Off space... problem resolution .mov imported work?

Hi all

I have a .mov that was shot on a Panasonic P2 (720 x 480 widescreen hurry... SD, 480i) and ingested by using the logging/transfer in Final Cut 7.  Looks a lot like the PCF.  When I take this same source footage and put in AE 5.5, it looks blurry and the gamma is disabled, it seems (to me) more pregressive only interlaced and very noisy (grainy) and it's a proxy video... not a full resolution.

Always drawn comparisons:

Original1.jpgAE1.jpg

Original.jpgAE.jpg

Images on the left are the original .mov file... and on the right are what they look like in AE when placed in a model of the same size as the images.  No effect or whatever it is.  You can see how the bulb has the effect of stairs and is blurred, and the face of the man in AE is washed out and grainy... like the difference between interlaced and progressive.  Hope that I describe it so that you can understand.  And when I do a RAM Preview, it seems just as bad.  Even when I made using Animation without loss, when I report FCP, it seems so totally different than the rest of the video.

Project properties: 8 bits per channel, color management off

Model of settings: preset DV NTSC widescreen (720 x 480, BY: D1/DV NTSC widescreen [1.21])

If I change workspace in the project properties for SDTV NTSC and check the "Match Legacy after effects QuickTime Gamma adjustments", the gamma looks a little better, but it seems not even as good as the original .mov... still the effects of staircase on the bulb, and it seems gradual rather than interlaced... which would be fine if the rest of the video is not interlaced.

When I create animated graphic with the same project properties and parameters of the model, everything seems perfect.  It's a matter of workspace, and how to solve?

Thanks in advance.

Jonathan

The next thought that comes to mind is a matter of field.  The film must be interpreted and rendered as well as lower field first.

Tags: After Effects

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