Questions

  • Is it possible to use a Linksys by Cisco Wireless - G Internet home monitoring camera with Labview

    I was wondering if it is possible to use a "Linksys by Cisco Wireless - G Internet home monitoring Camera" with Labview

    http://www.dabs.com/ProductView.aspx?quicklinx=53PX&SearchType=1&searchTerms=network+cameras&PageMod...

    I wan't to be able to get the raw data from the camera and analyze it.

    I found a simple soloution to this problem,

    Is possible to use a web browsers invoke node basically give a screenshot of the web page (get image)

    It can then be loaded into a display of the image and will show exactly what the web browser is showing and can also be analised by unflattening the pixmap.

    Maybe it's not the most effective method, but he turns my rig fast enough and does the job

    It may also be a setting value of the display of the photo to "smooth updates" that gets rid flashes white as the changes to the image, if anyone else has this problem.

  • Mutli-camera Source sequence does not: 1st successful insertion, thereafter inserts come as the batteries

    I use the function multi-Cam for several years and have never experience this problem until the most recent version.

    I have create a multi-cam sequence by selecting all my sources, and then select 'create multicamera Source sequence... '. »

    Then, I usually open in the timeline panel and remove all titles of garbage, recheck sync etc...

    Now, here's where things have been found funky. Multi-cam works if I select my in and out and make then a new sequence clip, but as soon as I select a new in and out and try to insert it as a sequence of multi-Cam, the content is not in the sequence of nested multi-Cam, but as the batteries of the gross support.

    I've found a workaround, but it's not ideal, and nesting requires the full work multi-cam sequence and then opening that in the source monitor and inserting in my sequence, which seems very nearby and creates other additional problems with markers and general speed and ease of use.

    I'm on an iMac running 2015.3 with OS X 10.10.5.

    Just tried it on my Mac Pro running 2015.4 and did not have this problem.

    Will be updated of 2015.4 little time and after an update.

    So nobody knows what is happening here and how do it so I can just insert media based on the 1 Source multi-Cam sequence that first generates?

    Screen Shot 2016-10-05 at 1.07.56 PM.png

    Toggle this button:

    MtD

  • HP w17e monitor camera?

    I have a HP w17e monitor attached to a Mac Mini (mid 2007version). Mac Mini is running OS x 10.6.8.

    Has been a little frustrated Sunday during a talk on web (i-CAT) with one parent. I saw him, but he couldn't see me.

    This monitor has a camera? If so, how would I turn it on?

    Thank you

    Hohinva

    Here are the specifications for the HP Pavilion w17e LCD big screen. Based on the specifications, it does not appear this model has a built-in webcam and you will need to purchase a USB webcam to use web chat features.

    Please send Bravo

  • Multiple digital cameras photo sequence

    What is the recommended way to create a single, the command sequence is a series of photos taken with several digital cameras?

    In the program photo, that it is easy to create a single sequence of display etc. but as soon as it is exported to an external device e.g. stick of memory, etc to Ext HD, photos are again classified by device and not as a single date sequence. Name change for example in a single 1 - xxx series seems not to solve the problem and stripping as well data Exif using the 'Properties' installation window did not work for me.

    It must be a very common nowadays problem, and I would be recognizing "best practices", by which we can choose the entire series in order of required image, rename the sequence and export it to the new sequence.

    Thank you

    Ron

    Yes which really comes down to the file system used on the device export you it.  If it is running NTFS (very unlikely), he could see all the metadata and fate by it.  But probably he can't see the names once you exported.

  • Display of UI elements customized timeline in the monitor of the sequence

    Is it possible to display UI elements customized in the area highlighted in red?

    SequenceMonitor.png

    I'm looking for a way to highlight some frames in sequence monitor in Premiere Pro. For example, imagine my plugin made some changes in the frame of 10, 16, 20. I would like to stress these frames on the timeline for the user to find them easily.

    Is this possible?

    Thank you very much

    Ann, markers are the way to go.

