No frame zero in 23.98 media

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• Sequence of pictures sent to SOUL always starts at zero.  Names of files.

  Always in AE, you can render parts of a model and crush frames you already rendered.  Want to render from 25 seconds to 36 seconds, he will name compname_ [XXXXX].  Sending this same rendering to SOUL done that.  It just starts at frame zero no matter what you name it.  At least for me, it did.  Is this a bug?  Regardless of where my work space, the number of image always starts at zero, do typo rendered useless.  I don't see any kind of box, substitute or toggle anywhere.  Clues?

  It is a feature request for SOUL as it will always start at 0. You can file a request to feature here: https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

• problem: import the image sequence into adobe media encoder

  Hello

  have a problem with adobe media encoder CS6, change the display Format to 25 time frame in the preferences of media coder, I import a series of TGA (170 images) to media encoder in an image file TGA sequence, the series generated from 3D applications Max and ToonBoom, specification of TGA series 1080 50i "1920 X 1080 - high filed - 25 frames per second. When I import the sequence, encode media recognize the sequence as 1920 X 1080 - progressive - 29.97 FPS, to interpret the window images options I change the settings of the upper sequence deposited - 25 fps, and I export to quicktime mov 1920 X 1080 - class top - 25 fps uncompressed

  the problem:

  mov file is 06:20 and it is right for the 170 25 fps calendar but mov file does not contain the tga series image, image freeze in time code 05:16 (number 142 of the framework) and duplicate the 142 image to the rest of the video file

  If I do not change the pace to interpret the window options images for the tga sequence what media encoder recognizes as 29.97 FPS mov file contain all TGA images, but with a duration of 05:16 which not 25 fps

  in adobe media encoder CS5.5 I don't get this problem at all

  1. How do I solve this problem?

  2. how to force CS6 adobe media encoder to recognize the image sequence imported as rate of 25 fps?

  Windows 7 Ultimate SP1, Adobe Creative Suite Master Collection CS6

  Thank you

  Post edited by: yas1amin1mah

  "Film" is finally fixed in November 2013 video updates of creative cloud. If your version of Premiere Pro and SOUL is or more 7.1.0 everything should work as expected. But don't forget to actually perform "Film" on your source in first Pro CC or CC SOUL that, otherwise your sequence of images will continue to be interpreted as 29.97 FPS by default.

• opening project CS5 in CC6 - edited clips my camera just in the wrong place in the images

  Can anyone help with this one... I built my project in CS5 and has not used any feature mulitcam, but simply aligned images of my two cameras manually.  Now I'm trying to open it in CC6 polishing and color, etc.  When I open the project file I don't get mistakes and just rename the project file.  When it opens in fact, all of my B-camera clips are correct, but all my clips in camera camera-has moved to other sections of the sequence and are totally screwed up.  I checked the frame rate on everything in media locations in 5 and 6 to ensure that nothing has changed in the transfer and checked the sequence settings in both institutions.  None of the publishers I know have experienced this problem.  Please help if you can!

  Complete the project in 5.5 and again CS6.

• ProRes import causes a generic error

  Hello, I'm trying to import files ProRes422LT 2160 p 25, but I always end up with messages 'generic import error' that is not help much, I had to move to my main drive for even some of them to import, but it always fail to import a part, no matter what I do it wont import all of them, the files , it can not import are randomized always whenever I start the program, an import after that one won't either TI on some of them as still fails which is completely random.

  Adobe Premiere Pro also refuses to import from ext harddrives, but on my main solidstatedrive, it imports some of them, but not all.

  I tried to clean the cache of media several times, I tried to reinstall the programs, I tried to reinstall Quicktime 7.79, at this point, I'm just pandering to reinstall everything the portable unit.

  I have several codec packs installed for other purposes such as FFdshow, Combined Community Codec Pack, GoPro CineForm, Avid video Codecs of THE, UT, Lagarith, Xvid and DivX

  I also tried to uninstall most of these codec packs to see if they are in conflict with the program, but none seem to have no effect.

