Problems with dynamic links between Premiere Pro and After Effects

Hello

dynamic binding (insertion of After Effects compositions on a Premiere Pro schedule) rarely worked properly since it was introduced. Problems vary (for example "media disconnected" made plates, old versions of comps rendered).

What's worse, is that you can never tell what will be ultimately made out of Premiere Pro. Thus, a typical professional workflow to several projects together to finish during the day and batch overnight rendering can cause a catastrophe.

Of course, the option is to not use dynamic link. Which makes then less competitive whole adobe.

This subject has been widely discussed for years has been a dynamic links. I'm not the only one having this problem, and the problem is far from new.

My only question is:

Adobe: have you ever fix dynamic links?

I don't really understand how you focus on software development in your company. The vast majority of the features of CC is little or not useful. The most important thing in a professional environment is consistent and reliable - performance can you please focus on that?

I'm inspired to write this post because I just arrived in my edit at 07:00 only to find that my night makes is the wrong versions. All bed very well in the body and AE, damage the final rendering off Media Encoder used an older version of one of my compositions, and that I have nothing to send to my client.

Janne

Title edited by Kevin Monahan.

Management of files Adobe seems to rely on the names and the last path of known files. Body loses links Dynamics (and other files) with frightening regularity in a situation where nothing has changed in the hierarchy of files, the files.

16, when a hard disk of 8 GB was a huge drive, Pro Tools has been littering files on several disks because, as was the creation of audio files in real time, she had to. Digidesign introduced into a system which incorporated a unique program generated number in each file. Since that day I have never had a problem with lost files or correlate. I can move them anywhere, on any system and any PT session concludes that they are with total reliability - and we are talking about a lot of projects with thousands of files, through several studios. If you are looking for files, you can choose to use the identification number, the name of the file, the length of the file, or any combination of these. Which allows for the substitution of file.

Until Adobe address this problem with a solution similar to that of Pro Tools, we'll be constantly beset by problems.

Tags: Premiere

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