    Yoshi, you reference the SDK plugin C++; the Panel HTML5 SDK supports adding and handling of markers. This is the sign of the sample (which, ideally, adds and manipulates markers):

    https://github.com/Adobe-CEP/samples/tree/master/PProPanel

    Here's how to set up a panel development environment:

    https://github.com/Adobe-CEP/samples/BLOB/master/PProPanel/payloads/PPro_Panel_QuickStart _ Guide.pdf

    Feel free to ask me anything; Here, if the topic is of general interest, or directly to [b b b at adobe dot com] if he owns.

  • Keyboard shortcut: open in the source monitor does not sequence Panel

    Hi people,

    I really enjoy all the new shortcut keys in the cc version! But now miss me one: to open a selected item in the monitor source from the Panel of the sequence (like you would double click it). Why is it not like you do the clip selected in the project Panel?
    Maybe someone knows another way or is - this sth. ask as feature?

    In the sequence, it's just the F key to Match Frame.

  • Monitor camera of hollow room C20

    Hello

    Recently, I get a request to check if it is possible to monitor a room the Tandberg installed C20 trough here.

    I don't know if it's even possible, but if anyone has any idea how do (maybe using an application, site HTTP of the C20, etc.)

    Thanks for your comments!

    If WebSnapshot is enabled, you can request a small photo of the room through the HTTP interface, the GUI admin outlined under the control of call, for example.

    Note that this configuration item can be remotely activated, at least not easily, but once active can be used remotely (for security reasons).

  • 2015.3 warp stabilizer and monitoring camera

    I am updating from 2015.2 to 2015.3. Stabilizer of Warp and camera does'n follow-up work.

    I see on message 'timed out get dynamiclink connection to the server.

    I have macbook mid 2015

    2.5 GHz Intel Core i7

    16 GB 1600 MHz DDR3

    AMD Radeon R9 M370X 2048 MB

    OS X 10.11.6

    Please, help me with this problem.

    Thank you.

    Both of these tools use network protocols to work (don't ask me why...)

    Probably something is blocking their access. Check your firewall/ports/etc.

  • scale, source video position, then sequence multiple camera for picture-in-picture problem

    I have 7 source for several cameras cameras and everything works very well in multiple camera monitor.

    Now I want to Picture in Picture (video in video) and take the same video tracks 7, apply motion effect, scale, opacity of mask and place overtop of the multiple cameras and reach the image in the image.

    My picture in the video tracks 7 photo overtop of the multi-cam edit turn into 12 tracks video - cameras of 7 source, any other scale, different motion effect, different opacity mask. Things get confusing with the number of video tracks that I turn on and off to what image in the image that I want displayed.

    I decide to multi-camera video track 12 "picture in picture" by creating its own sequence and nesting in multicamera edit.

    First problem is that my multiple camera monitor gives me tiny thumbnails, because that's what I created, he is picture in picture - and I'm looking for a way to create larger thumbnails - so I nest the 1920 x 1080 in a sequence of 460 x 370 and gives me the biggest thumnails in the monitor of multiple camera which I'm looking for.

    This leads to the second problem is that now my thumb nails have the false image - the motion effect is not perfect in the thumbnail, but if selected for the source of the multi-cam edit sequence, the motion effect is correct.

    Question is - how to get the size of the image in picture multiple camera monitor to display correctly in the program monitor multicamera thumnails?

    I tried to go back to the image in the source photo sequence and nesting video track - but it gives me even worse representation of the image in the thumbnail of the image in sequence edit multi-camera monitor.

    As I understand it, here's what I would say.

    Create a multicam for the enlarged image sequence and which cuts.

    Create a separate for the projected PiP multicam image and who cut as full screen also.

    For the shots in the multicam main sequence that can be seen on the screen, add the second multicam on V2 and scale/position properly.

  • Multi camera using an existing sequence already synchronized with the eyes of the plural

    Hi all

    I just tackle multi cam in first pro 2015 (fully updated)

    I watched an excellent tutorial from Colin Smith using the step by step instructions, but he began by selecting a number of clips in the tray. I managed to create a multi cam

    by using this method.

    BUT

    I already have a sequence that has been synchronized with the eyes of the plural. What I would do is multi cam this sequence, do not need to synchronize again.

    If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

    but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

    So, my question is how to create a sequence of cam ready multi for editing an existing synchronized sequence?