  Info

  Adobe first Pro CC 2015.2 v9.2

  OS - Microsoft Windows 8.1 Pro x 64

  CPU - Intel Core i7-3940XM

  GPU - AMD Radeon R9 M290X (AMD Crimson pilot 16.5.3)

  RAM - 32 GB SO - DIMM DDR3L 1600 Mhz

  Well, I solved the problem, it turns out that AMD drivers were at fault once more to break many features of Premiere Pro even with OpenGL rendering off the coast.

  I started 16.3.2 Crimson and I suggest anyone who has similar problems to do the same thing and avoid the newer (fixes) they pump and expect senior officials instead.

  The patches seems to screw with my rendering too causing damaged frames or just outright crash Media Encoder or Premiere Pro.

• should what size of file I use on jpg imported for them to properly size with Premiere Pro. When I import them into different sizes, they are large or small

  should what size of file I use on jpg imported for them to properly size with Premiere Pro. When I import them into different sizes, they are large or small

  In the preferences, select scale to frame size and then any media imported after the modification will be automatically resized to fit your sequence.

  Thank you

  The f

• Two clips of different screen in the timeline format

  Greetings!

  I started using the first Pro CC today.  Just practical put two clips on the Timeline, but each clip has a different screen ratio.  One comes from an old Tricaster, another coming of Avid's Media Composer.

  The first clip on the Timeline, it is that since the Tricaster, the second is that of Avid.

  Looks like the Tricaster recorded in a 3:4 screen report while Avid seems to be 16:9.

  The Tricaster clip shows OK on the monitor, but that Avid seems to have been "zoom in".

  How could I be the 16:9 ratio in a 3:4 ratio?  Yes, I understand there are black areas in some of the sides of the screen, but I'm just testing the software.

  Thanks for the info.

  Bert

  PrPro defines a sequence by the first media placed on this sequence. Other media banged against this sequence with different proportions are resized simply upwards or downwards to "adapt". Right-click on the 16:9 clip and working with your scaling options until it seems as you want.

  That said... What is the frame of both types of media pixel size? There could be a problem where it would be better for the media from 16:9 to be your 'sequence' settings and media from 4:3 to fit on the scale.

  Neil

• application of expression

  I've been askjing about for how an individual which effect I have seen on many music video was created.  Nobody could give me a definitive answer, I even suggested maybe that this was done by editing in premiere, others accepted is a strong possibility.  However, to keep this effect for a long period of time or try the other layer stacking would be very tedious in an editing program.

  The effect here http://youtu.be/T6j4f8cHBIM    at 0:50       or        http://www.Vevo.com/watch/Nicki-Minaj/stupid-hoe-explicit/USCMV1100087

  I was given a wiggle wiggle expression (1.50) < 50? 0: 100 which makes opacity of a layer either 0 or 100 if the wiggle value is above or below a specific number, but the result of this is random.

  I've never written my own expression and I discovered trying to verbalize the desired action and result takes language very prsice, so here is my attempt.

  I would like to order ocacity a layer by alternate, in sequential order, through a complete cycle of assigned values x times per second.

  That is to say.

  The layer opacity values A = 0, 25,50,100 read in order sequecial to frequency x

  I would like to use this expression to have layers that are stacked visible as follows:

  (The start time of each layer is the frequency and the same rate in the same expression).

  Layer opacity values A = 100, 0, 0

  Values of opacity layer B = 0, 100, 0

  Values of opacity layer C = 0, 0, 100

  With the expression applied to each layer, the Visual result in the window of the model would be to see layer A, B and C in that order x times per second.   With the expression refers to a sequence of numbers, I can choose to have 3 or 20 layers be totally, partially or invisible somehow predictable/rhythm.

  Thanks in advance

  You can do this by using a few key images and a very simple expression.

  On a layer, set a keyframe of the frame from 0 to 100% opacity. Make a keyframe of the hold, and then the next frame set opacity to zero, which should by default also. Finally on the third setting * set opacity to 100%. ALT-click on the stopwatch and add the expression loopOut(type='cycle').

  Copy your keyframes and expression of your other layers and compensate all keyframes by layer of an image of each, so on the second layer, is the first keyframe on frame a third image layer two, etc.

  * Obviously this frame depends on how many layers you want to browse. Here, we have three layers so the final image key setting the opacity to 100 is on three framework (assuming that your comp at frame zero). If you have 10 layers, it will be the frame of 10.

  Hope that helps.

  Christian

• Help me! Mr. Question tracking/camera.

  Hey everybody. I have a question about the animation of a list of chips while using a camera. Here is a video of what I have achieved so far:

  Now, I hope you can get a better understanding of my goal. This composition is all fine and dandy, but I'm wanting this animation contain many, many more red bars and gradually introduce quickly. Currently the rest red bars extend beyond the bottom edge of my composition. I want to that they will be displayed in my final comp, but I don't want to create a large super model only to compensate for the amount of red bars.

  My composition in bases (Comp1) has each 'bar' as its own layer (.ai files). Each bar comes alive to gradually move right left in the center of the canvas. The parent (Comp2) composition includes the basic model (Comp1), and above this - one layer shape that contains a mask with feathers. This layer has been transformed in a matte, to create the illusion of each bar discoloration in the canvas. Finally, the parent of Comp2 (Comp3) contains the camera, Comp2, the 'Company' text layer and the background - with respect, for the top layer of the bottom layer.

  My question is, I can't find a way to continue the downward movement of the camera without him reach the bottom of Comp2. Ordi1, I have created countless bars that extend below the lower edge of the composition - all the animated accordingly. Ive extended the mask (Matt Track) in Comp2 all the way to the bottom bar of Comp1. However, that move the camera in Comp3 down its axis shows just the bars in the Viewer.

  So, is it possible to get what I want? I don't want to create a publication with a height of 20 000 px... There must be a way to do this. Thanks again.

  Adam

  If it were my project I make all your 3D arrows, move the background and the track matte for the main computer, condense the transformations of the demo. Then the camera would be followed all the way down revealing all ranks.

  Another approach is to parent all your arrows to a null value and animate the position Y of the null value to move the arrows to the top. If you use just parenting do of course you frame zero before selecting all layers in arrow to assign the value null as a parent. In this technique, you will be able to keep all the 2D layers.

  Suggestion of the Mylenium for tile movement is also a good solution.

  Whenever I do projects that have repedative motion I use an expression to be assigned the motion. If you're into expressions then you might want to take a look at this expression that I saved as a preset. That's the slide on the left, of abandonment. Simply, you set the in and out point of the layer, adjust the number of images you want to use to drag the layer in and slide the outside layer and duplicate. A small change of the expression makes the slide of the layer from the right and down. You can then add an index value for each layer in the first position, and then simply duplicate the layers as many times as you like, sequence layers and you would be done.

  This is the expression:

  FIS = effect ("slideIn Frames")("Slider");

  SOF = effect ("slideOut Frames")("Slider");

  find in and out point

  Respondent = FIS * thisComp.frameDuration;

  If (effect ("Match if SO")("Checkbox") == 0) {}

  outTime = sof * thisComp.frameDuration;

  }

  ElseIf (effect ("Match if SO")("Checkbox") == 1) {}

  outTime = intimate;

  }

  Size of the layer when scale of difficulty

  SF = scale - [100, 100];

  xSize = width + (width * sf [0] / 100);

  ySize = height + (height * sf [1] / 100);

  realSize [xSize, ySize] =;

  Adjustment positions

  SPX = 0 - realSize [0] + realSize [0] / 2;

  rstx = value [0];

  rsty = value [1];

  EPY = thisComp.height + realSize [1] - realSize [1] / 2;

  create a movement

  FREQ = effect ("bounce Frequency")("Slider");

  amplitude = effect ("Amplitude bounce")("Slider");

  cavity effect = ("bounce Decay")("Slider");

  posCos = Math.abs (Math.cos(freq*time*2*Math.PI));

  y = amplitude * posCos/Math.exp(decay*time);

  moveIn = Math.min (linear (time, inPoint, inPoint + respondent, spx, rstx-y));

  Obliquity = Math.min (linear (time, outPoint-outTime, outPoint - thisComp.frameDuration, rsty, epy));

  [moveIn, obliquity]

  Simply add the called party for the sliders and the box and're you good to go.