    Thanks a lot for your help

    Chris Anderson

    If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

    but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

    You are on the right track: right click on your original sequence. Select new sequence of the clip. Open in the timeline panel. Right-click on the video track. Select 'Activate blocking->' and then change the programe in blocking monitor view. Read the sequence and you click with your mouse on the angle desired in the program monitor should turn red. It work?

  • dynamic links, body cs5-> AE cs5, multi-cam sequence problem

    It's strange. I'm working on an interview with two camera in Production Premium CS5. Does the standard stuff - a sequence source with both cameras, have some sex change here (synchronization of the two cameras, trim clips, etc.). Then nested in the source sequence in a multi-cam edit sequence. The multi-cam monitor allows to switch between cameras, etc.. Everything is good.

    But my publisher wants to make three separate videos of this interview. So the logical thing (so I thought in any case) would be of this nest muiti-cam change when in three distinct target sequences. So I couldn't switch camera made just once and slice-' n - dice all three target sequences to videos - short ' n-sugar that make my happy Editor. For the first target (a single question and answer). The result looks good in the body, and editor-in-Chief approves. All that remains is the addition of the lower thirds.

    Everything is fine until I go to export to AE via dynamic links so that I can add lower thirds and finish. What body sends to AE is not just my target sequence, but it also sends the multi-cam edit and the source sequence as well. But... he knows nothing and don't show me images of CAMA. BCAM appear not at all. Clearly, this does not work. But now I find that I can't even break the links. So I can not yet again. Sigh...

    Two questions: first, how does an export a sequence multi-cam edit via dynamic organization link to AE and do appear in AE-like it does in the body? In other words, what did wrong?

    Secondly, how can I recover it? Should I really delete my sequence target in the body and start over (and by extension, remove the AE project also)? No there is no way to break a dynamic link once it's done?

    --

    Bruce Watson

    Hi Bruce,.

    Jim already did you in the right direction.

    Common to follow way is:

    -You create your legacy third down.

    -you save. Do not export an intermediary (except your animation will not change, so you can export a file using RGB + alpha channel corresponding to your project in Pr or Avid or any editor)

    If you use PR, do not export. No prproject, no middle man, it's just save.

    -First, you choose file > Dynamic Link > import after effects composition.

    Then, in the opened window, you access the AE project where this model is.

    Choose the model, hit very well, use it like any other element of the source, IO in the source monitor or just put on a video track above your video in the timeline, like any other title.

    And don't forget to read the manual of articles about dynamic linking.

    They can give you a great insight to a fast and powerful workflow.

    And I'm pretty sure you can always use this knowledge in CS6.

    Greetings from Vienna,

    Felix

  • B286HK came without miniDP. Buy Apple Thunderbolt scan cable but monitor does not see.

    My B286HK monitor came without miniDP cable so I went to Apple and bought a miniDP (thunderbolt) cable. The cable in the monitor and my Macbook Pro Retinr 13 "and the analysis of entry monitor jump directly.

    Everything I read is that the screen displays 4K 60 Hz using the displayPort.

    HDMI works very well, but ONLY 4 K at 30 Hz.

    The monitor supports 4 k 60 Hz display port? If so do I need a special cable?

    Thanks for any help.

    I bougth a mini-cable DP to DP and everything seems to work fine 4K at 60 Hz.

  • Multi-cam sequence only ONE AUDIO CHANNEL LEFT, Adobe Premiere Pro CC TIMES.

    Hi all

    I was wondering if someone could help me out here. I have several hours of short clips (1-3 min) of an event of 3 days I am organizing and preparation for editing.  I wasn't on the shooting, but the cameras record the external microphone (main audio) on one channel and the internal microphone (audio reference) on another channel; but it varies on what channel they recored reference main vs.  For the clips where someone talking directly to the camera and I know that I will not need the audio reference, I went and made "audio editing" and mixed the "stereo" until "mono" and then selected the channel with the "audio main' to be source channel.   It works now great when the person talks it comes in evenly on the left and right speakers instead of being unbalanced.