  

• Media dei valori di zero maggiori

  The banal Può sembrare domanda burst my non riesco a find the solution.

  HO a table di valori e voglio fare the media dei valori di zero maggiori solo.

  Ho fatto gia a few prove my senza should.

  Use LabVIEW 8.5.

  Grazie a tutti che can help is.

  Hello

  Penso che questa soluzione che sia if sta cercando.

  Saluti,

  Nitz
  (Bravo sono sempre I benvenuti, Mark como una soluzione is e it a)

• Problem with the display of a video frame in Windows Media Player 11 on Vista

  Hello

  I am having some problems with the Windows Media Player 11 on Vista. On my XP machine, when I discovered a video frame by frame, it works perfectly back and forth. However when I try to play the same video on my Vista machine, the button to the front of the image works perfectly fine but the previous image button takes video from 5 to 10 frames. Since I use my machine Vista more and need this feature often enough, it gets boring very quickly. It is a drive problem (since the same player works great under XP with the same video) and can be solved with a patch or some sort?

  Thank you

  Hello Helloaamir,

  Thank you for posting.  I understand the problem you are having, but I do not understand why in the need for these features.  Depending on what you're trying to do, may be able to use Movie Maker instead of it you also has characteristics of the image by image.  If you could include that you are using this feature, because I can give you a good alternative or possible difficulty of deliverance.

  Looking forward to help you any further. Zack
  Engineer Microsoft Support answers visit our Microsoft answers feedback Forum and let us know what you think.

• Poster frame ignored by Media Encoder

  Hello

  I'm having a bad day with the "Set poster Time' in AE.    All my compositions are made to Media Encoder and the poster frame is completely ignored.  My client is chewing a new because "it wasn't like that before... you ruined.

  If indeed, the player used to display the last frame of the video when the player finishes, but now he plays at the end of the video and when it ceases grabs a frame in the middle of the animation as it displays.  I look like an idiot because I can't fix it.

  I even tried making it in AE and sending the Media Encoder .avi... same thing.    There must be a way to override this setting.

  Thank you

  James

  Word of Adobe support:

  "It is not possible to export video files, it is possible for the DVD or Blueray using again, where we can put end Action."

  The end.

• Can do anything on the Red frames on export of Prem Pro or via Media Encoder encoding?

  Red images to be displayed when you export directly from Prem Pro or through Media Encoder. Always on the C300 mxf files and totally, completely at random.

  
  

  I produce documentary and concert film. I need the confidence that each export I do on these long form projects are 100% solid in terms of quality. Have been times recently when I QC had a film only for a red frame Flash upward in the last 5 minutes. Then requires a different export and another session QC.

  
  

  I am aware that it is a known problem. Everything was done on this subject he or y at - he of the workarounds that anyone can share?

  
  

  Thank you
  

  
  

  Mac Pro

  3.5Ghz 6-core Intel Xeon E5

  16 GB 1866 MHz DDR3 ECC

  AMD over-pants D500 3072 MB

  AJA ioXT video card

  What first version are you on?  It was a problem in 2014.0 but was supposed to be resolved in 2015.0.1.  I don't have the problem with my C300 files in the latest version.

• 14 CC Media Encoder renders with black frame at the end

  Hello

  my Media Encoder running on Mac Yosemite is a black frame at the end of the h264 clips...

  How can I fix?

  Thank you

  I just understood - it might be a problem with quicktime player...

• Adobe Media Encoder to Premiere Pro CS4 stops working on the same frame every time...

  Currently, I have Adobe Premiere Pro CS4 and have never had these problems before export. My calendar is less than 3 minutes long, but it deals with several large files. He made perfectly and it plays perfectly in the timeline. When I try to export using Media Encoder, however, it freezes at the same frame every time (which is actually a few seconds in!) then exit breaks down, while I force. I tried to export as many different codecs and the problem persists... same frame. I tried to create a new project from scratch and whisk a few titles and export that to see if it's just export anything. The new project exported very well, however, which I suppose is good news. But yes, my work on this project is very important for me and I reallllly want to export it. Help, please!

  What are the details of the alleged audio file?