    However, when I then try to take 2 of these clips which were mixed at the bottom of 'mono' and create a new multi-cam sequence, new sequence plays constantly audio only from the left lane.  I tried many configurations where do the multi-cam of sequence (automatic, mono, stereo, Adaptive). Nothing works - he ONLY plays the left side.  I also tried to change the audio channels after I do the new sequence and put "Channel 1" in both channels left and right.  Nothing, he still plays on the left side.

    Any idea on how to get my mono source channel to play regularly in the left and right channels instead of only in the left?  Also, if I try to Pan right in the effects window, it's just quieter, not balanced.

    Thanks for the help!

    Found a solution here multicamera Source Audio sequence of 1 speaker instead of two? HELP Please!

    CTRL + N or command + N for a new sequence, select your preset (in my case DVProHD > 1080i) and make sure the audio channels are all mono. Then copy and paste all your clips into the new empty sequence.

    When I upgraded from Premiere Pro CC 2014 and 2015, all my sequences blocking started playing mono audio through the left speaker only. I'd just create a new multi camera sequence or if I opened one I had created in 2014.

  • Sequence of multi cameras went black (mostly)

    So, I edited three sequences of separate camera multi... They all was beautiful and I exported through media encoder. When I went to look at my files, one of the three was a really small size, and I noticed he was all black.

    I returned to premeir pro cc and of course this multi cam seqence was all black as well (except about 3 seconds of images in the middle of two different cameras). Now when I go back to the original (except the nested multi cam) sequence that is fine so I know that the clips are always linked in PP. Also, I can make a new cam multi of the original sequence and that is very good.

    I think that PP just F'd up... and unless someone can tell me how to go back in the file record history or something I'm flowing because first auto saved when I closed it last.  I'm seriously unprofitable as to why this has happened as it was fine when I went to export it... or at least almost immediately before.  Why are there 3 seconds of footage in the middle of all the sequences of black 47 min? and 3 seconds is from within a sequence of 10 minutes on the original UN nested sequence is not as if a single video file showing upwards.

    OK, so more about what happened that I want to spend my life with. Any way to copy edit them the points on a new multi cam sequence?  Does anyone have ideas, what's happened I can cancel?

    Thank you

    OK, so it's weird... so, the original UN nested sequence was 01:30 hours with 45 minutes of audio at the beginning unused. When I did my nested for multi cam editing sequence I selected the last 45 minutes and nested that.  Everything worked very well, but somehow during export it took my multi cam sequence and added within 45 minutes of audio virgins... so when I extended the sequence of cam multi at 01:30 there was all my videos... but my changes were all conducted on the top of the audio. Seriously stupid and certainly a bug!

    Is there an any file record history that I can come back?

    This looks like a bug in 7.0 that has been fixed in 7.0.1.  I recommend that you update to 7.1. In many if not most cases, the patch has corrected the problem in existing projects.

    This is the main thread about the bug: http://forums.adobe.com/message/5823746#5823746#5823746.

Maybe you are looking for

  • FoxTab is not working in Firefox 20

    Homepage What I set as view foxtab, appears empty. The foxtab icon also doesnot work

  • Ethernet controller does not work on the Satellite L645D-S4030

    Basically, I got my windows 7 reinstalled on my laptop due to virus... Now I have a problem with the Ethernet controller does not, I checked my device manager and there is a kind of yellow dash through the icon... Someone knows what is the problem an

  • HP Pavilion 17: keyboard problem after BIOS upgrade

    This isn't a terribly troubling problem, but I will mention it if HP is the reform of systems of thought from these forums.  I recently downloaded and applied the update of the BIOS HP with HP Support Assistant.  After, my keyboard does not work on t

  • Install the new hard drive in a HP Envy 17 - t - k000 CTO Notebook PC

    17 t-K000 CTO Notebook PC running Windows 8.1 envy The bottom of my laptop is not the access port with the J100 Quad Core. I want to install an SSD in a drive Bay 1 (port 0) and the HD in the drive Bay 2 (port 1). I pulled each screw on the merits of

  • A renovation failed on Nokia 5230

    My nokia 5230 in flashing mode after recondition a failure because of the power outage, how can I recover coz on what he can't come. Only a beep and flash during the call, end buttons every 5 seconds after. What should I do?